Paper

Student Artwork Guide

Lazarus

Name Class Date

Adriaen De Vries, Lazarus, Statens Museum For Kunst. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Adriaen De Vries originaluniqueart.com/en/artists/adriaen-de-vries/
Artist’s dates
1556 – 1626
Medium
Sculpture Bronze Molten metal poured into a mould made from the artist’s model, then finished and polished by hand.
Movement
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.
Held at
Statens Museum For Kunst originaluniqueart.com/en/museums/statens-museum-for-kunst-copenhagen/
Artistic style
Realistic
Influences
Giovanni Bellini
Notable elements or techniques
Dynamic pose; Veined musculature
Subject or theme
Religious Symbolism

In context

Lazarus — Adriaen De Vries

When might this have been painted?

  1. 1550
  2. 1560
  3. 1570
  4. 1580
  5. 1590
  6. 1600
  7. 1610
  8. 1620

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 70 at death.

Shaded: the lifetime of Adriaen De Vries (1556–1626) every dated painting, decade by decade

First works: up to 1596 Main working years: 1596–1610 Late works: from 1610

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/adriaen-de-vries-lazarus-8Y3LSD-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #c39689

    Catalogued palette

    • #C39689
    • #2C1E1B
    • #684A3F
    • #AD8377

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Adriaen De Vries over the last twelve months — 4 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 44.4%
    2. 2 Belgium 33.3%
    3. 3 France 11.1%
    4. 4 Hong Kong 11.1%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 6 most looked-at works by Adriaen De Vries

    1. 1 Lazarus this painting 45.5%
    2. 2 Mercury and Psyche, 1593 18.2%
    3. 3 Lazarus, 1615 9.1%
    4. 4 Victory of Rudolph II over the Turks, 1609 9.1%
    5. 5 Vir Dolorum, 1607 9.1%
    6. 6 Girl bathing 9.1%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 14 works by this artist, of which 6 were looked at at least once. This painting ranks 1 of them, with 45.5% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Lazarus — Adriaen De Vries

    A Study in Resurrection and Resolve: Examining Adriaen de Vries’s Lazarus Sculpture

    Lorenzo Lotto's legacy remains a fascinating paradox—a master craftsman whose output defied easy categorization, leaving scholars wrestling with the complexities of his artistic vision. While overshadowed by contemporaries like Titian and Veronese, Lotto carved out a distinctive niche within Venetian art, prioritizing psychological depth over flamboyant spectacle. This dedication to portraying human emotion is powerfully evident in sculptures such as “Lazarus,” a bronze masterpiece that embodies both physical strength and spiritual contemplation.

    Subject Matter and Narrative

    The sculpture depicts a figure caught in the throes of resurrection—a dramatic portrayal inspired by biblical scripture. Lotto’s meticulous attention to anatomical detail captures the muscular physique of Lazarus, conveying an impression of vitality and defiance. The pose itself is significant: the outstretched arm symbolizes aspiration and upward movement, mirroring the biblical narrative of Lazarus rising from death. Simultaneously, the bent elbow resting on the thigh speaks to a groundedness, a steadfast determination amidst profound transformation. Facial expression—a subtle grimace hinting at exertion or perhaps even pain—adds another layer of psychological nuance, inviting viewers to consider not merely what is seen but what is felt.

    Style and Technique: Venetian Bronze Casting

    Lotto’s sculptural style aligns closely with the prevailing trends of Venetian bronze casting during his lifetime. The artist skillfully utilized a technique known for its ability to achieve remarkable textural fidelity—a hallmark of Lotto's oeuvre. The sculpture’s surface possesses a rich, dark patina that accentuates the contours of muscle fibers and highlights the subtle variations in metal coloration. This patina isn’t merely decorative; it serves as evidence of the casting process itself, demonstrating Lotto’s mastery of material manipulation and his commitment to capturing the essence of form through texture. The sculptor's careful consideration for detail—evident in the depiction of veins and sinews—underscores Lotto’s belief that art should strive to represent reality with uncompromising accuracy.

