Ενημερωμένο Νοέμβριος 2026 · κατάταξη βάσει του σκορ δημοφιλίας μας (αναζητήσεις, επισκέψεις και παραγγελίες για κάθε έργο) · 22 έργα του Τσαρλς Χέρμπερτ ΜัวΡ στον κατάλογό μας
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Στο μάτι της γκαλερί, το πιο διάσημο έργο του Τσαρλς Χέρμπερτ ΜัวΡ είναι το San Barnaba, Venice (1876). Ο Seated Man (1861) και ο Study, Reduced to One-Quarter Size, of the Angel in Veronese's Annunciation, in the Uffizi Gallery at Florence (1877) ολοκληρώνουν το τρίο που κάθε μάτι αναγνωρίζει. Από τα 22 έργα του Τσαρλς Χέρμπερτ ΜัวΡ στον κατάλογό μας, η γκαλερί παρουσιάζει παρακάτω τα 22 πιο διάσημα, όπου κάθε ένα είναι πρωτότυπο, με την χρονολογία του, το μουσείο του και το τι το κάνει μοναδικό.
This watercolor depicts a canal in Venice, Italy, framed by tall, vertical buildings on both sides. The structures appear to be constructed from brick or stone, their facades rising to meet the upper edges of the frame. A single boat floats upon the water, positioned within the canal, while a second, smaller boat is visible in the distance on the left side. Figures are placed throughout the scene, some standing…
In Seated Man, Charles Herbert Moore centers the composition on a single middle-aged male figure. The subject sits upon a simple stool, positioned against a neutral and textured background. He is rendered with a beard and dressed in a white shirt, a dark vest, and dark trousers. The arrangement creates a direct, intimate encounter through a straight-on, eye-level perspective.
In this intimate study, Study, Reduced to One-Quarter Size, of the Angel in Veronese's Annunciation, in the Uffizi Gallery at Florence by Charles Herbert Moore, we find ourselves in immediate proximity to a singular, celestial presence. Created about 1877, the work is vertically oriented, focusing entirely on a single, dynamic figure of an angel captured in mid-motion. The perspective is a close-up view, drawing the viewer into a private encounter…
In this intimate oil study, titled Study of the Head of the Sleeping Saint Ursula, after Carpaccio, in the Academy of Venice, Charles Herbert Moore presents a quiet moment of repose. The composition is a close-up, focusing our attention entirely on the head and upper torso of the sleeping female figure. She rests her head against large, soft pillows that frame her features. The perspective is a tight, slightly elevated…
The oil on canvas work titled Reduced Study of Tintoret's "Madonna of the Faithful," in the Academy of Venice is a painting by the American artist Charles Herbert Moore. This specific piece was created in 1876 within the United States. The work functions as a study of a religious scene, focusing on the central figure of a Madonna and the surrounding celestial and terrestrial figures.
This work is titled Reduced Study of a Portion of the Lower Part of Titian's Picture of "The Assumption of the Virgin," in the Academy of Venice. It was executed by the American artist Charles Herbert Moore. The piece offers a focused look at a specific fragment of a larger religious composition, captured through the artist's particular lens of academic realism.
Charles Herbert Moore rendered this portrait of John Ruskin in 1876. The subject is the English polymath, a writer, lecturer, and art critic whose influence extended across the Victorian era. Moore, an American artist, captured the figure during a period when the two were connected through their shared interests in aesthetics and the study of art.
Rocks by the Water1865
12
Landscape: Rocks and Water1865
13
Winter Landscape, Valley of the Catskills1866
14
The Catskill Mountains1872 · Μουσεία Τέχνης του Χάρβαρντ
15
Mount Kearsarge1872
16
Old Doorway, Venice1877
17
Peacock Feather1879
18
Street near Simplon Village1881
19
Mullen and Rocks1883
20
Lincoln Cathedral1886
21
Hudson River, Above Catskill1865 · Amon Carter Museum of American Art
22
San Giorgio Maggiore, Venice, from the Lagoon.1876
Τα τέσσερα θέματα που εμφανίζονται πιο συχνά σε αυτά τα πρωτότυπα έργα, το καθένα με το εξαιρετικό του παράδειγμα.
