Paper

Student Artwork Guide

Olive Terraces

Name Class Date

Barbara Rae, Olive Terraces (1990), The Scottish Government. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Barbara Rae originaluniqueart.com/en/artists/barbara-rae/
Artist’s dates
1943 –
Painted
1990
Original size
85 x 114 cm
Held at
The Scottish Government originaluniqueart.com/en/museums/the-scottish-government-edinburgh/

In context

Olive Terraces — Barbara Rae

How big is it?

The original measures 85 × 114 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 47. 1 of the 5 dated works by this artist in our catalogue came earlier.

▲ this work, 1990 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/barbara-rae-olive-terraces-AQZRGM-en/

Colours

Measured from the image

    Main colour

    Bronze #aa8817

    Catalogued palette

    • #AA8817
    • #282626
    • #AEA473
    • #6C4F26

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Bronze
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Barbara Rae over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 2 most looked-at works by Barbara Rae

    1. 1 Almonds, Ojén 100.0%
    2. — Olive Terraces, 1990 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 7 works by this artist, of which 1 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Barbara Rae

    Born in Falkirk, United Kingdom

    A Symphony of Color and Landscape

    Barbara Rae, born in the rugged landscapes of Falkirk in 1943, stands as a luminous figure in contemporary British art. Her creative identity is deeply rooted in the textures and rhythms of the natural world, an appreciation fostered during her formative years in the Scottish Highlands. Before she ever picked up a brush to redefine the landscape, Rae worked as a grouse-beater, an experience that provided her with an intimate, visceral connection to the geography of Scotland. This early immersion in the wild, untamed beauty of the north would later become the heartbeat of her work, allowing her to translate the raw essence of terrain into a sophisticated language of abstract expressionism and meticulous observation.

    Her formal artistic evolution began at the Edinburgh College of Art between 1961 and 1965, where she mastered the foundational techniques that would later serve as the scaffolding for her experimental explorations. Seeking to expand her visual vocabulary beyond the borders of Scotland, Rae embarked on transformative journeys through France and Spain. These travels were far more than mere sightseeing; they were profound aesthetic encounters that introduced her to a broader spectrum of light and palette. The vibrant, sun-drenched hues of the Mediterranean and the diverse textures of European landscapes became integral components of her oeuvre, infusing her compositions with a dynamic energy that bridges the gap between the familiar Scottish scenery and a more universal, abstract sense of place.

    The Evolution of Vision and Technique

    As Rae’s career progressed, her work transitioned into a masterful fusion of color field painting and layered abstraction. She developed a unique ability to capture the ephemeral qualities of light and atmosphere, often using bold, saturated colors to evoke the emotional weight of a landscape rather than its literal form. Her paintings are characterized by a sense of movement and depth, where layers of pigment seem to breathe with the vitality of the earth itself. This is evident in works such as Christmas – Ronda, where she utilizes vibrant textures and dynamic color to create an evocative, abstract expressionist vision of the Spanish landscape.

    Her technical prowess extends into the realm of printmaking, a medium that allows her to further explore the interplay of shape and space. Whether capturing the serene, sunset-drenched moments of Lammermuir – Winter or the ethereal, shifting tones found in Winter Light, Lammermoor, Rae’s work remains a testament to her ability to find the extraordinary within the elemental. Her compositions often rely on a delicate balance of heavy, textured applications and translucent washes, creating a rhythmic complexity that mirrors the geological layers of the landscapes she depicts.

    Legacy and Artistic Contribution

    Beyond her personal creative output, Barbara Rae has left an indelible mark on the landscape of British art education and institutional recognition. Her tenure as a lecturer at prestigious institutions, including the Glasgow School of Art from 1975 to 1996, allowed her to shape the perspectives of a new generation of artists, passing on her commitment to both technical rigor and experimental freedom. This dedication to the craft was mirrored by her rising status within the professional art community, marked by her ascent through the ranks of the Royal Scottish Academy, moving from an associate membership in 1980 to full recognition.

