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Student Artwork Guide

Squa-Forma

Name Class Date

Anthony Poon Kin Soon, Squa-Forma, National Gallery Singapore. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Anthony Poon Kin Soon originaluniqueart.com/en/artists/anthony-poon-kin-soon/
Artist’s dates
1945 – 2006
Original size
182 x 182 cm
Movement
Geometric Abstraction Abstraction built strictly from squares, circles and straight edges rather than free gesture.
Held at
National Gallery Singapore originaluniqueart.com/en/museums/national-gallery-singapore-singapore/
Artistic style
Minimalist
Influences
European Art Traditions
Notable elements or techniques
Grid Pattern, Circles
Subject or theme
Abstract Composition

In context

Squa-Forma — Anthony Poon Kin Soon

How big is it?

The original measures 182 × 182 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When might this have been painted?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 61 at death.

Shaded: the lifetime of Anthony Poon Kin Soon (1945–2006) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Black and White originaluniqueart.com/en/art/anthony-poon-kin-soon-black-and-white-D4Q9KX-en/
  • Jobless Son originaluniqueart.com/en/art/anthony-poon-kin-soon-jobless-son-D4Q92K-en/
  • RI-Square originaluniqueart.com/en/art/anthony-poon-kin-soon-ri-square-D4Q9PA-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/anthony-poon-kin-soon-squa-forma-D4Q8QM-en/

Colours

Measured from the image

    Main colour

    Steel Blue #5688b0

    Catalogued palette

    • #5688B0
    • #DADEDD
    • #B1BDC3
    • #869FB1

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Steel Blue
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Anthony Poon Kin Soon over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 France 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by Anthony Poon Kin Soon

    1. 1 Jobless Son 50.0%
    2. 2 Black and White 50.0%
    3. — Squa-Forma this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 4 works by this artist, of which 2 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Squa-Forma — Anthony Poon Kin Soon

    Squa-Forma: A Geometric Echo of Singapore’s Artistic Awakening

    “Squa-Forma,” created by Anthony Poon Kin Soon in 1975, stands as a cornerstone of Singaporean abstract art—a testament to the burgeoning artistic spirit that emerged from the nation's formative years. More than just pigment on canvas, this piece embodies a deliberate exploration of geometric principles and a profound engagement with the visual language of modernism.

    Poon’s artistic journey began at Nanyang Academy of Fine Arts (NAFA) in 1964, where he honed his skills in traditional Chinese painting before embarking on a transformative experience studying abroad—specifically on a Lee Foundation grant at Bynam Shaw School of Art in London and Regional College of Art in Bradford. These influences instilled within him an appreciation for European artistic traditions while simultaneously nurturing his desire to forge an independent voice as both artist and architect.

    The artwork itself is dominated by a striking blue grid pattern—a motif that recurs throughout Poon’s oeuvre, particularly his “Wave Series.” Each square of the grid isn't merely decorative; it serves as a structural element, guiding the viewer’s eye across the canvas. Within these squares reside smaller shapes and designs—circles prominently positioned at the top left and center right—creating a layered visual complexity that speaks to the artist’s fascination with spatial relationships.

    Technically, Poon utilized acrylic paint on canvas, applying it with meticulous precision to achieve smooth surfaces and vibrant hues. The deliberate flatness of the composition reflects the stylistic ethos of geometric abstraction—a movement championed by artists like Piet Mondrian and Kazimir Malevich who sought to distill art down to its essential forms.

    Beyond its formal qualities, “Squa-Forma” carries a subtle symbolic resonance. The grid can be interpreted as representing order and structure—perhaps mirroring Singapore’s ambition for stability and progress during the 1970s. Simultaneously, the circles introduce an element of dynamism and openness—suggesting a counterpoint to the rigidity of geometric forms.

    Ultimately, “Squa-Forma” evokes a feeling of contemplative serenity. Its cool blues and precise lines invite viewers into a space of visual harmony—a reflection of Poon’s artistic vision and his enduring contribution to Singaporean art history. It's a piece that continues to inspire admiration for its elegance and intellectual depth.

    Artist: Anthony Poon Kin Soon

    Year Created: 1975

    Medium: Acrylic Paint on Canvas

    Dimensions: H182.9 x W182.9 x D3.2 cm

    Location: National Gallery Singapore

    This artwork exemplifies the stylistic hallmarks of geometric abstraction, reflecting a pivotal moment in Singapore’s artistic landscape.

