Student Artwork Guide
Copyright This work is in the public domain. Anthony Vandyke Copley Fielding died in 1855; copyright lasts 70 years after the artist’s death, so it ended in 1925.
In context
David Cox — Anthony Vandyke Copley Fielding
Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 68 at death.
Shaded: the lifetime of Anthony Vandyke Copley Fielding (1787–1855) every dated painting, decade by decade
This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?
Pick one work above: name two things it shares with this one, and one thing that's different.
More works to set beside this one: originaluniqueart.com/en/art/similar/anthony-vandyke-copley-fielding-david-cox-9DHQAW-en/
Measured from the image
Main colour
Driftwood #c2904f
Catalogued palette
These colours inside the artist’s whole palette Find other paintings by colour
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 102 works by this artist, of which 7 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
Artist and museum
Born in Sowerby, United Kingdom
In the golden age of British watercolor, few names resonate with as much elegance and technical prowess as Anthony Vandyke Copley Fielding. Born in 1787 in the industrious landscape of Sowerby, near Halifax, Fielding emerged from the rugged textures of Yorkshire to become a defining voice of the Victorian era. His life was a masterful composition of scientific precision and romantic sensibility, a duality that allowed him to capture not just the surface of the natural world, but its very soul. As a pupil of the esteemed John Varley, Fielding inherited a profound respect for the nuances of light and atmosphere, a foundation upon which he built a career that would eventually lead him to the presidency of the Royal Society of Watercolours.
Fielding’s artistic development was deeply intertwined with his intellectual pursuits. His time as a Fellow of Trinity College, Cambridge, provided him with a unique vantage point; here, the rigors of scientific inquiry met the fluidity of artistic expression. This intersection is perhaps most visible in his meticulous approach to anatomy and nature. Having engaged in the study of dissections, he brought an unparalleled understanding of structure to his work, whether rendering the powerful musculature of a subject in portraiture or the intricate skeletal details of flora and fauna. This scientific eye did not stifle his creativity but rather anchored it, allowing him to depict the elements—the crashing waves of a coastal storm or the gentle light of a sunset—with a realism that felt both grounded and transcendent.
The breadth of Fielding’s oeuvre is nothing short of extraordinary, spanning from the tranquil valleys of the English Lake District to the dramatic, wind-swept coasts of Wales. He was a painter who understood the language of the weather. His landscapes often eschewed mere rustic charm in favor of an idealized, classical beauty inspired by the great Richard Wilson. In his hands, the British countryside became a stage for the sublime. One might find himself lost in the turbulent energy of A Scene on the Coast, Merionethshire - Storm Passing Off, where the tension between sea and sky is palpable, or find peace in the soft, luminous washes of his more pastoral views.
His fascination with marine subjects further solidified his reputation as a premier watercolorist. Fielding possessed a rare ability to capture the weight and movement of water, utilizing a sophisticated palette of inks, graphite, and watercolors to create depth and motion. His works often evoke a sense of profound openness, inviting the viewer to breathe in the salt spray or feel the sudden chill of an approaching gale. This mastery was not limited to the canvas; his influence extended into the realm of printmaking and teaching, where he shared his sophisticated techniques with a new generation of artists, ensuring that his legacy of atmospheric precision would endure.
The accolades bestowed upon Fielding during his lifetime serve as a testament to his standing among the giants of 19th-century art. His triumph at the Paris Salon of 1824, where he stood alongside luminaries such as John Constable and Richard Parkes Bonington, marked his arrival on the international stage. Furthermore, the high regard in which he was held by the influential critic John Ruskin underscores the lasting impact of his aesthetic vision. Fielding was more than a mere chronicler of scenery; he was an architect of atmosphere.
Today, the works of Anthony Vandyke Copley Fielding reside in some of the world's most prestigious institutions, including the Victoria & Albert Museum and the Yale Center for British Art. His contribution to the canon of British art remains significant because he bridged the gap between the meticulous observation of the Enlightenment and the emotive power of Romanticism. To look upon a Fielding painting is to witness a moment caught in the delicate balance between the tangible world and the infinite imagination, a legacy that continues to inspire collectors and art historians alike.
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Look closely
David Cox — Anthony Vandyke Copley Fielding
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"David Cox" by Anthony Vandyke Copley Fielding can be downloaded from the artwork's Download page, as a high-resolution digital image download.
"David Cox" is available as a high-resolution digital image download, purchased directly on its Digital Image page.
The format of "David Cox" is portrait. This is useful when planning where a reproduction will be placed.