Ενημερωμένο Νοέμβριος 2026 · κατάταξη βάσει του σκορ δημοφιλίας μας (αναζητήσεις, επισκέψεις και παραγγελίες για κάθε έργο) · 129 έργα του Κορνέλις φαν Χάαρλεμ στον κατάλογό μας
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Στο μάτι της γκαλερί, το πιο διάσημο έργο του Κορνέλις φαν Χάαρλεμ είναι το Portrait of Dirck Volckertsz. Coornhert (1590), το πρωτότυπο του οποίου εκτίθεται στο Μουσείο Φρανς Χόλς, Χάαρλεμ. Ο Venus and Vulcan (1590) και ο Pomona Receives the Harvest of Fruit (1626) ολοκληρώνουν το τρίο που κάθε μάτι αναγνωρίζει. Από τα 129 έργα του Κορνέλις φαν Χάαρλεμ στον κατάλογό μας, η γκαλερί παρουσιάζει παρακάτω τα 100 πιο διάσημα, όπου κάθε ένα είναι πρωτότυπο, με την χρονολογία του, το μουσείο του και το τι το κάνει μοναδικό.
A single man occupies the center of this space, his presence anchored by a heavy, dark hat and a beard of stark, textured white. The light strikes the side of his face, carving deep valleys into the skin and highlighting the fine, etched lines around his eyes. He does not look away. His eyes hold a piercing, steady quality that demands a quiet confrontation with the viewer. Shadows pool in…
In this 1590 oil on canvas, we find ourselves drawn into the heat of a mythological forge. The composition is anchored by a profound physical presence, where the muscularity of the figures commands the space. On the left, Vulcan sits in a dynamic, heavy pose, his body a study of strength as he prepares to strike an anvil. His skin is rendered with a fleshy, tactile quality that contrasts sharply…
Cornelis van Haarlem captures a moment of seasonal abundance in Pomona Receives the Harvest of Fruit. This mythological painting, executed in 1626, centers on the Roman goddess of fruit trees. She exists within a lush, verdant landscape, surrounded by the heavy weight of a successful harvest. The scene is a quiet celebration of nature's bounty, rendered through the lens of the Dutch Renaissance.
The painting Jester in a Fool's Cap is a work by Cornelis van Haarlem. Created in 1596, this oil on panel piece functions as a tronie, focusing on the expressive potential of a specific character type rather than a formal portrait. The subject of this study is identified as Pieter Cornelisz van der Morsch.
The Fall of Ixion is an oil painting by Cornelis van Haarlem, executed about 1588. The canvas captures a moment of violent descent rooted in Greek mythology. It depicts the punishment of Ixion, the king of the Lapiths and son of Perimele, who was cast down for his hubris against the gods.
Cornelis van Haarlem’s Ceres and Bacchus, created about 1610, presents an intimate mythological encounter set against a near-black background. The composition relies on dramatic chiaroscuro to push the figures into the foreground, creating depth through light rather than perspective. Ceres is positioned looking upward with an expression of longing or contemplation, while Bacchus leans toward her, his head adorned with a crown of vine leaves.
is an oil on canvas work by the artist Cornelis van Haarlem. The painting captures a moment of profound intrusion, a scene where the quietude of a private ritual is shattered by the presence of others. It is also recognized by the title Susanna im Bade. The canvas holds a tension that resides in the space between the subject and the watchers.
The goddess Diana emerges from the shadows in Diana as Goddess of the Hunt, a work painted by Cornelis van Haarlem. She appears not as a distant myth, but as a presence caught in a singular, quiet moment of strength. This portrait, created by Cornelis van Haarlem in 1607, captures the Roman goddess in a way that feels immediate and alive. The subject carries the weight of her divinity through…
is a painting by Cornelis van Haarlem, executed in 1600. The work centers on the mourning over the dead Christ, a somber religious subject rendered during the transition between the late Mannerist period and the Dutch Golden Age.
Venus and Adonis is an oil painting by Cornelis van Haarlem. The artist, born in 1562 in Haarlem, Netherlands, captured this mythological scene around 1603. His hand moved through the transition of styles in the Netherlands, a life that spanned from his birth in the mid-sixteenth century until his death in 1638.