    Artist and museum

    Artist

    Anthony Poon Kin Soon

    Born in Singapore, Singapore

    The Architect of Abstraction: The Life and Legacy of Anthony Poon Kin Soon

    In the vibrant tapestry of Singapore’s modern art history, few threads are as structurally profound or visually rhythmic as those woven by Anthony Poon Kin Soon. Born on April 21st, 1945, in Singapore, Poon emerged as a pivotal figure who helped define the landscape of geometric abstraction on the island. His journey was one of dual mastery, blending the precision of an architect with the soulful intuition of a painter. After graduating from the Nanyang Academy of Fine Arts in 1964, his thirst for global perspectives led him to the Bynam Shaw School of Art in London. Supported by a prestigious Lee Foundation study grant, this period of immersion in European traditions allowed him to absorb the complexities of contemporary movements, ultimately fueling his ambition to forge an independent artistic voice that was both internationally informed and deeply rooted in his Southeast Asian identity.

    Poon’s evolution as an artist is characterized by a fascinating transition from the tactile dimensions of sculpture to the layered depths of canvas. His early explorations were deeply sculptural, focusing on the physical manifestation of movement. This fascination birthed his celebrated Wave Series, which began in 1976. In these works, Poon sought to capture the kinetic energy of oceanic motion through meticulously crafted geometric forms. These pieces were not merely static objects but intellectual meditations on spatial relationships and textural contrasts, using simplified shapes to convey the overwhelming power of nature’s rhythms. This ability to translate organic fluidity into structured, geometric language became a hallmark of his creative genius.

    A Symphony of Geometry and Form

    As his career progressed, Poon’s mastery of geometric abstraction reached new heights through works that balanced minimalist restraint with profound complexity. His paintings often functioned as architectural blueprints of emotion, utilizing intricate grid patterns, interlocking squares, and prominent circles to guide the viewer's eye through a structured yet dynamic space. One of his most striking achievements, Squa-Forma, serves as a quintessential example of this style. This large-scale acrylic work, now held in the permanent collection of the National Gallery Singapore, showcases his ability to use mathematical precision to create a sense of visual equilibrium and monumental presence.

    Beyond the rigid structures of his geometric works, Poon possessed a remarkable capacity for emotional resonance through color and atmosphere. In pieces such as Jobless Son, he moved away from pure abstraction toward a more poignant, atmospheric expressionism. Through the use of layered blues and greens, he captured themes of melancholy and uncertainty, reflecting the shifting social landscapes of Singaporean life. Conversely, his work Black and White demonstrates his dialogue with the giants of modernism, such as Malevich’s Suprematism, utilizing a minimalist palette to explore the fundamental tension between light and shadow, presence and absence.

    Recognition and Lasting Significance

    The significance of Anthony Poon Kin Soon extends far beyond the aesthetic beauty of his canvases and sculptures; he was a foundational pillar of Singapore's cultural identity. His contributions were formally recognized with the prestigious Cultural Medallion in 1990, an honor that cemented his status as a master of his craft and a vital contributor to the nation's artistic heritage. His work bridged the gap between the structural discipline of architecture and the expressive freedom of fine art, leaving behind a legacy that continues to inspire generations of abstract artists.

    Today, the works of Anthony Poon Kin Soon remain essential touchstones for understanding the development of modernism in Singapore. His ability to synthesize diverse influences—from London’s academic traditions to the rhythmic pulses of the natural world—ensures that his art remains a living, breathing part of the global conversation on abstraction. Through his meticulous use of form and his profound dedication to exploring spatial relationships, Poon transformed the canvas into a site of architectural wonder and emotional depth.

    Museum

    National Gallery Singapore

    On show in Singapore, Singapore

    A Sanctuary of Southeast Asian Soul

    To step into the

    National Gallery Singapore

    is to enter a living dialogue between the past and the present, a place where the very air seems thick with the stories of a region. It is far more than a mere repository for precious objects; it is a vibrant testament to the cultural currents that have shaped Southeast Asia. As you wander through its grand halls, you are not simply viewing paintings, but encountering the collective soul of a territory. The Gallery holds the world's largest public collection of Singaporean and regional art, offering a breathtaking panorama that spans from the 19th century to the cutting edge of the contemporary era. Here, the brushstrokes of luminaries like

    Georgette Chen

    reveal evocative landscapes of a changing Singapore, while the pioneering spirit of

    Liu Kang

    breathes life into modern Chinese painting within a Southeast Asian context.

