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Student Artwork Guide

Olympic with Returned Soldiers

Name Class Date

Arthur Lismer, Olympic with Returned Soldiers (1919), Canadian War Museum. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Arthur Lismer originaluniqueart.com/en/artists/arthur-lismer/
Artist’s dates
1885 – 1969
Painted
1919
Medium
Oil
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Period
Modern
Held at
Canadian War Museum originaluniqueart.com/en/museums/canadian-war-museum-ottawa/
Artistic style
Landscape Impressionism
Influences
Charles Burton Barber
Notable elements or techniques
Camouflage painting
Subject or theme
Maritime Scene

In context

Olympic with Returned Soldiers — Arthur Lismer

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 84 at death.

Painted when the artist was 34. The artist lived to 84. 0 of the 6 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Arthur Lismer (1885–1969) ▲ this work, 1919 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/arthur-lismer-olympic-with-returned-soldiers-D2W3W4-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #a9ae95

    Catalogued palette

    • #A9AE95
    • #3F7187
    • #6E715C
    • #1B3D43

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Arthur Lismer over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 90.0%
    2. 2 United States of America 6.7%
    3. 3 Canada 3.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Arthur Lismer

    1. 1 Habitant Farm 5.4%
    2. 2 Rain In The North Country 5.4%
    3. 3 Homer Jackson 5.4%
    4. 4 Canadian Jungle, 1946 2.7%
    5. 5 Sunglow 2.7%
    6. 6 Canadian Jungle 2.7%
    7. 7 Rocks And Water 2.7%
    8. 8 Poplars 2.7%
    9. 9 The Mill, Quebec 2.7%
    10. 10 Mochudi, Bechuana Village 2.7%
    11. 11 The Little Pool, Algoma 2.7%
    12. 12 Stormy weather, georgian bay 2.7%
    13. 13 The Guide's Home, Algonquin 2.7%
    14. 14 Swamp 2.7%
    15. 15 Skunk Cabbage 2.7%
    16. 16 Pine Tree And Rocks 2.7%
    17. 17 Stormy Sky 2.7%
    18. 18 Unravel This One 2.7%
    19. 19 Olympic with Returned Soldiers, 1919 this painting 2.7%
    20. 20 Shoreline, Georgian Bay 2.7%

    Together these works take 62.1% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 181 works by this artist, of which 34 were looked at at least once. This painting ranks 19 of them, with 2.7% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Olympic with Returned Soldiers — Arthur Lismer

    A Moment of Quiet Triumph in a Bustling Harbor

    In the evocative canvas of Olympic with Returned Soldiers, Arthur Lismer captures a profound intersection of industrial might and human emotion. The scene unfolds within a vibrant, crowded harbor, where the colossal presence of a large blue ship, accented by striking white stripes, dominates the visual field. This vessel, likely part of the legendary White Star Line, serves as more than just a mechanical marvel; it acts as a monumental gateway between the chaos of war and the sanctuary of home. Surrounding this titan are smaller boats that dance upon the water, creating a sense of rhythmic movement that mirrors the restless energy of a world transitioning out of conflict. The presence of a truck near the foreground and various figures scattered throughout the docks adds a layer of grounded, everyday reality to the composition, making the viewer feel as though they are standing amidst the salt spray and the shouts of the crowd.

    Lismer’s technique in this 1919 masterpiece reflects his unique ability to blend the structural discipline of his early training with the expressive freedom of a burgeoning Canadian modernism. The painting utilizes a bold, almost architectural approach to form, where the heavy lines of the ship and the industrial elements provide a sturdy framework for the more fluid, atmospheric details of the harbor. There is a palpable sense of texture in the way light interacts with the blue hull and the churning water, suggesting a painter who understood how to use color not just to represent reality, but to evoke the weight and scale of the maritime environment. For the collector or interior designer, this piece offers a sophisticated balance of structural strength and atmospheric depth, making it a commanding focal point for any curated space.

    The Echoes of History and the Spirit of Return

    To understand the soul of this painting, one must look to the historical moment of its creation. Painted in 1919, the work breathes the air of the immediate post-World War I era. As an official war artist, Lismer was uniquely positioned to witness the monumental shifts in the global landscape. The title itself, referencing "Returned Soldiers," imbues the maritime scene with a heavy layer of symbolism. The ship is not merely transporting cargo; it is carrying the weary, the triumphant, and the changed. The bustling activity at the docks represents the collective exhale of a society relieved that the Great War had concluded, yet the sheer scale of the machinery reminds us of the industrial forces that fueled the era's unprecedented destruction and reconstruction.

    There is an undeniable emotional resonance within the brushstrokes—a mixture of relief, exhaustion, and the quiet dignity of homecoming. For those seeking to adorn a home or gallery with art that tells a story, this reproduction offers a window into a pivotal chapter of human history. It invites contemplation on themes of resilience and the cyclical nature of peace and industry. The painting does not merely depict a harbor; it captures the heartbeat of an era, making it an invaluable acquisition for those who appreciate fine art that serves as both a visual spectacle and a profound historical document.