Christ with the cross and the chalice1591 · Εθνικό Μουσείο Βαρσοβίας
12
Mars and Venus as lovers.1609 · Εθνικό Μουσείο Βαρσοβίας
13
Allegory on the Brevity of Life1617 · Statens Museum For Kunst
14
Christ holding the Cross and a Chalice1591 · Εθνικό Μουσείο Βαρσοβίας
15
De H. Familie met Elisabeth en de jonge Johannes de Doper als kind1589 · Staatliche Kunsthalle Karlsruhe
16
Adam and Eve1599 · Εθνικό Μουσείο Βαρσοβίας
17
The Judgment of Paris1590 · Rhode Island School of Design Museum of Art
18
Baptism of Christ1590 · Centraal Museum
19
Madonna and Child1591
20
St. Sebastian1591
21
The First Family (Genesis 4:1-2)1589 · Musée des Beaux-Arts de Quimper
22
Venus and Cupid1602 · Worcester Art Museum
23
Vanitas1601 · Εθνικό Μουσείο Βαρσοβίας
24
Portrait of a man1595
25
Juda and Tamar1596 · Μουσείο Φρανς Χόλς
26
The deluge (Genesis 7:17-24)1592 · Herzog Anton Ulrich Museum
27
The Prodigal Son among the Harlots (Luke 15:13-14)1607
28
The Manalese1610 · Gemäldegalerie
29
Portrait of Dirck Volckertsz. Coornhert1618 · Fitzwilliam Museum
30
Sine Cerere et Baccho friget Venus (Terentius, Eunuchus, 732)1614 · Staatliche Kunstsammlungen Dresden
31
The prodigal son (Luke 15:11-13)1614 · Bavarian State Painting Collections
32
Suffer the little children to come unto me (Matt. 19:14)1614 · Bavarian State Painting Collections
33
Adonis1620 · Μουσείο Καλών Τεχνών του Χιούστον
34
Venus1620 · Μουσείο Καλών Τεχνών του Χιούστον
35
Before the Deluge1615 · Εθνικό Μουσείο Βαρσοβίας
36
The last 5 commandeurs of the order of St John in Haarlem1615 · Μουσείο Φρανς Χόλς
37
Venus and Adonis resting in an extensive landscape, with Cupid and hunting dogs and their quarries1610
38
The Unequal Lovers1619
39
Feast of the prodigal son (Luke 15:11-13)1615 · Εθνικό Μουσείο Βαρσοβίας
40
Mars and Venus1609 · Εθνικό Μουσείο Βαρσοβίας
41
Female Semi-Nude with Rose1623 · Niedersächsisches Landesmuseum
42
Rest on the Flight into Egypt1634 · Museum Catharijneconvent
43
Portrait of Andries Pietersz van Souwen (1549/1550-1625)1624 · Museum Catharijneconvent
44
Baptism of Christ1623 · Staatliche Kunsthalle Karlsruhe
45
Sine Cerere et Baccho friget Venus1624 · Palais des Beaux-Arts de Lille
46
The Mirror of Time1628 · Nationalmuseum
47
The Fall of Man (Genesis 3:4-6)1625 · Musée des Beaux-Arts de Quimper
48
Noah's festival to thank God1632
49
A Young Man with a Crown of Laurel Leaves1632 · Μουσεία Τέχνης του Χάρβαρντ
50
Banquet of the Officers of both companies of the Haarlem Militia1597 · Μουσείο Φρανς Χόλς
51
The Holy Family1590 · Yale University Art Gallery
52
Portrait of Pieter Cornelisz. van der Morsch1650 · Museum de Lakenhal
53
The Wedding of Peleus and Thetis (detail) (12)1593 · Frans Halsmuseum
54
Portrait Of A Man As Apollo
55
A Man and Woman Singing1620 · Ερμιτάζ
56
The Massacre of the Innocents1591 · Μουσείο Φρανς Χόλς
57
The Israelites release Achior (Judith 6:10)1601 · Μουσείο Φρανς Χόλς
58
Bacchus and a Satyr1608 · Museum Boijmans Van Beuningen
59
Adam and Eve (Genesis 3:1-7)1616 · Εθνικό Μουσείο Βαρσοβίας
60
The baptism of Christ (Matt. 3:15)1590 · Musée de la Chartreuse de Douai
61
The Wedding of Peleus and Thetis1597 · Worcester Art Museum
62
Bathsheba at her Toilet, Cornelis Cornelisz. van Haarlem, 15941594 · Rijksmuseum
63
