Paper

Student Artwork Guide

Breakfast on the grass

Name Class Date

Amedeo Bocchi, Breakfast on the grass (1946), Collezione Fondazione Cariparma. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Amedeo Bocchi originaluniqueart.com/en/artists/amedeo-bocchi/
Artist’s dates
1883 – 1976
Painted
1946
Held at
Collezione Fondazione Cariparma originaluniqueart.com/en/museums/collezione-fondazione-cariparma-parma/

In context

Breakfast on the grass — Amedeo Bocchi

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 93 at death.

Painted when the artist was 63. The artist lived to 93. 9 of the 14 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Amedeo Bocchi (1883–1976) ▲ this work, 1946 every dated painting, decade by decade

First works: up to 1905 Main working years: 1905–1951 Late works: from 1951

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/amedeo-bocchi-breakfast-on-the-grass-D7DAQ2-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #25231b

    Catalogued palette

    • #25231B
    • #8B8770
    • #9C5D33
    • #4C4E37

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Amedeo Bocchi over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 50.0%
    2. 2 Russia 50.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 6 most looked-at works by Amedeo Bocchi

    1. 1 Angeli delle Litanie Lauretane (studio per la decorazione del Duomo di Messina), 1933 20.0%
    2. 2 Exodus, 1960 20.0%
    3. 3 Lotus flower, 1905 20.0%
    4. 4 A woman, 1800 20.0%
    5. 5 Flora (Flora and Pomona), 1900 20.0%
    6. — Breakfast on the grass, 1946 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 17 works by this artist, of which 5 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Breakfast on the grass — Amedeo Bocchi

    The painting, an oil on canvas, was made in the immediate post-war period, a flourishing period that corresponds to the artist

    Artist and museum

    Artist

    Amedeo Bocchi

    Born in Parma, Italy

    early life and training

    amedeo bocchi, an italian painter, was born on august 24, 1883, in parma, italy. his father's profession as a wall decoration painter likely influenced amedeo's early interest in art. at the age of 12, he enrolled in the royal institute of fine arts of parma, under the guidance of cecrope barilli. this foundational training laid the groundwork for his future artistic endeavors.

    artistic career and personal life

    in 1901, at 18 years old, amedeo graduated from the institute. his mentor, cecrope barilli, encouraged him to travel to rome to attend the scuola del nudo on via ripetta. this move marked a significant turning point in his career, as he became active mainly in rome. in 1908, amedeo married and had a daughter, bianca, who frequently appeared in his paintings until her untimely death in 1934.

    artistic style and influences

    amedeo's work is characterized by its eclectic nature, reflecting the various artistic movements of his time. his style, while not strictly adhering to any one movement, shows influences from neoclassicism, mannerism, and modern art.

    notable works and exhibitions

    the galleria nazionale d'arte moderna e contemporanea in rome has featured amedeo's works, showcasing his contributions to modern italian art.

    his paintings, such as fog in the mountains, demonstrate his ability to capture the essence of the italian landscape.

    amedeo's work can also be found in various private collections and museums throughout italy, a testament to his enduring legacy.

    legacy

    amedeo bocchi passed away on december 16, 1976, leaving behind a body of work that continues to inspire artists and art enthusiasts alike. his dedication to his craft is evident in the numerous pieces he created during his lifetime.

    view amedeo bocchi's artworks on AllPaintingsStore.com

    explore the galleria nazionale d'arte moderna e contemporanea's collection, featuring amedeo's works, on AllPaintingsStore.com

    discover more about italian art and its history on wikipedia

    remember to explore the world of art with AllPaintingsStore.com, your gateway to a universe of artistic masterpieces.

    Museum

    Collezione Fondazione Cariparma

    On show in Parma, Italy

    A Sanctuary of Artistic Soul in the Heart of Parma

    Nestled within the historic grandeur of Palazzo Bossi Bocchi, the

    Collezione Fondazione Cariparma

    serves as a profound testament to the enduring artistic spirit of Emilia-Romagna. To step into this museum is to embark on a curated journey through time, where the echoes of Parma’s aristocratic past meet the bold innovations of the modern era. The collection is not merely a repository of objects but a living narrative that weaves together the threads of regional identity and universal human emotion. From the delicate intimacy of 15th-century devotional works to the sweeping intellectual movements of the 20th century, every corner of this institution invites the observer to contemplate the evolution of taste, craftsmanship, and cultural memory.

