Ενημερωμένο Νοέμβριος 2026 · κατάταξη βάσει του σκορ δημοφιλίας μας (αναζητήσεις, επισκέψεις και παραγγελίες για κάθε έργο) · 27 έργα του Γκότφριντ Λίννταουερ στον κατάλογό μας
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Το έργο Portrait of Mrs Rosalia Schischka (1876) είναι το ποίτευμα του Γκότφριντ Λίννταουερ που τραβάει τα περισσότερα βλέμματα· το πρωτότυπο ανήκει στο Auckland Art Gallery Toi o Tāmaki, Οκλάντ. Μετά από αυτό, το βλέμμα στρέφεται στο Kuinioroa, Daughter of Rangi Kopinga - Te Rangi Pikinga (1880) και στο Wiremu Kingi (1850). Ανάμεσα στα 27 έργα του Γκότφριντ Λίννταουερ στον κατάλογό μας, αυτά τα 27 είναι τα πιο διάσημα, το καθένα ένα μοναδικό πρωτότυπο που παρουσιάζεται με την χρονολογία του, το μουσείο του και τον λόγο για τον οποίο παραμένει αιώνιο.
Mrs. Rosalia Schischka sits in a quiet, suspended moment, her presence filling the space with a heavy, dignified stillness. The light catches the curve of her cheek and the delicate white of her lace chemisette, pulling her features forward from a deep, umber background. She looks directly at us, her steady gaze meeting the viewer with a calm that suggests a life of poise and social standing. There is a…
Kuinioroa, Daughter of Rangi Kopinga - Te Rangi Pikinga gazes out from a dark, monochromatic void, her presence commanding the space through a quiet, steady dignity. The light falls softly from the upper left, tracing the contours of her face and catching the subtle textures of her skin. Every line tells a story of a life lived with purpose. Fine wrinkles around her eyes and the intricate, stylized patterns of…
A close-up, three-quarter view captures Wiremu Kingi in a moment of quiet authority. The portrait focuses on the upper body, set against a dark, undifferentiated background that pushes the subject forward. Light enters from the upper left, casting soft shadows that define the contours of the face and the texture of the skin. Every strand of the white beard and the coarse, woven fibers of the flax cloak are rendered…
In this Self portrait, the artist Gottfried Lindauer presents a quiet, introspective view of himself. Painted about 1862, the work captures the artist during his early years, long before his later association with the landscapes and people of New Zealand. It is a rare moment of personal reflection from a man who would eventually become a significant figure in the art history of the South Pacific.
In this intimate oil portrait from 1860, we find ourselves in a close-up, three-quarter view of a Māori woman and a child. The woman faces slightly to the left, yet her gaze is directed toward us, creating an immediate sense of presence. Behind her shoulder, a small child peers out, adding a layer of tenderness to the composition. The palette is grounded in earthy, muted tones—creams, browns, and blacks—which allow…
The air feels heavy and still around the figure of Ihaka Whanga. He sits in a quiet, dark space, his presence commanding the viewer's immediate attention. Light spills softly from the upper left, catching the stark white of his beard and the deep, weathered textures of his skin. Every line on his face tells a story of survival and endurance. The shadows wrap around him, pulling him forward from the…
A formal full-length portrait from 1870 captures a man of significant standing, positioned with a quiet, commanding presence. He is rendered in a realistic academic style, his figure centered against a theatrical backdrop of deep crimson drapery. The subject holds a rolled document, a gesture signifying his profession or social status. Light enters from the upper left, carving out the volume of his face and the sharp tailoring of his…
Heeni Hirini and Child is an oil on canvas painting by the artist Gottfried Lindauer. Created about 1878, this portrait captures Heeni Hirini, who is also known as Ana Rupene. The work belongs to a series of portraits of Māori people that document the presence and identity of the indigenous people of New Zealand.
