Ενημερωμένο Νοέμβριος 2026 · κατάταξη βάσει του σκορ δημοφιλίας μας (αναζητήσεις, επισκέψεις και παραγγελίες για κάθε έργο) · 136 έργα του Ρατζά Ραβί Βαρμά στον κατάλογό μας
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Στο μάτι της γκαλερί, το πιο διάσημο έργο του Ρατζά Ραβί Βαρμά είναι το Damayanti And Hamsam (1899), το πρωτότυπο του οποίου εκτίθεται στο Sandeep - Gitanjali Maini Foundation, Bengaluru. Ο Maharani Chimnabai II (1889) και ο Music Hath Charms (Kadambari) (1890) ολοκληρώνουν το τρίο που κάθε μάτι αναγνωρίζει. Από τα 136 έργα του Ρατζά Ραβί Βαρμά στον κατάλογό μας, η γκαλερί παρουσιάζει παρακάτω τα 100 πιο διάσημα, όπου κάθε ένα είναι πρωτότυπο, με την χρονολογία του, το μουσείο του και το τι το κάνει μοναδικό.
In the quietude of a sun-drenched afternoon, Raja Ravi Varma captures a scene that transcends time, inviting the viewer into a realm where myth and reality softly intertwine. Damayanti And Hamsam is not merely a painting; it is a window into the soul of Indian classical storytelling. The artwork presents a serene encounter between the beautiful Damayanti, daughter of King Bhima, and a graceful white swan, or hamsa. As she…
To stand before Maharani Chimnabai II is to be enveloped in an atmosphere of opulent grace and quiet power. Painted by the masterful hand of Raja Ravi Varma in 1889, this portrait transcends a mere depiction; it is a window into the zenith of late 19th-century Indian aristocracy, filtered through the sophisticated lens of European academic painting techniques. The subject herself commands attention—a vision of regal poise seated upon an…
A woman sits upon a bench, her fingers poised near the strings of a sitar. She wears a traditional sari and a bindi rests upon her forehead. Around her, the world is quieted by the presence of greenery and two birds resting in the background. A clock hangs on the wall above her head, marking the passage of time in this indoor space. The scene captures a moment of focused…
This exquisite portrait, titled Nair Lady With A Mirror, invites the viewer into an intimate, almost whispered moment of personal contemplation. It captures a lady caught in the gentle ritual of grooming—the act of brushing her hair while gazing into the reflective surface before her. Raja Ravi Varma, master chronicler of everyday Indian life imbued with classical grace, has gifted us more than just a likeness; he offers a window…
A woman leans against a stone balustrade, her silhouette softened by the fading light of a sunset. She wears a sari of shimmering light blue and silver, the fabric catching the glow like water under a summer moon. Her dark hair falls in fluid lines down her back, a deep contrast to the warm pinks and oranges of the sky behind her. In her hand, she holds a red fan,…
In the secluded shade of a forest hermitage, a woman pauses to compose her thoughts. This oil on canvas, dated between 1880 and 1885, captures Shakuntala in a moment of profound intimacy. She sits amidst lush, dark foliage, focused on a lotus leaf that serves as her parchment. Her companions observe from the periphery, their presence grounding the scene in a shared, silent experience. The composition utilizes a triangular arrangement…
In the grand tapestry of Indian mythological storytelling, few moments resonate with as much profound tension and moral complexity as the scene captured in Raja Ravi Varma’s 1897 masterpiece, Draupadi at the Court of Virat. This painting serves as a breathtaking window into a pivotal moment of the Mahabharata, where the sanctity of a queen is challenged within the very halls meant to protect her. The composition centers on Draupadi,…
Raja Ravi Varma's *Radha in the Moonlight*, painted in 1890, stands as a pinnacle of Indian Romanticism and a testament to his unparalleled skill in synthesizing Western academic training with deeply rooted Hindu iconography. This captivating portrait transcends mere representation; it embodies the essence of the ‘uttama nayika,’ the ideal woman figure from classical Sanskrit literature – a being of profound beauty, intelligence, and spiritual grace. The painting’s enduring appeal…
