Ενημερωμένο Νοέμβριος 2026 · κατάταξη βάσει του σκορ δημοφιλίας μας (αναζητήσεις, επισκέψεις και παραγγελίες για κάθε έργο) · 89 έργα του Μπερνάρντο Ντάντι στον κατάλογό μας
Με σύντομη περιγραφή
Από όλα τα πρωτότυπα έργα που άφησε ο Μπερνάρντο Ντάντι, το πιο διάσημο είναι το Saint Gregory the Great (in pinnacle: a Prophet) (1334), το οποίο βρίσκεται στη συλλογή του Μουσεία Τέχνης του Χάρβαρντ, Κέιμπριτζ. Ακολουθούν στενά η Saint Reparata Being Prepared for Execution (1300) και η Saint Reparata before the Emperor Decius (1338). Ο κατάλογός μας περιλαμβάνει 89 έργα του Μπερνάρντο Ντάντι· η γκαλερί έχει διατηρήσει τα 89 κομμάτια που θαυμάζει ο κόσμος, το καθένα με την ημερομηνία, το μουσείο και την ιστορία του.
A single figure occupies the center of this vertical wooden panel, suspended against a flat, luminous gold ground. Saint Gregory the Great faces the viewer with a solemn, steady gaze. He is an elderly man, his face etched with the gravity of his station. He wears a white mitre, its surface adorned with a jeweled crown-like band that catches the light. Over his shoulders, a heavy red cope falls in…
The painted panel titled Saint Reparata Being Prepared for Execution is a work by the Florentine artist Bernardo Daddi. This piece dates to approximately 1338–1340. It is a tempera on panel composition that originated as part of a larger series from a high altarpiece. Specifically, the panel functioned as part of a predella, which is a two-tiered base, illustrating eight distinct scenes from the life of the saint.
Saint Reparata before the Emperor Decius is a work by the Florentine painter Bernardo Daddi, executed about 1338. The composition portrays the saint in a confrontation with Emperor Decius. As a patron saint of Florence, Reparata’s life was a central subject of local devotion.
A vertical silhouette emerges from a field of textured gold. St. Catherine of Alexandria is caught in a moment of quietude, her head tilted slightly toward the left. She wears a crown of gold, heavy with dark jewels, resting upon hair that meets the sharp point of a Gothic arch. Her tunic is the color of deep teal, draped in folds that catch the light, while an orange mantle wraps…
To stand before this panel is to encounter the structured devotion of mid-14th century Florence. The composition is governed by a strict verticality, drawing the eye upward toward Christ, who is seated in an upper lobed section. He holds a red book and offers a gesture of blessing, his presence anchored by the formal symmetry of the throne. Below this central figure, the arrangement shifts into a circular medallion, flanked…
We are looking at Arrival of Saint Ursula at Cologne, a work by the Florentine painter Bernardo Daddi. Created about 1333, this piece originates from a period when Daddi was a central figure in the artistic life of Florence. He was an Italian artist who lived from about 1280 to 1348, working through the transition of styles in the early fourteenth century.
To gaze upon this depiction of Saint Dominic receiving divine guidance is to witness art at its most profound—a captured breath from the intersection of earthly devotion and celestial revelation. The scene, rendered with exquisite care, transports the viewer into an intimate architectural space, suggesting a moment so sacred that time itself seems to pause. It is not merely a portrait of a saint; it is an embodiment of spiritual…
In the heart of fourteenth-century Florence, a period defined by the delicate transition from the stylized elegance of the Gothic era to the burgeoning humanism of the Renaissance, Bernardo Daddi emerged as a master of light and devotion. His masterpiece, The Assumption of the Virgin, serves as a breathtaking window into a world where the earthly and the divine intersect. This tempera panel on wood, executed with a meticulous hand…
![Fixed Triptych: in the center, The Virgin and Child surrounded by twenty angels and four saints (John the Baptist and Peter on one side, Paul and Lawrence [?] on the other); on the left, The Nativity; on the right, The (1338) του Μπερνάρντο Ντάντι](/media/artworks/images-full/37/58/375831847b7950d4d8b4b167786d6c9f.jpg)
This Fixed Triptych: in the center, The Virgin and Child surrounded by twenty angels and four saints (John the Baptist and Peter on one side, Paul and Lawrence [?] on the other); on the left, The Nativity; on the right, The is a work by Bernardo Daddi. The artist, born in Florence, Italy, in 1290, crafted this composition in 1338. His hand guided the brush through the transition of eras…
The air within this architectural space feels heavy with the scent of fruit and the quiet murmur of a communal meal. Sunlight does not strike the scene from a single source; instead, a soft, diffused glow bathes the figures, casting no harsh shadows and creating a sense of eternal, suspended time. We find ourselves looking into a shallow, stage-like room where the boundaries of space are defined by elegant vertical…
Virgin and Child with Saints John the Baptist and Giles, Two Prophets, and Christ the Redeemer1334 · Philadelphia Museum of Art
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The Nativity and the Annunciation to the Shepherds1336 · Μουσείο Τέχνης Βοστώνης
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Saint Paul and a Group of Worshippers1333 · Εθνική Πινακοθήκη Τέχνης
