Student Artwork Guide
Copyright This work is in the public domain. Andreas Schelfhout died in 1870; copyright lasts 70 years after the artist’s death, so it ended in 1940.
In context
On the maas — Andreas Schelfhout
Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 83 at death.
Shaded: the lifetime of Andreas Schelfhout (1787–1870) every dated painting, decade by decade
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Measured from the image
Main colour
Quinacridone Magenta #7d6a48
Catalogued palette
These colours inside the artist’s whole palette Find other paintings by colour
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 58.5% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 246 works by this artist, of which 51 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
Artist and museum
Born in The Hague, Netherlands
Born: The Hague, Netherlands (1787)
Died: 1870
Andreas Schelfhout began his artistic journey in an unconventional manner. Initially working as a house painter within his father's framing business, he demonstrated early artistic talent by creating paintings during his spare time. A successful first exhibition in The Hague led to his father sending him for formal training with Joannes Breckenheimer, a stage designer. This education wasn’t solely focused on painting techniques; Schelfhout also undertook detailed studies of the works of 17th-century Dutch masters like Meindert Hobbema and Jacob van Ruisdael, laying a foundation for his own landscape style.
In 1815, Schelfhout established his own workshop, quickly gaining recognition for his technical skill, compositional sense, and naturalistic use of color. He became a member of the Pulchri Studio and achieved significant milestones including a gold medal at the Antwerp exhibition in 1819 and membership in the Royal Academy for Visual Arts of Amsterdam in 1818. Schelfhout’s winter scenes, particularly those depicting frozen canals with skaters, were immensely popular during his lifetime. He fostered the careers of numerous artists who later achieved fame, such as Johan Jongkind, Charles Leickert, and Nicholas Roosenboom. His collaborative work with Hendrik van de Sande Bakhuyzen, a prominent Romantic landscape painter, further solidified his position within the artistic community.
Schelfhout’s art was deeply rooted in the Romantic movement, characterized by an emphasis on emotion, imagination, and the sublime power of nature. His landscapes often featured dramatic skies, atmospheric perspective, and a sense of tranquility or melancholy. While influenced by earlier Dutch masters, Schelfhout developed his own distinct style, focusing on capturing the unique atmosphere of the Dutch countryside, especially during winter. He was particularly known for his ability to depict ice and snow with remarkable realism and evocative detail.
Andreas Schelfhout’s death marked a significant transition in Dutch art, signaling the end of the Romantic period. However, he is widely recognized as a precursor to the Hague School, a later movement known for its realistic depictions of Dutch landscapes. His innovative use of watercolor in plein air sketching significantly influenced artists like Jongkind, Jan Hendrik Weissenbruch, and Willem Roelofs, who became masters of this technique. Schelfhout’s legacy continues through his artworks displayed in prominent museums such as the Rijksmuseum in Amsterdam and the Mauritshuis in The Hague, demonstrating his enduring contribution to Dutch art history.
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Look closely
On the maas — Andreas Schelfhout
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The copyright answer for "On the maas" by Andreas Schelfhout: the work is in the public domain - its copyright has expired. This determines whether reproductions of the image may be freely made.
The X-Ray page of "On the maas" by Andreas Schelfhout is an interactive viewer that lets you slide through eleven optical layers of the artwork's image, including an X-ray style view.
"On the maas" by Andreas Schelfhout has a landscape format. The format describes the proportions of the composition.
"On the maas" by Andreas Schelfhout shows a balanced color intensity.
"On the maas" has an augmented reality preview: the artwork's AR Preview page shows it in your own space on a compatible device.
"On the maas" by Andreas Schelfhout displays a strong color unity color harmony.
"On the maas" was created by Andreas Schelfhout. The information on this page describes Andreas Schelfhout's original work.
You can order a hand-painted reproduction of "On the maas" by Andreas Schelfhout directly on this page: a hand-painted oil reproduction on linen canvas, made to order.