Raja Ravi Varma's “The Maharani of Travancore” is more than just a portrait; it’s a window into the opulent and complex world of 19th-century Kerala, India. Painted in 1887, this arresting image captures a woman of considerable status – likely a sister of Maharaja Rama Varma – radiating an aura of serene dignity and regal beauty. The painting immediately draws the eye with its dramatic lighting, a technique heavily influenced…
To stand before this portrait is to step directly into the opulent drawing rooms and grand processions of late 19th-century Indian royalty. Depicting His Highness Chamarajendra Wadiyar X, the painting radiates an aura of inherited power and refined dignity. The subject himself is rendered with a commanding presence; his attire speaks volumes of his station, particularly the magnificent gold crown that crowns his noble brow. Every element—from the meticulously painted…
Keechaka and Sairandhri1891 · The Raja Ravi Varma Heritage Foundation
12
Sketch Of An Unconscious Woman1897 · The Raja Ravi Varma Heritage Foundation
13
Bandi Balaiah Naidu1904 · Sandeep - Gitanjali Maini Foundation
14
War scene mural by C Raja Raja Varma2018 · The Raja Ravi Varma Heritage Foundation
15
Men In Headdress1885 · The Raja Ravi Varma Heritage Foundation
16
Untitled (Tilottama)1896 · The Raja Ravi Varma Heritage Foundation
17
Shakuntala Patra Lekhan of Shakuntala Writing a Love LetterThe Ganesh Shivaswamy Foundation
18
Bombay Singer (Bombay Songstress)1893 · The Raja Ravi Varma Heritage Foundation
19
Lady Making A Garland1895 · The Raja Ravi Varma Heritage Foundation
20
Sita in Ashoka Grove1894 · The Raja Ravi Varma Heritage Foundation
21
The Coquette1893 · The Raja Ravi Varma Heritage Foundation
22
Krishna1905 · The Raja Ravi Varma Heritage Foundation
23
Shakuntala And Her Companion1880 · The Raja Ravi Varma Heritage Foundation
24
Damayanti Abandoned In The Forest1894 · Sandeep - Gitanjali Maini Foundation
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Woman Holding a Fruit1800 · Εθνική Πινακοθήκη Σύγχρονης Τέχνης
26
A Tamil Lady Playing the SwarbatThe Ganesh Shivaswamy Foundation
27
A Study of a Woman- possibly for Madalasa and RutudwajaThe Ganesh Shivaswamy Foundation
28
Το Προσκυνητό Κόκκινο1895 · The Raja Ravi Varma Heritage Foundation
29
Letter Written by Raja Ravi Varma1906 · The Raja Ravi Varma Heritage Foundation
30
Sita Bhumipravesh1880 · The Raja Ravi Varma Heritage Foundation
31
Ιούδις1889 · The Raja Ravi Varma Heritage Foundation
32
Woman Reclining On The Waterfront1898 · The Raja Ravi Varma Heritage Foundation
33
Maharani Lakshmi Bayi1883 · Sree Chitra Art Gallery
34
Laxman Shakti1880
35
Sketch Of A Lady1890 · The Raja Ravi Varma Heritage Foundation
36
Woman At The Tap1890 · The Raja Ravi Varma Heritage Foundation
37
Bharani Thirunal Mahaprabha Amma Thampuran1880 · The Raja Ravi Varma Heritage Foundation
38
Vishvamitra1897
39
Preparatory Sketch for GangavatranThe Ganesh Shivaswamy Foundation
40
Crossing The River1895 · The Raja Ravi Varma Heritage Foundation
41
Shakuntala and Sakhis1930
42
Hesitation1880 · The Raja Ravi Varma Heritage Foundation
43
Waiting For The Train1891 · The Raja Ravi Varma Heritage Foundation
44
Yuvaraj Kanterava Narasimharaja Wadiyar In A Hunting Dress1902 · The Raja Ravi Varma Heritage Foundation
45
Reverie1900 · Kerala Museum
46
A Lady Holding A Fruit
47
Hanuman1870 · The Raja Ravi Varma Heritage Foundation
48
An Adaptation of the poem1898 · The Ganesh Shivaswamy Foundation
49
Baby & Princess1877 · Sandeep - Gitanjali Maini Foundation
50
Lady with Violin1880 · The Raja Ravi Varma Heritage Foundation
51
Matriarch of Harippad1885 · The Raja Ravi Varma Heritage Foundation
52
The Fakir1890 · The Raja Ravi Varma Heritage Foundation
53
A Musician1890 · The Raja Ravi Varma Heritage Foundation
54
In Conversation1890 · The Raja Ravi Varma Heritage Foundation
55
Muslim Men Praying1890 · The Raja Ravi Varma Heritage Foundation
