Paper

Student Artwork Guide

Baking Bread

Name Class Date

Aksel Waldemar Johannessen, Baking Bread (1920), Private Collection. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Aksel Waldemar Johannessen originaluniqueart.com/en/artists/aksel-waldemar-johannessen/
Artist’s dates
1880 – 1922
Painted
1920
Original size
85 x 100 cm
Held at
Private Collection originaluniqueart.com/en/museums/private-collection-oslo/

In context

Baking Bread — Aksel Waldemar Johannessen

How big is it?

The original measures 85 × 100 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 42 at death.

Painted when the artist was 40. The artist lived to 42. 46 of the 60 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Aksel Waldemar Johannessen (1880–1922) ▲ this work, 1920 every dated painting, decade by decade

First works: up to 1916 Main working years: 1916–1919 Late works: from 1919

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

  • Man on a Diving Board, 1912 originaluniqueart.com/en/art/aksel-waldemar-johannessen-man-on-a-diving-board-AQU4YB-en/
  • The night, 1920 originaluniqueart.com/en/art/aksel-waldemar-johannessen-the-night-AQU4WD-en/
  • Market Scene, 1916 originaluniqueart.com/en/art/aksel-waldemar-johannessen-market-scene-AQU4XK-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/aksel-waldemar-johannessen-baking-bread-AQU4XF-en/

Colours

Measured from the image

    Main colour

    Putty #cfc8bd

    Catalogued palette

    • #CFC8BD
    • #473F3E
    • #7F6E65
    • #AFA395

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Aksel Waldemar Johannessen over the last twelve months — 5 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 76.0%
    2. 2 Sweden 8.0%
    3. 3 United States of America 8.0%
    4. 4 Hong Kong 4.0%
    5. 5 Norway 4.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Aksel Waldemar Johannessen

    1. 1 Man on a Diving Board, 1912 12.5%
    2. 2 The night, 1920 9.4%
    3. 3 Landøen in Asker, 1916 6.2%
    4. 4 Market Scene, 1916 6.2%
    5. 5 The Path, 1918 6.2%
    6. 6 Baking Bread, 1920 this painting 6.2%
    7. 7 Haymaking, 1916 3.1%
    8. 8 The Morning After, 1916 3.1%
    9. 9 Mother and Children (diptych), 1915 3.1%
    10. 10 Interior in Asker, 1918 3.1%
    11. 11 The Artist's Summer House in Asker, 1916 3.1%
    12. 12 Woman in the Park, 1918 3.1%
    13. 13 After the Performance, 1918 3.1%
    14. 14 Rain, 1915 3.1%
    15. 15 Resurrection, 1918 3.1%
    16. 16 Peasant with Cabbages, 1918 3.1%
    17. 17 Mother and Child, 1918 3.1%
    18. 18 Workers, 1915 3.1%
    19. 19 Card Players, 1918 3.1%
    20. 20 In Oslo Fjord, 1918 3.1%

    Together these works take 90.1% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 70 works by this artist, of which 23 were looked at at least once. This painting ranks 6 of them, with 6.2% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Aksel Waldemar Johannessen

    Aksel Waldemar Johannessen: A Rediscovered Voice of the Norwegian Working Class

    The art world often rewards those who are immediately recognized, lauded for their innovations and contributions. But sometimes, brilliance is obscured by circumstance, forgotten amidst the currents of time. Aksel Waldemar Johannessen (1880-1922) represents precisely such a rediscovery – a Norwegian Expressionist painter whose powerful depictions of the lives of workers and his unflinching social commentary were largely ignored during his lifetime, only to be resurrected with renewed appreciation in recent decades. His work offers a poignant glimpse into the realities of early 20th-century Norway, revealing a uniquely sensitive and critical perspective rarely seen in contemporary art.

    Born in Oslo’s Hammersborg district – a neighborhood characterized by poverty and industrial labor – Johannessen's upbringing profoundly shaped his artistic vision. Growing up amidst the struggles of working-class families instilled within him a deep empathy for their plight, which he translated into his paintings with remarkable honesty. He initially studied sculpting at the state-run art school in Oslo, finding mentorship under Lars Utne, before marrying Anna Nilsen and relocating to Gjøvik around 1910. This move brought him a position as a furniture designer, providing a practical grounding while simultaneously fueling his artistic explorations. It was during this period that he began to develop his distinctive style – a potent blend of realism and emotional intensity, informed by the influence of Edvard Munch, though possessing a uniquely Nordic sensibility.

