Ενημερωμένο Νοέμβριος 2026 · κατάταξη βάσει του σκορ δημοφιλίας μας (αναζητήσεις, επισκέψεις και παραγγελίες για κάθε έργο) · 38 έργα του David Martin στον κατάλογό μας
Με σύντομη περιγραφή
Στο μάτι της γκαλερί, το πιο διάσημο έργο του David Martin είναι το Self-portrait (1760), το πρωτότυπο του οποίου εκτίθεται στο Εθνική Πινάκοθήκη της Σκωτίας, Έδιμβουργο. Ο David Martin, 1737 - 1797. Portrait painter (Self-portrait) (1760) και ο Alexander Udney, older brother to George (1757) ολοκληρώνουν το τρίο που κάθε μάτι αναγνωρίζει. Από τα 38 έργα του David Martin στον κατάλογό μας, η γκαλερί παρουσιάζει παρακάτω τα 37 πιο διάσημα, όπου κάθε ένα είναι πρωτότυπο, με την χρονολογία του, το μουσείο του και το τι το κάνει μοναδικό.
The oil on canvas titled Self-portrait presents the artist David Martin as his own subject. Painted about 1760, the work captures a youthful version of the man who would become a prominent figure in Scottish portraiture. The image serves as a direct encounter between the painter and the viewer, fixed in the medium of oil.
Sir Hector Munro1785 · Εθνική Πορτραίτητος Γκαλερί
12
William Murray, 1st Earl of Mansfield, 1705 - 1793. Lord Chief Justice1777
13
Willielma Campbell, Viscountess Glenorchy, 1741 - 1786. Religious enthusiast and benefactor of the Society for Promoting Christian Knowledge1780 · Εθνική Πινάκοθήκη της Σκωτίας
14
Parrot, from 'Histoire Naturelle des Oiseaux' by Georges de Buffon published1777
15
Lilias Seton, Lady Steuart of Allanton (died 1821)1789 · Εθνική Πινάκοθήκη της Σκωτίας
16
Henry Home, Lord Kames, 1696 - 1782. Scottish judge and author1794 · Εθνική Πινάκοθήκη της Σκωτίας
17
Alexander Murray, Lord Henderland, 1736 - 17951787 · Εθνική Πινάκοθήκη της Σκωτίας
18
William Abernethy Drummond, 1719 / 1720 - 1809. Bishop of Edinburgh1788 · Εθνική Πινάκοθήκη της Σκωτίας
19
Mary Barbara Drummond, Mrs William Abernethy Drummond, 1721 / 1722 - 1789. Wife of the Bishop of Edinburgh1788 · Εθνική Πινάκοθήκη της Σκωτίας
20
Captain Patrick Hunter1786
21
Mary Martin, Mrs Alexander Gowan (1716 - 1795)Εθνική Πινάκοθήκη της Σκωτίας
22
Rev. Alexander Webster, 1707 - 1784. Moderator of the General AssemblyΕθνική Πινάκοθήκη της Σκωτίας
23
Thomas Hay, 9th Earl of Kinnoull, 1710 - 1787. StatesmanΕθνική Πινάκοθήκη της Σκωτίας
24
John Hume of Ninewells, 1709 - 1786. Brother of David HumeΕθνική Πινάκοθήκη της Σκωτίας
25
Mary Knox, Mrs Andrew Duncan, d. 1839. Wife of Andrew Duncan, the physicianΕθνική Πινάκοθήκη της Σκωτίας
26
Hoopoe Starling
27
Oye De Guinée
28
Peruche de Gingi
29
Ara Rouge
30
Psittacula Eques
31
Mascarinus
32
Ara Guadeloupensis
33
Reunion Parakeet
34
Cuban Macaw
35
White-headed Munia, Double Coloured Seed Eater And Violet Eared Waxbill
36
Portrait of Dido Elizabeth Belle and Lady Elizabeth Murray1778
37
Portrait of Benjamin Franklin1767
Τα τέσσερα θέματα που εμφανίζονται πιο συχνά σε αυτά τα πρωτότυπα έργα, το καθένα με το εξαιρετικό του παράδειγμα.
