Ενημερωμένο Νοέμβριος 2026 · κατάταξη βάσει του σκορ δημοφιλίας μας (αναζητήσεις, επισκέψεις και παραγγελίες για κάθε έργο) · 68 έργα του Ουάσινγκτον Άλστον στον κατάλογό μας
Με σύντομη περιγραφή
Το έργο Self-Portrait (1799) είναι το ποίτευμα του Ουάσινγκτον Άλστον που τραβάει τα περισσότερα βλέμματα· το πρωτότυπο ανήκει στο Μουσεία Τέχνης του Χάρβαρντ, Κέιμπριτζ. Μετά από αυτό, το βλέμμα στρέφεται στο Portrait of Captain A.H. Pray of the Boston Fusiliers (1796) και στο Dead Man Restored to Life by Touching the Bones of the Prophet Elisha (1811). Ανάμεσα στα 68 έργα του Ουάσινγκτον Άλστον στον κατάλογό μας, αυτά τα 68 είναι τα πιο διάσημα, το καθένα ένα μοναδικό πρωτότυπο που παρουσιάζεται με την χρονολογία του, το μουσείο του και τον λόγο για τον οποίο παραμένει αιώνιο.
A young man stares through the darkness. He sits in a three-quarter view, his gaze steady and unblinking against the viewer. A single, strong light source strikes the left side of his face, carving his features out of the gloom. This light catches the crisp white of his cravat and the smooth planes of his skin, leaving the rest of his form to dissolve into deep, moody shadows. Behind him,…
Washington Allston’s Portrait of Captain A.H. Pray of the Boston Fusiliers is a delicate and intimate miniature portrait of a young man. The composition employs a close-up, three-quarter view of the subject's head and shoulders, with the figure positioned slightly off-center. This arrangement creates a sense of immediacy, drawing the viewer into a private encounter with the sitter. The focus remains fixed entirely on the subject's expressive blue eyes and…
The oil on canvas titled Dead Man Restored to Life by Touching the Bones of the Prophet Elisha was painted by Washington Allston about 1811. This work captures a singular moment of biblical miracle. It depicts the resurrection of a man through the physical contact of his body with the bones of the prophet Elisha. The scene is a heavy, monumental arrangement of figures caught in the instant of divine…
The oil painting The Poor Author and the Rich Bookseller by Washington Allston depicts a dramatic interaction between three men within a sparse, dimly lit interior. The composition utilizes a triangular arrangement of the figures to guide the eye through the scene. This arrangement is supported by the receding lines of the floorboards and a doorway that leads toward a brightly lit window in the background. The subject matter suggests…
In this intimate oil portrait, Washington Allston captures William Ellery Channing, a man who occupied a significant place in the social and intellectual circles of the early nineteenth century. Painted about 1811, the work offers a quiet study of the subject's character. The connection between the painter and the sitter was deeply personal, as Channing was the brother of the artist's wife, Ann Channing. This familial bond likely contributed to…
In this 1799 oil on canvas, we find a young man caught in a moment of profound stillness. The composition is intimate, focusing on the upper torso and head to create a direct, almost unsettling connection with the viewer. He sits in a three-quarter view, his gaze steady and unblinking. A single, strong light source strikes the left side of his face, carving his features out of the gloom. This…
Katharina and Petruchio (Scene from Shakespeare's "The Taming of the Shrew") is an oil painting by the American painter and poet Washington Allston. Created in 1809, the work captures a dramatic moment of narrative tension. The scene focuses on the complex interactions between the central figures within a classical architectural setting.
The oil painting titled Petruchio attacks the Tailor in Act III, scene IV of The Taming of the Shrew captures a moment of sudden, violent movement. Washington Allston rendered this dramatic narrative work about 1809. The canvas holds a scene of friction and sudden gesture, frozen in the stillness of oil and pigment.
The artwork is titled First study for "Christ Healing the Sick" and was created by the artist Washington Allston. This specific piece functions as a preparatory study, a preliminary version intended to work out the composition and tonal values for a larger religious work. The work is a monochromatic, sepia-toned drawing or wash study, likely executed using ink, bistre, or sepia wash on paper.
