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Student Artwork Guide

Expectation (Scene 3)

Name Class Date

Arnold Schoenberg, Expectation (Scene 3) (1911), Arnold Schönberg Center. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Arnold Schoenberg originaluniqueart.com/en/artists/arnold-schoenberg/
Artist’s dates
1874 – 1951
Painted
1911
Original size
17 x 10 cm
Held at
Arnold Schönberg Center originaluniqueart.com/en/museums/arnold-schonberg-center-vienna/

In context

Expectation (Scene 3) — Arnold Schoenberg

How big is it?

The original measures 17 × 10 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940
  9. 1950

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 77 at death.

Painted when the artist was 37. The artist lived to 77. 31 of the 64 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Arnold Schoenberg (1874–1951) ▲ this work, 1911 every dated painting, decade by decade

First works: up to 1910 Main working years: 1910–1927 Late works: from 1927

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/arnold-schoenberg-expectation-scene-3-D793CQ-en/

Colours

Measured from the image

    Main colour

    Espresso #3c3c3b

    Catalogued palette

    • #3C3C3B
    • #222321
    • #67959F
    • #776D5F

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Arnold Schoenberg over the last twelve months — 10 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 67.2%
    2. 2 United States of America 9.8%
    3. 3 Brazil 4.9%
    4. 4 Spain 4.9%
    5. 5 Netherlands 4.9%
    6. 6 Germany 1.6%
    7. 7 United Kingdom 1.6%
    8. 8 Hong Kong 1.6%
    9. 9 Italy 1.6%
    10. 10 Singapore 1.6%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Arnold Schoenberg

    1. 1 Suite, op. 29 - Bi-directional twelve-tone row chart, 1924 7.3%
    2. 2 Maurice Zam, 1935 7.3%
    3. 3 Piano Piece, op. 19/6, 1911 4.9%
    4. 4 Coalition Chess, 1925 4.9%
    5. 5 Tape Dispenser, 1945 4.9%
    6. 6 Emil Hertzka, 1910 3.7%
    7. 7 Red Gaze, 1910 3.7%
    8. 8 Tears, 1910 3.7%
    9. 9 Pierrot lunaire, op. 21 - Night, 1912 3.7%
    10. 10 Self-Portrait, 1910 3.7%
    11. 11 Five Pieces for Orchestra, op. 16/5 – First written copy, 1909 2.4%
    12. 12 Walking Self-Portrait, 1911 2.4%
    13. 13 Gertrud Schönberg, 1930 2.4%
    14. 14 Piano Concerto, op. 42 - Programmatic keywords, 1942 2.4%
    15. 15 Erwartung, op. 17, 1909 2.4%
    16. 16 Garden Scene, 1907 2.4%
    17. 17 Self-Portrait, 1922 2.4%
    18. 18 Phantasy for Violin with Piano Accompaniment, op. 47, 1949 2.4%
    19. 19 Alliance (Hands), 1910 2.4%
    20. 20 Expectation (Scene 3), 1911 this painting 2.4%

    Together these works take 71.8% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 65 works by this artist, of which 40 were looked at at least once. This painting ranks 20 of them, with 2.4% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Expectation (Scene 3) — Arnold Schoenberg

    “Write an opera text for me, Miss!” – August 1909: Schönberg and his family spent their vacation in Steinakirchen (Lower Austria). It was through Alexander Zemlinsky and Karl Kraus that the young Viennese physician Marie Pappenheim was introduced to the circle around Schönberg. During her medical studies at the University of Vienna, Pappenheim wrote poetry under the pseudonym Maria Heim, and it was in the Lower Austrian summer resort that Schönberg invited her to write a libretto: In expectation of her lover, the woman sets out in search and follows wrong trails to stations of uncertainty – remembrance – hope – rationalization – jealousy – sorrow – and finally excessive exhaltation of the man who survives only as a dead object. The depth of the forest scenario becomes a projection room for distressing traumatic states – obscurity, danger, threat, fear, loneliness, horror, darkness – and naturalistically reinterprets the subjective ordeal of suffering the woman lives through in four scenes. In his striving for an artistic synthesis, Schönberg also drafted the stage designs for his monodrama Erwartung (Expectation), along with a revolving stage construction that intended to enable the protagonist to walk continuously through the stylized woods using a seamless visual effect.

    Artist and museum

    Artist

    Arnold Schoenberg

    Born in Vienna, Austria

    early life and musical beginnings

    arnold schoenberg, an austrian-american composer, was born on september 13, 1874, in vienna, austria. his early life was marked by a humble beginning, with his father being a shoe-shopkeeper. despite this, schoenberg's innate passion for music led him to largely self-educate himself in the field. schoenberg's early works, such as verklärte nacht (1899), showcased a brahmsian–wagnerian synthesis. as he progressed, he became the central figure of the second viennese school, alongside anton webern and alban berg. his compositions, including string quartet no. 2 (1907–1908), erwartung (1909), and pierrot lunaire (1912), exemplified his innovative approach to atonality. schoenberg resigned from the prussian academy of arts in 1933 due to the nazi's rise to power, labeling his music as "degenerate." he then taught in the us, including at the university of california, los angeles (1936–1944), where facilities are named in his honor. [https://AllPaintingsStore.com/@/arnold-schoenberg](discover more about schoenberg's life and works on AllPaintingsStore).

    schoenberg explored film music and wrote more tonal music, completing his chamber symphony no. 2 in 1939.

    he satirized fascist tyrants in ode to napoleon (1942), after byron.

    post-war vienna offered him honorary citizenship, but he was ill, as depicted in his string trio (1946).

    as the world learned of the holocaust, schoenberg memorialized its victims in a survivor from warsaw (1947). the israel conservatory and academy of music elected him honorary president in 1951. [https://AllPaintingsStore.com/@@/a@d3bqc7-the-museum-destroyed-by-fire-(united-states)](learn more about the impact of his work on AllPaintingsStore). key points: schoenberg's innovative music was among the most influential and polemicized of 20th-century classical music. at least three generations of composers extended its somewhat formal principles. * his aesthetic and music-historical views influenced musicologists theodor w. adorno and carl dahlhaus. [https://AllPaintingsStore.com/@@/a@d3cl2x--a-journey-through-art-history-with-AllPaintingsStore-s-extensive-collection-](explore the vast collection of art on AllPaintingsStore, spanning from the 12th to the 20th century).