    The Palette of Struggle: Style and Technique

    Johannessen’s paintings are immediately recognizable for their raw emotion and unflinching portrayal of everyday life. He eschewed idealized representations in favor of depicting the harsh realities faced by laborers – miners, factory workers, and domestic servants – with a directness that was both unsettling and profoundly moving. His brushwork is often loose and expressive, conveying a sense of urgency and turmoil. He frequently employed muted earth tones—browns, grays, and ochres—to create a somber atmosphere, reflecting the bleak conditions he depicted. Light plays a crucial role in his work, often diffused and melancholic, casting long shadows that emphasize the isolation and vulnerability of his subjects.

    Consider “Washing Hair,” a particularly evocative piece from 1920. The painting captures a moment of quiet intimacy within a cramped dwelling, yet it’s imbued with an underlying sense of hardship. The woman's face is etched with weariness, her movements deliberate and economical. The loose brushstrokes and subtle use of light create a palpable atmosphere of fatigue and resignation. Similarly, “Card Players,” showcases the starkness of working-class life, presenting a scene of men engaged in a simple pastime, their faces reflecting the burdens they carry.

    A Forgotten Master: Influences and Context

    While Johannessen’s work bears clear affinities with Edvard Munch – particularly his exploration of psychological intensity and emotional landscapes – he forged his own distinct path. The influence of Northern European realism is also evident, grounding his depictions in a tangible sense of place and time. The social context of early 20th-century Norway—a nation grappling with rapid industrialization and social inequality—provided the backdrop for his artistic concerns. He was part of a broader movement seeking to depict the lives of ordinary people, challenging prevailing notions of beauty and heroism.

    Interestingly, Johannessen’s work remained largely unknown until 1990, when art collector Haakon Mehren stumbled upon a collection of his paintings. This rediscovery sparked renewed interest in his oeuvre, leading to exhibitions and critical reassessment. The play “The Forgotten Painter” by Alexander Kratzer further cemented his place in the cultural consciousness, bringing his story to a wider audience.

    Legacy and Recognition

    Aksel Waldemar Johannessen’s life was tragically cut short at the age of 42, succumbing to pneumonia after battling alcoholism. Despite his untimely death, his artistic legacy has experienced a remarkable resurgence. His paintings now command significant attention within the art world, recognized for their raw emotional power and social commentary. His work stands as a testament to the importance of remembering those whose voices have been historically marginalized – a poignant reminder that true artistry often lies hidden beneath the surface, waiting to be rediscovered.

    Johannessen’s story serves as a powerful illustration of how art can reflect and shape our understanding of society. His paintings offer a vital window into the lives of ordinary people, prompting us to confront uncomfortable truths about social inequality and human suffering. He remains a significant figure in Norwegian Expressionism, a forgotten master whose voice is finally being heard.

    Museum

    Private Collection

    On show in Oslo, Norway

    A Norwegian Legacy: Delving into Oslo’s Private Collection

    Nestled within the verdant embrace of Frogner Park, a mere stone's throw from the shimmering waters of the Oslofjord, lies an institution that quietly embodies the soul of Norway – the Private Collection. More than just a museum, it’s a meticulously curated journey through time, a testament to artistic vision and national identity, housed within the elegant walls of Frogner Manor. This architectural gem, itself steeped in 18th-century charm, serves as the perfect backdrop for an extraordinary assemblage of art, photography, and cultural artifacts, offering visitors a rare glimpse into the evolving narrative of a nation. Founded in 1905 as ‘Det gamle Christiania,’ initially conceived to preserve the memory of Old Oslo, the Collection has blossomed into a vibrant repository, reflecting Norway’s artistic evolution from its earliest days to the present. Walking through its halls is akin to stepping directly into the lives and creative minds that have shaped Norwegian culture—a profoundly immersive experience for any discerning art enthusiast.

    Echoes of Masters: Munch, Krohg, and Beyond

    The Private Collection’s true strength resides in its remarkable concentration of works by Norway's most celebrated artists. At the heart of this collection lies the intensely emotive canvases of Edvard Munch, a figure whose exploration of human emotion—love, loss, anxiety—resonates with universal themes that continue to captivate audiences today. The museum doesn’t merely display these paintings; it invites us into the very core of Munch's artistic process – a world saturated in symbolism and psychological depth, vividly rendered through his distinctive use of color and form. Alongside Munch’s powerful expressions, the forceful realism and poignant social commentary of Christian Krohg command attention. Krohg’s works aren’t simply aesthetically pleasing; they are pointed observations on the realities of Norwegian society during a period of significant transformation, offering intimate portraits of ordinary Norwegians grappling with change and challenging societal norms. However, the Collection's breadth extends far beyond these giants, showcasing a diverse array of lesser-known but equally compelling Norwegian artists—a carefully assembled panorama that provides a truly comprehensive understanding of Norway’s artistic heritage. The collection deliberately avoids focusing solely on the most famous names, ensuring a richer, more nuanced appreciation for the nation’s artistic landscape.