In this intimate oil portrait, we find ourselves in the presence of a young man caught in a moment of profound introspection. The subject is positioned slightly off-center, his gaze directed toward the right of the frame as if lost in a private thought or a distant memory. There is a quietude here that feels almost heavy, a stillness that invites the viewer to lean in and observe the subtle…
Diana on a Chase1805 · Μουσεία Τέχνης του Χάρβαρντ
12
Study for "Jason Returning to Demand His Father's Kingdom"1807 · Μουσεία Τέχνης του Χάρβαρντ
13
Jeremiah Dictating His Prophecy of the Destruction of Jerusalem to Baruch the Scribe1820 · Yale University Art Gallery
14
Beatrice1819 · Μουσείο Τέχνης Βοστώνης
15
Donna Mencia in the Robber's Cavern1815 · Μουσείο Τέχνης Βοστώνης
16
Head of a Jew1817 · Μουσείο Τέχνης Βοστώνης
17
Study for Belshazzar's Feast1817 · Μουσείο Τέχνης Βοστώνης
18
Study for "Belshazzar's Feast"; verso: Studies for "Angel Releasing Saint Peter from Prison"1817 · Μουσεία Τέχνης του Χάρβαρντ
19
Rebecca at the Well1816 · Μουσεία Τέχνης του Χάρβαρντ
20![A Study from Life [and] Study for Angel Releasing Saint Peter from Prison (1815) του Ουάσινγκτον Άλστον](/media/artworks/images-thumb/ff/46/ff46c6226208aa3441d2d9ba42ab2d29.jpg)
A Study from Life [and] Study for Angel Releasing Saint Peter from Prison1815 · Μετροπολιτικό Μουσείο Τέχνης
21
A Tuscan Girl1831 · New Britain Museum of American Art
22
Loammi Baldwin, Jr. (1780-1838); verso: Study for Female Head1823 · Μουσεία Τέχνης του Χάρβαρντ
23
Ideal Head1835 · Rhode Island School of Design Museum of Art
24
The Sisters1816 · Μουσεία Τέχνης του Χάρβαρντ
25
Elijah Fed by the Ravens1818 · Μουσείο Τέχνης Βοστώνης
26
A Landscape after Sunset1819 · Εθνική Πινακοθήκη Τέχνης
27
Moonlit Landscape1819 · Μουσείο Τέχνης Βοστώνης
28
The Rising of a Thunderstorm at Sea1804 · Μουσείο Τέχνης Βοστώνης
29
Italian Shepard BoyDetroit Institute of Arts
30
Rising of a Thunderstorm at Sea1804 · Μουσείο Τέχνης Βοστώνης
31
Landscape with a Lake1804 · Μουσείο Τέχνης Βοστώνης
32
Jacob's Dream1817 · Petworth House
33
Hermina and Helena1815
34
Miriam the Prophetess1821
35
Italian Landscape1814 · Toledo Museum of Art
36
Ship in a Squall1827 · Μουσεία Τέχνης του Χάρβαρντ
37
Landscape, American Scenery: Time, Afternoon, with a Southwest Haze1835 · Μουσείο Τέχνης Βοστώνης
38
Landscape Composition1834 · Μουσεία Τέχνης του Χάρβαρντ
39
The Angel Releasing St. Peter from PrisonΜουσείο Τέχνης Βοστώνης
40
Romantic Landscape
41
HEAD OF A JEWNational Portrait Gallery of Sweden
42
Moses and the Serpent
43
Benjamin Lynde, Sr
44
Saul and the Witch of Endor
45
Italian Shepherd Boy1819 · Detroit Institute of Arts
46
Dr. John King1814 · Μουσεία Τέχνης της Σαν Φρανσίσκο
47
Italian Landscape1828 · Detroit Institute of Arts
48
