Πορτρέτο του Adèle Romany

Πάτσαδες του Adèle Romany: Τα 37 πιο διάσημα, μέσα από το βλέμμα μιας γκαλερί

Ενημερωμένο Νοέμβριος 2026 · κατάταξη βάσει του σκορ δημοφιλίας μας (αναζητήσεις, επισκέψεις και παραγγελίες για κάθε έργο) · 39 έργα του Adèle Romany στον κατάλογό μας

Με σύντομη περιγραφή

Στο μάτι της γκαλερί, το πιο διάσημο έργο του Adèle Romany είναι το Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), το πρωτότυπο του οποίου εκτίθεται στο National Museum of Women in the Arts, Ουάσιγκτον, D.C.. Ο Madame Coury, Duhamel Widow (1811) και ο Portrait of a Young Woman (1804) ολοκληρώνουν το τρίο που κάθε μάτι αναγνωρίζει. Από τα 39 έργα του Adèle Romany στον κατάλογό μας, η γκαλερί παρουσιάζει παρακάτω τα 37 πιο διάσημα, όπου κάθε ένα είναι πρωτότυπο, με την χρονολογία του, το μουσείο του και το τι το κάνει μοναδικό.

1769 – 1846, Paris Neoclassicism Περισσότερα έργα: Library-museum of the Comédie-Française
Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) του Adèle Romany1. Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 Madame Coury, Duhamel Widow (1811) του Adèle Romany2. Madame Coury, Duhamel Widow 1811 Portrait of a Young Woman (1804) του Adèle Romany3. Portrait of a Young Woman 1804

Τα 10 κορυφαία έργα του Adèle Romany στη γκαλερέι

1
Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) του Adèle Romany

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou

1795 · Oil · National Museum of Women in the Arts, Ουάσιγκτον, D.C.

The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.

Κοιτάξτε πιο προσεκτικά αυτό το έργο
2
Madame Coury, Duhamel Widow (1811) του Adèle Romany

Madame Coury, Duhamel Widow

1811 · Oil On Canvas · Nationalmuseum, Στοκχόλμη

In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…

Σχετικά με αυτό το πρωτότυπο
4
Portrait of Julie Candeille (1791) του Adèle Romany

Portrait of Julie Candeille

1791 · Oil On Canvas

In Portrait of Julie Candeille, Adèle Romany employs a formal, neoclassical arrangement to present the subject in a medium close-up. The figure is contained within an oval vignette, a choice that creates a sense of depth and focuses the viewer's attention on the sitter. This geometric structure provides a controlled boundary against a soft, atmospheric background of dark greenery. The composition balances the organic fluidity of the subject with this…

Σχετικά με αυτό το πρωτότυπο
5
Portrait of a Young Harpist (1795) του Adèle Romany

Portrait of a Young Harpist

1795 · Oil On Canvas · Palais des Beaux-Arts de Lille, Λιλ

The air in the room feels heavy with the scent of old wood and the quiet anticipation of a single note. A young woman sits poised, her body angled toward the left as her fingers prepare to brush against the vertical strings of a harp. The warm, reddish-brown wood of the instrument catches the light, creating a soft glow that contrasts against the deep, muted teal of the background. She…

Σχετικά με αυτό το πρωτότυπο
6
Portrait of a woman (1795) του Adèle Romany

Portrait of a woman

1795 · Oil On Canvas · Musée Jacquemart-André, Παρίσι

The Portrait of a woman by Adèle Romany captures a single, quiet moment from 1795. This bust-length composition is set within an oval format, focusing the viewer's attention on the presence of the sitter. The subject is an elegant and intimate young woman, her likeness emerging from a dark, muted background that recedes into shadow.

Σχετικά με αυτό το πρωτότυπο
7
Portrait of Amélie-Justine Pontois (1795) του Adèle Romany

Portrait of Amélie-Justine Pontois

1795 · Oil

In this oval-format portrait, we encounter Amélie-Justine Pontois in a moment of quiet poise. The composition, captured in a three-quarter view, positions her with a gentle sense of movement that avoids the stiffness often found in formal commissions of the era. She is rendered with a soft, luminous quality, her skin tones warming against a background of atmospheric greys and deep, nebulous shadows. There is a certain stillness here, a…

Κοιτάξτε πιο προσεκτικά αυτό το έργο
8
Charles-Antoine d'Artenay (1792) του Adèle Romany

