Paper

Student Artwork Guide

Flounders and Smelts

Name Class Date

Arthur William Devis, Flounders and Smelts (1772), National Trust. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Arthur William Devis originaluniqueart.com/en/artists/arthur-william-devis/
Artist’s dates
1712 – 1787
Painted
1772
Original size
54 x 54 cm
Movement
Romantic Landscape Painting Art that puts feeling, wildness and the power of nature above calm order and rules.
Period
19th Century
Held at
National Trust originaluniqueart.com/en/museums/national-trust-derby/
Artistic style
Romanticism
Influences
British Landscape Painting
Notable elements or techniques
Detailed depiction of fish habitat.
Subject or theme
Marine Life

In context

Flounders and Smelts — Arthur William Devis

How big is it?

The original measures 54 × 54 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1710
  2. 1720
  3. 1730
  4. 1740
  5. 1750
  6. 1760
  7. 1770
  8. 1780

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 75 at death.

Painted when the artist was 60. The artist lived to 75. 51 of the 58 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Arthur William Devis (1712–1787) ▲ this work, 1772 every dated painting, decade by decade

First works: up to 1748 Main working years: 1748–1757 Late works: from 1757

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/arthur-william-devis-flounders-and-smelts-AQSAT3-en/

Colours

Measured from the image

    Main colour

    Espresso #4e4231

    Catalogued palette

    • #4E4231
    • #877866
    • #6F604E
    • #2D271B

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Arthur William Devis over the last twelve months — 8 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 62.5%
    2. 2 United States of America 14.6%
    3. 3 Hong Kong 6.2%
    4. 4 Singapore 6.2%
    5. 5 United Kingdom 4.2%
    6. 6 Czechia 2.1%
    7. 7 Germany 2.1%
    8. 8 Spain 2.1%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Arthur William Devis

    1. 1 Mary du Cane, née Norris, 1749 8.3%
    2. 2 Miss Anderson With Her Dog 6.7%
    3. 3 Young Man, the Young Waltonian, 1750 5.0%
    4. 4 Portrait of a Gentleman in an Interior, at a Lathe, 1756 5.0%
    5. 5 Mr (1703–1745), and Mrs William Atherton, 1743 5.0%
    6. 6 John Orlebar, 1740 5.0%
    7. 7 Sarah Lascelles (1656 1659–1743), Mrs Christopher Lethieullier, 1749 5.0%
    8. 8 Turbot, Lobster and Sea Shells, in the Thames Estuary ( ), 1772 3.3%
    9. 9 Portrait of a Gentleman Sitting under a Tree (said to be Sir James Burrow, 1701–1782, FRS, FSA), 1749 3.3%
    10. 10 Nicholas Fazakerley (d.1767), 1763 3.3%
    11. 11 Thomas Hunt III (1721–1788), 1743 3.3%
    12. 12 The Clavey Family In Their Garden At Hampstead 3.3%
    13. 13 Portrait of a Woman in an Interior, 1742 1.7%
    14. 14 Common Carp, Freshwater Crayfish and Eel, in an Imaginary French Setting ( ), 1772 1.7%
    15. 15 Francis Vincent of Weddington Hall, Warwickshire, with His Wife Mercy and Daughter Ann, 1763 1.7%
    16. 16 Atlantic Salmon and Allis Shad, by the River Wye ( ), 1772 1.7%
    17. 17 The Edgar Children Charlotte Edgar and Her Sister Elizabeth Edgar, of Red House Park, Ipswich, 1762 1.7%
    18. 18 Richard, Mary and Peter – The Children of Peter and Mary du Cane, 1749 1.7%
    19. 19 The James Family, 1751 1.7%
    20. — Flounders and Smelts, 1772 this painting 0.0%

    Together these works take 68.4% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 155 works by this artist, of which 38 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Flounders and Smelts — Arthur William Devis

    A Moment Frozen in Time: Devis's "Flounders and Smelts"

    Arthur William Devis’s “Flounders and Smelts,” painted in 1772, is more than just a depiction of fish; it’s a poignant meditation on mortality, the transient nature of beauty, and the quiet dignity of the natural world. Measuring a modest 54 x 54 cm, this canvas offers an intimate glimpse into the artistic sensibilities of a man largely overlooked by art history until recently. Devis, a London-based painter working during a period of significant stylistic shifts, produced works that fall squarely within the burgeoning genre of the ‘conversation piece’ – large-scale paintings intended to be displayed in drawing rooms and designed to spark discussion amongst their viewers.

