Paper

Student Artwork Guide

Corner

Name Class Date

Abidin Dino, Corner (1966), Sakıp Sabancı Museum. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Abidin Dino originaluniqueart.com/en/artists/abidin-dino/
Artist’s dates
1913 – 1993
Painted
1966
Original size
5 x 27 cm
Movement
Modernism The broad twentieth-century push to break with tradition and find forms that matched a changed world.
Period
Modern
Held at
Sakıp Sabancı Museum originaluniqueart.com/en/museums/sakip-sabanci-museum-istanbul/
Notable elements or techniques
Felt-tip pen drawing, clock in background
Subject or theme
Man throwing a frisbee to another person

In context

Corner — Abidin Dino

How big is it?

The original measures 5 × 27 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 80 at death.

Painted when the artist was 53. The artist lived to 80. 0 of the 39 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Abidin Dino (1913–1993) ▲ this work, 1966 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/abidin-dino-corner-D4K5DL-en/

Colours

Measured from the image

    Main colour

    Putty #e5e2d6

    Catalogued palette

    • #E5E2D6
    • #C2715B
    • #83A89B
    • #DDBF8E

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Pastels The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Abidin Dino over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 88.2%
    2. 2 Türkiye 5.9%
    3. 3 United States of America 5.9%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 16 most looked-at works by Abidin Dino

    1. 1 Carnaby Street, 1966 9.5%
    2. 2 At the Zoo - Goal!, 1966 9.5%
    3. 3 Goal!, 1966 9.5%
    4. 4 In Prison - Radio, 1966 9.5%
    5. 5 Çiçek / Flower 9.5%
    6. 6 Feet and ball, 1966 4.8%
    7. 7 Corner, 1966 this painting 4.8%
    8. 8 Main theme: Knights, 1966 4.8%
    9. 9 Untitled, 1966 4.8%
    10. 10 Crowds to Wembley, 1966 4.8%
    11. 11 Untitled, 1966 4.8%
    12. 12 Untitled, 1966 4.8%
    13. 13 In the Plane (Voice of radio), 1966 4.8%
    14. 14 Untitled, 1966 4.8%
    15. 15 Untitled, 1966 4.8%
    16. 16 Portraits, 1966 4.8%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 40 works by this artist, of which 16 were looked at at least once. This painting ranks 7 of them, with 4.8% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Abidin Dino

    Born in Turkey

    Abidin Dino: A Life in Art

    Abidin Dino (1913-1993) was a pivotal Turkish artist whose work spanned several decades and reflected both his homeland’s rich cultural heritage and the influences of European modernism. His journey as an artist was marked by innovation, social commentary, and a deep commitment to artistic expression.

    Early Life and Influences

    Born on March 23, 1913, in Istanbul, Turkey, Abidin Dino came from an art-loving family. This early exposure fostered his passion for drawing and painting. His grandfather, Abidin Pasha Dino, was an Albanian Ottoman diplomat, adding a unique cultural dimension to his lineage. He spent parts of his childhood in Geneva and France, experiencing different artistic environments before returning to Istanbul in 1925.

    Artistic Development & The D Group

    Dino’s formal education was briefly interrupted when he left Robert College to dedicate himself fully to art. He quickly began publishing cartoons and articles, establishing himself as a rising talent. In 1933, alongside other innovative painters, he co-founded the “D Group”, a collective that challenged conventional artistic norms in Turkey. The D Group’s exhibitions were groundbreaking for their time.

    Early Career & Soviet Union

    A significant turning point came when Dino was invited by Soviet director Sergei Yutkevich to work at the Lenfil Studios in Leningrad (now Saint Petersburg) in 1933. This experience, encouraged by Atatürk himself, exposed him to new artistic techniques and perspectives. He worked as a scenery designer and assistant director, even directing his own film, “Miners,” in Moscow, Kyiv, and Odesa.

    Parisian Period & International Exposure

    Dino spent considerable time in Paris, first from 1937-1939 and then settling there permanently in 1952. He encountered leading figures of the Parisian art world, including Gertrude Stein, Tristan Tzara, and Pablo Picasso. This period was crucial for his artistic development, allowing him to absorb new influences and refine his style.

    Artistic Style & Themes

    Abidin Dino’s artistic style is characterized by:

    Expressive Brushwork: His use of felt-tip pen often added depth and texture to his compositions.

    Vibrant Color Palette: Reflecting the rich cultural heritage of both Turkey and France.

    Innovative Composition: He experimented with form and perspective, creating dynamic and engaging artworks.

    His work frequently explored themes of:

    Social realism – depicting the lives of ordinary people.

    Political commentary – reflecting his concerns about social justice and political issues.

    Turkish culture – celebrating its traditions, landscapes, and people.

    Major Achievements & Recognition

    Throughout his career, Abidin Dino achieved significant recognition:

    Participation in the “Harbour Exhibition” showcasing Turkish dockworkers and fishermen.

    Designing the Turkish pavilion at the 1939 New York World’s Fair.

    Regular exhibitions with the Salon de Mai in Paris for eight years from 1954.

    Later Life & Legacy

    Dino continued to create art and engage with the artistic community until his death on December 7, 1993, in Villejuif Hospital, Paris. His body was returned to Istanbul for burial in Aşiyan Cemetery.

    Historical Significance

    Abidin Dino’s legacy extends beyond his individual artworks. He played a vital role in bridging Turkish and European art scenes, influencing subsequent generations of artists with his innovative style and commitment to social commentary. His work remains a testament to the power of art to reflect and shape our understanding of the world.

