Ενημερωμένο Οκτώβριος 2026 · κατάταξη βάσει του σκορ δημοφιλίας μας (αναζητήσεις, επισκέψεις και παραγγελίες για κάθε έργο) · 469 έργα του Γιόβαννης Μπόλντινι στον κατάλογό μας
Με σύντομη περιγραφή
Το έργο Cleo de Merode (1901) είναι το ποίτευμα του Γιόβαννης Μπόλντινι που τραβάει περισσότερα βλέμματα. Μετά από αυτό, το βλέμμα στρέφεται στο Consuelo, Duchess of Marlborough, with Her Son Ivor Spencer-Churchill (1906) και στο The Woman in Red. Ανάμεσα στα 469 έργα του Γιόβαννης Μπόλντινι στον κατάλογό μας, αυτά τα 100 είναι τα πιο διάσημα, το καθένα ένα μοναδικό πρωτότυπο που παρουσιάζεται με την χρονολογία του, το μουσείο του και τον λόγο για τον οποίο παραμένει αιώνιο.
Step closer and observe the quiet confidence in her gaze. This 1901 portrait captures Cléopâtre-Diane de Mérode, a woman who embodied the very essence of Parisian high society during the Belle Époque. She rests in a relaxed pose, her hands tucked behind her head, looking away from us with an air of effortless poise. There is a certain intimacy in how she occupies the space, seated amidst the soft shadows…
In the shimmering twilight of the Belle Époque, few images capture the intersection of aristocratic grace and maternal tenderness as profoundly as Giovanni Boldini’s 1906 masterpiece, Consuelo, Duchess of Marlborough, with Her Son Ivor Spencer-Churchill. This oil on canvas is far more than a mere genealogical record; it is a window into a vanished world of opulence and refined elegance. As the eye meets the canvas, one is immediately struck…
The composition centers on a woman seated at a piano, her form draped in a red dress. She is positioned in a way that suggests she is actively engaged in playing the instrument, with her hands placed upon the keys. The piano keyboard is a prominent visual element, cutting across the scene to emphasize the musical performance. In the background, two other figures are present: one stands behind the woman…
To stand before Giovanni Boldini's The Red Café is not merely to observe a painting; it is to step directly into the effervescent heart of late nineteenth-century Parisian society. This oil on canvas, executed in 1887, captures more than just a gathering of people within richly colored walls—it arrests a moment of pure, unadulterated conviviality. The air itself seems thick with whispered conversations, the clinking of unseen glasses, and the…
The oil painting titled Edith Stuyvesant Dresser Vanderbilt was created by the Italian painter Giovanni Boldini in 1900. The portrait depicts Edith Stuyvesant Dresser Vanderbilt, an American socialite who belonged to the prominent Vanderbilt family. She was the wife of George Washington Vanderbilt II, following their marriage in Paris in 1898.
Giovanni Boldini’s “The Woman in Red” is more than just a portrait; it's a meticulously crafted window into the heart of the late 19th century, a period defined by opulent elegance and burgeoning artistic innovation. Painted during his most celebrated years, this work exemplifies Boldini’s mastery of capturing not merely appearances but the very essence of his subjects – in this case, a woman lost in contemplation as she plays…