Charles-Antoine d'Artenay

1792 · Oil On Canvas · Château de Versailles, Βερσαλλίες

The man sits in a quiet, oval frame, caught in a moment of stillness. He is a figure of the late eighteenth century, draped in the heavy, tactile weight of a dark coat. A crisp white cravat provides a sharp, bright break against the warmth of his skin and the earthy tones of his attire. Light falls from the upper left, carving the geometry of his face with a gentle…

Κοιτάξτε πιο προσεκτικά αυτό το έργο
9
Portrait of Amélie-Justine and Charles-Édouard Pontois (1800) του Adèle Romany

Portrait of Amélie-Justine and Charles-Édouard Pontois

1800 · Oil

The air feels still, as if the world has paused to allow this couple a moment of private repose. Amélie-Justine and Charles-Édouard Pontois lean toward one another, their connection felt through the gentle tilt of their heads and the soft drape of a shawl. She rests her arm upon his shoulder, a gesture of quiet intimacy that speaks of a shared life lived in the calm of a changing era.…

Κοιτάξτε πιο προσεκτικά αυτό το έργο
10
A young person hesitating to play the piano in front of her family (1804) του Adèle Romany

A young person hesitating to play the piano in front of her family

1804 · Oil On Canvas · Frances Lehman Loeb Art Center

The scene unfolds within the quiet tension of "A young person hesitating to play the piano in front of her family," an oil on canvas work that captures a fleeting moment of domestic hesitation. Adèle Romany brings this intimate gathering to life, freezing a single instance of social grace and youthful uncertainty. The figures are suspended in a poised, formal arrangement that suggests the weight of expectation hanging in the…

Κοιτάξτε πιο προσεκτικά αυτό το έργο

Πάينτα του Adèle Romany, κατάταξη από 11 έως 37

11Presumed self-portrait (1799) του Adèle RomanyPresumed self-portrait1799 · Musée des Beaux-Arts de Rouen 12Young lovers playing the lyre (1802) του Adèle RomanyYoung lovers playing the lyre1802 13Portrait of Jeanne-Marie Mercier, the artist's mother (1799) του Adèle RomanyPortrait of Jeanne-Marie Mercier, the artist's mother1799 · Musee Baron Martin 14Portrait of Justine-Louise Mercier, aunt of the artist (1798) του Adèle RomanyPortrait of Justine-Louise Mercier, aunt of the artist1798 15Louis Jean-Baptiste Étienne Vigée (1800) του Adèle RomanyLouis Jean-Baptiste Étienne Vigée1800 16Portrait de Mme Thénard (1800) του Adèle RomanyPortrait de Mme Thénard1800 · Μουσείο Carnavalet 17Full-length Portrait of a Young Lady Seated in a Landscape (1805) του Adèle RomanyFull-length Portrait of a Young Lady Seated in a Landscape1805 · Musée Grobet-Labadié 18Portrait of a Lady at a Pianoforte (1808) του Adèle RomanyPortrait of a Lady at a Pianoforte1808 · Μουσείο Τέχνης Βοστώνης 19portrait of Pierre-Marie-Nicolas Michelot (1807) του Adèle Romanyportrait of Pierre-Marie-Nicolas Michelot1807 20Joseph-Dominique Fabry Garat Playing a Lyre Guitar (1808) του Adèle RomanyJoseph-Dominique Fabry Garat Playing a Lyre Guitar1808 · Μουσείο Τέχνης Βοστώνης 21Portrait of Emilie Leverd (1808) του Adèle RomanyPortrait of Emilie Leverd1808 · Library-museum of the Comédie-Française 22Mlle Raucourt as Agrippine (1812) του Adèle RomanyMlle Raucourt as Agrippine1812 · Library-museum of the Comédie-Française 23Portrait of Joseph Souberbielle (1814) του Adèle RomanyPortrait of Joseph Souberbielle1814 24Portrait of mademoiselle A.P. (1806) του Adèle RomanyPortrait of mademoiselle A.P.1806 · Musée de la Chartreuse de Douai 25Portrait of Antoine Valedau (1809) του Adèle RomanyPortrait of Antoine Valedau1809 · Musée Fabre 26Portrait of Alphonse de Chavanges (1812) του Adèle RomanyPortrait of Alphonse de Chavanges1812 27Portrait of Michael Kelly (1810) του Adèle RomanyPortrait of Michael Kelly1810 28Portrait of Fleury (1818) του Adèle RomanyPortrait of Fleury1818 · Library-museum of the Comédie-Française 29The Marquis de Romance Mesmon's snack (1815) του Adèle RomanyThe Marquis de Romance Mesmon's snack1815 · Château de Versailles 30Portrait of Aglaé-Constance Boudard in red velvet dress (1815) του Adèle RomanyPortrait of Aglaé-Constance Boudard in red velvet dress1815 31Portrait of Amélie-Justine Laidin de la Bouterie (1818) του Adèle RomanyPortrait of Amélie-Justine Laidin de la Bouterie1818 32Portrait de Zoé Prévost, de l'Opéra-Comique (1830) του Adèle RomanyPortrait de Zoé Prévost, de l'Opéra-Comique1830 · Musée Magnin 33Mlle Prévost de l’Opéra Comique (1830) του Adèle RomanyMlle Prévost de l’Opéra Comique1830 34The Flight from the Village Fire (1833) του Adèle RomanyThe Flight from the Village Fire1833 35Portrait of Voltaire (1836) του Adèle RomanyPortrait of Voltaire1836 · Library-museum of the Comédie-Française 36Baptiste cadet (1832) του Adèle RomanyBaptiste cadet1832 · Library-museum of the Comédie-Française 37Portrait of Auguste Vestris (1793) του Adèle RomanyPortrait of Auguste Vestris1793 · Rhode Island School of Design Museum of Art

