Paper

Student Artwork Guide

Grinding Corn

Name Class Date

Arthur William Devis, Grinding Corn. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Arthur William Devis originaluniqueart.com/en/artists/arthur-william-devis/
Artist’s dates
1712 – 1787
Movement
Realism Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander.

In context

Grinding Corn — Arthur William Devis

When might this have been painted?

  1. 1710
  2. 1720
  3. 1730
  4. 1740
  5. 1750
  6. 1760
  7. 1770
  8. 1780

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 75 at death.

Shaded: the lifetime of Arthur William Devis (1712–1787) every dated painting, decade by decade

First works: up to 1748 Main working years: 1748–1757 Late works: from 1757

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/arthur-william-devis-grinding-corn-9CVU9B-en/

Colours

Measured from the image

    Main colour

    Driftwood #928162

    Catalogued palette

    • #928162
    • #4C2C1D
    • #66441E
    • #7E5F27

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Arthur William Devis over the last twelve months — 8 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 62.5%
    2. 2 United States of America 14.6%
    3. 3 Hong Kong 6.2%
    4. 4 Singapore 6.2%
    5. 5 United Kingdom 4.2%
    6. 6 Czechia 2.1%
    7. 7 Germany 2.1%
    8. 8 Spain 2.1%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Arthur William Devis

    1. 1 Mary du Cane, née Norris, 1749 8.5%
    2. 2 Miss Anderson With Her Dog 6.8%
    3. 3 Young Man, the Young Waltonian, 1750 5.1%
    4. 4 Portrait of a Gentleman in an Interior, at a Lathe, 1756 5.1%
    5. 5 Mr (1703–1745), and Mrs William Atherton, 1743 5.1%
    6. 6 John Orlebar, 1740 5.1%
    7. 7 Sarah Lascelles (1656 1659–1743), Mrs Christopher Lethieullier, 1749 5.1%
    8. 8 Turbot, Lobster and Sea Shells, in the Thames Estuary ( ), 1772 3.4%
    9. 9 Portrait of a Gentleman Sitting under a Tree (said to be Sir James Burrow, 1701–1782, FRS, FSA), 1749 3.4%
    10. 10 Thomas Hunt III (1721–1788), 1743 3.4%
    11. 11 The Clavey Family In Their Garden At Hampstead 3.4%
    12. 12 Portrait of a Woman in an Interior, 1742 1.7%
    13. 13 Common Carp, Freshwater Crayfish and Eel, in an Imaginary French Setting ( ), 1772 1.7%
    14. 14 Francis Vincent of Weddington Hall, Warwickshire, with His Wife Mercy and Daughter Ann, 1763 1.7%
    15. 15 Atlantic Salmon and Allis Shad, by the River Wye ( ), 1772 1.7%
    16. 16 The Edgar Children Charlotte Edgar and Her Sister Elizabeth Edgar, of Red House Park, Ipswich, 1762 1.7%
    17. 17 Richard, Mary and Peter – The Children of Peter and Mary du Cane, 1749 1.7%
    18. 18 The James Family, 1751 1.7%
    19. 19 Portrait of an Unknown Lady before a Chimneypiece (possibly Elizabeth Lacey, Mrs Joshua Iremonger III), 1749 1.7%
    20. Grinding Corn this painting 0.0%

    Together these works take 68.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 155 works by this artist, of which 38 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Arthur William Devis

    Born in London, United Kingdom

    Arthur William Devis (1762–1822): The Gentle Hand of Portraiture and History

    Arthur William Devis (19 February 1712 – 25 July 1787) was an English painter whose father, Anthony, was progenitor of what became a family dynasty of painters and writers. The place of Arthur Devis in art history is generally as painter of the type of portrait now called a conversation piece. After moving to London and apprenticeship to a Flemish topographical artist there, he switched to portraiture and acquired a considerable reputation, although this success did not last. Unable to adapt to later fashionable artistic currents, his commissions declined and his work was largely forgotten after his death until the 20th century revival of interest in the conversation piece.

    Early Life & Training: Devis’s artistic talent emerged early on, fueled by a familial legacy steeped in artistic tradition. Following in the footsteps of his elder brother Thomas Anthony Devis, who was also a painter, he enrolled at the Royal Academy Schools in 1774, immersing himself in the rigorous training demanded by the era's leading artistic institution. His formative years were marked by exposure to influential figures like Sir Joshua Reynolds, whose teachings profoundly shaped Devis’s stylistic sensibilities.