To gaze upon Giovanni Boldini's Girl Reading in a Salon is to be instantly transported into the gilded, languid afternoons of the late nineteenth century. This painting is far more than a mere portrait; it is an exquisitely preserved moment of quiet contemplation amidst undeniable luxury. The scene centers on a young woman, utterly absorbed by the pages before her, seated within an armchair that speaks volumes of its owner's…
Το 1896, ο Giovanni Boldini, ένας καλλιτέχνης που είχε κατακτήσει το σαλόνι της Παριζίνης με την αριστοκρατική του αισθητική και τον μοναδικό του τρόπο να αποτυπώνει τη χλιδή της Belle Époque, προσέθεσε ένα ακόμη θρυλικό πορτρέτο στη συλλογή του: την «Μαдам Κάρλς Μάξ». Αυτό το έργο δεν είναι απλά μια απεικόνιση μιας γυναίκας; Είναι μια αιχμή της στιγμής, μια μαγική σύλληψη ενός κοινού, αλλά διακριτικού, κοινωνικού γεγονότος. Η Boldini, με…
To stand before Giovanni Boldini's "La Toilette," or as it is sometimes known, "Young Woman in Déshabillé with a Mirror," is to step across the threshold into a private moment of exquisite contemplation. This 1880 masterpiece does more than merely depict a scene; it captures the very breath held between thought and action. The subject—a young woman enveloped in the soft folds of white fabric, engaged in the ritual of…
To stand before a portrait by Giovanni Boldini is to step directly into the glittering salons of the Belle Époque. This work, depicting John Singer Sargent, is far more than a mere likeness; it is an exquisitely rendered study in confidence and cultivated elegance. Boldini possessed a near-magical ability to capture not just the physical appearance of his sitters—the impeccable cut of the suit, the precise sweep of the mustache—but…
Woman at a Piano1879
12
John Singer Sargent1890
13
Portrait of Madame de Florian1898
14
Portrait of the Countess de Martel de Janville1894 · Μουσείο Carnavalet
15
Reclining Nude1930
16
Portrait of a Lady1912
17
Lilia Monti née Countess Magnoni1864
18
Portrait of Princess Marisconovo1890 · Μουσείο Καποδίστριας
19
Ritratto di Giuseppe Verdi Seduto1886
20
reclining nude1930
21
Portrait of a Lady Lina Bilitis with Two Pekinese1913
22
Portrait of Guiseppe Verdi1813
23
Portrait of Georges de Bellio1894 · Musée Marmottan Monet
24
Recital1884 · Sterling and Francine Clark Art Institute
25
The Return of the Fishing Boats1879 · Sterling and Francine Clark Art Institute
26
A Midsummer Night's Dream1897
27
The Black Sash1905
28
In the Garden1875
29
Woman with a ParasolArt Institute of Chicago
30
Walking in the Park in Naples
31
Portrait of Ferdynand Bryndza (1837–1891)1878 · Εθνικό Μουσείο Κρακόβ
32
Self portrait1911
33
Guglielmo Pampana1867
34
Couple in a Café1887
35
Portrait of a Lady, Mrs Lionel Phillips1903
36
Portrait of Alfred Beit1906
37
Mademoiselle de Nemidoff
38
Portrait of a Lady1912
39
Portrait of Mrs. Whitney Warren1908 · Μουσεία Τέχνης της Σαν Φρανσίσκο
40
Two Women with a Parrot (also known as Teasing the Parrot)1872
41
Emanuele Muzio at the Podium1882 · Casa di Riposo per Musicisti
42
Portrait of Suzy
43
Portrait of Mrs. Graham Fair Vanderbilt (née Virginia Graham Fair)1905 · Μουσεία Τέχνης της Σαν Φρανσίσκο
44
Portrait of Ruggiero Leoncavallo, 1858-19191906 · Minneapolis Institute of Art
45
Madame Leclanche1881 · Sterling and Francine Clark Art Institute
46
From the attic in Ferrara1870