A formal and dignified portrait of a young Māori woman, executed with high realism. The composition is a medium close-up, centering the subject against a dark, muted background that emphasizes her presence. The color palette is dominated by earthy and rich tones: deep browns, blacks, and burgundies, contrasted by the bright white of her collar and the subtle warmth of her skin tone. Lines are used softly to define the…
Executed in 1876, this work reflects the high mastery of academic realism prevalent during the late 19th century. The smooth, blended transitions in skin tones demonstrate a disciplined approach to portraiture, where the goal was to achieve a lifelike likeness through controlled technique. The eye-level perspective establishes an intimate yet respectful connection, inviting a quiet observation of the man's features and the quiet gravity of his expression.
Eliza Brookes1876 · Auckland Art Gallery Toi o Tāmaki
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Tukukino Te Ahiātaewa1878 · Auckland Art Gallery Toi o Tāmaki
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Taraia Ngakuti Te Tumuhuia1874 · Auckland Art Gallery Toi o Tāmaki
14
Portrait of Eruera Maihi Patuone1874 · Auckland Art Gallery Toi o Tāmaki
15
Portrait of Pare Watene1878 · Auckland Art Gallery Toi o Tāmaki
16
Portrait of Terewai Horomona (b.1866)1878 · Royal Collection
17
Portrait of Ngairo Rakai Hikuroa1878
18
Portrait of Wahanui Reihana Te Huatare1880
19
Portrait of Mrs. Paramena1885 · Museum of New Zealand Te Papa Tongarewa
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Porträt des Mr Paramena1885
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Kewene Te Haho1890 · Auckland Art Gallery Toi o Tāmaki
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Portrait of William Smart1914 · Auckland Art Gallery Toi o Tāmaki
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Self portrait1910
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Tamati Waka Nene1890 · Auckland Art Gallery Toi o Tāmaki
25
Chief Ngairo Rakaihikuroa in Wairarapa, New ZealandDunedin Public Art Gallery
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Paratene Te ManuAuckland Art Gallery Toi o Tāmaki
27
Portrait of Kate SperreyTe Whare O Rehua Sarjeant Gallery
Τα τέσσερα θέματα που εμφανίζονται πιο συχνά σε αυτά τα πρωτότυπα έργα, το καθένα με το εξαιρετικό του παράδειγμα.
Τα 6 μουσεία που φιλοξενούν το μεγαλύτερο μέρος των έργων σε αυτήν τη σελίδα.
| Μουσείο | Πόλη | Έργα του Γκότφριντ Λίννταουερ | Πάτρια από αυτή τη λίστα |
|---|---|---|---|
 Auckland Art Gallery Toi o Tāmaki |
Οκλάντ | 13 | Portrait of Mrs Rosalia Schischka, Kuinioroa, Daughter of Rangi Kopinga - Te Rangi Pikinga, Wiremu Kingi |
 Museum of New Zealand Te Papa Tongarewa |
Ουέλινγκτον | 2 | Maori girl, Portrait of Mrs. Paramena |
 Gallery of Western Bohemia |
Plzeň | 1 | Self portrait |
 Royal Collection |
Λονδίνο | 1 | Portrait of Terewai Horomona (b.1866) |
 Dunedin Public Art Gallery |
1 | Chief Ngairo Rakaihikuroa in Wairarapa, New Zealand | |
 Te Whare O Rehua Sarjeant Gallery |
1 | Portrait of Kate Sperrey |
Επιλέξτε μια δεκαετία για να δείτε το πρωτότυπο έργο που την χαρακτηρίζει.
A close-up, three-quarter view captures Wiremu Kingi in a moment of quiet authority. The portrait focuses on the upper body, set against a dark, undifferentiated background that pushes the subject forward. Light enters from the upper left, casting soft shadows that define the contours of the face and the texture of the skin. Every strand of the white beard and the coarse, woven fibers of the flax cloak are rendered…
In this Self portrait, the artist Gottfried Lindauer presents a quiet, introspective view of himself. Painted about 1862, the work captures the artist during his early years, long before his later association with the landscapes and people of New Zealand. It is a rare moment of personal reflection from a man who would eventually become a significant figure in the art history of the South Pacific.