    Notable Commissions & Travels: Devis gained recognition through his membership in the Free Society of Artists and continued to exhibit his work at the Royal Academy, attracting considerable acclaim. A pivotal moment arrived in 1783 when he was appointed as draughtsman on the British East India Company’s packet antelope under Captain Henry Wilson. Tragically, Devis suffered a serious injury during an encounter with Papuans near the Schouten Islands and subsequently endured a shipwreck on the Pelw islands—challenges that nevertheless spurred him to persevere in his artistic endeavors.

    Style & Technique: The Delicate Stroke of Elegance

    Devis’s artistic style is characterized by an exquisite sensitivity to detail and a masterful command of technique, particularly evident in his portraits. He favored graceful poses—often depicting subjects in moments of quiet contemplation—creating images imbued with understated beauty and psychological depth. His palette tended towards muted tones, reflecting the prevailing aesthetic preferences of the late 18th century, yet he achieved remarkable luminosity through careful layering of glazes and subtle gradations of color. Devis’s meticulous observation of anatomy combined seamlessly with an intuitive understanding of human expression, resulting in portraits that captured not only physical likeness but also inner character.

    Conversation Pieces: Devis excelled at capturing the essence of domestic life through “conversation pieces”—genre paintings depicting scenes of familial gatherings or intimate interiors—a style highly valued during his time.

    Historical Subjects: Beyond portraiture, Devis undertook ambitious historical commissions, notably the depiction of Nelson’s death and a posthumous portrait honoring Admiral Horatio Nelson.

    Significant Works & Legacy

    Devis produced an impressive oeuvre encompassing approximately sixty-five paintings that graced the Royal Academy galleries between 1779 and 1821, cementing his reputation as one of London’s foremost artists. Among his most celebrated achievements include:

    Portrait of Sir William Jones: This masterpiece resides at the British Library, showcasing Devis's exceptional skill in capturing dignified composure and intellectual curiosity.

    Nelson Portraits: His depictions of Nelson—both as Vice Admiral and posthumously—remain iconic representations of naval heroism and national pride.

    Other Notable Commissions: He undertook commissions for prominent figures such as King George III on horseback, Lord Howe, and Sir Roger Newdigate, demonstrating his versatility and artistic ambition.

    Devis’s work continues to inspire admiration and scholarly study, appearing in museums across Britain including the Royal Academy and the National Maritime Museum. His legacy endures not merely as a testament to artistic talent but also as an embodiment of the refined sensibilities that defined the Georgian era—a period characterized by elegance, restraint, and a profound appreciation for beauty.

    Where to read more

    Find this online

    QR code linking to the download page for Grinding Corn

    originaluniqueart.com/en/art/download/arthur-william-devis-grinding-corn-9CVU9B-en/

    Cite this artwork

    MLA
    Devis, Arthur William. Grinding Corn. n.d., https://originaluniqueart.com/en/art/arthur-william-devis-grinding-corn-9CVU9B-en/
    APA
    Devis, Arthur William (n.d.). Grinding Corn [Painting]. https://originaluniqueart.com/en/art/arthur-william-devis-grinding-corn-9CVU9B-en/
    Chicago
    Arthur William Devis. Grinding Corn. n.d. https://originaluniqueart.com/en/art/arthur-william-devis-grinding-corn-9CVU9B-en/
    Harvard
    Devis, Arthur William (n.d.) Grinding Corn. Available at: https://originaluniqueart.com/en/art/arthur-william-devis-grinding-corn-9CVU9B-en/

    Look closely

    Grinding Corn — Arthur William Devis

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: rural life, african women, grinding corn. Do you agree? What would you add, or take away?
    4. Look back at PORTRAIT D'UN HOMME ET DE SA FILLE, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Realism: Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How is the color composition of "Grinding Corn" by Arthur William Devis built?

    The color composition of "Grinding Corn" by Arthur William Devis combines a serene contrast with a unified palette harmony.

    What is the color identity of "Grinding Corn" by Arthur William Devis?

    "Grinding Corn" is defined by a dark palette led by driftwood (#928162).

    How strong are the colors of "Grinding Corn"?

    "Grinding Corn" by Arthur William Devis is recorded with a clear color presence saturation and a balanced intensity.