    Artist and museum

    Artist

    Arthur Lismer

    Born in Sheffield, United Kingdom

    A Life Forged in Steel and Painted in Light

    Arthur Lismer’s story is one of remarkable transformation, a journey from the grimy industrial heartland of Sheffield, England, to becoming a pivotal figure in defining a distinctly Canadian artistic identity. Born in 1885, his early life was steeped in the realities of working-class existence, a world of factories and smoke that perhaps unknowingly fueled within him a lifelong yearning for the unspoiled beauty of nature. His apprenticeship at age thirteen with a photo-engraving company wasn’t merely a trade; it was an immersion into visual language, honing skills that would later serve as the foundation for his artistic explorations. Evening classes at the Sheffield School of Art provided formal training, nurturing a talent already blossoming through sketches and observations of his surroundings – even discreetly during Unitarian church services, much to his mother’s gentle disapproval. This early exposure wasn't just about technique; it was about seeing, truly seeing, the world around him, a skill that would define his entire career. The move to Antwerp’s Academie Royale further broadened his horizons, exposing him to European artistic currents like Barbizon and Post-Impressionism – influences that subtly shaped his evolving style.

    From Halifax Harbor to the Group of Seven

    The pivotal decision to immigrate to Canada in 1911 marked a turning point. Settling in Toronto, Lismer found employment at Grip Ltd., a commercial art firm where fatefully, he encountered Tom Thomson, another artist destined for legendary status in Canadian art history. However, it was his appointment as principal of the Victoria School of Art and Design in Halifax in 1916 that revealed his commitment to education. He didn’t simply administer; he revitalized the school, expanding its curriculum and student body, believing passionately in fostering artistic talent. World War I dramatically altered his path, though. Assigned as an official war artist, Lismer found himself captivated by the bustling Halifax harbor, a strategic port teeming with ships. It was here that he developed a unique series of paintings depicting vessels adorned with dazzle camouflage – a revolutionary technique designed to confuse enemy submarines through bold patterns and disruptive coloration. These weren’t merely technical exercises; they were striking visual statements, demonstrating his ability to adapt artistic principles to practical wartime needs and earning him recognition from Lord Beaverbrook. Upon returning to Toronto in 1919, Lismer became vice-principal of the Ontario College of Art and actively collaborated with a group of artists who shared a vision: to create an art that was uniquely Canadian. This collective would become known as the Group of Seven.

    A Distinctly Canadian Vision

    Lismer’s artistic development wasn't static; it was a continuous evolution, influenced by his European training and profoundly shaped by the vastness and raw beauty of the Canadian landscape. Initially embracing Post-Impressionist techniques, he gradually moved towards a more expressive and personal style. His landscapes weren’t simply representations of scenery; they were attempts to capture the essence of Canada – its emotional resonance, its untamed spirit. Vibrant colors, dynamic compositions, and bold brushstrokes became hallmarks of his work. He sought not just to depict what he saw but to convey how it felt to be immersed in the wilderness, to experience the power and majesty of nature firsthand. His paintings often featured flattened perspectives and expressive textures, reflecting a desire to move beyond mere imitation and towards a more subjective interpretation of reality. The Group of Seven’s collective goal was ambitious: to forge an artistic identity independent from European traditions, one rooted in the unique character of the Canadian environment. Lismer played a crucial role in this endeavor, contributing not only his artistic talent but also his unwavering dedication to their shared vision.

    Legacy and Enduring Influence

    Arthur Lismer’s contributions extend far beyond his paintings. As an educator, he profoundly impacted generations of Canadian artists through his leadership at NSCAD University and the Ontario College of Art, instilling in them a passion for creativity and a commitment to artistic excellence. His dazzle camouflage works remain historically significant, offering a unique visual record of World War I and demonstrating his adaptability as an artist. He was made a Companion of the Order of Canada in 1967, a testament to his lasting impact on Canadian culture. Today, Lismer is celebrated as one of Canada’s most important artists, recognized for his vibrant landscapes, innovative techniques, and unwavering dedication to fostering artistic talent. His works are held in major public and private collections across the country and internationally, continuing to inspire and captivate audiences with their beauty and emotional depth. His legacy isn't just about what he painted; it’s about how he inspired others to see the world – and Canada – in a new light.

    Key Characteristics of His Work

    Vibrant Color Palettes: Employing bold, expressive colors to capture the emotional impact of landscapes.

    Dynamic Compositions: Utilizing strong compositional elements to create a sense of movement and energy.

    Expressive Brushwork: Characterized by visible brushstrokes that convey texture and emotion.

    Dazzle Camouflage Paintings: Unique depictions of ships during WWI, showcasing innovative use of pattern and color.

    Focus on Canadian Wilderness: A deep connection to the landscapes of Canada, particularly Northern Ontario and Nova Scotia.