Τα 6 μουσεία που φιλοξενούν το μεγαλύτερο μέρος των έργων σε αυτήν τη σελίδα.
| Μουσείο | Πόλη | Έργα του David Martin | Πάτρια από αυτή τη λίστα |
|---|---|---|---|
 Εθνική Πινάκοθήκη της Σκωτίας |
Έδιμβουργο | 15 | David Martin, 1737 - 1797. Portrait painter (Self-portrait), Alexander Udney, older brother to George, Rev. Robert Henry, 1718 - 1790. Historian |
 Εθνική Πινάκοθήκη της Σκωτίας |
Έδιμβουργο | 3 | Self-portrait, Lilias Seton, Lady Steuart of Allanton (died 1821), Mary Martin, Mrs Alexander Gowan (1716 - 1795) |
 Pennsylvania Academy of Fine Arts |
Φιλαδέλφεια | 1 | Benjamin Franklin |
 Balliol College |
Οξφόρδη | 1 | Henry Bathurst (1714–1794), 2nd Earl Bathurst, Fellow Commoner (1730), Lord Chancellor (1771–1778) |
 Basildon Park |
1 | Charles Dillon-Lee, 12th Viscount Dillon of Costello-Gallin KP, FRS, MP (1745-1813) | |
 Εθνική Πορτραίτητος Γκαλερί |
Λονδίνο | 1 | Sir Hector Munro |
Επιλέξτε μια δεκαετία για να δείτε το πρωτότυπο έργο που την χαρακτηρίζει.
The oil on canvas titled Self-portrait presents the artist David Martin as his own subject. Painted about 1760, the work captures a youthful version of the man who would become a prominent figure in Scottish portraiture. The image serves as a direct encounter between the painter and the viewer, fixed in the medium of oil.
Self-portrait (1760), Εθνική Πινάκοθήκη της Σκωτίας, Έδιμβουργο. Στη συνέχεια ακολουθούν το David Martin, 1737 - 1797. Portrait painter (Self-portrait) (1760) και το Alexander Udney, older brother to George (1757).
23 ετών: το έργο Self-portrait είναι του 1760, και ο/η David Martin γεννήθηκε το 1737.
Self-portrait, David Martin, 1737 - 1797. Portrait painter (Self-portrait), Alexander Udney, older brother to George, Rev. Robert Henry, 1718 - 1790. Historian, Elizabeth Rannie, Viscountess Melville, 1751 - 1843. Wife of 1st Viscount Melville., Henry Dundas, 1st Viscount Melville, 1742 - 1811. Statesman, James Russell, d. 1773. Professor of Natural Philosophy at Edinburgh) University (With his son James Russell, 1754 - 1836. President of the Royal College of Surgeons of Edinburgh), Benjamin Franklin, Henry Bathurst (1714–1794), 2nd Earl Bathurst, Fellow Commoner (1730), Lord Chancellor (1771–1778) και Charles Dillon-Lee, 12th Viscount Dillon of Costello-Gallin KP, FRS, MP (1745-1813). Η κατάταξη παραπάνω αναγράφει το έτος και το μουσείο για το κάθε έργο.
Ο κατάλογός μας περιλαμβάνει 38 έργα του David Martin, με ημερομηνίες από 1757 έως 1794.
Κυρίως σε Εθνική Πινάκοθήκη της Σκωτίας (Έδιμβουργο), Εθνική Πινάκοθήκη της Σκωτίας (Έδιμβουργο) και Pennsylvania Academy of Fine Arts (Φιλαδέλφεια). Ο πίνακας μουσείου παραπάνω τους περιλαμβάνει όλους.