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Saint Reparata Tortured with Red-Hot Irons1337 · Μετροπολιτικό Μουσείο Τέχνης
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The Virgin and Child Enthroned with Saints (triptych, closed)1338 · Γκαλερί Κουάρτλουντ
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Magus Adoring the Infant Christ and Bishop (triptych, right wing) (verso)1338 · Γκαλερί Κουάρτλουντ
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Four Musical Angels1340 · Christ Church Picture Gallery
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Saint Peter1330 · Γκαλερί Κουάρτλουντ
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Two Magi and Bishop (triptych, left wing) (verso)1338 · Γκαλερί Κουάρτλουντ
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The Group of saints.1330 · Μουσείο Τσαρτορίσκι
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Birth of Christ1338 · Εθνική Πινάκοθήκη της Σκωτίας
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Triptych: the Nativity, the Coronation of the Virgin, and the Crucifixion1339 · Gemäldegalerie
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The Virgin and Child, with Christ Blessing1340 · Μουσεία Τέχνης του Χάρβαρντ
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Virgin and Child1345 · Yale University Art Gallery
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Holy bishop wit a goldfinch1350 · Bavarian State Painting Collections
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The Crucifixion (polyptych, panel 3 of 5)1348 · Γκαλερί Κουάρτλουντ
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Saints Peter and Paul (polyptych, panel 4 of 5)1348 · Γκαλερί Κουάρτλουντ
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Saints Bartholomew and George (polyptych, panel 2 of 5)1348 · Γκαλερί Κουάρτλουντ
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Virgin and Child1346 · Μουσείο Isabella Stewart Gardner
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Saint Margret and Saint Agnes1507 · Musée Des Beaux
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Christ on the Cross between the Virgin and Saints Mary Magdalene and John the Evangelist; left panel: The Agony in the Garden and Saints Peter and Paul; right panel: Saints Catherine of Alexandria and1334 · Μουσεία Τέχνης του Χάρβαρντ
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The Crucifixion1325 · Μετροπολιτικό Μουσείο Τέχνης
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The Virgin Mary with Saints Thomas Aquinas and Paul1335 · Μουσείο J. Paul Getty
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Madonna and Child Enthroned with Saints1339 · Minneapolis Institute of Art
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Madonna and Child1335 · Πινακοθήκη του Βατικανού
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Portable, Double Sided Cross (recto)1340 · Museo Poldi Pezzoli
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Triptych1333 · Loggia del Bigallo
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Virgin and Child with Saint Peter and Saint Paul1340 · Γκαλερί Κουάρτλουντ
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Coronation of the Virgin1340 · Lindenau-Museum
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The Coronation of the Virgin1340 · Εθνική Πινακοθήκη Λονδίνου
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St Catherine of Alexandria with Donor and Christ Blessing (detail)1340 · Μουσείο της Όπερας του Δουόμο
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Crucifixion1345 · Lindenau-Museum
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Crucifixion1320 · Worcester Art Museum
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Madonna and Child with Saints1320 · Worcester Art Museum
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The Nativity1340 · Μετροπολιτικό Μουσείο Τέχνης
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Triptych1335 · Lindenau-Museum
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The Vocation of Saint Dominic1338 · Yale University Art Gallery
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The Crucifixion1325 · Εθνική Πινακοθήκη Τέχνης
49
Triptych (detail)1335 · Lindenau-Museum
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The Martyrdom of St Stephen1324 · Μητροπολιτικό Μουσείο Τέχνης
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St Catherine of Alexandria with Donor and Christ Blessing1340 · Μουσείο της Όπερας του Δουόμο
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Crucifixion (detail)1345 · Lindenau-Museum
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Virgin and Child1340 · Μουσείο Θυσσεν-Βορνημισάζα
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Madonna and Child with Sts Matthew and Nicholas1328 · Galleria degli Uffizi
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The Annunciation1335 · Μουσείο του Λούβρου
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Madonna and Child with Saints and Angels d8
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Madonna and Child with Saints1340 · New Orleans Museum of Art
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Orsanmichele Madonna and Child with Angels1346 · Ορσανμίχελη
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Virgin and Child Enthroned with Saints1343 · Museo Horne
