Ενημερωμένο Οκτώβριος 2026 · κατάταξη βάσει του σκορ δημοφιλίας μας (αναζητήσεις, επισκέψεις και παραγγελίες για κάθε έργο) · 1.201 έργα του Γεώργιος Ρόμνεϊ στον κατάλογό μας
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Στο μάτι της γκαλερί, το πιο διάσημο έργο του Γεώργιος Ρόμνεϊ είναι το Lady Hamilton as Circe (1782), το πρωτότυπο του οποίου εκτίθεται στο Tate Gallery, Λονδίνο. Ο Portrait of Emma Hart [later Lady Hamilton] as Miranda (1785) και ο Portrait of John Wesley (1789) ολοκληρώνουν το τρίο που κάθε μάτι αναγνωρίζει. Από τα 1,201 έργα του Γεώργιος Ρόμνεϊ στον κατάλογό μας, η γκαλερί παρουσιάζει παρακάτω τα 100 πιο διάσημα, όπου κάθε ένα είναι πρωτότυπο, με την χρονολογία του, το μουσείο του και το τι το κάνει μοναδικό.
George Romney's “Lady Hamilton as Circe,” painted in 1782, transcends mere portraiture; it embodies the spirit of Neoclassical art—a movement dedicated to reviving classical ideals of beauty and rationality. Housed within the Tate Gallery’s collection in London, this canvas offers a glimpse into a pivotal moment in British artistic history and illuminates the captivating allure of Emma Hamilton, Lord Nelson's mistress.
![Portrait of Emma Hart [later Lady Hamilton] as Miranda (1785) του Γεώργιος Ρόμνεϊ](/media/artworks/images-full/68/3a/683a29e4f83e98338fc73936e4787728.jpg)
A single upward glance defines this oil sketch. The subject, Emma Hart, turns her face toward a light source from above, her eyes wide with a sense of longing or awe. Her dark, voluminous hair spills around her shoulders in thick, gestural strokes of deep brown and ochre. The skin of her forehead and chin catches the light, rendered in fleshy pinks and creams that emerge from a shadowed, textured…
The face of John Wesley emerges from a deep, atmospheric darkness. Light falls from the upper left, striking the high ridge of a brow and the soft texture of white hair. This illumination catches the crisp edge of a clerical collar, a bright white anchor against the heavy, earthy tones of his clothing. The eyes look directly forward, meeting the viewer with a steady, quiet gaze. Wrinkles trace paths across…
The air feels heavy with the scent of salt and the lingering sulfur of gunpowder. Vice-Admiral Sir Hyde Parker stands in the center of this unfolding drama, his presence a steady anchor against the chaos of the sea. He is dressed in his undress uniform, the dark fabric of his coat absorbing the light, contrasted sharply by the crisp white of his trim. His right hand rests upon an unbuckled…
In this oil on canvas from around 1782, we encounter Emma Hart transformed into the mythological figure Circe. The scene is set within a rugged, rocky landscape that recedes into deep shadows, creating an atmosphere of profound mystery. At the center of the composition, the figure dominates the foreground, her form illuminated by a strong light source from the upper left. This lighting casts heavy shadows across the terrain, emphasizing…
George Romney captures a moment of profound, quiet intellect in this portrait of Ralph Willett. The sitter is positioned in a thoughtful pose, resting his chin upon his hand—a gesture traditionally associated with wisdom and the pursuit of reason. This posture, combined with his steady, inward gaze, reflects the intellectual currents of the late 18th century. The composition is asymmetrical, with the subject seated on the right, looking toward the…
George Romney’s “Portrait of Mrs. Verelst,” painted in 1773, is more than merely a likeness; it’s a meticulously crafted window into the social and aesthetic sensibilities of Georgian England. Executed with remarkable sensitivity and technical skill, this portrait captures not just the physical appearance of its subject but also an underlying sense of quiet dignity and restrained elegance – hallmarks of Romney's distinctive style. The painting depicts Mrs. Verelst, a…
