Ενημερωμένο Νοέμβριος 2026 · κατάταξη βάσει του σκορ δημοφιλίας μας (αναζητήσεις, επισκέψεις και παραγγελίες για κάθε έργο) · 69 έργα του Barnett Newman στον κατάλογό μας
Με σύντομη περιγραφή
Το έργο Μαύρη Φωτιά Ι (1963) είναι το ποίτευμα του Barnett Newman που τραβάει περισσότερα βλέμματα. Μετά από αυτό, το βλέμμα στρέφεται στο Vir Heroicus Sublimis (1950) και στο Prometheus Bound. Ανάμεσα στα 69 έργα του Barnett Newman στον κατάλογό μας, αυτά τα 62 είναι τα πιο διάσημα, το καθένα ένα μοναδικό πρωτότυπο που παρουσιάζεται με την χρονολογία του, το μουσείο του και τον λόγο για τον οποίο παραμένει αιώνιο.
In 1963, Barnett Newman brought Black Fire I into existence. The canvas is a massive presence, measuring 289 x 213 cm. It occupies the room with a heavy, silent weight. This scale demands a physical response from anyone standing before it. The work emerged as a pinnacle of Color Field painting, stripping away the clutter of the visible world to find something more fundamental.
The canvas of Vir Heroicus Sublimis looms large, a monumental presence that demands immediate attention. Created by the American painter Barnett Newman, this work carries a title that translates from Latin as "Man, Heroic and Sublime." It is a massive expanse, reaching nearly 8 feet in height and stretching 18 feet wide, a scale that envelops the viewer's field of vision. The sheer size of the painting transforms the space…
In the vast, quiet landscape of Abstract Expressionism, few works command the room with such profound, understated authority as Barnett Newman’s "Prometheus Bound." To encounter this painting is to step away from the clamor of the material world and enter a space of pure, meditative stillness. Eschewing the traditional impulse to depict recognizable figures or dramatic narratives, Newman invites the viewer into a realm of Color Field Painting, where the…
In the landscape of twentieth-century modernism, few works possess the quiet, seismic power of Barnett Newman’s Onement I. Completed in 1948, this masterpiece serves as a profound emblem of Abstract Expressionism and stands as a foundational cornerstone for the Color Field movement. To encounter this painting is to witness a pivotal moment in art history where the boundaries of representation were irrevocably dissolved, replaced by an exploration of pure perception.…
The canvas holds a heavy, dark cadmium red. This color occupies the space like the earth itself, unmodulated and thick with presence. A single white stripe, known as a zip, cuts vertically through the center of the field. It is precise and thin. This line acts as a flash of lightning against the saturated background, an instantaneous moment that breaks the stillness of the red expanse.
In the vast landscape of mid-20th-century abstraction, few works command the room with such singular, quiet intensity as Barnett Newman’s Onement, III. Created in 1949, this masterpiece stands as a seminal pillar of the Color Field painting movement, offering much more than a mere arrangement of pigment on canvas. It is an invitation to experience the sublime. The painting presents a breathtaking expanse of deep, dominant red, a field of…
To stand before Be I is to encounter a profound silence that speaks with startling intensity. Created in 1970, the final year of Barnett Newman’s life, this monumental work serves as a definitive statement of the Color Field movement. The painting does not rely on the traditional vocabulary of figures or landscapes; instead, it commands the viewer's attention through a singular, immersive expanse of deep red. This is not merely…
The canvas breathes through a field of orange. It is a hue that does not merely sit upon the surface but seems to vibrate, a steady heat radiating from the center of the frame. This is the world of 1964, where color is stripped of its duty to represent objects and is instead allowed to exist as pure energy. Through the application of pigment, a flat, non-hierarchical space emerges, inviting…
Barnett Newman created Twelfth Station in 1965. This acrylic on canvas exists as a single movement within a larger sequence. It belongs to the series titled The Stations of the Cross / Lema Sabachthani. The work emerged from a period of intense philosophical inquiry, seeking to find a visual language for the silent weight of existence.
Dionysius is a work by Barnett Newman. Created in 1949, this oil on canvas piece belongs to the Color Field style. The artist's approach here focuses on the expansive application of pigment to establish a specific spatial presence.
3. Third Station1960
12
Who’s Afraid of Red, Yellow and Blue II
13
Title Page from 18 Cantos1964
14
Broken Obelisk1969
15
Voice of Fire1967
16
Untitled1946
17
The Song of Orpheus1944
18
Rothko by Newman
19
Untitled1945
20
The Blessing1944
21
Two Edges1948
22
Untitled1945
23
The Wild1950
24
Yellow Painting1949
25
The Name II1950
26
Concord1949
27
Covenant1949
28
Achilles1952
29
Uriel1955
30
Fourth Station1960 · Εθνική Πινακοθήκη Τέχνης
31
Second Station1958 · Εθνική Πινακοθήκη Τέχνης
32
The Station of the Cross - First Station1958 · Εθνική Πινακοθήκη Τέχνης
33
Tenth Station1965 · Εθνική Πινακοθήκη Τέχνης
34
Fourteenth Station1965 · Εθνική Πινακοθήκη Τέχνης
35
Eighth Station1964 · Εθνική Πινακοθήκη Τέχνης
36
Sixth Station1962 · Εθνική Πινακοθήκη Τέχνης
37
Be II1964 · Εθνική Πινακοθήκη Τέχνης
38
Thirteenth Station1966 · Εθνική Πινακοθήκη Τέχνης
39
Canto II1964
40
Canto XII1964
41
Tenth Station1965
42
Eleventh Station1965 · Εθνική Πινακοθήκη Τέχνης
43
Canto IX1963
44
Seventh Station1964 · Εθνική Πινακοθήκη Τέχνης
45
Fifth Station1962 · Εθνική Πινακοθήκη Τέχνης
46
Canto XI1964
47
Canto X1964
48
Canto XVI1964
49
Canto XIV1964
50
The Station1963
51
Canto XV1964
52
Untitled Etching #11969
53
Jericho1969
54
Midnight Blue1970 · Museum Ludwig
55
Pagan Void1946
56
Canto VII1963
57
Onement I
58
Eve
59
Shimmer Bright1968
60
Unfinished painting1970
61
Ulysses1952
62
Black Fire I1961
Τα τέσσερα θέματα που εμφανίζονται πιο συχνά σε αυτά τα πρωτότυπα έργα, το καθένα με το εξαιρετικό του παράδειγμα.