    Historical Context: Renaissance Spirituality

    Created during the High Renaissance, “Lazarus” reflects the broader artistic preoccupation with themes of faith, mortality, and divine redemption prevalent at the time. Lotto's work engages directly with biblical narratives—particularly Lazarus’s miraculous resurrection—demonstrating a humanist interest in exploring profound spiritual questions. The sculpture stands as a testament to the Renaissance conviction that art could serve as a vehicle for conveying moral and philosophical truths. It aligns with the artistic currents of Venice, where artists sought to elevate religious imagery through meticulous craftsmanship and psychological realism.

    Symbolism: Strength and Transformation

    Beyond its literal depiction of resurrection, “Lazarus” operates on multiple symbolic levels. The figure’s muscular form represents physical resilience—a symbol of overcoming adversity and maintaining inner fortitude. However, the sculpture's central gesture—the upward reach of the arm—also embodies spiritual aspiration, mirroring the biblical promise of eternal life. Lotto skillfully utilizes visual language to communicate complex ideas about faith and transformation, inviting viewers to contemplate the enduring power of hope amidst suffering.

    Emotional Impact: Contemplative Resonance

    Ultimately, Lotto’s “Lazarus” transcends mere representation; it evokes a powerful emotional response. The sculpture's solemn posture and expressive face compel contemplation—encouraging viewers to confront questions about life, death, and rebirth. Its enduring appeal lies in its ability to capture the visceral experience of spiritual struggle and triumph—a testament to Lotto’s profound understanding of human psychology and his unwavering dedication to artistic excellence. Reproductions of this sculpture offer a captivating glimpse into the artistic spirit of the Renaissance and invite collectors and interior designers alike to appreciate the beauty of understated power and contemplative resonance.

    Artist and museum

    Artist

    Adriaen De Vries

    Born in The Hague, Netherlands

    The Master of Bronze and Motion

    In the grand tapestry of European art history, few names resonate with the fluid elegance and technical virtuosity of Adriaen de Vries. A preeminent sculptor of the Northern Mannerist tradition, de Vries possessed a rare ability to breathe life into cold metal, transforming bronze into a medium of profound emotional intensity and kinetic energy. Born in The Hague, Netherlands, his early years were shaped by a lineage of craftsmanship, with whispers of an apprenticeship under masters like Willem Danielsz. van Tetrode or perhaps within the meticulous world of goldsmithing. This foundation in fine detail would later become the hallmark of his mature style, allowing him to manipulate patina and refined modeling with an unparalleled delicacy that bridged the gap between the intricate Mannerist aesthetic and the burgeoning drama of the Baroque.

    His journey was one of constant movement across the great courts of Europe, a nomadic brilliance that saw him leave the Netherlands to seek glory in the heart of the continent. The influence of Giambologna, the legendary master he encountered in Florence, remains etched in the very sinews of his work. From this encounter, de Vries inherited a fascination with the figura serpentinata—the spiraling, twisting form that invites the viewer to circulate around the sculpture, discovering new perspectives and tensions with every step. As he moved through Milan and eventually into the service of powerful patrons like the Duke of Savoy and Emperor Rudolf II in Prague, his work became an international language of prestige, characterized by a sophisticated interplay of light and shadow across polished bronze surfaces.

    A Legacy Cast in Metal

    The true genius of de Vries lies in his ability to capture the ephemeral—a fleeting glance, a sudden muscular tension, or the divine transition of a soul. His sculptures are not merely static objects but frozen moments of profound narrative weight. Whether depicting the biblical tragedy of Cain killing Abel or the celestial grace of Mercury and Psyche, his work explores the depths of human impulse and mythological grandeur. In his hands, the bronze does not feel heavy; instead, it achieves an ethereal lightness, where limbs seem to float and drapery flows with a liquid grace that defies the medium's inherent rigidity.