47
At the piano1867
48
The Spanish girl1878
49
Lady in Red Coat1878
50
Famous Connoisseur (Fameux Connaisseur)1883 · Μετροπολιτικό Μουσείο Τέχνης
51
Portrait of Henri Rochefort1882 · Εθνικό Μουσείο Βαρσοβίας
52
Child with Hoop1881
53
Marchesa Adriana Franzoni1880
54
Portrait of Signorina Concha de Ossa1888
55
Signorina Concha de Ossa1888
56
Portrait of a Lady1889
57
Lady in the mirror (From the milliner)Biennale Internazionale dell'Antiquariato di Firenze
58
Gertrude Elizabeth, née Blood, Lady Colin Campbell1897
59
Ecstasy1900
60
Willy1905
61
Portrait of Josefina Errazuriz Alvear holding a cat1910
62
Portrait of Madame Doyen1910
63
Portrait of Mrs. Peter Cooper Hewitt1912 · Rhode Island School of Design Museum of Art
64
Portrait of Donna Franca Florio1912
65
donna franca florio1921
66
Female Figure1920
67
The Golden Frame
68
Portrait Of Madame Juillard In Red1912
69
A Friend of the Marquis1875
70
Count Robert de Montesquiou1897 · Musée d'Orsay
71
Two Women in Eighteenth-Century Costume at the Piano (also known as The Old Song)1871
72
Portrait of the Artist Lawrence Alexander Harrison
73
The Connoisseur1870
74
In the Garden1875 · Εθνική Πινακοθήκη Λονδίνου
75
Portrait of James Abbott McNeil Whistler1834
76
Studio Interior with the Portrait of Young Subercaseaux1899
77
After the bath1873 · Εθνική Πινακοθήκη Τέχνης
78
untitled (4273)
79
Night on Montmartre
80
Portrait of Rita de Acosta Lydig1911
81
john singer sargent1890
82
The Morning Stroll1873
83
Profile of a Young Woman
84
The Black Sash
85
The Countess Speranza
86
Lady in Rose
87
In the Bath
88
La Divina in Blu
89
Portrait of Guiseppe Verdi1813
90
Pink Palace Ibis in the Vesinet (also known as Ibis del Palazzo Rosa a Vesinet)1910
91
Self-portrait while looking at a painting1865
92
Henri Rochefort1881 · Musée d'Orsay
93
Reclining Nude
94
Self-Portrait1856
95
Cristiano Banti at the easel1865
96
Portrait of Poldo Pisani1865
97
Ritratto di Leonetto Banti1866
98
Palme1868
99
L'amico Andrea Vendeghini1865
100
Portrait of Giuseppe Abbati1865
Τα τέσσερα θέματα που εμφανίζονται πιο συχνά σε αυτά τα πρωτότυπα έργα, το καθένα με το εξαιρετικό του παράδειγμα.
Τα 8 μουσεία που φιλοξενούν το μεγαλύτερο μέρος των έργων σε αυτήν τη σελίδα.
| Μουσείο | Πόλη | Έργα του Γιόβαννης Μπόλντινι | Πάτρια από αυτή τη λίστα |
|---|---|---|---|
 Musée d'Orsay |
Παρίσι | 6 | Μαντάμ Κάρλς Μάξ, Count Robert de Montesquiou, Henri Rochefort |
 Sterling and Francine Clark Art Institute |
Williamsburg | 6 | Recital, The Return of the Fishing Boats, Madame Leclanche |
 Μετροπολιτικό Μουσείο Τέχνης |
Νέα Υόρκη | 5 | Consuelo, Duchess of Marlborough, with Her Son Ivor Spencer-Churchill, Famous Connoisseur (Fameux Connaisseur) |
 Μουσεία Τέχνης της Σαν Φρανσίσκο |
Σαν Φρανσίσκο | 4 | Portrait of Mrs. Whitney Warren, Portrait of Mrs. Graham Fair Vanderbilt (née Virginia Graham Fair) |
 Μουσείο Carnavalet |
Παρίσι | 2 | Portrait of the Countess de Martel de Janville |
 Μουσείο Καποδίστριας |
Νάπολη | 2 | Portrait of Princess Marisconovo |
 Art Institute of Chicago |
Σικάγκο | 2 | Woman with a Parasol |
 Biennale Internazionale dell'Antiquariato di Firenze |
Φλωρεντία | 2 | Lady in the mirror (From the milliner) |
Επιλέξτε μια δεκαετία για να δείτε το πρωτότυπο έργο που την χαρακτηρίζει.
