Paper

Student Artwork Guide

Recumbent nude

Name Class Date

Amedeo Clemente Modigliani, Recumbent nude (1917). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Amedeo Clemente Modigliani originaluniqueart.com/en/artists/amedeo-clemente-modigliani/
Artist’s dates
1884 – 1920
Painted
1917
Medium
Oil On Canvas
Original size
65 x 100 cm
Movement
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Artistic style
Surrealist
Influences
Louvre
Notable elements or techniques
Elongated forms, simplified features
Subject or theme
Female figure

In context

Recumbent nude — Amedeo Clemente Modigliani

How big is it?

The original measures 65 × 100 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 36 at death.

Painted when the artist was 33. The artist lived to 36. 145 of the 342 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Amedeo Clemente Modigliani (1884–1920) ▲ this work, 1917 every dated painting, decade by decade

First works: up to 1915 Main working years: 1915–1918 Late works: from 1918

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/amedeo-clemente-modigliani-recumbent-nude-8EWCEG-en/

Colours

Measured from the image

    Main colour

    Khaki #f6dc91

    Catalogued palette

    • #F6DC91
    • #1C1A1A
    • #CD8D56
    • #6A3D33

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Khaki
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Amedeo Clemente Modigliani over the last twelve months — 74 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 32.3%50,000 visits
    2. 2 United States of America 9.5%14,700 visits
    3. 3 Hong Kong 6.4%9,900 visits
    4. 4 France 6.2%9,600 visits
    5. 5 Singapore 5.6%8,600 visits
    6. 6 Ukraine 4.7%7,300 visits
    7. 7 Russia 4.6%7,100 visits
    8. 8 Spain 3.7%5,800 visits
    9. 9 Netherlands 2.7%4,100 visits
    10. 10 Italy 2.5%3,800 visits
    11. · 64 other countries 21.8%33,800 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Amedeo Clemente Modigliani

    1. 1 Nude Sitting on a Divan, 1917 15.0%34,900 visits
    2. 2 Portrait of Jeanne Hebuterne, 1918 7.7%17,800 visits
    3. 3 Reclining Nude with Blue Cushion 5.6%13,100 visits
    4. 4 La Chevelure noire, also said 3.0%6,900 visits
    5. 5 Head of Red-Haired Woman, 1915 2.2%5,100 visits
    6. 6 Adrienne (Woman with Bangs) -, 1917 1.5%3,500 visits
    7. 7 Marios Varvoglis, 1920 1.5%3,400 visits
    8. 8 Young Woman in a Shirt, 1918, 1918 1.4%3,300 visits
    9. 9 Jeanne Hebuterne with Hat and Necklace, 1917 1.4%3,200 visits
    10. 10 The Little Peasant, 1918 1.4%3,200 visits
    11. 11 Reclining Nude 1.2%2,800 visits
    12. 12 Self Portrait, 1919 1.2%2,700 visits
    13. 13 Girl with Pigtails, 1918 1.1%2,600 visits
    14. 14 Beatris Hastings 1.1%2,500 visits
    15. 15 Seated Nude on Divan 1.0%2,400 visits
    16. 16 Jeanne Hébuterne, 1919 1.0%2,400 visits
    17. 17 Woman with Blue Eyes, 1918 0.8%1,900 visits
    18. 18 untitled (2323) 0.7%1,700 visits
    19. 19 Red Nude 0.7%1,600 visits
    20. 70 Recumbent nude, 1917 this painting 0.3%600 visits

    Together these works take 49.8% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 616 works by this artist, of which 397 were looked at at least once. This painting ranks 70 of them, with 0.3% of that attention (600 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Recumbent nude — Amedeo Clemente Modigliani

    Recumbent Nude by Amedeo Modigliani: An Exploration of Expressionist Elegance

    Amedeo Clemente Modigliani (1884-1920), an Italian painter and sculptor whose legacy endures as one of the most poignant emblems of early 20th-century art, remains a figure steeped in longing and artistic brilliance. Born in Livorno, Italy, into Sephardic Jewish heritage, his life unfolded against a backdrop of both profound creative vision and persistent hardship—a duality that profoundly shaped his oeuvre and cemented his place within the annals of Expressionism. Frequent illness shadowed his youth – pleurisy and typhoid fever became unwelcome companions – perhaps instilling within him a sensitivity to fragility that would permeate his work. Though born into relative comfort, the family’s financial fortunes waned, adding another layer of complexity to the young Modigliani's formative years. It was a childhood punctuated by intellectual stimulation, thanks to his mother and grandfather who introduced him to the works of Nietzsche, Baudelaire, and Lautréamont, laying the groundwork for an artistic sensibility that would reject conventional norms.

    The Recumbent Nude stands as a testament to Modigliani’s singular stylistic approach—a deliberate departure from academic realism toward a powerfully emotive Expressionist vision. Created in 1917 during his Parisian exile, this oil on canvas measuring 65 x 100 cm embodies the artist's ability to distill human emotion into simplified forms and striking color palettes. The painting’s dominant hue is crimson—a deliberate choice reflecting not merely physical appearance but also psychological depth—dominating the skin tones of the female figure. This bold chromatic decision aligns perfectly with Modigliani’s broader artistic ethos, prioritizing feeling over meticulous detail.

