Paper

Student Artwork Guide

July Piece

Name Class Date

Anna Airy, July Piece (1935), Touchstones Rochdale. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Anna Airy originaluniqueart.com/en/artists/anna-airy/
Artist’s dates
1882 – 1964
Painted
1935
Original size
127 x 76 cm
Held at
Touchstones Rochdale originaluniqueart.com/en/museums/touchstones-rochdale-rochdale/

In context

July Piece — Anna Airy

How big is it?

The original measures 127 × 76 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 82 at death.

Painted when the artist was 53. The artist lived to 82. 12 of the 14 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Anna Airy (1882–1964) ▲ this work, 1935 every dated painting, decade by decade

First works: up to 1916 Main working years: 1916–1926 Late works: from 1926

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/anna-airy-july-piece-AQSJT5-en/

Colours

Measured from the image

    Main colour

    Driftwood #b18a5a

    Catalogued palette

    • #B18A5A
    • #422C22
    • #886844
    • #664931

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Anna Airy over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 71.4%
    2. 2 Switzerland 14.3%
    3. 3 United Kingdom 14.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 10 most looked-at works by Anna Airy

    1. 1 Morning Sunlight, 1926 19.0%
    2. 2 Mrs Monica Burnand, 1916 19.0%
    3. 3 The 'L' Press Forging the Jacket of an 18 Inch Gun, Armstrong Whitworth Works, Openshaw, 1918 14.3%
    4. 4 Interior with Mrs Charles Burnand, 1919 14.3%
    5. 5 Soldiers in the Fields in South Africa, 1902 9.5%
    6. 6 Fred Grover, 1930 9.5%
    7. 7 Women Working in a Gas Retort House South Metropolitan Gas Company, London, 1918 4.8%
    8. 8 Mrs Telford Simpson, 1906 4.8%
    9. 9 Gay Glitter in June 4.8%
    10. — July Piece, 1935 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 18 works by this artist, of which 9 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    July Piece — Anna Airy

    The painting "July Piece" by Anna Airy is a stunning example of oil on canvas art, created in 1935. This beautiful piece is currently located at the Touchstones Rochdale museum in Rochdale, United Kingdom. The image features a beautifully decorated room with a vase of flowers placed on a table, adding to the elegance of the scene.

    Artistic Style and Composition

    The overall atmosphere of the room appears to be warm and inviting, with the flowers serving as a focal point for the space. The use of oil on canvas allows for a depth and richness of color that is characteristic of Anna Airy's work. The composition of the painting is well-balanced, with the vase and flowers placed centrally, surrounded by other items such as a potted plant and two books. Key Features of the painting include:

    The beautiful decoration of the room, including the vase of white flowers

    The warm and inviting atmosphere created by the use of color and light

    The balanced composition, with the vase and flowers as the central focal point

    Artist and Museum Information

    Anna Airy was a talented artist, and "July Piece" is just one example of her work. For more information on Anna Airy and other artists, visit the AllPaintingsStore.com website. The Touchstones Rochdale museum is also worth visiting, with its impressive collection of fine art and local history. Learn more about the museum at Touchstones Rochdale, A Hidden Gem of Art and Culture.

    The "July Piece" by Anna Airy is a beautiful example of oil on canvas art, and its warm and inviting atmosphere makes it a joy to behold. Whether you are an art lover or simply appreciate the beauty of a well-crafted painting, this piece is sure to delight. Visit AllPaintingsStore.com to learn more about this and other stunning works of art.

    Artist and museum

    Artist

    Anna Airy

    Born in Greenwich, United Kingdom

    A Pioneer’s Palette: The Life and Art of Anna Airy

    Anna Airy, born in Greenwich in 1882, emerged as a significant figure in early 20th-century British art—a time of immense social and artistic change. Her lineage was steeped in intellectual pursuit; the granddaughter of Sir George Biddell Airy, Astronomer Royal, and Johann Benedict Listing, a professor at the University of Göttingen, she inherited a legacy of rigorous observation and scientific curiosity that would subtly inform her artistic vision. The early loss of her mother and upbringing by her artist aunts fostered an environment where creativity flourished, and her father’s encouragement solidified her path toward a life dedicated to art. Airy's formal training began at the prestigious Slade School of Fine Art in London from 1899 to 1903, where she honed her skills under the tutelage of influential figures like Fred Brown, Henry Tonks, and Philip Wilson Steer. It was here that she developed a versatile approach, mastering oil painting, pastel, etching, and watercolor—a testament to her dedication and natural talent. Her success at the Slade was immediate, earning her numerous prizes including the coveted Melville Nettleship Prize for three consecutive years and a Slade School Scholarship in 1902.