56
Woman Washing Clothes1890 · The Raja Ravi Varma Heritage Foundation
57
A Young Scholar1893 · The Raja Ravi Varma Heritage Foundation
58
Sketch Of A Young Girl1896 · The Raja Ravi Varma Heritage Foundation
59
Woman With Musical Instrument1880 · The Raja Ravi Varma Heritage Foundation
60
The Gypsies Of South India1893 · The Raja Ravi Varma Heritage Foundation
61
Ornate mural by C Raja Raja Varma2018 · The Raja Ravi Varma Heritage Foundation
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Ikkavu Thampuran1900 · The Raja Ravi Varma Heritage Foundation
63
CharitySree Chitra Art Gallery
64
Nala And Damayanti
65
Simhika And Sairandri
66
Maliyali Beauty
67
The MilkmaidSree Chitra Art Gallery
68
Maharani With Prince
69
Two figures Under an ArchThe Ganesh Shivaswamy Foundation
70
Yashoda and KrishnaThe Ganesh Shivaswamy Foundation
71
Gangawataran Sketch1890 · The Raja Ravi Varma Heritage Foundation
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Initial Sketch Of Gangawataran1893 · The Raja Ravi Varma Heritage Foundation
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Untitled (Damayanti)1890 · The Raja Ravi Varma Heritage Foundation
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Gypsies of South India- Preliminary Study1893 · The Ganesh Shivaswamy Foundation
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Gypsies of South India- Preliminary Study1893 · The Ganesh Shivaswamy Foundation
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A Study for Yogi GopichandThe Ganesh Shivaswamy Foundation
77
The Maharaja of Travancore welcoming the Duke of Buckingham and Chandos1881 · The Ganesh Shivaswamy Foundation
78
A Tamil Lady1900 · The Raja Ravi Varma Heritage Foundation
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A Study of a Temple SculptureThe Ganesh Shivaswamy Foundation
80
Mural of Horse by C Raja Raja Varma2018 · The Raja Ravi Varma Heritage Foundation
81
Her Highness Janaki Subamma Bai Sahib of Pudukkottai1879 · The Raja Ravi Varma Heritage Foundation
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A Parsi CoupleThe Ganesh Shivaswamy Foundation
83
Ravana Carrying Off Sita and Opposed by Jatayu1906 · The Raja Ravi Varma Heritage Foundation
84
Portrait Of Gentleman
85
Kerala Varma Valiya Koil Thampuran1880 · The Ganesh Shivaswamy Foundation
86
A Sketch of an Elephant carrying the Travancore State EmblemThe Ganesh Shivaswamy Foundation
87
Shakuntala -
88
Pleasing
89
Portrait Of Woman
90
Press, 20th Century
91
Malabar Lady
92
Lady In Moonlight
93
Woman With Veena
94
A Study of a ManThe Ganesh Shivaswamy Foundation
95
Maharana prathap singh
96
Draupati At The Court Of Virata
97
A Sketch of a Man Writing a LetterThe Ganesh Shivaswamy Foundation
98
The Bairagi or the RecluseThe Ganesh Shivaswamy Foundation
99
Here Comes Papa
100
Droupathi In Virata's Palace
Τα τέσσερα θέματα που εμφανίζονται πιο συχνά σε αυτά τα πρωτότυπα έργα, το καθένα με το εξαιρετικό του παράδειγμα.
Τα 8 μουσεία που φιλοξενούν το μεγαλύτερο μέρος των έργων σε αυτήν τη σελίδα.
| Μουσείο | Πόλη | Έργα του Ρατζά Ραβί Βαρμά | Πάτρια από αυτή τη λίστα |
|---|---|---|---|
 The Raja Ravi Varma Heritage Foundation |
Μπανγκαλόρ | 49 | Maharani Chimnabai II, Music Hath Charms (Kadambari), His Highness Chamarajendra Wadiyar X |
 The Ganesh Shivaswamy Foundation |
Μπανγκαλόρ | 28 | Draupadi at the Court of Virat, Radha in the Moonlight, Shakuntala Patra Lekhan of Shakuntala Writing a Love Letter |
 Sandeep - Gitanjali Maini Foundation |
Bengaluru | 5 | Damayanti And Hamsam, Nair Lady With A Mirror, Bandi Balaiah Naidu |
| Sree Chitra Art Gallery | 3 | Maharani Lakshmi Bayi, Charity, The Milkmaid | |
 Εθνική Πινακοθήκη Σύγχρονης Τέχνης |
Νέα Δελχί | 2 | Woman Holding a Fruit |
 Μουσείο Βίκτωρ και Άλμπερτ |
Λονδίνο | 1 | Woman Holding a Fan |
 Ashmolean Museum |
Οξφόρδη | 1 | Shakuntala writing a love letter on a lotus leaf |
 Royal Collection |
Λονδίνο | 1 | The Maharani of Travancore |
Επιλέξτε μια δεκαετία για να δείτε το πρωτότυπο έργο που την χαρακτηρίζει.
