Ενημερωμένο Νοέμβριος 2026 · κατάταξη βάσει του σκορ δημοφιλίας μας (αναζητήσεις, επισκέψεις και παραγγελίες για κάθε έργο) · 13 έργα του Κρίστιαν Μπερνχαρν Ρόντε στον κατάλογό μας
Με σύντομη περιγραφή
Στο μάτι της γκαλερί, το πιο διάσημο έργο του Κρίστιαν Μπερνχαρν Ρόντε είναι το Tod Friedrichs des Großen (1787), το πρωτότυπο του οποίου εκτίθεται στο Παλάτι Sanssouci, Πότσδαμ. Ο Alexander the Great and the Widow of Darius (1750) και ο The Artist with his Family (1745) ολοκληρώνουν το τρίο που κάθε μάτι αναγνωρίζει. Από τα 13 έργα του Κρίστιαν Μπερνχαρν Ρόντε στον κατάλογό μας, η γκαλερί παρουσιάζει παρακάτω τα 13 πιο διάσημα, όπου κάθε ένα είναι πρωτότυπο, με την χρονολογία του, το μουσείο του και το τι το κάνει μοναδικό.
The scene unfolds through Tod Friedrichs des Großen, a work by the Prussian artist Bernhard Rode. Created about 1787, this painting captures a heavy moment from Brandenburg-Prussian history. It moves away from the lighthearted anecdotes often told about the King, choosing instead to ground its subject matter in a more somber reality. The air in the room feels thick with the weight of this historical transition.
The scene unfolds in a heavy, dramatic tension, caught between the sharp glint of metal and the soft folds of mourning drapery. A single light source cuts through the darkness, striking the polished surfaces of Greco-Roman armor and the pale skin of a kneeling woman. On the left, armored figures command the space, their helmets adorned with plumes that catch the light. They move toward a cluster of women gathered…
In this intimate portrait, The Artist with his Family, Bernhard Rode presents a quiet glimpse into a private domestic sphere. Painted about 1745, the work captures a sense of familial stability through its careful arrangement of figures. Rode, a Prussian artist and engraver, was born in Berlin, Germany, in 1725. He was the son of the goldsmith Christian Bernhard Rode and Anna Sophie, and his early life in Berlin would…
An intimate encounter unfolds within a dimly lit interior, where a man and a woman share a moment of silent connection. Seated upon a teal-colored settee, the man gazes toward the woman standing before him. Their interaction is anchored by the gentle, deliberate touch of their hands, a focal point that draws the eye through the shadows. The composition relies on a balanced tension between the seated and standing figures,…
The sky breathes in shades of peach, rose, and cream as the first light of day breaks through the heavy, muted grey of the receding night. High above the world, a central female figure moves with a fluid, rhythmic grace, her reddish-pink drapery swirling around her like a flame caught in a gentle breeze. She is Aurora, the dawn, and she does not merely arrive; she descends in a dance…
The Emperor of China Ploughs the First Furrow in Honour of Agriculture is an oil painting by Bernhard Rode, created about 1771. The canvas captures a ceremonial moment where the Emperor of China performs a ritualistic act of labor. He is positioned amidst the earth, guiding a plough through the soil. This singular movement of the blade through the dirt anchors the entire scene.
The oil painting titled Friedrich and the Feldscher was executed by the artist Bernhard Rode. This work dates to about 1794. The composition focuses on a specific historical incident involving Frederick the Great, the monarch of Prussia. The scene is rendered in a style characteristic of late Baroque or Rococo historical painting, utilizing classical techniques to establish the atmosphere of the period.
The air feels heavy with the scent of metallic armor and the electric tension of a mythic struggle. At the center of this swirling drama, a man emerges not merely as a king, but as a legend. He moves with the decisive grace of Perseus, his form draped in a cloak of deep crimson that cuts through the shadows. His armor catches a sudden, theatrical light, gleaming with a cold,…
The canvas is a stage of deep shadows and sudden, sharp light. In the center, a bundle of spears rises like a vertical spine, drawing the eye through a tangle of reaching limbs. A male figure kneels in the foreground, his dark plate armor catching a cold, metallic glint. He wears a laurel wreath upon his head, a quiet mark of victory amidst the heavy drapery of his red cloak.…
The air hangs heavy with the weight of impending conflict in Frederick the Great before the Battle of Torgau. This historical scene, painted by the Prussian artist Bernhard Rode, captures a moment of profound stillness before the storm of war. The subject matter focuses on King Frederick the Great of Prussia, a central figure of the era, as he navigates the quiet tension of a camp setting. Every shadow and…
Τα τέσσερα θέματα που εμφανίζονται πιο συχνά σε αυτά τα πρωτότυπα έργα, το καθένα με το εξαιρετικό του παράδειγμα.