To gaze upon Giovanni Boldini's portrait, Lilia Monti née Countess Magnoni, is to step directly into the shimmering, sophisticated heart of the late nineteenth century. Painted in 1864, this work transcends a mere likeness; it is a vibrant encapsulation of aristocratic grace and burgeoning modern confidence. The subject herself commands attention with an almost palpable magnetism. Her direct gaze meets the viewer's eye with an unwavering self-possession, suggesting a spirit…
To gaze upon Giovanni Boldini's Girl Reading in a Salon is to be instantly transported into the gilded, languid afternoons of the late nineteenth century. This painting is far more than a mere portrait; it is an exquisitely preserved moment of quiet contemplation amidst undeniable luxury. The scene centers on a young woman, utterly absorbed by the pages before her, seated within an armchair that speaks volumes of its owner's…
To stand before Giovanni Boldini's The Red Café is not merely to observe a painting; it is to step directly into the effervescent heart of late nineteenth-century Parisian society. This oil on canvas, executed in 1887, captures more than just a gathering of people within richly colored walls—it arrests a moment of pure, unadulterated conviviality. The air itself seems thick with whispered conversations, the clinking of unseen glasses, and the…
Το 1896, ο Giovanni Boldini, ένας καλλιτέχνης που είχε κατακτήσει το σαλόνι της Παριζίνης με την αριστοκρατική του αισθητική και τον μοναδικό του τρόπο να αποτυπώνει τη χλιδή της Belle Époque, προσέθεσε ένα ακόμη θρυλικό πορτρέτο στη συλλογή του: την «Μαдам Κάρλς Μάξ». Αυτό το έργο δεν είναι απλά μια απεικόνιση μιας γυναίκας; Είναι μια αιχμή της στιγμής, μια μαγική σύλληψη ενός κοινού, αλλά διακριτικού, κοινωνικού γεγονότος. Η Boldini, με…
Step closer and observe the quiet confidence in her gaze. This 1901 portrait captures Cléopâtre-Diane de Mérode, a woman who embodied the very essence of Parisian high society during the Belle Époque. She rests in a relaxed pose, her hands tucked behind her head, looking away from us with an air of effortless poise. There is a certain intimacy in how she occupies the space, seated amidst the soft shadows…
To stand before Portrait of a Lady is to step directly into the glittering, sophisticated heart of the Belle Époque. This oil on canvas, executed in 1912 by the master Italian portraitist Giovanni Boldini, is far more than a mere likeness; it is an exquisite capture of ephemeral grace and undeniable allure. The subject herself commands attention with a direct, knowing smile that seems to bridge the chasm between the…
To gaze upon Giovanni Boldini’s Reclining Nude is to step directly into the gilded, languid atmosphere of the Belle Époque. This oil on canvas, measuring a graceful 55 x 74 cm, is far more than a mere depiction of repose; it is an exquisite study in captured intimacy. Boldini, the master chronicler of Parisian elegance, uses this piece to distill moments of profound tranquility. The subject, draped upon sheets of…
Το Cleo de Merode (1901). Στη συνέχεια ακολουθούν το Consuelo, Duchess of Marlborough, with Her Son Ivor Spencer-Churchill (1906) και το The Woman in Red.
59 ετών: το έργο Cleo de Merode είναι του 1901, και ο/η Γιόβαννης Μπόλντινι γεννήθηκε το 1842.
Cleo de Merode, Consuelo, Duchess of Marlborough, with Her Son Ivor Spencer-Churchill, The Woman in Red, The Red Café, Edith Stuyvesant Dresser Vanderbilt, The Woman in Red, Girl Reading in a Salon, Μαντάμ Κάρλς Μάξ, La Toilette (also known as Young Woman in Déshabillé with a Mirror) και Portrait of John Singer Sargent. Η κατάταξη παραπάνω αναγράφει το έτος και το μουσείο για το κάθε έργο.
Ο κατάλογός μας περιλαμβάνει 469 έργα του Γιόβαννης Μπόλντινι, με ημερομηνίες από 1856 έως 1930.
Κυρίως σε Musée d'Orsay (Παρίσι), Sterling and Francine Clark Art Institute (Williamsburg) και Μετροπολιτικό Μουσείο Τέχνης (Νέα Υόρκη). Ο πίνακας μουσείου παραπάνω τους περιλαμβάνει όλους.
Κατά την περίοδο 1870s: 15 από τα 100 έργα σε αυτήν τη σελίδα δημιουργήθηκαν τότε, με Girl Reading in a Salon από αυτά να είναι μοναδικά.
Σε αυτήν τη σελίδα, το παλαιότερο είναι Self-Portrait (1856) και το νεότερο Reclining Nude (1930).
Portrait (26), Woman (18) και Elegance (16), σε συνολικά 100 έργα σε αυτήν τη σελίδα.
Oil On Canvas, για 43 από τα 100 έργα σε αυτήν τη σελίδα.
Impressionism, όπως προκύπτει από τα πρωτότυπα σε αυτήν τη σελίδα.
Μαντάμ Κάρλς Μάξ, Count Robert de Montesquiou και Henri Rochefort: το Musée d'Orsay, Παρίσι διαθέτει 3 από τα έργα σε αυτήν τη σελίδα.