    A Photographic Memory: Capturing Oslo Through Time

    Beyond its celebrated paintings and sculptures, the Private Collection boasts an extraordinary photographic archive—one of Norway's largest, containing over 1.5 million images spanning centuries. This isn’t merely a historical record; it’s a dynamic visual narrative charting Oslo’s remarkable transformation from a small settlement to the bustling metropolis it is today. The work of renowned photographers like Anders Wilse provides invaluable documentation of urban development, social life, and the evolving landscape—a testament to the city's enduring character. These photographs aren’t static images; they are living windows into the past, allowing visitors to witness firsthand how Oslo has evolved while simultaneously prompting reflection on themes of memory, identity, and progress. The digital preview available at oslobilder.no further enhances accessibility, offering a tantalizing glimpse into this vast archive for those unable to visit in person. The sheer volume and variety of images offer unique insights into daily life, architectural shifts, and the changing social fabric of Oslo over generations.

    Preservation & Accessibility: A Unique Cultural Hub

    What truly distinguishes the Private Collection is its unwavering commitment to both preservation and accessibility. The museum isn’t content with simply safeguarding Norway's cultural legacy; it actively seeks innovative ways to share this heritage with a wider audience. This dedication manifests not only through its extensive online resources, including detailed image descriptions and historical context, but also in its comprehensive library—a vital resource for researchers, historians, and anyone seeking deeper understanding of Oslo’s rich past. Furthermore, the museum's location within the broader Oslo Museum network fosters collaboration and ensures that Norway’s cultural heritage remains vibrant and relevant for future generations. The Private Collection is more than just a repository; it’s a dynamic center for learning and engagement, offering a truly enriching experience for anyone with an appreciation for beauty, culture, and the enduring power of human creativity.

    Beyond the Walls: Bespoke Art & Future Possibilities

    For those seeking to commission unique artwork or elevate their personal collection, ArtsDot.com offers bespoke artistry services, mirroring the spirit of preservation and innovation embodied by the Private Collection. Inspired by the museum’s dedication to showcasing exceptional art, our VIP private commission service allows clients to collaborate with expert artists to create truly one-of-a-kind pieces – from custom oil paintings capturing cherished memories to white-label solutions tailored to specific aesthetic preferences. As demonstrated by the Astrup Fearnley Museum of Modern Art, a similar commitment to showcasing contemporary art can be achieved through thoughtful curation and strategic partnerships. The Private Collection serves as an inspiring example of how institutions can not only preserve the past but also actively shape the future of artistic expression. And for those interested in owning authentic, museum-quality reproductions, ArtsDot’s services provide a seamless path to acquiring exceptional art that reflects both historical significance and contemporary beauty.

    Where to read more

    Find this online

    QR code linking to the download page for Baking Bread

    originaluniqueart.com/en/art/download/aksel-waldemar-johannessen-baking-bread-AQU4XF-en/

    Cite this artwork

    MLA
    Johannessen, Aksel Waldemar. Baking Bread. 1920, Private Collection. https://originaluniqueart.com/en/art/aksel-waldemar-johannessen-baking-bread-AQU4XF-en/
    APA
    Johannessen, Aksel Waldemar (1920). Baking Bread [Painting]. Private Collection. https://originaluniqueart.com/en/art/aksel-waldemar-johannessen-baking-bread-AQU4XF-en/
    Chicago
    Aksel Waldemar Johannessen. Baking Bread. 1920. Private Collection. https://originaluniqueart.com/en/art/aksel-waldemar-johannessen-baking-bread-AQU4XF-en/
    Harvard
    Johannessen, Aksel Waldemar (1920) Baking Bread. Private Collection. Available at: https://originaluniqueart.com/en/art/aksel-waldemar-johannessen-baking-bread-AQU4XF-en/

    Look closely

    Baking Bread — Aksel Waldemar Johannessen

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Man on a Diving Board (1912), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Aksel Waldemar Johannessen was about 40 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Are the colors of "Baking Bread" by Aksel Waldemar Johannessen vivid or muted?

    "Baking Bread" by Aksel Waldemar Johannessen is recorded with a muted saturation and a monochromatic intensity.

    How do I download the image of "Baking Bread" by Aksel Waldemar Johannessen?

    A download is available for "Baking Bread": the artwork's Download page offers a high-resolution digital image download.

    Who made "Baking Bread", and when?

    "Baking Bread" was created by Aksel Waldemar Johannessen in 1920.