    The significance of Rae’s work lies in its ability to transcend simple representation. She does not merely paint a place; she paints the feeling of being within it. Through her mastery of color and form, she has created a body of work that serves as a bridge between the tangible geography of Scotland and Spain and the intangible realms of memory and emotion. Her legacy is one of profound visual storytelling, where every brushstroke contributes to a larger, symphonic exploration of the natural world's enduring beauty.

    Museum

    The Scottish Government

    On show in Edinburgh, United Kingdom

    About The Scottish Government

    Explore the heart of Scotland’s governance and heritage at The Scottish Government in Edinburgh. This unique institution offers a fascinating insight into the nation's past, present, and future through compelling exhibits and displays.

    Specializations & Collections

    Political History:

    Delve into the evolution of Scottish politics, from pre-Union governance to the modern devolved parliament.

    Devolution & Governance:

    Understand the process and impact of devolution on Scotland’s political landscape.

    Scottish Law & Legislation:

    Discover key aspects of Scotland's legal system and legislative processes.

    National Heritage:

    Explore exhibits showcasing Scotland’s rich cultural heritage and national identity.

    History

    The story of governance in Scotland stretches back centuries. Prior to the 1707 Treaty of Union, the Kingdom of Scotland was governed by a Privy Council and Parliament. The signing of the treaty led to the integration of the Scottish Parliament into the Parliament of Great Britain. In 1999, following a referendum on devolution, the Scottish Executive (now the Scottish Government) was formed, marking a new era of self-governance for Scotland.

    Notable Aspects & Uniqueness

    Unique Perspective:

    Offers an insider’s view into the workings of the Scottish government and its impact on daily life.

    Historical Significance:

    Located in Edinburgh, a city steeped in history, the museum provides context to Scotland's political journey.

    Educational Value:

    Provides valuable insights for students, researchers, and anyone interested in Scottish politics and culture.

    Architecture & Location

    The Scottish Government is headquartered at St Andrew's House in Edinburgh. While the building itself isn’t traditionally a museum space, exhibits are integrated within its governmental setting, offering a unique experience for visitors. Its central location on the Royal Mile makes it easily accessible and part of Edinburgh’s historic core.

    Visitor Information

    The Scottish Government offers a compelling and informative experience for those seeking to understand Scotland's political history and contemporary governance. It is a must-visit destination for anyone interested in the nation’s past, present, and future.

    Where to read more

    • The artist Barbara Rae originaluniqueart.com/en/artists/barbara-rae/
    • The museum The Scottish Government originaluniqueart.com/en/museums/the-scottish-government-edinburgh/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/barbara-rae-olive-terraces-AQZRGM-en/

    Find this online

    QR code linking to the download page for Olive Terraces

    originaluniqueart.com/en/art/download/barbara-rae-olive-terraces-AQZRGM-en/

    Cite this artwork

    MLA
    Rae, Barbara. Olive Terraces. 1990, The Scottish Government. https://originaluniqueart.com/en/art/barbara-rae-olive-terraces-AQZRGM-en/
    APA
    Rae, Barbara (1990). Olive Terraces [Painting]. The Scottish Government. https://originaluniqueart.com/en/art/barbara-rae-olive-terraces-AQZRGM-en/
    Chicago
    Barbara Rae. Olive Terraces. 1990. The Scottish Government. https://originaluniqueart.com/en/art/barbara-rae-olive-terraces-AQZRGM-en/
    Harvard
    Rae, Barbara (1990) Olive Terraces. The Scottish Government. Available at: https://originaluniqueart.com/en/art/barbara-rae-olive-terraces-AQZRGM-en/

    Look closely

    Olive Terraces — Barbara Rae

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Christmas – Ronda (1991), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Barbara Rae was about 47 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "Olive Terraces" by Barbara Rae a bright or a dark artwork?

    In terms of perceived brightness, "Olive Terraces" by Barbara Rae is balanced.

    Are the colors of "Olive Terraces" by Barbara Rae vivid or muted?

    The colors of "Olive Terraces" by Barbara Rae show a clear color presence saturation with a vivid intensity.

    What level of contrast does "Olive Terraces" by Barbara Rae show?

    The light-dark contrast of "Olive Terraces" is recorded as bold. Contrast describes how strongly light and dark areas differ.