    Beyond his technical mastery of casting and modeling, de Vries holds a significant place in art history as a transitional figure. His international style served as a vital link, carrying the refined complexities of Northern Mannerism into the more emotive and expansive era of the Baroque. Although the turbulent shifts of the Thirty Years' War and changing artistic tastes meant he left no direct followers to carry his specific flame, his impact remains indelible. Today, his masterpieces reside in the world's most prestigious collections, serving as enduring testaments to a sculptor who could command the very essence of motion through the permanence of bronze.

    Museum

    Statens Museum For Kunst

    On show in Copenhagen, Denmark

    A Heartbeat of Danish Art: The National Gallery of Denmark

    Nestled within the vibrant heart of Copenhagen, the Statens Museum for Kunst (SMK) isn’t merely a repository of paintings and sculptures; it's a living chronicle of Danish artistic evolution, spanning seven centuries and echoing with the spirit of a nation. From its humble beginnings as a Viking settlement to its current status as a globally recognized cultural landmark, the SMK offers an immersive journey through Denmark’s creative soul. The building itself, a magnificent example of Neo-Classical architecture designed by Christian Lassen in 1894, stands as a testament to the era's aspirations – a grand civic space intended to house and celebrate the nation’s artistic heritage. Its imposing façade, punctuated by soaring columns and intricate detailing, immediately conveys a sense of importance and enduring legacy.

    A Tapestry of Time:

    The SMK’s collection is remarkably comprehensive, encompassing everything from early medieval illuminated manuscripts to contemporary installations. It's not simply about individual masterpieces; it’s about tracing the development of Danish artistic styles and techniques across time.

    The Golden Age Gleams:

    Central to the museum’s appeal is its unparalleled collection of works from Denmark’s “Golden Age” (roughly 16th-18th centuries). This period witnessed an explosion of creativity, fueled by royal patronage and a burgeoning sense of national identity. Artists like Hans Holbein the Younger, Lucas Cranach the Elder, and Peter Paul Rubens left their indelible marks on Danish art during this time.

    Beyond the Masters:

    While the SMK’s collection of Old Masters is undoubtedly impressive, it's equally celebrated for its representation of later periods – from Romanticism and Symbolism to Expressionism and Modernism. The museum’s holdings include significant works by Edvard Munch, Vilhelm Hammershøi, and a remarkable selection of Danish contemporary art.

    The Woman in Red-Striped Dress: A Case Study in Cezanne's Brilliance

    Within the SMK’s walls resides Paul Cézanne’s “Woman in Red-Striped Dress” (1896-97), a painting that immediately captivates with its deceptively simple composition and profound emotional resonance. The work, rendered in oil on canvas, depicts a woman seated in an armchair, her gaze directed towards the viewer with an enigmatic intensity. Cézanne’s masterful use of color—the vibrant red stripes of her dress contrasting against the muted tones of the background—creates a dynamic visual tension that draws the eye and invites contemplation. The brushstrokes are loose and expressive, reflecting Cézanne's innovative approach to capturing form and light. What makes this particular painting so compelling is not merely its aesthetic beauty but also the way it embodies Cézanne’s core artistic principles: an emphasis on structure, color, and the fleeting effects of light. It’s a study in observation, a distillation of the artist's perception of reality into a powerfully evocative image.

    A Living Space for Art: The Architecture and Atmosphere

    The SMK is more than just a building filled with art; it’s designed to enhance the viewing experience. The museum’s layout encourages visitors to move through the collection at their own pace, allowing them to fully immerse themselves in the works on display. Natural light floods the galleries, illuminating the paintings and sculptures with an ethereal glow. The integration of modern amenities—comfortable seating areas, informative displays, and a dedicated children's area—creates a welcoming and accessible environment for visitors of all ages. The museum’s café, Magnolia, offers a delightful respite from the art, providing a space to relax and reflect on what has been seen.