Pieter Jansz Kies (c 1536-97). Burgomaster of Haarlem, Cornelis Cornelisz. van Haarlem, 15961596 · Rijksmuseum
64
Madonna and Child1617 · Amstelkring Museum
65
The Mirror of Time1631 · Εθνική Πινακοθήκη του Καναδά
66
The baptism of Christ (Matt. 3:13-17)1627 · Μουσείο Πούσκιν
67
Venus and Mars, Cornelis Cornelisz. van Haarlem, 16281628 · Rijksmuseum
68
The Good Samaritan1627
69
Nude Figure Studies1630
70
Democritus2000 · Teylers Museum
71
The Golden Age (Bacchanal) or the Garden of Love1614 · Μουσείο Τέχνης Βουδαπέστης
72
Hercules and Achelous
73
The Wedding of Peleus and Thetis (detail) (10)1593 · Frans Halsmuseum
74
The Wedding of Peleus and Thetis (detail)1593 · Frans Halsmuseum
75
Massacre of the Innocents (detail)1590 · Rijksmuseum
76
A Scholar in his Study1606 · The Ashmolean Museum of Art And Archaeology
77
Venus1617 · Μουσείο Τέχνης Πόνσε
78
Venus, Instructing a BacchanteBomann-Museum
79
Adoration with Three Kings
80
Paris domNationalmuseum
81
The Mirror of Time
82
Feast of the Gods
83
Juno Appearing to Sea Gods
84
Diana sleeping with her nymphs, spied on by satyrs
85
Massacre of the Innocents 1
86
Temperance1600 · Schloss Sanssouci
87
The Wedding of Peleus and Thetis1593 · Mauritshuis
88
Banquet of Members of the Haarlem Calivermen Civic Guard1583 · Μουσείο Φρανς Χόλς
89
Head of a Woman1633
90
The Fall of Man (detail)1592 · Rijksmuseum
91
The Judgment of Paris1628 · Μουσείο Τέχνης Βουδαπέστης
92
BathshebaStaatliche Museen zu Berlin
93
LE BAPTEME DU CHRIST (GRANDE VERSION)Μουσείο του Λούβρου
94
LE BAPTEME DU CHRIST (PETITE VERSION)Μουσείο του Λούβρου
95
Two Male Nudes
96
Israelites Crossing the Red Sea
97
Study of a Male Nude, with Floating Drapery
98
Meeting of Jacob and Esau
99
Susanna and the EldersΕθνική Πινακοθήκη του Καναδά
100
A Scholar in his Study
Τα τέσσερα θέματα που εμφανίζονται πιο συχνά σε αυτά τα πρωτότυπα έργα, το καθένα με το εξαιρετικό του παράδειγμα.
Τα 8 μουσεία που φιλοξενούν το μεγαλύτερο μέρος των έργων σε αυτήν τη σελίδα.
| Μουσείο | Πόλη | Έργα του Κορνέλις φαν Χάαρλεμ | Πάτρια από αυτή τη λίστα |
|---|---|---|---|
 Εθνικό Μουσείο Βαρσοβίας |
Βαρσοβία | 9 | Christ with the cross and the chalice, Mars and Venus as lovers., Christ holding the Cross and a Chalice |
 Μουσείο Φρανς Χόλς |
Χάαρλεμ | 8 | Portrait of Dirck Volckertsz. Coornhert, Jester in a Fool's Cap, Juda and Tamar |
 Rijksmuseum |
Άμστερνταμ | 8 | Pomona Receives the Harvest of Fruit, Bathsheba at her Toilet, Cornelis Cornelisz. van Haarlem, 1594, Pieter Jansz Kies (c 1536-97). Burgomaster of Haarlem, Cornelis Cornelisz. van Haarlem, 1596 |
 Nationalmuseum |
Στοκχόλμη | 4 | Venus and Vulcan, Venus and Adonis, The Mirror of Time |
 Frans Halsmuseum |
Haren | 4 | The Wedding of Peleus and Thetis (detail) (12), The Wedding of Peleus and Thetis (detail) (10), The Wedding of Peleus and Thetis (detail) |
 Μουσείο του Λούβρου |
Παρίσι | 3 | LE BAPTEME DU CHRIST (GRANDE VERSION), LE BAPTEME DU CHRIST (PETITE VERSION) |
 Museum Boijmans Van Beuningen |
Ρότερνταμ | 2 | The Fall of Ixion, Bacchus and a Satyr |
 Staatliche Kunsthalle Karlsruhe |
Καρλσρούε | 2 | De H. Familie met Elisabeth en de jonge Johannes de Doper als kind, Baptism of Christ |
Επιλέξτε μια δεκαετία για να δείτε το πρωτότυπο έργο που την χαρακτηρίζει.