In the grand tapestry of eighteenth-century British portraiture, few images capture the delicate intersection of classical myth and human vulnerability as exquisitely as George Romney’s Emma Hart (1765–18 8), as Miranda. This captivating oil on canvas serves as a profound testament to the artist's ability to breathe life into both subject and story, presenting a woman of striking presence whose gaze seems to bridge the gap between the painted world…
A man sits anchored in an armchair, his presence defined by the heavy drape of a crimson coat. The fabric catches the light, revealing the subtle textures of fine wool and the structured lines of a gentleman's station. He wears a white wig, its pale curls framing a face marked by a mustache and a steady, direct gaze. There is a stillness in his posture, a quiet composure that suggests…
George Romney’s “Lady Hamilton as Circe,” painted in 1792, is more than just a portrait; it's an exquisitely crafted tableau vivant—a frozen moment brimming with narrative and psychological depth. This captivating work, now housed within the collections of the Frick Collection, offers a glimpse into the life of Emma Hart, later Lady Hamilton, a woman whose beauty, ambition, and scandalous affair with Lord Nelson captivated Regency England. Romney’s masterful handling…
Emma, Lady Hamilton1791 · USC Fisher Museum of Art
12
Charles Lennox, 3rd Duke of Richmond and LennoxΕθνική Πορτραίτητος Γκαλερί
13
John Robinson of Denston Hall, Suffolk1779 · Μουσεία Τέχνης του Χάρβαρντ
14
Portrait of Mary Rutledge Smith and Son Edward1786
15
William Sotheron, The Younger, of Darrington1788 · Μουσεία Τέχνης της Σαν Φρανσίσκο
16
Portrait of Colin Dunlop of Garmyle1754
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Sir William Hamilton1784
18
Portrait of a Man1759 · Yale Center for British Art
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Madame de Genlis1792 · Μουσεία Τέχνης της Σαν Φρανσίσκο
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Portrait of the Willett Children1791 · Philadelphia Museum of Art
21
Peter RomneyΕθνική Πορτραίτητος Γκαλερί
22
Wilson Gale-Braddyll1776 · Birmingham Museum of Art
23
Sarah Ley, Mrs Richard Tickell (1770–after 1817)1759 · Ascott House
24
Portrait of a Young Man at his Desk1795 · Städel Museum
25
Emma Hart as The Spinstress1785 · English Heritage
26
Shute Barrington, Bishop of Durham1786
27
Portrait of Marianne Holbech1782 · Philadelphia Museum of Art
28
Mr. Forbes1780 · Εθνική Πινακοθήκη Τέχνης
29
Portrait of Mrs. Finch1790 · Philadelphia Museum of Art
30
Portrait of a Gentleman1777
31
Lady in a Brown Robe1785 · Tate Gallery
32
Major-General Sir Archibald Campbell1792
33
James Romney1760 · Yale Center for British Art
34
Edmund Law, Bishop of Carlisle1771 · Εθνική Πινακοθήκη της Βικτώριας
35
James Clitherow (1731–1805)1780 · Boston Manor House
36
Colonel Clitherow1784 · Detroit Institute of Arts
37
John Flaxman Modeling the Bust of William Hayley1795 · Yale Center for British Art
38
Portrait of the Dentist Bartholomew Ruspini1800 · Statens Museum For Kunst
39
Princess Anne Lady de la Pole1786 · Μουσείο Τέχνης Βοστώνης
40
Portrait of Charlotte SmithAbbot Hall Art Gallery
41
Portrait of a woman1780 · Musée Cognacq-Jay
42
Elizabeth, Duchess-Countess of Sutherland1782 · Cincinnati Art Museum
43
Miss Clavering1782 · Detroit Institute of Arts
44
Mrs James Carmichael Smyth, died 18031789 · Εθνική Πινάκοθήκη της Σκωτίας
45
Mary Hyde (née Foxcroft)1767 · Yale Center for British Art
46
Lady Altamont1788 · Tate Gallery
47
Η Λάιντι Χάμιλτον ως Βεστάλ1800 · English Heritage
48
Portrait of Colin MacKenzie1777 · Minneapolis Institute of Art
49
Portrait of the Honorable Mrs. Beresford1785 · Philadelphia Museum of Art
50
Portrait of Mrs. Tickell1792 · Philadelphia Museum of Art