    The Conversation Piece: Genre and Context

    Devis's work reflects the tastes of his era, a time when portraiture was evolving beyond simple likenesses. The conversation piece aimed for something more substantial – a scene that invited interpretation and offered a window into the owner’s interests or social standing. “Flounders and Smelts” embodies this perfectly. Painted in the mid-18th century, it aligns with Devis's focus on depicting scenes of natural beauty and domestic tranquility, hallmarks of the conversation piece genre. The painting’s subject matter – a still life featuring fish – was not uncommon, but Devis elevates it through his meticulous observation and skillful execution. It is important to note that Devis's career was marked by fluctuating success; he struggled to adapt to the increasingly fashionable styles emerging in London, ultimately leading to a decline in commissions after his death.

    Technique and Composition

    Devis’s technique is characterized by a delicate hand and a masterful understanding of light and shadow. The fish themselves are rendered with remarkable realism – their scales shimmer subtly, their forms possess a palpable sense of weight and texture. The artist employs a muted palette dominated by earthy tones—greens, browns, and grays—creating a somber yet harmonious atmosphere. The composition is carefully balanced, drawing the eye across the canvas through a series of overlapping planes and subtle gradations in tone. The inclusion of trees in the background adds depth and reinforces the painting’s connection to the natural world, further emphasizing its contemplative mood. Note the use of sfumato, a technique popularized by Leonardo da Vinci, subtly blurring edges and creating an ethereal quality.

    Symbolism and Emotional Resonance

    Beyond its aesthetic qualities, “Flounders and Smelts” carries a profound symbolic weight. The presence of dead or dying fish immediately evokes themes of mortality and decay – reminders of the ephemeral nature of life. Yet, Devis avoids sentimentality; instead, he presents this subject matter with quiet dignity and restraint. The painting’s emotional impact lies in its ability to invite reflection on our own mortality and the beauty that can be found even in moments of decline. It is a work that speaks to the human condition, prompting viewers to contemplate their place within the larger cycle of life and death. This piece offers a unique opportunity to own a significant work from a largely forgotten master, a testament to Devis's skill and his ability to capture a fleeting moment with remarkable sensitivity.

    Artist and museum

    Artist

    Arthur William Devis

    Born in London, United Kingdom

    Arthur William Devis (1762–1822): The Gentle Hand of Portraiture and History

    Arthur William Devis (19 February 1712 – 25 July 1787) was an English painter whose father, Anthony, was progenitor of what became a family dynasty of painters and writers. The place of Arthur Devis in art history is generally as painter of the type of portrait now called a conversation piece. After moving to London and apprenticeship to a Flemish topographical artist there, he switched to portraiture and acquired a considerable reputation, although this success did not last. Unable to adapt to later fashionable artistic currents, his commissions declined and his work was largely forgotten after his death until the 20th century revival of interest in the conversation piece.

    Early Life & Training: Devis’s artistic talent emerged early on, fueled by a familial legacy steeped in artistic tradition. Following in the footsteps of his elder brother Thomas Anthony Devis, who was also a painter, he enrolled at the Royal Academy Schools in 1774, immersing himself in the rigorous training demanded by the era's leading artistic institution. His formative years were marked by exposure to influential figures like Sir Joshua Reynolds, whose teachings profoundly shaped Devis’s stylistic sensibilities.