    From Idyllic Landscapes to Factories of War

    Airy’s early artistic endeavors showcased a diverse range of subjects—portraits revealing psychological depth, landscapes imbued with atmospheric nuance, and botanical studies rendered with meticulous detail. She exhibited regularly at the Royal Academy from 1905 onward, establishing herself as a rising star in the London art scene. A one-woman exhibition at the Carfax Gallery in 1908 further cemented her reputation. However, it was the outbreak of World War I that dramatically altered the course of her career and secured her place in history. In an unprecedented move, Airy became one of the first women officially commissioned as a war artist by the Imperial War Museum. Unlike many male artists who focused on battlefield scenes, Airy’s commission centered on documenting the vital—yet often overlooked—world of wartime industry. She was assigned to paint scenes at factories across Britain, including the National Projectile Factory in Hackney Marshes, London, and facilities in Chilwell, Nottingham, Glasgow, and Hendon. Her paintings offer a compelling glimpse into the lives of those who labored tirelessly to support the war effort, particularly the women who filled roles traditionally held by men. The conditions were often harsh; one anecdote recounts how the intense heat at the Hackney Marshes factory literally burned through her shoes while she was painting “A Shell Forge.” This dedication to capturing authenticity—even at personal discomfort—speaks volumes about her commitment as an artist and a documentarian of her time.

    Style, Influences, and Artistic Versatility

    Airy’s artistic style defied easy categorization. While influenced by contemporaries like William Orpen and Augustus John, she forged her own path, blending elements of impressionism with a keen eye for realism. Her pastels often possessed a delicate luminosity, while her oil paintings demonstrated a boldness in brushwork and color. She was equally adept at the precise lines of etching, showcasing her mastery across various mediums. A recurring theme throughout her work was an appreciation for natural forms—flowers, ferns, and fruits were frequent subjects, rendered with both scientific accuracy and artistic sensitivity. This fascination likely stemmed from her upbringing and family connections to the world of science. Beyond her war-related commissions, Airy continued to explore a wide range of subject matter, demonstrating a remarkable versatility that set her apart from many of her peers. She was a member of several prominent art societies—the Pastel Society, the Royal Society of Painter-Etchers, the Royal Institute of Oil Painters, and the Royal Institute of Painters in Water Colours—reflecting her broad artistic interests and recognition within the art community.

    Legacy and Lasting Impact

    Following the war, Airy continued to paint, exhibit, and teach, solidifying her position as a leading woman artist of her generation. She married fellow artist Geoffrey Buckingham Pocock and later moved to Playford near Ipswich, where she taught at the local art school. In addition to her artistic practice, Airy shared her knowledge through writing, authoring “The Art of Pastel” (1930) and “Making a Start in Art” (1951). Her works are now held in prestigious collections including the British Museum, the Victoria and Albert Museum, and the Imperial War Museum, as well as galleries across the UK and internationally. Airy’s historical significance extends beyond her artistic achievements. As one of the first women to be officially commissioned as a war artist, she broke down barriers for female artists in a traditionally male-dominated field. Her paintings provide invaluable visual records of wartime industry and the changing roles of women in British society during World War I—a period of profound transformation. Anna Airy’s legacy endures not only through her captivating artwork but also as an inspiration to future generations of artists, particularly women seeking to make their mark on the world. She remains a testament to the power of art to document history, challenge conventions, and celebrate the resilience of the human spirit.