    Museum

    Canadian War Museum

    On show in Ottawa, Canada

    A Window into Canada’s Military Soul: The Art of Remembrance

    In the heart of Ottawa’s LeBreton Flats, where the urban pulse meets the quiet reverence of history, stands the

    Canadian War Museum

    —a sanctuary designed not merely to store artifacts, but to breathe life into the profound narratives of a nation. To step inside is to enter a space where the weight of the past is balanced by an architectural lightness, a deliberate design by

    Moriyama & Teshima Architects

    and

    Griffiths Rankin Cook Architects

    . The building itself acts as a vessel for contemplation, with soaring ceilings and an abundance of natural light that filters through its expansive structure, creating an atmosphere that feels both monumental and intimately connected to the world outside. For the art lover and the historian alike, the museum offers a rare opportunity to witness how the visceral realities of conflict are translated into the enduring language of fine art.

    The museum’s collection is a breathtaking tapestry of military artistry, boasting over 13,000 pieces that transcend simple documentation. These works are far more than mere records of battle; they are emotional landscapes etched in pigment and canvas. One might find themselves captivated by the delicate realism of

    Henry Lamb

    , whose work such as

    Watering Horses

    captures a quiet, pastoral moment amidst the tension of service, or the sweeping, evocative scenes of

    Alfred Munnings

    . These artists masterfully blend elements of Realism with Romanticism, allowing the viewer to feel the grit of the earth and the breathtaking beauty of the landscapes that witnessed history's most pivotal turns. For collectors and interior designers, these pieces represent a pinnacle of narrative power, where every brushstroke serves to convey the human experience—the hardship, the bravery, and the profound stillness found in the wake of storm.

    A Living Archive of National Identity

    Beyond the permanent galleries, the museum functions as a living archive, hosting traveling exhibitions that bridge the gap between colonial expeditions and modern peacekeeping missions. These curated journeys delve into the social and cultural tapestries that have shaped Canadian identity, ensuring that the institution remains a dynamic participant in contemporary discourse. The presence of the

    Military History Research Centre

    , with its vast library and archives, adds a layer of scholarly depth, inviting those with a passion for detail to uncover the hidden threads of our shared heritage.

    The museum offers a multifaceted experience that caters to diverse interests:

    Educational Exploration:

    Through personal stories, artwork, photographs, and interactive presentations, visitors can engage deeply with Canada's rich military history.

    Cultural Enrichment:

    The

    Canadian Children’s Museum

    provides an immersive way for younger generations to travel the world and explore different cultures.

    Scholarly Depth:

    Access to specialized research resources and archives for those seeking a rigorous historical inquiry.

    It is this unique intersection of high art, architectural brilliance, and rigorous historical inquiry that makes the

    Canadian War Museum

    an indispensable destination—a place where the echoes of the past are preserved with grace, inviting every visitor to reflect on the enduring legacy of sacrifice and the resilience of the human spirit.

    Where to read more

    Find this online

    QR code linking to the download page for Olympic with Returned Soldiers

    originaluniqueart.com/en/art/download/arthur-lismer-olympic-with-returned-soldiers-D2W3W4-en/

    Cite this artwork

    MLA
    Lismer, Arthur. Olympic with Returned Soldiers. 1919, Canadian War Museum. https://originaluniqueart.com/en/art/arthur-lismer-olympic-with-returned-soldiers-D2W3W4-en/
    APA
    Lismer, Arthur (1919). Olympic with Returned Soldiers [Painting]. Canadian War Museum. https://originaluniqueart.com/en/art/arthur-lismer-olympic-with-returned-soldiers-D2W3W4-en/
    Chicago
    Arthur Lismer. Olympic with Returned Soldiers. 1919. Canadian War Museum. https://originaluniqueart.com/en/art/arthur-lismer-olympic-with-returned-soldiers-D2W3W4-en/
    Harvard
    Lismer, Arthur (1919) Olympic with Returned Soldiers. Canadian War Museum. Available at: https://originaluniqueart.com/en/art/arthur-lismer-olympic-with-returned-soldiers-D2W3W4-en/

    Look closely

    Olympic with Returned Soldiers — Arthur Lismer

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: landscape, maritime, war heroes. Do you agree? What would you add, or take away?
    4. Look back at Sketch for Minesweepers and Seaplanes (1919), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What color saturation does "Olympic with Returned Soldiers" by Arthur Lismer have?

    "Olympic with Returned Soldiers" by Arthur Lismer is recorded with a subtle color saturation.

    What is "Olympic with Returned Soldiers" about, and what atmosphere does it have?

    "Olympic with Returned Soldiers" by Arthur Lismer depicts landscape, maritime, war heroes, canadian art, harbour scene, shipbuilding, group seven, in a serene mood. Subject and atmosphere together describe the work.

    What technique was used for "Olympic with Returned Soldiers", and when was it created?

    The medium of "Olympic with Returned Soldiers" by Arthur Lismer is oil, and the work is dated 1919.