51
Portrait of Sir John Reade1788 · Philadelphia Museum of Art
52
Lady Hamilton as Tragedy1791 · Μουσεία Τέχνης του Χάρβαρντ
53
Niobid
54
Mrs Siddons1784 · The Ashmolean Museum of Art And Archaeology
55
The Hartley Children1783 · Detroit Institute of Arts
56
Sarah Phipps (née Peckham)1780 · Yale Center for British Art
57
The Willet Children1800
58
Portrait of a Lady (probably Mrs James Collingwood)1765 · Walker Art Gallery
59
Sir John Orde1785 · Εθνικό Μουσείο Αρχαίας Τέχνης
60
Portrait of Sir John Papillon Twisden, 7th Baronet1782
61
Catherine Clemens1788 · Neue Pinakothek
62
William Pitt the Younger1783 · Tate Gallery
63
Portrait of Maria and Catherine, the Daughters of Edward Thurlow, 1st Baron Thurlow1783 · Yale University Art Gallery
64
David Scott, Esq., of Dunniald1794 · Μουσεία Τέχνης της Σαν Φρανσίσκο
65
Portrait of a Woman, Said to Be Emily Bertie Pott (died 1782)1781 · Μετροπολιτικό Μουσείο Τέχνης
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Thomas Paine1792 · Εθνική Πορτραίτητος Γκαλερί
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Esther Taubman, née Christian1786 · Manx Museum
68
Millicent Watson1750 · Μουσείο Καλών Τεχνών του Χιούστον
69
Mrs. Henry Ainslie with her child1750
70
Elizabeth, Lady Blunt1764 · Μουσείο Καλών Τεχνών του Χιούστον
71
Portrait of Mrs. Dawes1765
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Portrait of an Adolescent1775 · Musée des Beaux-Arts de Pau
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Portrait of a Lady1770 · Εθνική Γκαλερί της Ιρλανδίας
74
Mrs Ellen Morewood1770
75
Ann Wilson (née Harrison) and Her Daughter, Sybill1776 · Yale Center for British Art
76
Portrait of Jane Dawkes RobinsonIndianapolis Museum of Art
77
Portrait of a flag officer1767
78
Ann Verelst (1751–1823)1772
79
Thomas Rackett the Younger (1756–1840)1768
80
Henrietta, Countess of Warwick, and Her Children1787 · The Frick Collection
81
Major Archibald Robertson of Lawers1782 · Museum of Fine Arts, St. Petersburg, Florida, USA
82
Portrait of Mrs. Richard Thompson1780
83
Robert Child (1739 - 1782)1781 · Osterley Park And House
84
Mrs. Richard Pryce Corbet and Her Daughter Mary1783 · Cincinnati Art Museum
85
Mary and Louise Kent1785 · Cincinnati Art Museum
86
William Chafyn Grove (1731–1793)1780 · Μουσείο Τέχνης Βοστώνης
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Miss Frances Mary Harford1780 · The Frick Collection
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Portrait of Emma Hart, later Lady Hamilton1784 · Μουσείο Τέχνης Βοστώνης
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Portrait of Sir Thomas Frankland, 6th Baronet (1750–1831)1777
90
Henry Cruger (1739–1827)1782 · New York Historical Society
91
Portrait of Mr. Edmund Poulter1780 · Gemäldegalerie
92
Lady Hamilton as St Cecilia1785
93
The Right Honourable Charles Philip Yorke (1764–1834)1782 · Auckland Art Gallery Toi o Tāmaki
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Miss Frances Mary Harford1780
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Joseph Allen (1713–1796)1778 · Dulwich Picture Gallery
96
Sir Henry Bayly (1744–1812), 3rd Bt, 9th Baron Paget, Later 1st Earl of Uxbridge of the Second Creation, Holding Copper Ore from the Mona Mine1785
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Thomas Rackett the Elder (c.1725–1799)1776
98
The Infant Shakespeare Attended by Nature and the Passions1786 · Vanderbilt Museum of Art
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Titania, Puck and the Changeling, from Shakespeare's 'A Midsummer Night's Dream'1793 · Εθνική Γκαλερί της Ιρλανδίας
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Portrait of Mary Tighe (1747-1791), Poet1795 · Εθνική Γκαλερί της Ιρλανδίας
Τα τέσσερα θέματα που εμφανίζονται πιο συχνά σε αυτά τα πρωτότυπα έργα, το καθένα με το εξαιρετικό του παράδειγμα.