    Stylistic Characteristics and Expressionist Influence

    Modigliani's distinctive style is undeniably rooted in Expressionism, a movement that sought to convey subjective experience rather than objective reality. Like Ludwig Meidner and Giovanni Malesci—other prominent figures of the era—he embraced distortion as a tool for conveying emotion, mirroring the turbulent spirit of the time. The elongated torso and neck of the nude are hallmarks of Modigliani’s technique, reflecting his fascination with capturing the essence of human form through stylized simplification. This deliberate exaggeration isn't merely decorative; it serves to heighten the sense of vulnerability and contemplation inherent in the pose. Furthermore, the artist’s use of bold colors—particularly crimson—amplifies the painting’s emotional impact, creating a visual tension that draws the viewer into the scene.

    Historical Context: Paris and the Avant-Garde

    Modigliani's artistic development coincided with the flourishing of Parisian avant-garde culture in the years immediately following World War I. He moved to Paris in 1906, immersing himself in a vibrant intellectual milieu populated by artists like Pablo Picasso and Constantin Brâncuși—all grappling with new aesthetic ideas and challenging established conventions. The Salon d’Automne, where Modigliani debuted his sculptures in 1912 alongside fellow Cubists of the Section d'Or group, served as a crucible for artistic experimentation and debate. This environment fostered a rejection of traditional representational art, favoring instead explorations of inner psychological states and symbolic imagery—a sensibility perfectly embodied in The Recumbent Nude.

    Symbolism and Emotional Resonance

    Beyond its formal stylistic elements, The Recumbent Nude possesses a profound emotional resonance that transcends mere visual depiction. The pose itself—relaxed yet subtly melancholic—suggests contemplation and vulnerability, inviting viewers to consider themes of beauty, mortality, and the human condition. The muted background—a simple couch—provides a counterpoint to the vibrant crimson hues of the nude’s skin, emphasizing her isolation and highlighting the painting's focus on internal experience. As a masterpiece of Expressionism, it continues to inspire audiences today, prompting reflection on the complexities of emotion and the enduring power of art to communicate profound truths about human existence. Consider commissioning a handmade oil painting reproduction from AllPaintingsStore.com for a stunning addition to your collection.

    Artist and museum

    Artist

    Amedeo Clemente Modigliani

    Born in Livorno, Italy

    A Life Etched in Longing: The World of Amedeo Modigliani

    Amedeo Clemente Modigliani, a name synonymous with haunting beauty and melancholic grace, remains one of the most beloved and tragically romantic figures of early 20th-century art. Born in Livorno, Italy, in 1884 into a family steeped in Sephardic Jewish heritage, his life was marked by both profound artistic vision and persistent hardship. Frequent illness shadowed his youth – pleurisy and typhoid fever became unwelcome companions – perhaps instilling within him a sensitivity to fragility that would permeate his work. Though born into relative comfort, the family’s financial fortunes waned, adding another layer of complexity to the young Modigliani's formative years. It was a childhood punctuated by intellectual stimulation, thanks to his mother and grandfather who introduced him to the works of Nietzsche, Baudelaire, and Lautréamont, laying the groundwork for an artistic sensibility that would reject conventional norms.

    The pull of Paris proved irresistible, and in 1906, Modigliani embarked on a journey that would define his career. The city was then a crucible of artistic innovation, teeming with revolutionary ideas and challenging conventions. He immersed himself in the vibrant art scene, encountering giants like Pablo Picasso and Constantin Brâncuși, figures who profoundly shaped his aesthetic trajectory. Initially drawn to the burgeoning Cubist movement, Modigliani quickly found its rigid geometry too constricting for his expressive needs. His artistic spirit yearned for something more lyrical, more deeply rooted in human emotion. He began a period of intense experimentation, absorbing influences from African sculpture – particularly its elongated forms and simplified features – and the archaic grace of Italian Renaissance art.

    The Sculpted Soul: Style and Innovation

    Modigliani’s signature style emerged as a unique synthesis of these diverse inspirations. His portraits, arguably his most celebrated works, are instantly recognizable for their elongated faces and necks, almond-shaped eyes devoid of pupils, and an overall sense of serene melancholy. These were not merely likenesses; they were explorations of the inner life, capturing a profound psychological depth in each subject. He stripped away extraneous detail, focusing on essential forms to convey emotion with remarkable economy. His nudes, often controversial during his lifetime, possess a similar quality – a quiet dignity and vulnerability that transcends mere physical representation. The figures are not overtly sensual but rather imbued with a sense of timeless beauty and existential longing.

    Beyond painting, Modigliani also dedicated himself to sculpture, creating a series of highly stylized heads and torsos. These sculptures, influenced by African art and Brâncuși’s reductive forms, further demonstrate his commitment to simplifying form and emphasizing essential qualities. Though he exhibited these works briefly with the Section d'Or group in 1912, they were met with harsh criticism and largely withdrawn from public view. This rejection deeply affected Modigliani, contributing to a period of artistic self-doubt and financial hardship.