    The architectural setting of the Gallery provides a profound emotional resonance, acting as an echo of history itself. The institution is housed within two magnificent national monuments—the former Supreme Court and City Hall—which have been meticulously restored and imaginatively repurposed. This fusion of neoclassical grandeur and modern museum innovation creates a space where the buildings themselves are works of art. The imposing columns and intricate detailing of the Supreme Court speak to an era of British colonial rule, while the soaring ceilings and ornate moldings remind visitors of the legal and civic weight these halls once carried. As natural light floods through large, strategically placed windows, it dances across the textures of the artworks, creating an immersive environment for quiet contemplation.

    A Convergence of History and Innovation

    This architectural marriage of old and new symbolizes Singapore’s own identity: a crossroads of cultures, standing firmly on its historical foundations while reaching toward a global future. Beyond its permanent treasures, the National Gallery Singapore serves as a dynamic beacon of artistic exploration through its ever-evolving program of exhibitions. The institution frequently hosts groundbreaking international collaborations that push the boundaries of creative expression, bringing contemporary voices into conversation with regional masters. This commitment to engagement ensures that the Gallery remains a living institution, constantly challenging and inspiring its visitors.

    For the collector, the interior designer, or the wandering aesthete, the Gallery offers an unparalleled depth of inspiration through various immersive experiences:

    Multimedia Presentations:

    Innovative displays that spark dialogue between traditional mediums and modern technology.

    Educational Workshops:

    Programs that invite hands-on creativity and a deeper connection to the art.

    Architectural Exploration:

    A chance to witness the seamless integration of historical preservation and contemporary design.

    Whether through its permanent collection or its rotating showcases, the National Gallery Singapore remains an essential destination where history, art, and culture converge in a seamless, unforgettable embrace.

    Where to read more

    Find this online

    QR code linking to the download page for Squa-Forma

    originaluniqueart.com/en/art/download/anthony-poon-kin-soon-squa-forma-D4Q8QM-en/

    Cite this artwork

    MLA
    Soon, Anthony Poon Kin. Squa-Forma. n.d., National Gallery Singapore. https://originaluniqueart.com/en/art/anthony-poon-kin-soon-squa-forma-D4Q8QM-en/
    APA
    Soon, Anthony Poon Kin (n.d.). Squa-Forma [Painting]. National Gallery Singapore. https://originaluniqueart.com/en/art/anthony-poon-kin-soon-squa-forma-D4Q8QM-en/
    Chicago
    Anthony Poon Kin Soon. Squa-Forma. n.d. National Gallery Singapore. https://originaluniqueart.com/en/art/anthony-poon-kin-soon-squa-forma-D4Q8QM-en/
    Harvard
    Soon, Anthony Poon Kin (n.d.) Squa-Forma. National Gallery Singapore. Available at: https://originaluniqueart.com/en/art/anthony-poon-kin-soon-squa-forma-D4Q8QM-en/

    Look closely

    Squa-Forma — Anthony Poon Kin Soon

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: grid pattern, circles, geometric design. Do you agree? What would you add, or take away?
    4. Look back at Black and White, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Geometric Abstraction: Abstraction built strictly from squares, circles and straight edges rather than free gesture. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Squa-Forma — Anthony Poon Kin Soon

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the predominant visual element of ‘Squa-Forma’?

      • A A. Realistic depiction of natural landscapes.
      • B B. Bold geometric patterns and shapes.
      • C C. Detailed portraiture with intricate shading.
    2. 2. Which artistic movement is ‘Squa-Forma’ most closely associated with?

      • A A. Impressionism
      • B B. Surrealism
      • C C. Geometric Abstraction
    3. 3. What material was used to create ‘Squa-Forma’?

      • A A. Oil paint on canvas.
      • B B. Watercolor on paper.
      • C C. Marble sculpture.
    4. 4. Where is ‘Squa-Forma’ currently housed?

      • A A. Tate Modern, London
      • B B. National Gallery Singapore
      • C C. Metropolitan Museum of Art, New York
    5. 5. Anthony Poon Kin Soon's artistic training included a prestigious study grant at which institution?

      • A A. Harvard University
      • B B. Yale School of Art
      • C C. Bynam Shaw School of Art

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2C · 3A · 4B · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Are there works similar to "Squa-Forma"?

    The Similars page of "Squa-Forma" by Anthony Poon Kin Soon presents related artworks.

    Is "Squa-Forma" by Anthony Poon Kin Soon a painting, a drawing or a print?

    "Squa-Forma" by Anthony Poon Kin Soon is classified as wall art. The category describes the kind of artwork the original is.

    Where do the visitors of "Squa-Forma" by Anthony Poon Kin Soon come from?

    Statistics about "Squa-Forma" by Anthony Poon Kin Soon are on the artwork's Stats page: monthly visits of the artwork, visits of the artist's works, and country and language breakdowns of recent visitors.