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Virgin and Child with Saints1338 · Γκαλερί Κουάρτλουντ
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Portable, Double Sided Cross (verso)1340 · Museo Poldi Pezzoli
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Triptych1338 · Staatliche Museen zu Berlin
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The CrucifixionΜουσείο Τέχνης Βοστώνης
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The NativityWallace Collection
65
Madonna and Child Enthroned with Saints
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Madonna and Child Enthroned with Saints
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Madonna and Child with Saints and Angels1345 · Εθνική Πινακοθήκη Τέχνης
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Crucifixion1340 · Collezione Vittorio Cini
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Polyptych of San Pancrazio: Predella panelGalleria degli Uffizi
70
Triptych of the Betrothal of St. Catherine Flanked with St. Bartholomew and St. Benedict?National Gallery Prague
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Madonna and Child with Saints and Angels d0
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Madonna and Child with Saints and Angels d6
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Madonna and Child with Saints and Angels d2
74
Madonna and Child with Saints and Angels d1
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Madonna and Child with Saints and Angels d3
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Madonna and Child with Saints and Angels d5
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Madonna and Child with Saints and Angels d9
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Madonna and Child with Saints and Angels d7
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Madonna and Child with Saints and Angels d4
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Polyptych of San Pancrazio: Predella panelRoyal Collection
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Polyptych of San Pancrazio: Predella panelGalleria degli Uffizi
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Polyptych of San PancrazioGalleria degli Uffizi
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Saint Pancras Polyptych1338
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Madonna and Child with Sts Matthew and Nicholas1328
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Saint Lawrence1340 · Pinacoteca di Brera
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Polyptych of the Madonna and four saints1332 · Museo Civico
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Crucifix1340 · Museo Bardini
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Story of the true Belt1337 · Museo Civico
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Madonna and Child Enthroned with Angels and Saints1334 · Galleria degli Uffizi
#1 Saint Gregory the Great (in pinnacle: a Prophet)
#3 Saint Reparata before the Emperor Decius
#4 A Crowned Virgin Martyr (St. Catherine of Alexandria)
#5 Christ Enthroned with Saints
![Fixed Triptych: in the center, The Virgin and Child surrounded by twenty angels and four saints (John the Baptist and Peter on one side, Paul and Lawrence [?] on the other); on the left, The Nativity; on the right, The (1338), Μπερνάρντο Ντάντι](/media/artworks/images-thumb/f5/2d/f52d86206b7bcf980b56ec8430260132.jpg)
#9 Fixed Triptych: in the center, The Virgin and Child surrounded by twenty angels and four saints (John the Baptist and Peter on one side, Paul and Lawrence [?] on the other); on the left, The Nativity; on the right, The
Τα τέσσερα θέματα που εμφανίζονται πιο συχνά σε αυτά τα πρωτότυπα έργα, το καθένα με το εξαιρετικό του παράδειγμα.
Τα 8 μουσεία που φιλοξενούν το μεγαλύτερο μέρος των έργων σε αυτήν τη σελίδα.
| Μουσείο | Πόλη | Έργα του Μπερνάρντο Ντάντι | Πάτρια από αυτή τη λίστα |
|---|---|---|---|
 Γκαλερί Κουάρτλουντ |
Λονδίνο | 9 | The Virgin and Child Enthroned with Saints (triptych, closed), Magus Adoring the Infant Christ and Bishop (triptych, right wing) (verso), Saint Peter |
 Μετροπολιτικό Μουσείο Τέχνης |
Νέα Υόρκη | 7 | Saint Reparata Being Prepared for Execution, Saint Reparata before the Emperor Decius, Christ Enthroned with Saints |
 Lindenau-Museum |
Altengau | 5 | Coronation of the Virgin, Crucifixion, Triptych |
 Galleria degli Uffizi |
Φλωρεντία | 5 | Madonna and Child with Sts Matthew and Nicholas, Polyptych of San Pancrazio: Predella panel, Polyptych of San Pancrazio: Predella panel |
 Μουσεία Τέχνης του Χάρβαρντ |
Κέιμπριτζ | 3 | Saint Gregory the Great (in pinnacle: a Prophet), The Virgin and Child, with Christ Blessing, Christ on the Cross between the Virgin and Saints Mary Magdalene and John the Evangelist; left panel: The Agony in the Garden and Saints Peter and Paul; right panel: Saints Catherine of Alexandria and |
 Εθνική Πινακοθήκη Τέχνης |
Ουάσινγκτον | 3 | Saint Paul and a Group of Worshippers, The Crucifixion, Madonna and Child with Saints and Angels |
 Μουσείο J. Paul Getty |
Λος Άντζελες | 2 | Arrival of Saint Ursula at Cologne, The Virgin Mary with Saints Thomas Aquinas and Paul |
 Staatliche Museen zu Berlin |
Βερολίνιο | 2 | The Temptation of St Thomas Aquinas, Triptych |
Επιλέξτε μια δεκαετία για να δείτε το πρωτότυπο έργο που την χαρακτηρίζει.