Mrs. Rosalia Schischka sits in a quiet, suspended moment, her presence filling the space with a heavy, dignified stillness. The light catches the curve of her cheek and the delicate white of her lace chemisette, pulling her features forward from a deep, umber background. She looks directly at us, her steady gaze meeting the viewer with a calm that suggests a life of poise and social standing. There is a…
Kuinioroa, Daughter of Rangi Kopinga - Te Rangi Pikinga gazes out from a dark, monochromatic void, her presence commanding the space through a quiet, steady dignity. The light falls softly from the upper left, tracing the contours of her face and catching the subtle textures of her skin. Every line tells a story of a life lived with purpose. Fine wrinkles around her eyes and the intricate, stylized patterns of…
The gaze of Kewene Te Haho meets the viewer from within this oil on canvas, a portrait that captures a moment of quiet, dignified presence. Painted by Gottfried Lindauer, the work presents a man whose identity is etched into his very skin through intricate patterns. He sits with a sense of stillness, his form rendered with a precision that honors his individual character and the weight of his heritage.
In the Portrait of William Smart, Gottfried Lindauer presents the subject in a three-quarter view. The man gazes slightly off-camera, maintaining a calm and composed expression. His features are illuminated by soft, directional light originating from the upper left, which creates gentle modeling across the face and subtle highlights on the hair and fabric. This lighting strategy emphasizes the luminous skin tones against a dark, somber background. A single pink…
Portrait of Mrs Rosalia Schischka (1876), Auckland Art Gallery Toi o Tāmaki, Οκλάντ. Στη συνέχεια ακολουθούν το Kuinioroa, Daughter of Rangi Kopinga - Te Rangi Pikinga (1880) και το Wiremu Kingi (1850).
37 ετών: το έργο Portrait of Mrs Rosalia Schischka είναι του 1876, και ο/η Γκότφριντ Λίννταουερ γεννήθηκε το 1839.
Portrait of Mrs Rosalia Schischka, Kuinioroa, Daughter of Rangi Kopinga - Te Rangi Pikinga, Wiremu Kingi, Self portrait, Ana Rupene and child, Portrait of Ihaka Whanga, Porträt des Johann Weitzer, Heeni Hirini and Child, Maori girl και Charles Brookes. Η κατάταξη παραπάνω αναγράφει το έτος και το μουσείο για το κάθε έργο.
Ο κατάλογός μας περιλαμβάνει 27 έργα του Γκότφριντ Λίννταουερ, με ημερομηνίες από 1850 έως 1914.
Κυρίως σε Auckland Art Gallery Toi o Tāmaki (Οκλάντ), Museum of New Zealand Te Papa Tongarewa (Ουέλινγκτον) και Gallery of Western Bohemia (Plzeň). Ο πίνακας μουσείου παραπάνω τους περιλαμβάνει όλους.
Κατά την περίοδο 1870s: 13 από τα 27 έργα σε αυτήν τη σελίδα δημιουργήθηκαν τότε, με Portrait of Mrs Rosalia Schischka από αυτά να είναι μοναδικά.
Σε αυτήν τη σελίδα, το παλαιότερο είναι Wiremu Kingi (1850) και το νεότερο Portrait of William Smart (1914).
Man (14), Woman (9) και Cloak (8), σε συνολικά 27 έργα σε αυτήν τη σελίδα.
Oil On Canvas, για 23 από τα 27 έργα σε αυτήν τη σελίδα.
Academic realism, όπως προκύπτει από τα πρωτότυπα σε αυτήν τη σελίδα.
Portrait of Mrs Rosalia Schischka, Kuinioroa, Daughter of Rangi Kopinga - Te Rangi Pikinga και Wiremu Kingi: το Auckland Art Gallery Toi o Tāmaki, Οκλάντ διαθέτει 13 από τα έργα σε αυτήν τη σελίδα.