The Fall of Ixion is an oil painting by Cornelis van Haarlem, executed about 1588. The canvas captures a moment of violent descent rooted in Greek mythology. It depicts the punishment of Ixion, the king of the Lapiths and son of Perimele, who was cast down for his hubris against the gods.
A single man occupies the center of this space, his presence anchored by a heavy, dark hat and a beard of stark, textured white. The light strikes the side of his face, carving deep valleys into the skin and highlighting the fine, etched lines around his eyes. He does not look away. His eyes hold a piercing, steady quality that demands a quiet confrontation with the viewer. Shadows pool in…
The goddess Diana emerges from the shadows in Diana as Goddess of the Hunt, a work painted by Cornelis van Haarlem. She appears not as a distant myth, but as a presence caught in a singular, quiet moment of strength. This portrait, created by Cornelis van Haarlem in 1607, captures the Roman goddess in a way that feels immediate and alive. The subject carries the weight of her divinity through…
Cornelis van Haarlem’s Ceres and Bacchus, created about 1610, presents an intimate mythological encounter set against a near-black background. The composition relies on dramatic chiaroscuro to push the figures into the foreground, creating depth through light rather than perspective. Ceres is positioned looking upward with an expression of longing or contemplation, while Bacchus leans toward her, his head adorned with a crown of vine leaves.
Cornelis van Haarlem captures a moment of seasonal abundance in Pomona Receives the Harvest of Fruit. This mythological painting, executed in 1626, centers on the Roman goddess of fruit trees. She exists within a lush, verdant landscape, surrounded by the heavy weight of a successful harvest. The scene is a quiet celebration of nature's bounty, rendered through the lens of the Dutch Renaissance.
The oil painting titled Rest on the Flight into Egypt was executed by the artist Cornelis van Haarlem. This work, dated about 1634, presents a religious and emotional subject matter. The composition focuses on the Holy Family during a period of rest, featuring the Virgin Mary, the infant Christ Child, and Saint Joseph.
Portrait of Dirck Volckertsz. Coornhert (1590), Μουσείο Φρανς Χόλς, Χάαρλεμ. Στη συνέχεια ακολουθούν το Venus and Vulcan (1590) και το Pomona Receives the Harvest of Fruit (1626).
28 ετών: το έργο Portrait of Dirck Volckertsz. Coornhert είναι του 1590, και ο/η Κορνέλις φαν Χάαρλεμ γεννήθηκε το 1562.
Portrait of Dirck Volckertsz. Coornhert, Venus and Vulcan, Pomona Receives the Harvest of Fruit, Jester in a Fool's Cap, The Fall of Ixion, Ceres and Bacchus, Susanna at her Bath, Diana as Goddess of the Hunt, The Lamentation και Venus and Adonis. Η κατάταξη παραπάνω αναγράφει το έτος και το μουσείο για το κάθε έργο.
Ο κατάλογός μας περιλαμβάνει 129 έργα του Κορνέλις φαν Χάαρλεμ, με ημερομηνίες από 1583 έως 1634.
Κυρίως σε Εθνικό Μουσείο Βαρσοβίας (Βαρσοβία), Μουσείο Φρανς Χόλς (Χάαρλεμ) και Rijksmuseum (Άμστερνταμ). Ο πίνακας μουσείου παραπάνω τους περιλαμβάνει όλους.
Κατά την περίοδο 1590s: 27 από τα 100 έργα σε αυτήν τη σελίδα δημιουργήθηκαν τότε, με Portrait of Dirck Volckertsz. Coornhert από αυτά να είναι μοναδικά.
Σε αυτήν τη σελίδα, το παλαιότερο είναι Banquet of Members of the Haarlem Calivermen Civic Guard (1583) και το νεότερο Rest on the Flight into Egypt (1634).
Man (37), Woman (30) και People (17), σε συνολικά 100 έργα σε αυτήν τη σελίδα.
Oil On Canvas, για 32 από τα 100 έργα σε αυτήν τη σελίδα.
Dutch golden age και Northern mannerism, όπως προκύπτει από τα πρωτότυπα σε αυτήν τη σελίδα.
Christ with the cross and the chalice, Mars and Venus as lovers. και Christ holding the Cross and a Chalice: το Εθνικό Μουσείο Βαρσοβίας, Βαρσοβία διαθέτει 9 από τα έργα σε αυτήν τη σελίδα.