The painted panel titled Saint Reparata Being Prepared for Execution is a work by the Florentine artist Bernardo Daddi. This piece dates to approximately 1338–1340. It is a tempera on panel composition that originated as part of a larger series from a high altarpiece. Specifically, the panel functioned as part of a predella, which is a two-tiered base, illustrating eight distinct scenes from the life of the saint.
The Crucifixion by Bernardo Daddi is a religious work dating to 1345. The composition focuses on the Crucifixion of Jesus Christ, a central subject in Christian iconography. This piece belongs to the Gothic Renaissance tradition, reflecting the stylistic developments of the mid-fourteenth century.
A single figure occupies the center of this vertical wooden panel, suspended against a flat, luminous gold ground. Saint Gregory the Great faces the viewer with a solemn, steady gaze. He is an elderly man, his face etched with the gravity of his station. He wears a white mitre, its surface adorned with a jeweled crown-like band that catches the light. Over his shoulders, a heavy red cope falls in…
A vertical silhouette emerges from a field of textured gold. St. Catherine of Alexandria is caught in a moment of quietude, her head tilted slightly toward the left. She wears a crown of gold, heavy with dark jewels, resting upon hair that meets the sharp point of a Gothic arch. Her tunic is the color of deep teal, draped in folds that catch the light, while an orange mantle wraps…
Saint Gregory the Great (in pinnacle: a Prophet) (1334), Μουσεία Τέχνης του Χάρβαρντ, Κέιμπριτζ. Στη συνέχεια ακολουθούν το Saint Reparata Being Prepared for Execution (1300) και το Saint Reparata before the Emperor Decius (1338).
44 ετών: το έργο Saint Gregory the Great (in pinnacle: a Prophet) είναι του 1334, και ο/η Μπερνάρντο Ντάντι γεννήθηκε το 1290.
Saint Gregory the Great (in pinnacle: a Prophet), Saint Reparata Being Prepared for Execution, Saint Reparata before the Emperor Decius, A Crowned Virgin Martyr (St. Catherine of Alexandria), Christ Enthroned with Saints, Arrival of Saint Ursula at Cologne, The Temptation of St Thomas Aquinas, The Assumption of the Virgin, Fixed Triptych: in the center, The Virgin and Child surrounded by twenty angels and four saints (John the Baptist and Peter on one side, Paul and Lawrence [?] on the other); on the left, The Nativity; on the right, The και The Wedding Feast of St Cecilia. Η κατάταξη παραπάνω αναγράφει το έτος και το μουσείο για το κάθε έργο.
Ο κατάλογός μας περιλαμβάνει 89 έργα του Μπερνάρντο Ντάντι, με ημερομηνίες από 1300 έως 1348.
Κυρίως σε Γκαλερί Κουάρτλουντ (Λονδίνο), Μετροπολιτικό Μουσείο Τέχνης (Νέα Υόρκη) και Lindenau-Museum (Altengau). Ο πίνακας μουσείου παραπάνω τους περιλαμβάνει όλους.
Κατά την περίοδο 1330s: 33 από τα 89 έργα σε αυτήν τη σελίδα δημιουργήθηκαν τότε, με Saint Gregory the Great (in pinnacle: a Prophet) από αυτά να είναι μοναδικά.
Σε αυτήν τη σελίδα, το παλαιότερο είναι Saint Reparata Being Prepared for Execution (1300) και το νεότερο The Crucifixion (polyptych, panel 3 of 5) (1348).
Saints (27), Gold background (23) και Angels (23), σε συνολικά 89 έργα σε αυτήν τη σελίδα.
Tempera On Panel, για 45 από τα 89 έργα σε αυτήν τη σελίδα.
Gothic και Proto-renaissance, όπως προκύπτει από τα πρωτότυπα σε αυτήν τη σελίδα.
The Virgin and Child Enthroned with Saints (triptych, closed), Magus Adoring the Infant Christ and Bishop (triptych, right wing) (verso) και Saint Peter: το Γκαλερί Κουάρτλουντ, Λονδίνο διαθέτει 9 από τα έργα σε αυτήν τη σελίδα.