Τα διάσημα έργα του Adèle Romany, ανά περίοδο

Early Period

1791 – 1798 · 7 έργα σε αυτή τη λίστα
Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), Adèle Romany #1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 · National Museum of Women in the Arts Portrait of Julie Candeille (1791), Adèle Romany #4 Portrait of Julie Candeille 1791 Portrait of a Young Harpist (1795), Adèle Romany #5 Portrait of a Young Harpist 1795 · Palais des Beaux-Arts de Lille Portrait of a woman (1795), Adèle Romany #6 Portrait of a woman 1795 · Musée Jacquemart-André Portrait of Amélie-Justine Pontois (1795), Adèle Romany #7 Portrait of Amélie-Justine Pontois 1795

Mature Period

1799 – 1833 · 28 έργα σε αυτή τη λίστα
Madame Coury, Duhamel Widow (1811), Adèle Romany #2 Madame Coury, Duhamel Widow 1811 · Nationalmuseum Portrait of a Young Woman (1804), Adèle Romany #3 Portrait of a Young Woman 1804 · Musée Marmottan Monet Portrait of Amélie-Justine and Charles-Édouard Pontois (1800), Adèle Romany #9 Portrait of Amélie-Justine and Charles-Édouard Pontois 1800 A young person hesitating to play the piano in front of her family (1804), Adèle Romany #10 A young person hesitating to play the piano in front of her family 1804 · Frances Lehman Loeb Art Center Presumed self-portrait (1799), Adèle Romany #11 Presumed self-portrait 1799 · Musée des Beaux-Arts de Rouen

Τα θέματα που κίνησαν το ενδιαφέρον του Adèle Romany

Τα τέσσερα θέματα που εμφανίζονται πιο συχνά σε αυτά τα πρωτότυπα έργα, το καθένα με το εξαιρετικό του παράδειγμα.

Woman 24 έργα

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), Adèle Romany #1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 · National Museum of Women in the Arts Madame Coury, Duhamel Widow (1811), Adèle Romany #2 Madame Coury, Duhamel Widow 1811 · Nationalmuseum Portrait of a Young Woman (1804), Adèle Romany #3 Portrait of a Young Woman 1804 · Musée Marmottan Monet Portrait of Julie Candeille (1791), Adèle Romany #4 Portrait of Julie Candeille 1791

Man 14 έργα

Charles-Antoine d'Artenay (1792), Adèle Romany #8 Charles-Antoine d'Artenay 1792 · Château de Versailles Portrait of Amélie-Justine and Charles-Édouard Pontois (1800), Adèle Romany #9 Portrait of Amélie-Justine and Charles-Édouard Pontois 1800 Young lovers playing the lyre (1802), Adèle Romany #12 Young lovers playing the lyre 1802 Louis Jean-Baptiste Étienne Vigée (1800), Adèle Romany #15 Louis Jean-Baptiste Étienne Vigée 1800

White dress 6 έργα

Portrait of Amélie-Justine Pontois (1795), Adèle Romany #7 Portrait of Amélie-Justine Pontois 1795 A young person hesitating to play the piano in front of her family (1804), Adèle Romany #10 A young person hesitating to play the piano in front of her family 1804 · Frances Lehman Loeb Art Center Portrait of mademoiselle A.P. (1806), Adèle Romany #24 Portrait of mademoiselle A.P. 1806 · Musée de la Chartreuse de Douai Portrait of Amélie-Justine Laidin de la Bouterie (1818), Adèle Romany #31 Portrait of Amélie-Justine Laidin de la Bouterie 1818

