Paper

Student Artwork Guide

RI-Square

Name Class Date

Anthony Poon Kin Soon, RI-Square, National Gallery Singapore. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Anthony Poon Kin Soon originaluniqueart.com/en/artists/anthony-poon-kin-soon/
Artist’s dates
1945 – 2006
Original size
40 x 122 cm
Held at
National Gallery Singapore originaluniqueart.com/en/museums/national-gallery-singapore-singapore/

In context

RI-Square — Anthony Poon Kin Soon

How big is it?

The original measures 40 × 122 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 61 at death.

Shaded: the lifetime of Anthony Poon Kin Soon (1945–2006) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Jobless Son originaluniqueart.com/en/art/anthony-poon-kin-soon-jobless-son-D4Q92K-en/
  • Black and White originaluniqueart.com/en/art/anthony-poon-kin-soon-black-and-white-D4Q9KX-en/
  • Squa-Forma originaluniqueart.com/en/art/anthony-poon-kin-soon-squa-forma-D4Q8QM-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/anthony-poon-kin-soon-ri-square-D4Q9PA-en/

Colours

Measured from the image

    Main colour

    Steel Blue #3d5786

    Catalogued palette

    • #3D5786
    • #905A46
    • #959A78
    • #708171

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Steel Blue
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Anthony Poon Kin Soon over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 France 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 4 most looked-at works by Anthony Poon Kin Soon

    1. 1 Black and White 50.0%
    2. 2 Squa-Forma 25.0%
    3. 3 Jobless Son 25.0%
    4. — RI-Square this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 4 works by this artist, of which 3 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Anthony Poon Kin Soon

    Born in Singapore, Singapore

    The Architect of Abstraction: The Life and Legacy of Anthony Poon Kin Soon

    In the vibrant tapestry of Singapore’s modern art history, few threads are as structurally profound or visually rhythmic as those woven by Anthony Poon Kin Soon. Born on April 21st, 1945, in Singapore, Poon emerged as a pivotal figure who helped define the landscape of geometric abstraction on the island. His journey was one of dual mastery, blending the precision of an architect with the soulful intuition of a painter. After graduating from the Nanyang Academy of Fine Arts in 1964, his thirst for global perspectives led him to the Bynam Shaw School of Art in London. Supported by a prestigious Lee Foundation study grant, this period of immersion in European traditions allowed him to absorb the complexities of contemporary movements, ultimately fueling his ambition to forge an independent artistic voice that was both internationally informed and deeply rooted in his Southeast Asian identity.

    Poon’s evolution as an artist is characterized by a fascinating transition from the tactile dimensions of sculpture to the layered depths of canvas. His early explorations were deeply sculptural, focusing on the physical manifestation of movement. This fascination birthed his celebrated Wave Series, which began in 1976. In these works, Poon sought to capture the kinetic energy of oceanic motion through meticulously crafted geometric forms. These pieces were not merely static objects but intellectual meditations on spatial relationships and textural contrasts, using simplified shapes to convey the overwhelming power of nature’s rhythms. This ability to translate organic fluidity into structured, geometric language became a hallmark of his creative genius.

    A Symphony of Geometry and Form

    As his career progressed, Poon’s mastery of geometric abstraction reached new heights through works that balanced minimalist restraint with profound complexity. His paintings often functioned as architectural blueprints of emotion, utilizing intricate grid patterns, interlocking squares, and prominent circles to guide the viewer's eye through a structured yet dynamic space. One of his most striking achievements, Squa-Forma, serves as a quintessential example of this style. This large-scale acrylic work, now held in the permanent collection of the National Gallery Singapore, showcases his ability to use mathematical precision to create a sense of visual equilibrium and monumental presence.

    Beyond the rigid structures of his geometric works, Poon possessed a remarkable capacity for emotional resonance through color and atmosphere. In pieces such as Jobless Son, he moved away from pure abstraction toward a more poignant, atmospheric expressionism. Through the use of layered blues and greens, he captured themes of melancholy and uncertainty, reflecting the shifting social landscapes of Singaporean life. Conversely, his work Black and White demonstrates his dialogue with the giants of modernism, such as Malevich’s Suprematism, utilizing a minimalist palette to explore the fundamental tension between light and shadow, presence and absence.

    Recognition and Lasting Significance

    The significance of Anthony Poon Kin Soon extends far beyond the aesthetic beauty of his canvases and sculptures; he was a foundational pillar of Singapore's cultural identity. His contributions were formally recognized with the prestigious Cultural Medallion in 1990, an honor that cemented his status as a master of his craft and a vital contributor to the nation's artistic heritage. His work bridged the gap between the structural discipline of architecture and the expressive freedom of fine art, leaving behind a legacy that continues to inspire generations of abstract artists.