Κατά την περίοδο 1770s: 8 από τα 37 έργα σε αυτήν τη σελίδα δημιουργήθηκαν τότε, με Rev. Robert Henry, 1718 - 1790. Historian από αυτά να είναι μοναδικά.
Σε αυτήν τη σελίδα, το παλαιότερο είναι Alexander Udney, older brother to George (1757) και το νεότερο Henry Home, Lord Kames, 1696 - 1782. Scottish judge and author (1794).
David Martin, 1737 - 1797. Portrait painter (Self-portrait), Alexander Udney, older brother to George και Rev. Robert Henry, 1718 - 1790. Historian: το Εθνική Πινάκοθήκη της Σκωτίας, Έδιμβουργο διαθέτει 15 από τα έργα σε αυτήν τη σελίδα.
François Nicolas Martinet, a name perhaps less familiar than those of his contemporaries in 18th-century French art, nevertheless holds a profound and quietly significant place within the history of ornithological illustration. Born in Paris around 1731, Martinet’s journey wasn't one of grand artistic ambition initially; he began his career as an engineer and draftsman, skills honed within the meticulous framework of the Royal Workshops. Yet, it was through his engagement with the burgeoning field of natural history that he discovered his true calling – capturing the exquisite detail and vibrant beauty of birds in a way that transcended mere documentation.
His early life remains somewhat shrouded in obscurity, details scarce beyond his formal training. However, around 1756, Martinet transitioned into engraving for the King’s cabinet, a position that provided him with access to influential figures and projects within the scientific community. This shift marked a turning point, as he began dedicating himself increasingly to producing illustrations for books – specifically, those focused on the natural world. His son, Alexandre, would later assist him in this endeavor, continuing the legacy of meticulous detail and artistic observation.
What distinguishes Martinet’s work is not simply his technical proficiency – though he was undoubtedly a skilled engraver – but rather his remarkable ability to imbue his bird illustrations with a sense of life. Prior to his time, many attempts at depicting birds in books were hampered by the limitations of the printing process and a lack of understanding of avian anatomy. Early engravings often resulted in distorted proportions, awkward poses, and an overall impression of stiffness. Martinet recognized this deficiency and painstakingly developed a method that prioritized accurate observation and realistic representation.
He meticulously studied birds in their natural habitats, paying close attention to their movements, plumage variations, and subtle behavioral cues. This dedication translated directly into his engravings, which are characterized by an astonishing level of detail – from the intricate patterns on feathers to the delicate structure of beaks and talons. Martinet’s illustrations weren't merely static representations; they conveyed a sense of dynamism and immediacy, as if capturing a fleeting moment in a bird’s life. His use of light and shadow further enhanced this effect, creating depth and volume within each image.
Martinet's most significant contribution to the world of ornithological illustration came through his extensive work with Georges-Louis Leclerc, Comte de Buffon, a leading French naturalist and encyclopedist. For Buffon’s monumental *Histoire Naturelle des Oiseaux* (Natural History of Birds), Martinet produced over 1000 engravings – a staggering number that underscored the scale and ambition of Buffon's project.
His work extended beyond Buffon’s encyclopedia, contributing illustrations to other important natural history publications, including those by Mathurin Jacques Brisson. These collaborations cemented Martinet’s reputation as a leading ornithological artist and ensured that his images would reach a wide audience of scholars, collectors, and enthusiasts.
Notable Works:François Nicolas Martinet's legacy extends far beyond his individual illustrations. He played a crucial role in shaping the visual representation of birds during a period when scientific illustration was still evolving. His commitment to accuracy, combined with his artistic sensibility, set a new standard for ornithological art – one that continues to inspire artists and researchers today.
His work is particularly significant because it demonstrates how observation, meticulous study, and technical skill can be combined to create images that are both scientifically informative and aesthetically compelling. Martinet’s legacy lies not only in the beauty of his illustrations but also in their contribution to our understanding of the natural world.