    Museum

    Arnold Schönberg Center

    On show in Vienna, Austria

    A Sanctuary of Sound and Vision

    In the heart of Vienna, a city where the echoes of musical genius resonate through every cobblestone street, lies a sanctuary dedicated to one of the most transformative figures of the twentieth century. The

    Arnold Schönberg Center

    is far more than a mere repository for historical documents; it is a living, breathing testament to the revolutionary spirit of Viennese Modernism. To step within its walls is to enter an intellectual atmosphere charged with the same creative ferment that once redefined the boundaries of musical expression, offering a rare glimpse into an era that irrevocably altered the course of Western art.

    The institution serves as a profound cultural hub where the legacy of Arnold Schönberg—the pioneer of atonality and the architect of the twelve-tone technique—is not only preserved but actively celebrated. The atmosphere invites a deep exploration of the interconnectedness of modern disciplines, acting as a vital crossroads where musicology meets art history. For the discerning collector or lover of fine arts, the Center offers an unparalleled window into how the structural complexities of sound can mirror the abstract aesthetics of visual form.

    The Intimate Legacy and Archives

    The collection held within this prestigious center is a treasure trove for scholars and art enthusiasts alike, blending the auditory with the visual in a seamless tapestry of history. The archives house over 20,000 pages of musical scores, personal diaries, and concert programs that trace the evolution of modern composition. Yet, what truly captivates the visitor is the intimate connection to the composer’s daily life. Through meticulously preserved replicas of Schönberg’s study, complete with original furniture and tools, the Center allows for a palpable encounter with his creative process.

    Beyond the written word, the collection unveils a lesser-known dimension of the maestro: his engagement with visual arts. A

    catalogue raisonné

    of his paintings and drawings reveals an abstract aesthetic that mirrors the structural complexities of his music, providing a multidimensional view of a man whose genius transcended a single medium. Visitors can also explore various facets of this rich heritage through:

    The Library:

    Aiming at completeness regarding documentation on publications about Arnold Schönberg in all languages, complementing the holdings with writings on the Second Viennese School and the intellectual history of the 20th century.

    Sound and Video Collections:

    A wide-ranging compilation of sound recordings that comprehensively preserves performances ranging from 1922 to the present day, alongside interviews and documentary footage.

    Scholarly Publications:

    The regular production of the

    Journal of the Arnold Schönberg Center

    , which fosters deep academic appreciation for the cultural forces at play.

    A Journey of Resilience and Homecoming

    The history of the Center is a poignant narrative of displacement and eventual homecoming. Following the composer's passing, the stewardship of his estate underwent a long and spirited journey. After a period where much of his legacy resided at the University of Southern California, a dedicated effort by the City of Vienna and the Internationale Schönberg-Gesellschaft ensured that his work returned to its rightful birthplace. This homecoming anchored his revolutionary ideas back into the Viennese soil from which they grew.

    This sense of resilience is further extended to the Schönberg House in Mödling, a living monument where visitors can wander through the very rooms where his creative milestones were achieved. Through regular exhibitions and international accolades such as the annual Arnold Schönberg Prize, the institution continues to foster a deep appreciation for the enduring power of human innovation.

    Where to read more

    Find this online

    QR code linking to the download page for Expectation (Scene 3)

    originaluniqueart.com/en/art/download/arnold-schoenberg-expectation-scene-3-D793CQ-en/

    Cite this artwork

    MLA
    Schoenberg, Arnold. Expectation (Scene 3). 1911, Arnold Schönberg Center. https://originaluniqueart.com/en/art/arnold-schoenberg-expectation-scene-3-D793CQ-en/
    APA
    Schoenberg, Arnold (1911). Expectation (Scene 3) [Painting]. Arnold Schönberg Center. https://originaluniqueart.com/en/art/arnold-schoenberg-expectation-scene-3-D793CQ-en/
    Chicago
    Arnold Schoenberg. Expectation (Scene 3). 1911. Arnold Schönberg Center. https://originaluniqueart.com/en/art/arnold-schoenberg-expectation-scene-3-D793CQ-en/
    Harvard
    Schoenberg, Arnold (1911) Expectation (Scene 3). Arnold Schönberg Center. Available at: https://originaluniqueart.com/en/art/arnold-schoenberg-expectation-scene-3-D793CQ-en/

    Look closely

    Expectation (Scene 3) — Arnold Schoenberg

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Look back at Walking Self-Portrait (1911), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Arnold Schoenberg was about 37 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What color harmony does "Expectation (Scene 3)" by Arnold Schoenberg display?

    The colors of "Expectation (Scene 3)" by Arnold Schoenberg show a discordant palette harmony. Harmony describes how the colors relate to each other.

    What luminance does "Expectation (Scene 3)" by Arnold Schoenberg have?

    The luminance recorded for "Expectation (Scene 3)" by Arnold Schoenberg is dark.

    Why is the copyright status of "Expectation (Scene 3)" what it is?

    "Expectation (Scene 3)" by Arnold Schoenberg is in the public domain - its copyright has expired. Copyright duration runs from the artist's death, which occurred in 1951.