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Student Artwork Guide

Romulus and Remus

Name Class Date

Alexander Milne Calder, Romulus and Remus (1928), Solomon R. Guggenheim Museum. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Alexander Milne Calder originaluniqueart.com/en/artists/alexander-milne-calder/
Artist’s dates
1898 – 1976
Painted
1928
Movement
Constructivism Art built like engineering, using industrial materials and shapes for a new society rather than for galleries.
Held at
Solomon R. Guggenheim Museum originaluniqueart.com/en/museums/solomon-r-guggenheim-museum-new-york/
Artistic style
Abstract Sculpture
Influences
Chance, Modernism
Notable elements
Minimalist wire form
Subject or theme
Roman Mythology

In context

Romulus and Remus — Alexander Milne Calder

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 78 at death.

Painted when the artist was 30. The artist lived to 78. 0 of the 44 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Alexander Milne Calder (1898–1976) ▲ this work, 1928 every dated painting, decade by decade

First works: up to 1944 Main working years: 1944–1968 Late works: from 1968

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/alexander-milne-calder-romulus-and-remus-D3ESFP-en/

Colours

Measured from the image

    Main colour

    Putty #dedce0

    Catalogued palette

    • #DEDCE0
    • #C0BFC2
    • #E9E7EB
    • #7B777A

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Monochrome The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Alexander Milne Calder over the last twelve months — 5 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 68.8%
    2. 2 Brazil 12.5%
    3. 3 France 6.2%
    4. 4 Lithuania 6.2%
    5. 5 United States of America 6.2%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 19 most looked-at works by Alexander Milne Calder

    1. 1 Lobster Trap and Fish Tail, 1939 15.4%
    2. 2 Mobile, 1932 15.4%
    3. 3 Crosshatch 7.7%
    4. 4 Untitled 7.7%
    5. 5 Tache Bleu 3.8%
    6. 6 Four Fish in Water, 1947 3.8%
    7. 7 Spiral Composition, 1946 3.8%
    8. 8 Nemo 3.8%
    9. 9 Red Lily Pads (Nénuphars rouges), 1956 3.8%
    10. 10 Slanting Red Nose, 1969 3.8%
    11. 11 Black Sun, 1953 3.8%
    12. 12 Red Sun, 1968 3.8%
    13. 13 Untitled (318) 3.8%
    14. 14 Untitled (890) 3.8%
    15. 15 Untitled (4) 3.8%
    16. 16 Untitled (121) 3.8%
    17. 17 Model for Nenuphar, 1968 3.8%
    18. 18 Untitled (2) 3.8%
    19. — Romulus and Remus, 1928 this painting 0.0%

    Together these works take 99.4% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 92 works by this artist, of which 18 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Romulus and Remus — Alexander Milne Calder

    A Moment Frozen in Steel: Exploring Calder’s “Romulus and Remus”

    Alexander Milne Calder's "Romulus and Remus," crafted in 1928, isn’t merely a sculpture; it’s a distilled essence of myth rendered in delicate wire. This piece, a testament to the artist’s pioneering approach to three-dimensional form, transcends its subject matter – the legendary founders of Rome – to become a profound meditation on beginnings, brotherhood, and the very act of creation itself. Calder, deeply influenced by Constructivism and early Modernism, sought to liberate sculpture from the constraints of traditional materials, embracing the inherent qualities of industrial wire as both medium and metaphor.

    The sculpture’s stark simplicity is its most arresting feature. Two figures, rendered with astonishing grace despite their skeletal construction, stand beneath a subtly arching structure that evokes a horizon line or perhaps a stylized landscape. The color palette – a resolute black and white punctuated by subtle grays – amplifies the work's austerity, forcing the viewer to focus entirely on form and movement. The lines themselves are paramount; thin, almost impossibly delicate wires define every contour, creating an illusion of both fragility and strength. This deliberate reductionist approach mirrors Calder’s broader philosophy: to strip away the superfluous and reveal the fundamental elements of a subject.

    The Poetics of Chance and Kinetic Form

    Calder's work in this period – particularly his “Cirque Calder” series – exemplifies his fascination with chance and spontaneity. He didn’t meticulously plan every curve or angle; instead, he allowed the wire to guide him, embracing the unpredictable nature of the material. This process is vividly captured in "Romulus and Remus," where the figures appear to be caught mid-action, poised on the precipice of a narrative yet undefined. The slight wobble inherent in the sculpture’s construction – a subtle consequence of its wire composition – hints at a kinetic energy, suggesting that even stillness can hold a dynamic potential.