An American LandscapeΕθνική Γκαλερί της Ιρλανδίας
49
Head of Saint Peter: Study for ''The Angel Releasing Saint Peter from Prison''Pennsylvania Academy of Fine Arts
50
Storm Rising at Sea
51
Christ Healing the SickWorcester Art Museum
52
The Spanish Girl in Reverie
53
Classical Landscape
54
Samuel WilliamsΜουσείο Τέχνης Κλίβελαντ
55
Jason Returning to Demand his Father's KingdomLowe Gallery
56
Landscape With A Lake
57
The Tippler
58
David Playing before Saul
59
Belshazzar's FeatDetroit Institute of Arts
60
Samuel Taylor ColeridgeΕθνική Πορτραίτητος Γκαλερί
61
The Opening of the Casket
62
Angel Releasing St. Peter from Prison
63
Meeting of Lear and Cordelia
64
Coast Scene on the Mediterranean
65
Hermia and HelenaSmithsonian American Art Museum
66
Ο Ουριέλ Στέκεται στον Τροπικό Κύβο1817 · Mugar Memorial Library
67
The Flight of Florimell1819 · Detroit Institute of Arts
68
The Spanish Girl in Reverie1831 · Μετροπολιτικό Μουσείο Τέχνης
#3 Dead Man Restored to Life by Touching the Bones of the Prophet Elisha
#7 Katharina and Petruchio (Scene from Shakespeare's "The Taming of the Shrew")
#8 Petruchio attacks the Tailor in Act III, scene IV of The Taming of the Shrew
#13 Jeremiah Dictating His Prophecy of the Destruction of Jerusalem to Baruch the Scribe
#15 Donna Mencia in the Robber's Cavern
Τα τέσσερα θέματα που εμφανίζονται πιο συχνά σε αυτά τα πρωτότυπα έργα, το καθένα με το εξαιρετικό του παράδειγμα.
Τα 8 μουσεία που φιλοξενούν το μεγαλύτερο μέρος των έργων σε αυτήν τη σελίδα.
| Μουσείο | Πόλη | Έργα του Ουάσινγκτον Άλστον | Πάτρια από αυτή τη λίστα |
|---|---|---|---|
 Μουσείο Τέχνης Βοστώνης |
Μπόσττον | 14 | The Poor Author and the Rich Bookseller, William Ellery Channing, Self Portrait |
 Μουσεία Τέχνης του Χάρβαρντ |
Κέιμπριτζ | 11 | Self-Portrait, First study for "Christ Healing the Sick", Samuel Taylor Coleridge (1772-1834) |
 Detroit Institute of Arts |
Ντιτρόιτ | 5 | Italian Shepard Boy, Italian Shepherd Boy, Italian Landscape |
 Rhode Island School of Design Museum of Art |
Providence | 2 | Portrait of Captain A.H. Pray of the Boston Fusiliers, Ideal Head |
 Pennsylvania Academy of Fine Arts |
Φιλαδέλφεια | 2 | Dead Man Restored to Life by Touching the Bones of the Prophet Elisha, Head of Saint Peter: Study for ''The Angel Releasing Saint Peter from Prison'' |
 Μετροπολιτικό Μουσείο Τέχνης |
Νέα Υόρκη | 2 | A Study from Life [and] Study for Angel Releasing Saint Peter from Prison, The Spanish Girl in Reverie |
 Philadelphia Museum of Art |
Φιλαδέλφεια | 1 | Katharina and Petruchio (Scene from Shakespeare's "The Taming of the Shrew") |
 Yale University Art Gallery |
Νέα Χέιβεν | 1 | Jeremiah Dictating His Prophecy of the Destruction of Jerusalem to Baruch the Scribe |
Επιλέξτε μια δεκαετία για να δείτε το πρωτότυπο έργο που την χαρακτηρίζει.