Τα 8 μουσεία που φιλοξενούν το μεγαλύτερο μέρος των έργων σε αυτήν τη σελίδα.
| Μουσείο | Πόλη | Έργα του Γεώργιος Ρόμνεϊ | Πάτρια από αυτή τη λίστα |
|---|---|---|---|
 Philadelphia Museum of Art |
Φιλαδέλφεια | 12 | Portrait of Emma Hart [later Lady Hamilton] as Miranda, Portrait of John Wesley, Portrait of the Willett Children |
 Yale Center for British Art |
New Haven | 10 | Portrait of a Man, James Romney, John Flaxman Modeling the Bust of William Hayley |
 Tate Gallery |
Λονδίνο | 16 | Lady Hamilton as Circe, Lady in a Brown Robe, Lady Altamont |
 Εθνική Πορτραίτητος Γκαλερί |
Λονδίνο | 17 | Charles Lennox, 3rd Duke of Richmond and Lennox, Peter Romney, Thomas Paine |
 Μουσείο Τέχνης Βοστώνης |
Μπόσττον | 7 | Princess Anne Lady de la Pole, William Chafyn Grove (1731–1793), Portrait of Emma Hart, later Lady Hamilton |
 Εθνική Γκαλερί της Ιρλανδίας |
Δουβλίνο | 5 | Portrait of a Lady, Titania, Puck and the Changeling, from Shakespeare's 'A Midsummer Night's Dream', Portrait of Mary Tighe (1747-1791), Poet |
 The Frick Collection |
Νέα Υόρκη | 4 | Lady Hamilton as, Henrietta, Countess of Warwick, and Her Children, Miss Frances Mary Harford |
 Μουσεία Τέχνης της Σαν Φρανσίσκο |
Σαν Φρανσίσκο | 4 | William Sotheron, The Younger, of Darrington, Madame de Genlis, David Scott, Esq., of Dunniald |
Επιλέξτε μια δεκαετία για να δείτε το πρωτότυπο έργο που την χαρακτηρίζει.
The Portrait of Colin Dunlop of Garmyle is a significant oil on canvas by the British artist George Romney. Painted in 1754, this work captures a man of considerable local influence during the mid-eighteenth century. The subject is identified as Colin Dunlop of Carmyle, who held the position of Provost of Glasgow. This portrait offers a glimpse into the social standing of a prominent figure from that era.
The Composition and Subject of James Romney James Romney is an oil portrait from 1760, presented in an oval vignette format. The subject is a young man shown in a close-up bust view, focusing on the face and upper torso. He maintains a calm, neutral expression, looking toward the viewer with a sense of poise. His attire consists of a teal or cerulean blue coat and a crisp white cravat.…
George Romney’s “Portrait of Mrs. Verelst,” painted in 1773, is more than merely a likeness; it’s a meticulously crafted window into the social and aesthetic sensibilities of Georgian England. Executed with remarkable sensitivity and technical skill, this portrait captures not just the physical appearance of its subject but also an underlying sense of quiet dignity and restrained elegance – hallmarks of Romney's distinctive style. The painting depicts Mrs. Verelst, a…
George Romney's “Lady Hamilton as Circe,” painted in 1782, transcends mere portraiture; it embodies the spirit of Neoclassical art—a movement dedicated to reviving classical ideals of beauty and rationality. Housed within the Tate Gallery’s collection in London, this canvas offers a glimpse into a pivotal moment in British artistic history and illuminates the captivating allure of Emma Hamilton, Lord Nelson's mistress.