    Today, the works of Anthony Poon Kin Soon remain essential touchstones for understanding the development of modernism in Singapore. His ability to synthesize diverse influences—from London’s academic traditions to the rhythmic pulses of the natural world—ensures that his art remains a living, breathing part of the global conversation on abstraction. Through his meticulous use of form and his profound dedication to exploring spatial relationships, Poon transformed the canvas into a site of architectural wonder and emotional depth.

    Museum

    National Gallery Singapore

    On show in Singapore, Singapore

    A Sanctuary of Southeast Asian Soul

    To step into the

    National Gallery Singapore

    is to enter a living dialogue between the past and the present, a place where the very air seems thick with the stories of a region. It is far more than a mere repository for precious objects; it is a vibrant testament to the cultural currents that have shaped Southeast Asia. As you wander through its grand halls, you are not simply viewing paintings, but encountering the collective soul of a territory. The Gallery holds the world's largest public collection of Singaporean and regional art, offering a breathtaking panorama that spans from the 19th century to the cutting edge of the contemporary era. Here, the brushstrokes of luminaries like

    Georgette Chen

    reveal evocative landscapes of a changing Singapore, while the pioneering spirit of

    Liu Kang

    breathes life into modern Chinese painting within a Southeast Asian context.

    The architectural setting of the Gallery provides a profound emotional resonance, acting as an echo of history itself. The institution is housed within two magnificent national monuments—the former Supreme Court and City Hall—which have been meticulously restored and imaginatively repurposed. This fusion of neoclassical grandeur and modern museum innovation creates a space where the buildings themselves are works of art. The imposing columns and intricate detailing of the Supreme Court speak to an era of British colonial rule, while the soaring ceilings and ornate moldings remind visitors of the legal and civic weight these halls once carried. As natural light floods through large, strategically placed windows, it dances across the textures of the artworks, creating an immersive environment for quiet contemplation.

    A Convergence of History and Innovation

    This architectural marriage of old and new symbolizes Singapore’s own identity: a crossroads of cultures, standing firmly on its historical foundations while reaching toward a global future. Beyond its permanent treasures, the National Gallery Singapore serves as a dynamic beacon of artistic exploration through its ever-evolving program of exhibitions. The institution frequently hosts groundbreaking international collaborations that push the boundaries of creative expression, bringing contemporary voices into conversation with regional masters. This commitment to engagement ensures that the Gallery remains a living institution, constantly challenging and inspiring its visitors.

    For the collector, the interior designer, or the wandering aesthete, the Gallery offers an unparalleled depth of inspiration through various immersive experiences:

    Multimedia Presentations:

    Innovative displays that spark dialogue between traditional mediums and modern technology.

    Educational Workshops:

    Programs that invite hands-on creativity and a deeper connection to the art.

    Architectural Exploration:

    A chance to witness the seamless integration of historical preservation and contemporary design.

    Whether through its permanent collection or its rotating showcases, the National Gallery Singapore remains an essential destination where history, art, and culture converge in a seamless, unforgettable embrace.

    Where to read more

    Find this online

    QR code linking to the download page for RI-Square

    originaluniqueart.com/en/art/download/anthony-poon-kin-soon-ri-square-D4Q9PA-en/

    Cite this artwork

    MLA
    Soon, Anthony Poon Kin. RI-Square. n.d., National Gallery Singapore. https://originaluniqueart.com/en/art/anthony-poon-kin-soon-ri-square-D4Q9PA-en/
    APA
    Soon, Anthony Poon Kin (n.d.). RI-Square [Painting]. National Gallery Singapore. https://originaluniqueart.com/en/art/anthony-poon-kin-soon-ri-square-D4Q9PA-en/
    Chicago
    Anthony Poon Kin Soon. RI-Square. n.d. National Gallery Singapore. https://originaluniqueart.com/en/art/anthony-poon-kin-soon-ri-square-D4Q9PA-en/
    Harvard
    Soon, Anthony Poon Kin (n.d.) RI-Square. National Gallery Singapore. Available at: https://originaluniqueart.com/en/art/anthony-poon-kin-soon-ri-square-D4Q9PA-en/

    Look closely

    RI-Square — Anthony Poon Kin Soon

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Jobless Son, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Can the image of "RI-Square" by Anthony Poon Kin Soon be freely reproduced?

    "RI-Square" by Anthony Poon Kin Soon is still protected by copyright. This status governs how the image of the work may be reproduced.

    What color harmony does "RI-Square" by Anthony Poon Kin Soon display?

    The color harmony of "RI-Square" is recorded as softly mixed palette.

    Can I order an oil reproduction of "RI-Square"?

    Hand-painted copies of "RI-Square" by Anthony Poon Kin Soon are sold on this website: a hand-painted oil reproduction on linen canvas, ordered from its Hand-Painted Reproduction page.