    The technique itself is deceptively complex. Calder skillfully bent and assembled hundreds of individual wires, creating a surprisingly robust structure despite its delicate appearance. The varying thicknesses of the wire contribute to the sculpture’s textural richness, offering subtle shifts in sheen as light catches the metal. This careful manipulation of material speaks to Calder's mastery of his chosen medium – a testament to his ability to transform industrial components into objects of profound beauty and intellectual resonance.

    Myth, Brotherhood, and the Dawn of Rome

    The subject matter—the story of Romulus and Remus—is deeply rooted in Roman mythology. The legend of the twins suckled by a she-wolf is an enduring symbol of resilience, survival, and the founding of civilization. Calder’s sculpture doesn't simply depict this narrative; it captures its essence – the primal struggle for existence, the bond between brothers, and the birth of a new order. The wire itself can be interpreted as representing the threads that connect us to our past, shaping our present and influencing our future.

    Created in 1928, “Romulus and Remus” stands as a pivotal work in Calder’s oeuvre, marking a significant shift towards abstraction while retaining a powerful connection to his artistic roots. It's a sculpture that invites contemplation, prompting viewers to consider the interplay of form, material, and narrative – a timeless meditation on the foundations of human experience.

    Artist and museum

    Artist

    Alexander Milne Calder

    Born in Aberdeen, United Kingdom

    introduction to alexander milne calder

    alexander milne calder was a scottish american sculptor, born in aberdeen, scotland in 1846. he is best known for his architectural sculpture of philadelphia city hall, and both his son, alexander stirling calder, and grandson, alexander 'sandy' calder, became significant sculptors in the 20th century.

    early life and career

    alexander milne calder began his career in scotland, working for sculptor john rhind, while attending the royal academy in edinburgh. he moved to london and worked on the albert memorial. calder immigrated to the united states in 1868 and settled in philadelphia, where he studied with joseph a. bailly and took classes with thomas eakins at the pennsylvania academy of fine arts.

    notable works

    some of alexander milne calder's notable works include:

    philadelphia city hall: a commission that involved more than 250 pieces in marble and bronze, taking calder 20 years to complete.

    william penn: a colossal bronze statue that was to crown the city hall's tower.

    indian figure: a sculpture prior to its installation on city hall.

    south portal and west portal: illuminated with colored lights, showcasing calder's attention to detail.

    legacy

    alexander milne calder's legacy extends beyond his own work, as both his son and grandson became prominent sculptors. his contributions to the world of art can be seen in various museums, including the smithsonian american art museum and the galleria civica di arte moderna e contemporanea torino. to learn more about alexander milne calder and his work, visit https://AllPaintingsStore.com/@/alexander-milne-calder or explore the wahoo art timeline for a detailed overview of art history. important to note that alexander milne calder's work has been recognized and appreciated by art enthusiasts and scholars alike, making him a significant figure in the world of art. his contributions will continue to be celebrated and studied for generations to come.

    Museum

    Solomon R. Guggenheim Museum

    On show in New York, United States of America

    A Symphony of Light and Form: The Guggenheim Experience

    To enter the

    Solomon R. Guggenheim Museum

    is to step inside a living sculpture, a place where the boundaries between architectural innovation and artistic expression dissolve into a singular, breathtaking experience. Located in the heart of

    New York City

    , this iconic landmark serves as much more than a repository for masterpieces; it is an immersive journey through space and light. Designed by the visionary

    Frank Lloyd Wright

    , the museum’s structure embodies the principles of organic architecture, creating a seamless dialogue between the built environment and the creative spirit. As visitors ascend the continuous, spiraling ramp, they are guided through a rhythmic progression of galleries that reject the traditional, compartmentalized museum layout in favor of an unfolding visual narrative, where every turn reveals a new perspective on the evolution of modern art.

    The architectural brilliance of the building is anchored by its monumental oculus, a skylight that bathes the interior in a soft, natural glow, transforming the central atrium into a cathedral of light. Wright’s use of concrete and limestone—materials echoing the rugged geological formations of the American West—provides a grounded, tactile contrast to the ethereal quality of the light filtering from above. This deliberate design choice ensures that the art is never viewed in isolation; rather, each painting and sculpture becomes an integral part of the building's flowing geometry. For the art lover or interior designer, the museum offers a profound lesson in how space can elevate subject matter, turning the act of observation into a meditative encounter with form and movement.