White cravat 6 έργα

Joseph-Dominique Fabry Garat Playing a Lyre Guitar (1808), Adèle Romany #20 Joseph-Dominique Fabry Garat Playing a Lyre Guitar 1808 · Μουσείο Τέχνης Βοστώνης Portrait of Antoine Valedau (1809), Adèle Romany #25 Portrait of Antoine Valedau 1809 · Musée Fabre The Marquis de Romance Mesmon's snack (1815), Adèle Romany #29 The Marquis de Romance Mesmon's snack 1815 · Château de Versailles Portrait of Voltaire (1836), Adèle Romany #35 Portrait of Voltaire 1836 · Library-museum of the Comédie-Française

Τα μουσεία που διατηρούν τα πρωτότυπα έργα του Adèle Romany

Τα 8 μουσεία που φιλοξενούν το μεγαλύτερο μέρος των έργων σε αυτήν τη σελίδα.

Μουσείο Πόλη Έργα του Adèle Romany Πάτρια από αυτή τη λίστα
Library-museum of the Comédie-Française Paris 5 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury
Château de Versailles, ΒερσαλλίεςChâteau de Versailles Βερσαλλίες 2 Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack
Μουσείο Τέχνης Βοστώνης, ΜπόσττονΜουσείο Τέχνης Βοστώνης Μπόσττον 2 Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar
National Museum of Women in the Arts, Ουάσιγκτον, D.C.National Museum of Women in the Arts Ουάσιγκτον, D.C. 1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou
Nationalmuseum, ΣτοκχόλμηNationalmuseum Στοκχόλμη 1 Madame Coury, Duhamel Widow
Musée Marmottan Monet, ΠαρίσιMusée Marmottan Monet Παρίσι 1 Portrait of a Young Woman
Palais des Beaux-Arts de Lille, ΛιλPalais des Beaux-Arts de Lille Λιλ 1 Portrait of a Young Harpist
Musée Jacquemart-André, ΠαρίσιMusée Jacquemart-André Παρίσι 1 Portrait of a woman

Adèle Romany, ένα χαρακτηριστικό έργο ανά δεκαετία

Έργα ανά δεκαετία

Επιλέξτε μια δεκαετία για να δείτε το πρωτότυπο έργο που την χαρακτηρίζει.

Οι πίνακες του Adèle Romany: οι απαντήσεις της γκαλερί

Ποιο έργο του Adèle Romany είναι το πιο διάσημο από όλα;Αποκαλύψτε την απάντηση

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), National Museum of Women in the Arts, Ουάσιγκτον, D.C.. Στη συνέχεια ακολουθούν το Madame Coury, Duhamel Widow (1811) και το Portrait of a Young Woman (1804).

Πόσο είχε ηλικία ο Adèle Romany όταν ολοκλήρωσε το Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou;Αποκαλύψτε την απάντηση

26 ετών: το έργο Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou είναι του 1795, και ο/η Adèle Romany γεννήθηκε το 1769.

Ποιες είναι τα 10 κορυφαία έργα του Adèle Romany;Αποκαλύψτε την απάντηση

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois και A young person hesitating to play the piano in front of her family. Η κατάταξη παραπάνω αναγράφει το έτος και το μουσείο για το κάθε έργο.

Πόσα έργα δημιούργησε ο/η Adèle Romany;Αποκαλύψτε την απάντηση

Ο κατάλογός μας περιλαμβάνει 39 έργα του Adèle Romany, με ημερομηνίες από 1791 έως 1836.

Πού εκτίθενται τα πιο διάσημα πρωτότυπα του Adèle Romany;Αποκαλύψτε την απάντηση

Κυρίως σε Library-museum of the Comédie-Française (Paris), Château de Versailles (Βερσαλλίες) και Μουσείο Τέχνης Βοστώνης (Μπόσττον). Ο πίνακας μουσείου παραπάνω τους περιλαμβάνει όλους.

Πότε δημιούργησε ο/η Adèle Romany τα πιο διάσημα έργα του/της;Αποκαλύψτε την απάντηση

Κατά την περίοδο 1800s: 13 από τα 37 έργα σε αυτήν τη σελίδα δημιουργήθηκαν τότε, με Portrait of a Young Woman από αυτά να είναι μοναδικά.