    A Life Marked by Shadows

    Modigliani’s personal life was as turbulent as his artistic journey. He struggled with poverty and addiction throughout much of his career, often relying on the generosity of friends and patrons. His relationship with Jeanne Hébuterne, a young artist herself, became the central emotional anchor in his life. They shared a deep love and mutual artistic understanding, but their happiness was tragically short-lived. The pressures of poverty, Modigliani’s declining health, and Jeanne's pregnancy created an unbearable strain. In 1920, devastated by the birth of their daughter and overwhelmed by despair, Jeanne took her own life. Just days later, Modigliani succumbed to tubercular meningitis at the age of only 35.

    Legacy of a Lost Generation

    Despite facing little recognition during his lifetime, Amedeo Modigliani’s work experienced a dramatic surge in popularity after his death. His paintings and sculptures began to command increasingly high prices, and his distinctive style exerted a profound influence on subsequent generations of artists. He became an icon of the bohemian spirit, embodying the struggles and triumphs of a lost generation grappling with modernity and existential questions.

    Today, Modigliani’s works are held in prestigious museums around the world, including the Osaka City Museum of Modern Art, the Musée d'Art Moderne de la Ville de Paris, and numerous private collections. His portraits continue to captivate viewers with their haunting beauty and emotional resonance, serving as a poignant reminder of a life lived on the edge – a life etched in longing, passion, and an unwavering commitment to artistic truth.

    Notable Works

    Nude Bust (35 x 26 cm): A quintessential example of Modigliani’s elongated forms and expressive style, showcasing his mastery of the human figure.

    Reclining Nude with Loose Hair: Demonstrates his ability to capture the essence of femininity with a delicate balance of sensuality and vulnerability.

    Seated Female Nude (92 x 60 cm): A powerful depiction of the female form, characterized by its simplified shapes and serene composure.

    Portrait of Jeanne Hebuterne: Numerous portraits capturing his lover and muse, revealing a poignant emotional depth and intimate connection.

    Where to read more

    Find this online

    QR code linking to the download page for Recumbent nude

    originaluniqueart.com/en/art/download/amedeo-clemente-modigliani-recumbent-nude-8EWCEG-en/

    Cite this artwork

    MLA
    Modigliani, Amedeo Clemente. Recumbent nude. 1917, https://originaluniqueart.com/en/art/amedeo-clemente-modigliani-recumbent-nude-8EWCEG-en/
    APA
    Modigliani, Amedeo Clemente (1917). Recumbent nude [Painting]. https://originaluniqueart.com/en/art/amedeo-clemente-modigliani-recumbent-nude-8EWCEG-en/
    Chicago
    Amedeo Clemente Modigliani. Recumbent nude. 1917. https://originaluniqueart.com/en/art/amedeo-clemente-modigliani-recumbent-nude-8EWCEG-en/
    Harvard
    Modigliani, Amedeo Clemente (1917) Recumbent nude. Available at: https://originaluniqueart.com/en/art/amedeo-clemente-modigliani-recumbent-nude-8EWCEG-en/

    Look closely

    Recumbent nude — Amedeo Clemente Modigliani

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: nude figure, red color palette, bed scene. Do you agree? What would you add, or take away?
    4. Look back at Nude Sitting on a Divan (1917), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Recumbent nude — Amedeo Clemente Modigliani

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is Amedeo Modigliani’s ‘Recumbent Nude’ primarily associated with?

      • A Cubism
      • B Impressionism
      • C Expressionism
    2. 2. The painting utilizes a dominant color scheme characterized by what hue?

      • A Blue
      • B Green
      • C Red
    3. 3. What is the primary purpose of the couch depicted in ‘Recumbent Nude’?

      • A To provide comfort to the subject
      • B To create depth and context within the scene
      • C It serves as a decorative element
    4. 4. Modigliani's style is notable for its distortion of forms. Which technique exemplifies this characteristic?

      • A Detailed realism
      • B Pointillism
      • C Elongation of figures
    5. 5. ‘Recumbent Nude’ reflects the broader artistic trends of its time by aligning with which movement's emphasis on emotional expression?

      • A Renaissance
      • B Romanticism
      • C Expressionism

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2C · 3B · 4C · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Which reproduction size is suggested for "Recumbent nude" by Amedeo Clemente Modigliani?

    "Recumbent nude" is recommended at a large print size. Other sizes are available with the same proportions.

    What saturation and intensity does "Recumbent nude" by Amedeo Clemente Modigliani show?

    "Recumbent nude" by Amedeo Clemente Modigliani is recorded with a balanced soft saturation and a vivid intensity.

    Why is the copyright status of "Recumbent nude" what it is?

    "Recumbent nude" by Amedeo Clemente Modigliani is in the public domain - its copyright has expired. Copyright duration runs from the artist's death, which occurred in 1920.