In the soft, luminous glow of George Romney’s 1791 masterpiece, Emma, Lady Hamilton, we encounter more than just a portrait; we enter a profound psychological landscape. This captivating work depicts one of the most magnetic figures of the Regency era, capturing Emma not merely as a socialite, but as a woman of deep introspection. As her gaze drifts toward an unseen horizon, the viewer is drawn into a contemplative silence,…
George Romney captures a moment of profound, quiet intellect in this portrait of Ralph Willett. The sitter is positioned in a thoughtful pose, resting his chin upon his hand—a gesture traditionally associated with wisdom and the pursuit of reason. This posture, combined with his steady, inward gaze, reflects the intellectual currents of the late 18th century. The composition is asymmetrical, with the subject seated on the right, looking toward the…
Lady Hamilton as Circe (1782), Tate Gallery, Λονδίνο. Στη συνέχεια ακολουθούν το Portrait of Emma Hart [later Lady Hamilton] as Miranda (1785) και το Portrait of John Wesley (1789).
48 ετών: το έργο Lady Hamilton as Circe είναι του 1782, και ο/η Γεώργιος Ρόμνεϊ γεννήθηκε το 1734.
Lady Hamilton as Circe, Portrait of Emma Hart [later Lady Hamilton] as Miranda, Portrait of John Wesley, Portrait of Vice-Admiral Sir Hyde Parker, 5th Baronet, Emma Hart (c.1765–1815), Lady Hamilton, as Circe, Portrait of Ralph Willett, Portrait of Mrs. Verelst, Emma Hart (1765–1815), as Miranda, Sir Thomas Rumbold (1736–1791), Bt και Lady Hamilton as. Η κατάταξη παραπάνω αναγράφει το έτος και το μουσείο για το κάθε έργο.
Ο κατάλογός μας περιλαμβάνει 1,201 έργα του Γεώργιος Ρόμνεϊ, με ημερομηνίες από 1750 έως 1800.
Κυρίως σε Philadelphia Museum of Art (Φιλαδέλφεια), Yale Center for British Art (New Haven) και Tate Gallery (Λονδίνο). Ο πίνακας μουσείου παραπάνω τους περιλαμβάνει όλους.
Κατά την περίοδο 1780s: 51 από τα 100 έργα σε αυτήν τη σελίδα δημιουργήθηκαν τότε, με Lady Hamilton as Circe από αυτά να είναι μοναδικά.
Σε αυτήν τη σελίδα, το παλαιότερο είναι Millicent Watson (1750) και το νεότερο Portrait of Ralph Willett (1800).
Woman (29), Man (29) και Portraiture (24), σε συνολικά 100 έργα σε αυτήν τη σελίδα.
Oil On Canvas, για 90 από τα 100 έργα σε αυτήν τη σελίδα.
Νεοκλασικισμός, όπως προκύπτει από τα πρωτότυπα σε αυτήν τη σελίδα.
Portrait of Emma Hart [later Lady Hamilton] as Miranda, Portrait of John Wesley και Portrait of the Willett Children: το Philadelphia Museum of Art, Φιλαδέλφεια διαθέτει 8 από τα έργα σε αυτήν τη σελίδα.
![Portrait of Emma Hart [later Lady Hamilton] as Miranda (1785) του Γεώργιος Ρόμνεϊ](/media/artworks/images-thumb/d9/52/d9529a75a306936d6b7034684957c1e3.jpg)