A young man stares through the darkness. He sits in a three-quarter view, his gaze steady and unblinking against the viewer. A single, strong light source strikes the left side of his face, carving his features out of the gloom. This light catches the crisp white of his cravat and the smooth planes of his skin, leaving the rest of his form to dissolve into deep, moody shadows. Behind him,…
In this 1799 oil on canvas, we find a young man caught in a moment of profound stillness. The composition is intimate, focusing on the upper torso and head to create a direct, almost unsettling connection with the viewer. He sits in a three-quarter view, his gaze steady and unblinking. A single, strong light source strikes the left side of his face, carving his features out of the gloom. This…
The oil on canvas titled Dead Man Restored to Life by Touching the Bones of the Prophet Elisha was painted by Washington Allston about 1811. This work captures a singular moment of biblical miracle. It depicts the resurrection of a man through the physical contact of his body with the bones of the prophet Elisha. The scene is a heavy, monumental arrangement of figures caught in the instant of divine…
In this work, titled Jeremiah Dictating His Prophecy of the Destruction of Jerusalem to Baruch the Scribe, Washington Allston presents a somber biblical scene set within a dimly lit, architectural interior. The composition centers on two figures positioned amidst stone arches and a dark, recessed space. On the left, the prophet Jeremiah is depicted in a commanding yet distressed pose, his gaze directed upward as if receiving divine revelation. He…
In A Tuscan Girl, Washington Allston positions a single female figure centrally within a three-quarter length pose. Seated amidst dense foliage, the subject is illuminated by a soft, directional light striking from the upper left. This lighting highlights her face, shoulder, and chest, while a chiaroscuro effect casts the surrounding landscape into deep, shadowy tones. The woman's attire provides a sharp chromatic contrast to the dark background, featuring a red…
Self-Portrait (1799), Μουσεία Τέχνης του Χάρβαρντ, Κέιμπριτζ. Στη συνέχεια ακολουθούν το Portrait of Captain A.H. Pray of the Boston Fusiliers (1796) και το Dead Man Restored to Life by Touching the Bones of the Prophet Elisha (1811).
20 ετών: το έργο Self-Portrait είναι του 1799, και ο/η Ουάσινγκτον Άλστον γεννήθηκε το 1779.
Self-Portrait, Portrait of Captain A.H. Pray of the Boston Fusiliers, Dead Man Restored to Life by Touching the Bones of the Prophet Elisha, The Poor Author and the Rich Bookseller, William Ellery Channing, Self Portrait, Katharina and Petruchio (Scene from Shakespeare's "The Taming of the Shrew"), Petruchio attacks the Tailor in Act III, scene IV of The Taming of the Shrew, First study for "Christ Healing the Sick" και Samuel Taylor Coleridge (1772-1834). Η κατάταξη παραπάνω αναγράφει το έτος και το μουσείο για το κάθε έργο.
Ο κατάλογός μας περιλαμβάνει 68 έργα του Ουάσινγκτον Άλστον, με ημερομηνίες από 1796 έως 1835.
Κυρίως σε Μουσείο Τέχνης Βοστώνης (Μπόσττον), Μουσεία Τέχνης του Χάρβαρντ (Κέιμπριτζ) και Detroit Institute of Arts (Ντιτρόιτ). Ο πίνακας μουσείου παραπάνω τους περιλαμβάνει όλους.
Κατά την περίοδο 1810s: 22 από τα 68 έργα σε αυτήν τη σελίδα δημιουργήθηκαν τότε, με Dead Man Restored to Life by Touching the Bones of the Prophet Elisha από αυτά να είναι μοναδικά.
Σε αυτήν τη σελίδα, το παλαιότερο είναι Portrait of Captain A.H. Pray of the Boston Fusiliers (1796) και το νεότερο Ideal Head (1835).
Man (16), Woman (9) και Portrait (8), σε συνολικά 68 έργα σε αυτήν τη σελίδα.
Oil On Canvas, για 18 από τα 68 έργα σε αυτήν τη σελίδα.
Romantic landscape painting, όπως προκύπτει από τα πρωτότυπα σε αυτήν τη σελίδα.
The Poor Author and the Rich Bookseller, William Ellery Channing και Self Portrait: το Μουσείο Τέχνης Βοστώνης, Μπόσττον διαθέτει 14 από τα έργα σε αυτήν τη σελίδα.