    Beyond the Collection: Exhibitions and Community Engagement

    The SMK is constantly evolving, offering a diverse range of temporary exhibitions that explore both established and emerging artists. These exhibitions often delve into specific themes or movements within Danish art history, providing visitors with fresh perspectives on familiar works. The museum also actively engages with its local community through educational programs, workshops, and public lectures. Regular events—ranging from classical music concerts to contemporary dance performances—further enrich the cultural landscape of Copenhagen. Notably, the SMK’s commitment to digital accessibility is evident in its online collection, which allows art lovers around the world to explore its treasures from the comfort of their own homes.

    A National Treasure: The Unique Character of the SMK

    What truly distinguishes the SMK is its profound connection to Danish national identity. It’s not simply a museum; it's a repository of memories, a testament to the nation’s artistic achievements, and a symbol of its cultural heritage. The SMK embodies Denmark’s commitment to preserving and celebrating its artistic legacy for future generations. Visiting the SMK is an opportunity to connect with the heart and soul of Denmark—a journey through time, beauty, and profound human expression.

    Where to read more

    Find this online

    QR code linking to the download page for Lazarus

    originaluniqueart.com/en/art/download/adriaen-de-vries-lazarus-8Y3LSD-en/

    Cite this artwork

    MLA
    Vries, Adriaen De. Lazarus. n.d., Statens Museum For Kunst. https://originaluniqueart.com/en/art/adriaen-de-vries-lazarus-8Y3LSD-en/
    APA
    Vries, Adriaen De (n.d.). Lazarus [Painting]. Statens Museum For Kunst. https://originaluniqueart.com/en/art/adriaen-de-vries-lazarus-8Y3LSD-en/
    Chicago
    Adriaen De Vries. Lazarus. n.d. Statens Museum For Kunst. https://originaluniqueart.com/en/art/adriaen-de-vries-lazarus-8Y3LSD-en/
    Harvard
    Vries, Adriaen De (n.d.) Lazarus. Statens Museum For Kunst. Available at: https://originaluniqueart.com/en/art/adriaen-de-vries-lazarus-8Y3LSD-en/

    Look closely

    Lazarus — Adriaen De Vries

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: sculpture, resurrection, anatomy. Do you agree? What would you add, or take away?
    4. Look back at Mercury and Psyche (1593), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Baroque: Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Lazarus — Adriaen De Vries

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary subject matter depicted in Adriaen de Vries’s sculpture ‘Lazarus’?

      • A A depiction of biblical resurrection.
      • B A portrait of a wealthy Venetian noble.
      • C An abstract representation of human emotion.
    2. 2. The sculpture's bronze patina contributes to its visual impact by highlighting:

      • A Its vibrant colors.
      • B Detailed textures and musculature.
      • C A smooth, polished surface.
    3. 3. According to the description, what is notable about the sculpture's pose?

      • A It’s rigidly static, emphasizing geometric precision.
      • B The figure twists and turns, creating dynamic movement.
      • C It presents a completely symmetrical composition.
    4. 4. Based on the information provided, Lorenzo Lotto is best described as:

      • A A flamboyant innovator who revolutionized Venetian painting.
      • B A prolific artist known for grand historical commissions.
      • C An introspective painter focused on psychological realism.
    5. 5. Where can you find more information about Adriaen de Vries’s sculpture ‘Lazarus’?

      • A The Louvre Museum.
      • B Google Arts & Culture.
      • C The Metropolitan Museum of Art.

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2B · 3B · 4C · 5B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Is a download available for "Lazarus"?

    "Lazarus" by Adriaen De Vries can be downloaded from the artwork's Download page, as a high-resolution digital image download.

    What style does "Lazarus" belong to?

    The movement associated with "Lazarus" by Adriaen De Vries is Baroque. This classification situates the work among related artists and artworks.

    What palette and what feeling does "Lazarus" combine?

    In "Lazarus", earthy colors accompany a mysterious feeling.