    A Legacy of Abstract Vision

    At the heart of the Guggenheim’s soul lies its extraordinary collection, a legacy shaped by the pioneering spirit of

    Hilla von Rebay

    . Her dedication to non-objective and abstract art laid the foundation for a collection that celebrates the spiritual and emotional power of pure form. The museum’s halls are graced by the groundbreaking compositions of

    Wassily Kandinsky

    , whose vibrant hues and geometric precision continue to resonate with contemporary sensibilities. Alongside these abstract pioneers, the collection boasts the monumental presence of

    Pablo Picasso

    , whose diverse contributions range from intricate prints to sculptural marvels.

    This rich tapestry of art—stretching from Impressionism and Post-Impressionism into the heights of early Modernism and contemporary movements—creates a dialogue across eras. The museum remains a vibrant epicenter of cultural discourse, constantly reinventing itself through temporary exhibitions that challenge and provoke. By hosting shows that grapple with pressing social, political, and technological themes, the institution ensures that its historical collection remains in constant conversation with the present day. It is this unique ability to bridge the gap between the masters of the past—such as

    Marc Chagall

    and

    Joan Miró

    —and the emerging voices of today that makes the Guggenheim a living institution, an enduring emblem of New York’s cultural dynamism where architectural grandeur and artistic innovation converge to inspire awe.

    Where to read more

    Find this online

    QR code linking to the download page for Romulus and Remus

    originaluniqueart.com/en/art/download/alexander-milne-calder-romulus-and-remus-D3ESFP-en/

    Cite this artwork

    MLA
    Calder, Alexander Milne. Romulus and Remus. 1928, Solomon R. Guggenheim Museum. https://originaluniqueart.com/en/art/alexander-milne-calder-romulus-and-remus-D3ESFP-en/
    APA
    Calder, Alexander Milne (1928). Romulus and Remus [Painting]. Solomon R. Guggenheim Museum. https://originaluniqueart.com/en/art/alexander-milne-calder-romulus-and-remus-D3ESFP-en/
    Chicago
    Alexander Milne Calder. Romulus and Remus. 1928. Solomon R. Guggenheim Museum. https://originaluniqueart.com/en/art/alexander-milne-calder-romulus-and-remus-D3ESFP-en/
    Harvard
    Calder, Alexander Milne (1928) Romulus and Remus. Solomon R. Guggenheim Museum. Available at: https://originaluniqueart.com/en/art/alexander-milne-calder-romulus-and-remus-D3ESFP-en/

    Look closely

    Romulus and Remus — Alexander Milne Calder

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Our catalogue files this work under: mythology, brothers, founding. Do you agree? What would you add, or take away?
    5. Look back at Calder's Circus (1931), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Romulus and Remus — Alexander Milne Calder

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary material used in Alexander Calder’s ‘Romulus and Remus’?

      • A Oil paint on canvas
      • B Wire and wood
      • C Bronze sculpture
    2. 2. When was Alexander Calder’s ‘Romulus and Remus’ created?

      • A 1926
      • B 1928
      • C 1930
    3. 3. The artwork ‘Romulus and Remus’ is an example of which artistic movement?

      • A Impressionism
      • B Constructivism
      • C Renaissance
    4. 4. What does the she-wolf depicted in ‘Romulus and Remus’ symbolize?

      • A Roman strength and power
      • B Nurturing and protection
      • C The dangers of the Tiber River
    5. 5. Which of the following best describes the style of ‘Romulus and Remus’?

      • A Highly detailed realism
      • B Minimalist and linear, emphasizing form and movement
      • C Complex portraiture

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2B · 3A · 4B · 5A

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Can I examine "Romulus and Remus" in more detail?

    The X-Ray page of "Romulus and Remus" by Alexander Milne Calder is an interactive viewer that lets you slide through eleven optical layers of the artwork's image, including an X-ray style view.

    What is the dominant hue of "Romulus and Remus" by Alexander Milne Calder?

    "Romulus and Remus" leans toward a green to violet spectrum tone.

    What is the color identity of "Romulus and Remus" by Alexander Milne Calder?

    The color identity of "Romulus and Remus" by Alexander Milne Calder: a monochrome palette, dominated by putty (#dedce0).