    Museum

    Sakıp Sabancı Museum

    On show in Istanbul, Turkey

    A Palace on the Bosphorus: The Soul of Sakıp Sabancı Museum

    Nestled in Istanbul’s enchanting Emirgan neighborhood, where the shimmering expanse of the Bosphorus Strait meets the verdant shores of the European continent, lies the

    Sakıp Sabancı Museum

    . This is not merely a repository for artifacts but a living, breathing dialogue between Ottoman elegance and global modernity. Housed within a magnificent 19

    th

    -century mansion that once served as the Montenegro embassy, the museum offers an immersive journey through time. The architecture itself whispers tales of imperial grandeur; its stately walls and refined proportions reflect a period when the building was a site of high-stakes diplomacy. Today, thanks to the visionary philanthropy of the Sabancı family, this historic estate has been transformed into a cultural beacon, offering a sanctuary where history and artistry converge under the soft light of the Istanbul sun.

    For the interior designer or the lover of aesthetic harmony, the museum provides endless inspiration through its unique atmosphere. The experience is defined by a sensory richness: the tranquil respite of the surrounding lush gardens, the panoramic vistas of the Bosphorus, and the harmonious blend of Ottoman refinement with contemporary museum design. It is a place where one can contemplate the enduring power of creative expression amidst architectural grandeur. Whether wandering through the halls of historical significance or finding peace in its verdant oases, every visitor leaves with a deeper appreciation for how art serves as a bridge between the legacies of the past and the inspirations of the future.

    A Tapestry of Calligraphy and Masterpieces

    The heart of the museum beats through its extraordinary collection, a meticulously curated panorama that spans centuries of human creativity. Visitors are often first captivated by the profound beauty of

    Ottoman calligraphy

    , an art form where sacred scripts are transformed into visual poetry. These intricate masterpieces embody the spiritual depth of Islamic tradition, showcasing the mastery of calligraphers who turned ink and parchment into windows to the divine. Beyond the ethereal beauty of the written word, the museum presents a captivating glimpse into 19th-century Turkish painting. A profound highlight is

    Osman Hamdi Bey's Hodja Reading The Koran

    , a serene depiction of a scholar engrossed in scripture—a masterpiece reflecting Ottoman artistic tradition and intellectual curiosity.

    For the collector or enthusiast of decorative arts, the halls reveal an exquisite assemblage of:

    Ceramics

    that showcase the delicate precision of historical glazing techniques.

    Textiles

    that preserve the intricate patterns and textures of a bygone era.

    Metalwork

    that stands as a testament to unparalleled craftsmanship throughout Turkish history.

    A Stage for Global Artistic Dialogue

    What truly distinguishes the Sakıp Sabancı Museum is its role as a stage for global artistic dialogue. While its roots are deeply embedded in local heritage, its gaze is resolutely international. The museum has earned worldwide acclaim for hosting monumental temporary exhibitions, bringing the heavyweights of Western art—such as

    Pablo Picasso

    and

    Auguste Rodin

    —to the shores of the Bosphorus. These exhibitions do more than display masterpieces; they spark a vibrant exchange between diverse artistic traditions, inviting local audiences to engage with the titans of modernism within a setting that feels intimately connected to their own cultural identity. This seamless blend of the local and the universal makes the museum a premier destination for those seeking a profound connection to the global art narrative.

    Where to read more

    Find this online

    QR code linking to the download page for Corner

    originaluniqueart.com/en/art/download/abidin-dino-corner-D4K5DL-en/

    Cite this artwork

    MLA
    Dino, Abidin. Corner. 1966, Sakıp Sabancı Museum. https://originaluniqueart.com/en/art/abidin-dino-corner-D4K5DL-en/
    APA
    Dino, Abidin (1966). Corner [Painting]. Sakıp Sabancı Museum. https://originaluniqueart.com/en/art/abidin-dino-corner-D4K5DL-en/
    Chicago
    Abidin Dino. Corner. 1966. Sakıp Sabancı Museum. https://originaluniqueart.com/en/art/abidin-dino-corner-D4K5DL-en/
    Harvard
    Dino, Abidin (1966) Corner. Sakıp Sabancı Museum. Available at: https://originaluniqueart.com/en/art/abidin-dino-corner-D4K5DL-en/

    Look closely

    Corner — Abidin Dino

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: man throwing frisbee, red hat, felt-tip pen. Do you agree? What would you add, or take away?
    4. Look back at Goal! (1966), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Modernism: The broad twentieth-century push to break with tradition and find forms that matched a changed world. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    In which movement and which era is "Corner" by Abidin Dino placed?

    "Corner" by Abidin Dino is placed in the Modernism movement, within the Modern era of its creator.

    Toward which tone does "Corner" lean?

    An ochre to sepia hue runs through "Corner" by Abidin Dino.

    How intense are the colors in "Corner" by Abidin Dino?

    The color intensity of "Corner" is balanced. Intensity describes how strong the colors appear.

    Can I see "Corner" by Abidin Dino on my own wall before buying?

    "Corner" has an augmented reality preview: the artwork's AR Preview page shows it in your own space on a compatible device.

    Where does "Corner" stand among Abidin Dino's recurring subjects?

    Among Abidin Dino's recorded themes - european modernism influences, turkish cultural heritage, social realism elements, expressive line work, part of d group - "Corner" brings its own focus on man throwing frisbee, red hat, felt-tip pen, clock, two people, action scene.

    How is "Corner" recommended to be printed - what size, what orientation?

    For "Corner", the recommended print setup is a small size and a landscape orientation.

    What is the recommended use of a print of "Corner"?

    The suggested use for "Corner" by Abidin Dino is conversation. It can serve other purposes as well.

    Is Abidin Dino, creator of "Corner", known under other names?

    Other names recorded for Abidin Dino, creator of "Corner", include Abidin.