Ποια είναι τα πρώτα και τα τελευταία διάσημα έργα του Adèle Romany;Αποκαλύψτε την απάντηση

Σε αυτήν τη σελίδα, το παλαιότερο είναι Portrait of Julie Candeille (1791) και το νεότερο Portrait of Voltaire (1836).

Ποια θέματα επέλεξε πιο συχνά ο Adèle Romany;Αποκαλύψτε την απάντηση

Woman (24), Man (14) και White dress (6), σε συνολικά 37 έργα σε αυτήν τη σελίδα.

Με ποια τεχνική εργάστηκε περισσότερο ο Adèle Romany;Αποκαλύψτε την απάντηση

Oil On Canvas, για 29 από τα 37 έργα σε αυτήν τη σελίδα.

Με ποιο καλλιτεχνικό κίνημα σχετίζεται ο/η Adèle Romany;Αποκαλύψτε την απάντηση

Neoclassicism, όπως προκύπτει από τα πρωτότυπα σε αυτήν τη σελίδα.

Ποια πρωτότυπα έργα του Adèle Romany διαθέτει το Library-museum of the Comédie-Française;Αποκαλύψτε την απάντηση

Portrait of Emilie Leverd, Mlle Raucourt as Agrippine και Portrait of Fleury: το Library-museum of the Comédie-Française, Paris διαθέτει 5 από τα έργα σε αυτήν τη σελίδα.

Adèle Romany: ο καλλιτέχνης

Adèle de Romance (Adèle Romanée): A Life in Miniature and Portraiture

Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.

Early Life and Artistic Training

  • Birth and Legitimation: Born Jeanne Marie Mercier in Paris, Adèle was initially recognized as an illegitimate child. In 1778, at age eight, she was legitimized by her father, Godefroy V, Marquis de Romance, brother of the writer Germain-Hyacinthe de Romance, from this point adopting the name Adèle de Romance.
  • Formal Education: She received formal artistic training under Jean-Baptiste Regnault, a prominent French history painter and academician. This foundational education provided her with a strong understanding of drawing, composition, and color theory – essential skills for both miniature painting and portraiture.
  • Marriage to François Antoine Romany: In 1790, Adèle married fellow miniature painter François Antoine Romany. While their marriage eventually ended in divorce, it significantly influenced her early career as she often exhibited under his surname, "Romany."

Artistic Style and Notable Works

  • Specialization: Adèle de Romance’s artistic focus centered on miniatures and portraits, particularly those depicting individuals involved in the performing arts. This niche allowed her to cultivate a clientele within Parisian theatrical and musical circles.
  • Exhibitions at the Paris Salon: From 1793 to 1808, she exhibited her works under the name "Romany," and subsequently from 1808 to 1833 as “Romanée.” She presented a substantial body of work over forty years, demonstrating consistent artistic output.
  • Notable Works:
    • Portrait of Auguste Vestris: This piece, housed at the Rhode Island School of Design Museum of Art, exemplifies her skill in capturing likeness and character.
    • Self-portrait with her children (1800): A poignant depiction showcasing both artistic talent and familial life.
    • Portraits of Mlle Raucourt and Mlle Emilie Leverd: These portraits, exhibited at various Salons, further solidified her reputation for capturing the essence of theatrical personalities.
  • Artistic Characteristics: Her miniatures are known for their delicate detail, refined color palettes, and ability to convey a sense of personality within a small format. Her larger portraits demonstrate a similar attention to detail and an understanding of light and shadow.

Recognition and Historical Significance

  • Gold Medal of the Jury (1808): This prestigious award recognized her artistic merit and contributed to her standing within the French art establishment.
  • Influence on Other Artists: While not a revolutionary figure, Adèle de Romance’s consistent production of high-quality miniatures and portraits helped maintain the popularity of these genres during a period when larger historical paintings were gaining prominence.
  • Representation of Performing Arts: Her focus on portraying actors, actresses, and musicians provides valuable visual documentation of Parisian theatrical life in the late 18th and early 19th centuries. The Comédie-Française holds a significant collection of her works due to this specialization.
  • Financial Acumen: Beyond her artistic pursuits, Adèle demonstrated business savvy through financial speculations during periods of political upheaval, showcasing an entrepreneurial spirit uncommon for women artists of the time.

Legacy and Rediscovery

Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.

Όλα τα 39 έργα του Adèle Romany →