    Notable Commissions & Travels: Devis gained recognition through his membership in the Free Society of Artists and continued to exhibit his work at the Royal Academy, attracting considerable acclaim. A pivotal moment arrived in 1783 when he was appointed as draughtsman on the British East India Company’s packet antelope under Captain Henry Wilson. Tragically, Devis suffered a serious injury during an encounter with Papuans near the Schouten Islands and subsequently endured a shipwreck on the Pelw islands—challenges that nevertheless spurred him to persevere in his artistic endeavors.

    Style & Technique: The Delicate Stroke of Elegance

    Devis’s artistic style is characterized by an exquisite sensitivity to detail and a masterful command of technique, particularly evident in his portraits. He favored graceful poses—often depicting subjects in moments of quiet contemplation—creating images imbued with understated beauty and psychological depth. His palette tended towards muted tones, reflecting the prevailing aesthetic preferences of the late 18th century, yet he achieved remarkable luminosity through careful layering of glazes and subtle gradations of color. Devis’s meticulous observation of anatomy combined seamlessly with an intuitive understanding of human expression, resulting in portraits that captured not only physical likeness but also inner character.

    Conversation Pieces: Devis excelled at capturing the essence of domestic life through “conversation pieces”—genre paintings depicting scenes of familial gatherings or intimate interiors—a style highly valued during his time.

    Historical Subjects: Beyond portraiture, Devis undertook ambitious historical commissions, notably the depiction of Nelson’s death and a posthumous portrait honoring Admiral Horatio Nelson.

    Significant Works & Legacy

    Devis produced an impressive oeuvre encompassing approximately sixty-five paintings that graced the Royal Academy galleries between 1779 and 1821, cementing his reputation as one of London’s foremost artists. Among his most celebrated achievements include:

    Portrait of Sir William Jones: This masterpiece resides at the British Library, showcasing Devis's exceptional skill in capturing dignified composure and intellectual curiosity.

    Nelson Portraits: His depictions of Nelson—both as Vice Admiral and posthumously—remain iconic representations of naval heroism and national pride.

    Other Notable Commissions: He undertook commissions for prominent figures such as King George III on horseback, Lord Howe, and Sir Roger Newdigate, demonstrating his versatility and artistic ambition.

    Devis’s work continues to inspire admiration and scholarly study, appearing in museums across Britain including the Royal Academy and the National Maritime Museum. His legacy endures not merely as a testament to artistic talent but also as an embodiment of the refined sensibilities that defined the Georgian era—a period characterized by elegance, restraint, and a profound appreciation for beauty.

    Museum

    National Trust

    On show in Derby, United Kingdom

    A Legacy Etched in Stone and Silk

    In the heart of Derbyshire, where verdant landscapes meet profound historical depth, lies a journey through time curated by the

    National Trust

    . To wander through these storied estates is to step into a living gallery, where architecture serves as a canvas for Britain’s evolving social and artistic narrative. The region offers an immersive encounter with grandeur, providing profound inspiration for art lovers, historians, and interior designers alike. Here, the whispers of bygone eras are found in the delicate interplay of light upon silk wall coverings and the enduring strength of Palladian stone, creating a sensory experience that bridges the gap between historical record and emotional resonance.

    The crown jewel of this architectural odyssey is undoubtedly

    Kedleston Hall

    , a magnificent manifestation of the Italian Renaissance brought to the English countryside. As one approaches its classical facade, the symmetrical perfection of its design evokes the sophisticated aspirations of the 18th-century Curzon family. This estate is a masterclass in Palladian architecture, designed to command attention and reflect a refined, cosmopolitan taste. Upon entering, the visitor is enveloped in a meticulously crafted jewel box of interior splendor. The state rooms, largely shaped by the legendary Adam brothers, Robert and James, present a harmonious symphony of proportion and ornamentation. For the contemporary decorator, Kedleston offers an unparalleled study in Georgian elegance, where subtle color palettes and the strategic use of mirrors create an atmosphere of expansive, timeless luxury.