Τα 5 μουσεία που φιλοξενούν το μεγαλύτερο μέρος των έργων σε αυτήν τη σελίδα.
| Μουσείο | Πόλη | Έργα του Barnett Newman | Πάτρια από αυτή τη λίστα |
|---|---|---|---|
 Εθνική Πινακοθήκη Τέχνης |
Ουάσινγκτον | 13 | Twelfth Station, Fourth Station, Second Station |
 Museum Folkwang |
Έσεν | 1 | Prometheus Bound |
 MoMA - Museum of Modern Art |
Νέα Υόρκη | 1 | Onement I |
 Detroit Institute of Arts |
Ντιτρόιτ | 1 | Be I |
 Museum Ludwig |
Κόλονια | 1 | Midnight Blue |
Επιλέξτε μια δεκαετία για να δείτε το πρωτότυπο έργο που την χαρακτηρίζει.
In the landscape of twentieth-century modernism, few works possess the quiet, seismic power of Barnett Newman’s Onement I. Completed in 1948, this masterpiece serves as a profound emblem of Abstract Expressionism and stands as a foundational cornerstone for the Color Field movement. To encounter this painting is to witness a pivotal moment in art history where the boundaries of representation were irrevocably dissolved, replaced by an exploration of pure perception.…
The canvas of Vir Heroicus Sublimis looms large, a monumental presence that demands immediate attention. Created by the American painter Barnett Newman, this work carries a title that translates from Latin as "Man, Heroic and Sublime." It is a massive expanse, reaching nearly 8 feet in height and stretching 18 feet wide, a scale that envelops the viewer's field of vision. The sheer size of the painting transforms the space…
In 1963, Barnett Newman brought Black Fire I into existence. The canvas is a massive presence, measuring 289 x 213 cm. It occupies the room with a heavy, silent weight. This scale demands a physical response from anyone standing before it. The work emerged as a pinnacle of Color Field painting, stripping away the clutter of the visible world to find something more fundamental.
The canvas holds a heavy, dark cadmium red. This color occupies the space like the earth itself, unmodulated and thick with presence. A single white stripe, known as a zip, cuts vertically through the center of the field. It is precise and thin. This line acts as a flash of lightning against the saturated background, an instantaneous moment that breaks the stillness of the red expanse.
Το Μαύρη Φωτιά Ι (1963). Στη συνέχεια ακολουθούν το Vir Heroicus Sublimis (1950) και το Prometheus Bound.
58 ετών: το έργο Μαύρη Φωτιά Ι είναι του 1963, και ο/η Barnett Newman γεννήθηκε το 1905.
Μαύρη Φωτιά Ι, Vir Heroicus Sublimis, Prometheus Bound, Onement I, Be I, Onement, III, Be I, The Third, Twelfth Station και Dionysius. Η κατάταξη παραπάνω αναγράφει το έτος και το μουσείο για το κάθε έργο.
Ο κατάλογός μας περιλαμβάνει 69 έργα του Barnett Newman, με ημερομηνίες από 1944 έως 1970.
Κυρίως σε Εθνική Πινακοθήκη Τέχνης (Ουάσινγκτον), Museum Folkwang (Έσεν) και MoMA - Museum of Modern Art (Νέα Υόρκη). Ο πίνακας μουσείου παραπάνω τους περιλαμβάνει όλους.
Κατά την περίοδο 1960s: 32 από τα 62 έργα σε αυτήν τη σελίδα δημιουργήθηκαν τότε, με Μαύρη Φωτιά Ι από αυτά να είναι μοναδικά.
Σε αυτήν τη σελίδα, το παλαιότερο είναι The Song of Orpheus (1944) και το νεότερο Be I (1970).
Vertical lines (5), Geometric (4) και Spirituality (2), σε συνολικά 62 έργα σε αυτήν τη σελίδα.
Oil On Canvas, για 8 από τα 62 έργα σε αυτήν τη σελίδα.
Color field και Abstract expressionism, όπως προκύπτει από τα πρωτότυπα σε αυτήν τη σελίδα.
Twelfth Station, Fourth Station και Second Station: το Εθνική Πινακοθήκη Τέχνης, Ουάσινγκτον διαθέτει 13 από τα έργα σε αυτήν τη σελίδα.