    The architectural setting of the museum is as much a masterpiece as the canvases it protects. The Palazzo Bossi Bocchi, a jewel of late 18th-century design, offers an atmosphere of refined elegance that provides a seamless backdrop for the treasures within. Visitors wandering through its halls encounter intricate frescoes and decorative elements that whisper tales of noble lineages and the great patrons who once shaped the city's destiny. The thoughtful restoration of the palazzo has created a harmonious dialogue between historical splendor and contemporary exhibition needs, allowing the architecture to act as a silent narrator, grounding the diverse artworks in a sense of place and permanence.

    From Devotional Intimacy to Modernist Vision

    The breadth of the collection is truly remarkable, offering a sensory experience that caters to the most discerning art lovers and collectors. One cannot help but be moved by the

    anconette

    —small, exquisite sacred images from the 14th and 15th centuries designed for private devotion. These works, such as the tender depictions of the Virgin and Child, showcase a transition from golden, symbolic backgrounds to more naturalistic landscapes that reflect the growing humanism of the era. The meticulous detail found in the works of artists like Ludovico Mazzolino reveals a miniaturist finesse, where tiny, hidden dramas unfold within lush, atmospheric settings, capturing a sense of spiritual wonder and emotional verisimilitude.

    As the collection progresses into more recent centuries, the focus shifts toward the vibrant energy of modern Italian painting and sculpture. The museum celebrates the transformative power of movements such as

    Surrealism

    and

    Abstract Expressionism

    , highlighting how artists pushed the boundaries of form and perception. This evolution is particularly poignant when viewed alongside the regional masterpieces that define the Emilia-Romagna landscape. The inclusion of works by Amos Nattini, whose illustrations for Dante’s

    Divine Comedy

    bridge the gap between Renaissance tradition and a singular, modern vision, exemplifies the museum's ability to honor historical roots while embracing the avant-garde.

    A Living Legacy for the Modern Collector

    What distinguishes the Collezione Fondazione Cariparma is its role as a dynamic cultural catalyst. It is not a static monument but an active participant in the contemporary arts ecosystem. Through carefully curated temporary exhibitions that explore the intersection of art and social history, the museum fosters a continuous dialogue between the past and the present. For interior designers and enthusiasts of fine decor, the collection offers endless inspiration, showcasing how ceramics, numismatics, and exquisite furniture can coexist with profound fine art to create spaces of immense character and intellectual depth.

    Beyond its walls, the foundation’s commitment to community engagement ensures that this artistic heritage remains a shared treasure. By fostering collaborations with neighboring institutions and celebrating local talent, the museum strengthens the cultural bonds of Parma. Whether one is drawn by the allure of rare coins, the delicate beauty of Renaissance oil paintings, or the striking power of modern sculpture, the Collezione Fondazione Cariparma offers an unparalleled encounter with the very essence of Italian creativity.

    Where to read more

    Find this online

    QR code linking to the download page for Breakfast on the grass

    originaluniqueart.com/en/art/download/amedeo-bocchi-breakfast-on-the-grass-D7DAQ2-en/

    Cite this artwork

    MLA
    Bocchi, Amedeo. Breakfast on the grass. 1946, Collezione Fondazione Cariparma. https://originaluniqueart.com/en/art/amedeo-bocchi-breakfast-on-the-grass-D7DAQ2-en/
    APA
    Bocchi, Amedeo (1946). Breakfast on the grass [Painting]. Collezione Fondazione Cariparma. https://originaluniqueart.com/en/art/amedeo-bocchi-breakfast-on-the-grass-D7DAQ2-en/
    Chicago
    Amedeo Bocchi. Breakfast on the grass. 1946. Collezione Fondazione Cariparma. https://originaluniqueart.com/en/art/amedeo-bocchi-breakfast-on-the-grass-D7DAQ2-en/
    Harvard
    Bocchi, Amedeo (1946) Breakfast on the grass. Collezione Fondazione Cariparma. Available at: https://originaluniqueart.com/en/art/amedeo-bocchi-breakfast-on-the-grass-D7DAQ2-en/

    Look closely

    Breakfast on the grass — Amedeo Bocchi

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Exodus (1960), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Amedeo Bocchi was about 63 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "Breakfast on the grass" held in the country of its creator?

    Yes - the artwork is kept in the artist's home country. "Breakfast on the grass" is held in Italy, while Amedeo Bocchi was born in Italy.

    What kind of colors does "Breakfast on the grass" use?

    The palette of "Breakfast on the grass" by Amedeo Bocchi is described as earthy. It is a compact description of the work's colors.

    What luminance does "Breakfast on the grass" by Amedeo Bocchi have?

    The luminance recorded for "Breakfast on the grass" by Amedeo Bocchi is dark.