    Narratives of Power and Craftsmanship

    Within these walls, one finds carefully constructed narratives of power and familial legacy, epitomized by

    Jonathan Richardson’s

    evocative portrait of the 4th Baron Curzon. In this work, the masterful use of

    chiaroscuro

    —the dramatic tension between light and shadow—serves to elevate the subjects into a realm of celestial grandeur. In poignant contrast to the aristocratic celebration found at Kedleston,

    Sudbury Hall

    offers a more complex, introspective exploration of history. This Jacobean manor house acts as a profound portal into the intricacies of colonial echoes, inviting visitors to confront the multifaceted truths of the British Empire through its architecture and atmosphere.

    The artistic spirit of Derbyshire extends far beyond these monumental halls, finding expression in the delicate artistry of local craftsmanship. The region is home to the exquisite legacy of

    Derby porcelain

    , produced by William Duesbury & Co., which stands as a testament to the area's enduring tradition of innovation and fine detail. This local heritage adds a layer of tactile beauty to the cultural tapestry of the county, characterized by:

    Intricate figurines and ornate tableware

    that reflect the Enlightenment-era pursuit of perfection.

    The soulful depiction of nature

    , such as the charming

    “Dash,” the Spaniel

    by Charles Henry Schermfelder.

    Architectural inspiration

    found in nearby sites like Calke Abbey, which continue the thread of aesthetic excellence.

    These estates are more than mere historical sites; they are vital repositories of human creativity, safeguarding stories that continue to challenge, inspire, and connect us to our shared cultural heritage.

    Where to read more

    Find this online

    QR code linking to the download page for Flounders and Smelts

    originaluniqueart.com/en/art/download/arthur-william-devis-flounders-and-smelts-AQSAT3-en/

    Cite this artwork

    MLA
    Devis, Arthur William. Flounders and Smelts. 1772, National Trust. https://originaluniqueart.com/en/art/arthur-william-devis-flounders-and-smelts-AQSAT3-en/
    APA
    Devis, Arthur William (1772). Flounders and Smelts [Painting]. National Trust. https://originaluniqueart.com/en/art/arthur-william-devis-flounders-and-smelts-AQSAT3-en/
    Chicago
    Arthur William Devis. Flounders and Smelts. 1772. National Trust. https://originaluniqueart.com/en/art/arthur-william-devis-flounders-and-smelts-AQSAT3-en/
    Harvard
    Devis, Arthur William (1772) Flounders and Smelts. National Trust. Available at: https://originaluniqueart.com/en/art/arthur-william-devis-flounders-and-smelts-AQSAT3-en/

    Look closely

    Flounders and Smelts — Arthur William Devis

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: landscape, fish, trees. Do you agree? What would you add, or take away?
    4. Look back at PORTRAIT D'UN HOMME ET DE SA FILLE, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Romantic Landscape Painting: Art that puts feeling, wildness and the power of nature above calm order and rules. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Flounders and Smelts — Arthur William Devis

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary subject matter depicted in ‘Flounders and Smelts’?

      • A A Detailed Portrait of a Noble Family
      • B A Landscape Scene Featuring Rolling Hills
      • C A Still Life Arrangement of Fish
    2. 2. Which artistic movement is ‘Flounders and Smelts’ considered to be representative of?

      • A Cubism
      • B Romanticism
      • C Impressionism
    3. 3. What technique was Arthur Devis primarily known for using in his paintings?

      • A Sculpture Bronze
      • B Oil On Canvas
      • C Watercolor
    4. 4. In what year was ‘Flounders and Smelts’ created?

      • A 1805
      • B 1762
      • C 1772
    5. 5. Where is ‘Flounders and Smelts’ currently housed?

      • A The Louvre Museum
      • B The Metropolitan Museum of Art
      • C Kedleston Hall

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2C · 3C · 4C · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Where can I find artworks similar to "Flounders and Smelts" by Arthur William Devis?

    The Similars page of "Flounders and Smelts" by Arthur William Devis presents related artworks.

    How intense are the colors in "Flounders and Smelts" by Arthur William Devis?

    The color intensity of "Flounders and Smelts" is monochromatic. Intensity describes how strong the colors appear.

    Is "Flounders and Smelts" by Arthur William Devis a painting, a drawing or a print?

    "Flounders and Smelts" is a wall art piece.