Paper

Student Artwork Guide

03.11.16-3

Name Class Date

Andrzej Nowacki, 03.11.16-3 (2016). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Andrzej Nowacki originaluniqueart.com/en/artists/andrzej-nowacki/
Artist’s dates
1953 –
Painted
2016
Original size
27 x 27 cm
Movement
Contemporary Abstraction Abstraction built strictly from squares, circles and straight edges rather than free gesture.

In context

03.11.16-3 — Andrzej Nowacki

How big is it?

The original measures 27 × 27 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000
  7. 2010

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 63. 13 of the 26 dated works by this artist in our catalogue came earlier.

▲ this work, 2016 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/andrzej-nowacki-03-11-16-3-D5TJS6-en/

Colours

Measured from the image

    Main colour

    Putty #d7cfb7

    Catalogued palette

    • #D7CFB7
    • #595347
    • #CAC1A7
    • #AB8E81

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Monochrome The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Andrzej Nowacki over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 6 most looked-at works by Andrzej Nowacki

    1. 1 26.01.2004-6, 2004 33.3%
    2. 2 30.11.15, 2015 16.7%
    3. 3 16.08.2004-41, 2004 16.7%
    4. 4 20.09.16, 2016 16.7%
    5. 5 21.09.07, 2007 16.7%
    6. — 03.11.16-3, 2016 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 27 works by this artist, of which 5 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Andrzej Nowacki

    Born in Raków, Poland

    A Life Shaped by Geometry: The World of Andrzej Nowacki

    Andrzej Nowacki, born in 1953 in the tranquil spa town of Raków-Zdrój, Poland, is an artist whose life has been a dedicated exploration of geometric abstraction. His journey began not within the hallowed halls of art school, but through practical experience – a formative period spent immersed in interior design and the delicate craft of art restoration in Kraków. This early exposure instilled in him a profound understanding of form, structure, and the subtle interplay between space and object, laying the groundwork for his future artistic endeavors. A restless spirit led him to pursue higher education abroad, initially studying Scandinavian languages at the University of Gothenburg before shifting his focus to Art History at the University of Innsbruck, Austria. This intellectual curiosity, coupled with a growing fascination with visual language, would prove pivotal in shaping his unique artistic vision.

    The Polish Constructivist Spark and European Dialogue

    The 1980s marked a turning point for Nowacki, as he discovered the powerful aesthetic of Polish Constructivism. The work of Henryk Stazewski resonated deeply, offering a compelling framework for his own explorations into pure abstraction. Stazewski’s commitment to geometric form and harmonious composition became a guiding principle, influencing Nowacki's early works and instilling in him a belief in the power of reduction and clarity. This period wasn’t one of isolated study, however. A crucial collaboration with Heinz Teufel, a prominent collector and owner of a leading concrete art gallery in Cologne and Berlin, broadened Nowacki’s horizons immeasurably. Teufel provided not only invaluable mentorship but also vital exposure within the European art scene, connecting him to a network of artists and thinkers who shared his passion for geometric abstraction. This dialogue with the wider artistic community helped refine Nowacki's vision and solidify his place within the evolving landscape of contemporary art.

    Op Art Principles and the Expansion of Scale

    Nowacki’s mature work is characterized by a steadfast dedication to the principles of Op Art and Concrete Art. He primarily creates dynamic geometric reliefs that delve into the complexities of optical perception and color theory. These are not merely static compositions; they are carefully orchestrated arrangements of shapes and colors designed to create visual vibrations, illusions of movement, and a heightened awareness of spatial relationships. A defining aspect of his style is the exploration of multi-part and large-format works, pushing the boundaries of scale and challenging viewers to engage with the artwork on a physical as well as intellectual level. He meticulously crafts each element, understanding that even subtle shifts in color or form can dramatically alter the overall impact of the piece. The artist himself describes colour as being more than just an addition to light; it is a language unto itself, capable of evoking profound emotional responses and sparking imaginative thought.

    Recognition and Continued Evolution

    Throughout his career, Andrzej Nowacki has received significant recognition for his contributions to abstract art. He was awarded a private scholarship in West Orange, New Jersey, in 1994, providing him with the opportunity to further develop his artistic practice. Participation in workshops “Under the Sign of Geometry” organized by Bozena Kowalska in Okuninka, Poland between 1997 and 2001, fostered a collaborative spirit and deepened his understanding of geometric principles. In 2001, he received a prestigious scholarship from the New York Pollock-Krasner Foundation, affirming his standing within the international art community. His work has been exhibited globally, including a significant showing in Osaka, Japan, in 2005, and a period of focused creation at Anna Maria Island, Florida, USA, leading to exhibitions with Seth Jason Beitler Gallery in Miami. In 2015, he established a large-scale studio in the former industrial area of Ostrava Lower Vítkovice, Czech Republic, providing him with the space and resources to pursue increasingly ambitious projects. Currently residing and working in Berlin, Germany, Nowacki continues to push the boundaries of his artistic practice, creating compelling and visually stimulating artworks that challenge perceptions and invite contemplation. His dedication to geometric abstraction ensures his continued relevance as a significant figure in the ongoing dialogue surrounding abstract art.

    A Legacy of Order and Vibration

    Andrzej Nowacki’s work represents not merely a continuation but an evolution of Constructivist principles within a contemporary context. He stands as a testament to the enduring power of geometric abstraction, demonstrating its capacity to evoke emotion, stimulate intellect, and challenge our understanding of visual space. His dedication to exploring optical effects and his masterful manipulation of color and form position him as a vital voice in the world of abstract art – an artist who invites us to look beyond the surface and discover the hidden harmonies within seemingly simple shapes. His reliefs are not just objects to be seen, but experiences to be felt. They whisper of order amidst chaos, of stillness within movement, and of the profound beauty that can be found in the fundamental elements of form and color.

    Where to read more

    Find this online

    QR code linking to the download page for 03.11.16-3

    originaluniqueart.com/en/art/download/andrzej-nowacki-03-11-16-3-D5TJS6-en/

    Cite this artwork

    MLA
    Nowacki, Andrzej. 03.11.16-3. 2016, https://originaluniqueart.com/en/art/andrzej-nowacki-03-11-16-3-D5TJS6-en/
    APA
    Nowacki, Andrzej (2016). 03.11.16-3 [Painting]. https://originaluniqueart.com/en/art/andrzej-nowacki-03-11-16-3-D5TJS6-en/
    Chicago
    Andrzej Nowacki. 03.11.16-3. 2016. https://originaluniqueart.com/en/art/andrzej-nowacki-03-11-16-3-D5TJS6-en/
    Harvard
    Nowacki, Andrzej (2016) 03.11.16-3. Available at: https://originaluniqueart.com/en/art/andrzej-nowacki-03-11-16-3-D5TJS6-en/

    Look closely

    03.11.16-3 — Andrzej Nowacki

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: abstract composition, geometric formality, diagonal tension. Do you agree? What would you add, or take away?
    4. Look back at 04.03.13 (2013), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Contemporary Abstraction: Abstraction built strictly from squares, circles and straight edges rather than free gesture. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What are the author and date of "03.11.16-3"?

    "03.11.16-3" was created by Andrzej Nowacki in 2016.

    Who is the artist behind "03.11.16-3"?

    "03.11.16-3" is attributed to Andrzej Nowacki.

    How strong are the colors of "03.11.16-3"?

    "03.11.16-3" by Andrzej Nowacki is recorded with a subtle color saturation and a balanced intensity.