In the quiet, focused atmosphere of 1870, a young Raja Ravi Varma captured a moment of profound spiritual instruction that would resonate through the annals of Indian art history. His painting, Hanuman—often referred to as Hanuman’s Discourse—serves as a breathtaking window into a transitional period of his creative evolution. At this stage in his career, the artist was still deeply enamored with the Tanjore style, a vibrant and ornate school…
To stand before Maharani Chimnabai II is to be enveloped in an atmosphere of opulent grace and quiet power. Painted by the masterful hand of Raja Ravi Varma in 1889, this portrait transcends a mere depiction; it is a window into the zenith of late 19th-century Indian aristocracy, filtered through the sophisticated lens of European academic painting techniques. The subject herself commands attention—a vision of regal poise seated upon an…
In the quietude of a sun-drenched afternoon, Raja Ravi Varma captures a scene that transcends time, inviting the viewer into a realm where myth and reality softly intertwine. Damayanti And Hamsam is not merely a painting; it is a window into the soul of Indian classical storytelling. The artwork presents a serene encounter between the beautiful Damayanti, daughter of King Bhima, and a graceful white swan, or hamsa. As she…
To gaze upon this portrait of Bandi Balaiah Naidu is to encounter a moment suspended in time—a confluence of regal bearing and quiet contemplation. Painted in 1904, the work captures not merely a likeness, but an entire persona steeped in cultural richness. The subject, adorned with traditional Indian accoutrements, sits with an undeniable air of authority. His meticulously rendered beard and mustache frame a countenance that speaks volumes without uttering…
Damayanti And Hamsam (1899), Sandeep - Gitanjali Maini Foundation, Bengaluru. Στη συνέχεια ακολουθούν το Maharani Chimnabai II (1889) και το Music Hath Charms (Kadambari) (1890).
51 ετών: το έργο Damayanti And Hamsam είναι του 1899, και ο/η Ρατζά Ραβί Βαρμά γεννήθηκε το 1848.
Damayanti And Hamsam, Maharani Chimnabai II, Music Hath Charms (Kadambari), Nair Lady With A Mirror, Woman Holding a Fan, Shakuntala writing a love letter on a lotus leaf, Draupadi at the Court of Virat, Radha in the Moonlight, The Maharani of Travancore και His Highness Chamarajendra Wadiyar X. Η κατάταξη παραπάνω αναγράφει το έτος και το μουσείο για το κάθε έργο.
Ο κατάλογός μας περιλαμβάνει 136 έργα του Ρατζά Ραβί Βαρμά, με ημερομηνίες από 1870 έως 1906.
Κυρίως σε The Raja Ravi Varma Heritage Foundation (Μπανγκαλόρ), The Ganesh Shivaswamy Foundation (Μπανγκαλόρ) και Sandeep - Gitanjali Maini Foundation (Bengaluru). Ο πίνακας μουσείου παραπάνω τους περιλαμβάνει όλους.
Κατά την περίοδο 1890s: 35 από τα 100 έργα σε αυτήν τη σελίδα δημιουργήθηκαν τότε, με Damayanti And Hamsam από αυτά να είναι μοναδικά.
Σε αυτήν τη σελίδα, το παλαιότερο είναι Hanuman (1870) και το νεότερο Letter Written by Raja Ravi Varma (1906).
Woman (16), Portrait (15) και Raja ravi varma (14), σε συνολικά 100 έργα σε αυτήν τη σελίδα.
Oil On Canvas, για 29 από τα 100 έργα σε αυτήν τη σελίδα.
Academic indian fusion, όπως προκύπτει από τα πρωτότυπα σε αυτήν τη σελίδα.
Maharani Chimnabai II, Music Hath Charms (Kadambari) και His Highness Chamarajendra Wadiyar X: το The Raja Ravi Varma Heritage Foundation, Μπανγκαλόρ διαθέτει 47 από τα έργα σε αυτήν τη σελίδα.