Τα 5 μουσεία που φιλοξενούν το μεγαλύτερο μέρος των έργων σε αυτήν τη σελίδα.
| Μουσείο | Πόλη | Έργα του Κρίστιαν Μπερνχαρν Ρόντε | Πάτρια από αυτή τη λίστα |
|---|---|---|---|
 Gemäldegalerie |
Βερολίνο | 8 | The Artist with his Family, The heard Lover, The Morning / Aurora Scattering Flowers |
 Παλάτι Sanssouci |
Πότσδαμ | 1 | Tod Friedrichs des Großen |
 Staatliche Museen zu Berlin |
Βερολίνιο | 1 | The Empress of China Culling Mulberry Leaves |
 Εθνικό Μουσείο Κρακόβ |
Κρακοβία | 1 | Mythological Scene |
 Εθνικό Μουσείο Βαρσοβίας |
Βαρσοβία | 1 | Ancient scene of sacrifice |
Επιλέξτε μια δεκαετία για να δείτε το πρωτότυπο έργο που την χαρακτηρίζει.
In this intimate portrait, The Artist with his Family, Bernhard Rode presents a quiet glimpse into a private domestic sphere. Painted about 1745, the work captures a sense of familial stability through its careful arrangement of figures. Rode, a Prussian artist and engraver, was born in Berlin, Germany, in 1725. He was the son of the goldsmith Christian Bernhard Rode and Anna Sophie, and his early life in Berlin would…
The scene unfolds in a heavy, dramatic tension, caught between the sharp glint of metal and the soft folds of mourning drapery. A single light source cuts through the darkness, striking the polished surfaces of Greco-Roman armor and the pale skin of a kneeling woman. On the left, armored figures command the space, their helmets adorned with plumes that catch the light. They move toward a cluster of women gathered…
The sky breathes in shades of peach, rose, and cream as the first light of day breaks through the heavy, muted grey of the receding night. High above the world, a central female figure moves with a fluid, rhythmic grace, her reddish-pink drapery swirling around her like a flame caught in a gentle breeze. She is Aurora, the dawn, and she does not merely arrive; she descends in a dance…
The Emperor of China Ploughs the First Furrow in Honour of Agriculture is an oil painting by Bernhard Rode, created about 1771. The canvas captures a ceremonial moment where the Emperor of China performs a ritualistic act of labor. He is positioned amidst the earth, guiding a plough through the soil. This singular movement of the blade through the dirt anchors the entire scene.
The scene unfolds through Tod Friedrichs des Großen, a work by the Prussian artist Bernhard Rode. Created about 1787, this painting captures a heavy moment from Brandenburg-Prussian history. It moves away from the lighthearted anecdotes often told about the King, choosing instead to ground its subject matter in a more somber reality. The air in the room feels thick with the weight of this historical transition.
The oil painting titled Friedrich and the Feldscher was executed by the artist Bernhard Rode. This work dates to about 1794. The composition focuses on a specific historical incident involving Frederick the Great, the monarch of Prussia. The scene is rendered in a style characteristic of late Baroque or Rococo historical painting, utilizing classical techniques to establish the atmosphere of the period.
Tod Friedrichs des Großen (1787), Παλάτι Sanssouci, Πότσδαμ. Στη συνέχεια ακολουθούν το Alexander the Great and the Widow of Darius (1750) και το The Artist with his Family (1745).
62 ετών: το έργο Tod Friedrichs des Großen είναι του 1787, και ο/η Κρίστιαν Μπερνχαρν Ρόντε γεννήθηκε το 1725.
Tod Friedrichs des Großen, Alexander the Great and the Widow of Darius, The Artist with his Family, The heard Lover, The Morning / Aurora Scattering Flowers, The Emperor of China Ploughs the First Furrow in Honour of Agriculture, Friedrich and the Feldscher, Allegory of Frederick the Great as Perseus, Allegory of Frederick the Great as the founder of the German Prince League και Frederick the Great before the Battle of Torgau. Η κατάταξη παραπάνω αναγράφει το έτος και το μουσείο για το κάθε έργο.
Ο κατάλογός μας περιλαμβάνει 13 έργα του Κρίστιαν Μπερνχαρν Ρόντε, με ημερομηνίες από 1745 έως 1794.
Κυρίως σε Gemäldegalerie (Βερολίνο), Παλάτι Sanssouci (Πότσδαμ) και Staatliche Museen zu Berlin (Βερολίνιο). Ο πίνακας μουσείου παραπάνω τους περιλαμβάνει όλους.
Κατά την περίοδο 1780s: 3 από τα 13 έργα σε αυτήν τη σελίδα δημιουργήθηκαν τότε, με Tod Friedrichs des Großen από αυτά να είναι μοναδικά.
Σε αυτήν τη σελίδα, το παλαιότερο είναι The Artist with his Family (1745) και το νεότερο Friedrich and the Feldscher (1794).
Man (6), Woman (6) και Armor (3), σε συνολικά 13 έργα σε αυτήν τη σελίδα.
Oil On Canvas, για 6 από τα 13 έργα σε αυτήν τη σελίδα.
The Artist with his Family, The heard Lover και The Morning / Aurora Scattering Flowers: το Gemäldegalerie, Βερολίνο διαθέτει 8 από τα έργα σε αυτήν τη σελίδα.