    Museum

    Touchstones Rochdale

    On show in Rochdale, United Kingdom

    A Sanctuary of Creativity in the Heart of Rochdale

    Nestled within the vibrant cultural fabric of Greater Manchester,

    Touchstones Rochdale

    stands as a luminous beacon for those who find solace and inspiration in the visual arts. More than just a gallery space, it is a living, breathing testament to the enduring power of human expression, serving as a vital cornerstone for the community and a destination for connoisseurs alike. The museum offers an intimate yet profound experience, where the whispers of historical significance meet the bold, experimental energy of contemporary practice. To step through its doors is to enter a curated dialogue between the past and the present, a place where every corner holds the potential for discovery and every exhibition invites a deeper contemplation of our shared aesthetic heritage.

    The architectural essence of Touchstones reflects its role as a bridge between tradition and modernity. The venue provides a versatile canvas, characterized by light-filled spaces that allow artworks to breathe and command attention. This intentional design creates an atmosphere of quiet reverence, making it an ideal setting for both large-scale installations and delicate, intimate collections. For the interior designer or the passionate collector, the museum’s environment serves as a masterclass in how space can elevate art, demonstrating how light, scale, and curation work in harmony to evoke specific emotional responses. The fluidity of its galleries ensures that the transition between different artistic movements feels like a seamless journey through time.

    A Curated Tapestry of Diverse Voices

    The collection at Touchstones is a curated tapestry of diverse voices, ranging from established masters to emerging local talents. Visitors are often captivated by the museum's ability to present works that challenge perceptions and ignite the imagination. Whether it is the intricate textures of fine contemporary prints or the sweeping narratives found in regional oil paintings, the highlights of the collection emphasize craftsmanship and conceptual depth. The museum frequently hosts notable exhibitions that bring international perspectives to Rochdale, ensuring that the local landscape remains connected to the global art discourse. These rotating showcases transform the museum into a dynamic entity, constantly reinventing itself to reflect the shifting tides of artistic innovation.

    What truly distinguishes Touchstones Rochdale is its profound sense of place and its commitment to fostering a deep, emotional connection with its audience. It is not merely a repository for objects, but a workshop of ideas where art meets community. For those seeking to decorate their lives with beauty or looking to understand the pulse of contemporary culture, the museum offers an unparalleled richness. It remains a unique sanctuary where the boundaries between the observer and the observed blur, leaving every visitor with a lingering sense of wonder and a renewed appreciation for the transformative magic of the arts.

    Where to read more

    • The artist Anna Airy originaluniqueart.com/en/artists/anna-airy/
    • The museum Touchstones Rochdale originaluniqueart.com/en/museums/touchstones-rochdale-rochdale/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/anna-airy-july-piece-AQSJT5-en/

    Find this online

    QR code linking to the download page for July Piece

    originaluniqueart.com/en/art/download/anna-airy-july-piece-AQSJT5-en/

    Cite this artwork

    MLA
    Airy, Anna. July Piece. 1935, Touchstones Rochdale. https://originaluniqueart.com/en/art/anna-airy-july-piece-AQSJT5-en/
    APA
    Airy, Anna (1935). July Piece [Painting]. Touchstones Rochdale. https://originaluniqueart.com/en/art/anna-airy-july-piece-AQSJT5-en/
    Chicago
    Anna Airy. July Piece. 1935. Touchstones Rochdale. https://originaluniqueart.com/en/art/anna-airy-july-piece-AQSJT5-en/
    Harvard
    Airy, Anna (1935) July Piece. Touchstones Rochdale. Available at: https://originaluniqueart.com/en/art/anna-airy-july-piece-AQSJT5-en/

    Look closely

    July Piece — Anna Airy

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Sir John Gorell Barnes (1848–1913), Hon. Fellow, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Anna Airy was about 53 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is a download available for "July Piece"?

    The image of "July Piece" by Anna Airy can be downloaded from the artwork's Download page: a high-resolution digital image download.

    Can I preview "July Piece" by Anna Airy before ordering?

    The Preview page of "July Piece" lets you preview the artwork before ordering.

    What are the dimensions of the original "July Piece" by Anna Airy?

    The original "July Piece" by Anna Airy measures 127 x 76 cm.