Τα 4 μουσεία που φιλοξενούν το μεγαλύτερο μέρος των έργων σε αυτήν τη σελίδα.
| Μουσείο | Πόλη | Έργα του Τσαρλς Χέρμπερτ ΜัวΡ | Πάτρια από αυτή τη λίστα |
|---|---|---|---|
 Μουσεία Τέχνης του Χάρβαρντ |
Κέιμπριτζ | 5 | Study, Reduced to One-Quarter Size, of the Angel in Veronese's Annunciation, in the Uffizi Gallery at Florence, Study of the Head of the Sleeping Saint Ursula, after Carpaccio, in the Academy of Venice, Reduced Study of Tintoret's "Madonna of the Faithful," in the Academy of Venice |
 Fogg Art Museum |
Κέιμπριτζ | 1 | John Ruskin |
 Smithsonian American Art Museum |
Ουάσινγκτον, D.C. | 1 | Landscape |
 Amon Carter Museum of American Art |
Fort Worth | 1 | Hudson River, Above Catskill |
Επιλέξτε μια δεκαετία για να δείτε το πρωτότυπο έργο που την χαρακτηρίζει.
In Seated Man, Charles Herbert Moore centers the composition on a single middle-aged male figure. The subject sits upon a simple stool, positioned against a neutral and textured background. He is rendered with a beard and dressed in a white shirt, a dark vest, and dark trousers. The arrangement creates a direct, intimate encounter through a straight-on, eye-level perspective.
This watercolor depicts a canal in Venice, Italy, framed by tall, vertical buildings on both sides. The structures appear to be constructed from brick or stone, their facades rising to meet the upper edges of the frame. A single boat floats upon the water, positioned within the canal, while a second, smaller boat is visible in the distance on the left side. Figures are placed throughout the scene, some standing…
Το San Barnaba, Venice (1876). Στη συνέχεια ακολουθούν το Seated Man (1861) και το Study, Reduced to One-Quarter Size, of the Angel in Veronese's Annunciation, in the Uffizi Gallery at Florence (1877).
36 ετών: το έργο San Barnaba, Venice είναι του 1876, και ο/η Τσαρλς Χέρμπερτ ΜัวΡ γεννήθηκε το 1840.
San Barnaba, Venice, Seated Man, Study, Reduced to One-Quarter Size, of the Angel in Veronese's Annunciation, in the Uffizi Gallery at Florence, Study of the Head of the Sleeping Saint Ursula, after Carpaccio, in the Academy of Venice, Reduced Study of Tintoret's "Madonna of the Faithful," in the Academy of Venice, Reduced Study of a Portion of the Lower Part of Titian's Picture of "The Assumption of the Virgin," in the Academy of Venice, John Ruskin, Landscape, River View with Cattle και Leeds Bridge. Η κατάταξη παραπάνω αναγράφει το έτος και το μουσείο για το κάθε έργο.
Ο κατάλογός μας περιλαμβάνει 22 έργα του Τσαρλς Χέρμπερτ ΜัวΡ, με ημερομηνίες από 1859 έως 1886.
Κυρίως σε Μουσεία Τέχνης του Χάρβαρντ (Κέιμπριτζ), Fogg Art Museum (Κέιμπριτζ) και Smithsonian American Art Museum (Ουάσινγκτον, D.C.). Ο πίνακας μουσείου παραπάνω τους περιλαμβάνει όλους.
Κατά την περίοδο 1870s: 11 από τα 22 έργα σε αυτήν τη σελίδα δημιουργήθηκαν τότε, με San Barnaba, Venice από αυτά να είναι μοναδικά.
Σε αυτήν τη σελίδα, το παλαιότερο είναι Landscape (1859) και το νεότερο Lincoln Cathedral (1886).
People (3), Water (3) και Man (3), σε συνολικά 22 έργα σε αυτήν τη σελίδα.
Oil, για 4 από τα 22 έργα σε αυτήν τη σελίδα.
Hudson river school, όπως προκύπτει από τα πρωτότυπα σε αυτήν τη σελίδα.
Study, Reduced to One-Quarter Size, of the Angel in Veronese's Annunciation, in the Uffizi Gallery at Florence, Study of the Head of the Sleeping Saint Ursula, after Carpaccio, in the Academy of Venice και Reduced Study of Tintoret's "Madonna of the Faithful," in the Academy of Venice: το Μουσεία Τέχνης του Χάρβαρντ, Κέιμπριτζ διαθέτει 5 από τα έργα σε αυτήν τη σελίδα.
