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Loch Coruisk, Isle of Skye (1874) ist das Gemälde von Sidney Richard Percy, das die meiste Aufmerksamkeit auf sich zieht. Danach wandert der Blick zu Eine Rast am Wegrand und Pfad zur Bucht, Fairlight Cove (1860). Von den 50 Werken von Sidney Richard Percy in unserem Katalog sind diese 50 die bekanntesten – jedes ein einzigartiges Original, präsentiert mit seinem Entstehungsjahr, dem Museum und dem Grund für seine zeitlose Bedeutung.
Das Gemälde präsentiert eine majestätische Szenerie mit einem See im Vordergrund, der von hoch aufragenden Bergen umgeben ist. Eine Herde von Kühen steht am Ufer des Wassers und verleiht der Landschaft ein Gefühl von Ruhe und Leben. Die Tiere sind über die gesamte Szene verteilt, wodurch ein Eindruck von Tiefe und Dreidimensionalität entsteht.
„Eine Rast am Wegrand“ von Sidney Richard Percy präsentiert eine serene Landschaftsszene. Die Komposition konzentriert sich auf eine Familie, die entlang eines gewundenen Pfades eine Pause einlegt. Diese Rast am Wegesrand findet an einem Gewässer statt, eingebettet in eine Kulisse aus schroffen Bergen.
Pfad zur Bucht, Fairlight Cove ist ein Kunstwerk von Sidney Richard Percy. Dieses um 1860 entstandene Ölgemälde fängt einen ganz besonderen Moment küstenhafter Stille ein. Der Künstler Sidney Richard Percy wurde in London, Vereinigtes Königreich, geboren und lebte von 1821 bis 1886.
Kilchum Castle Loch Awe is a landscape painting by Sidney Richard Percy. The work depicts a scene centered on a castle situated on a rocky peninsula at the edge of a body of water. The composition includes a calm expanse of water in the foreground, where livestock graze along the shoreline. In the background, mountains rise toward a sky filled with clouds, while the middle ground contains rolling hills and…
In this tranquil landscape scene, Sidney Richard Percy presents a quiet moment within the rugged expanse of the Scottish Highlands. The work, titled Loch Coruisk, captures a stillness that feels as though the air itself has paused. A group of cattle gathers upon a rocky shoreline, their forms rendered in various shades of brown and black. Some graze peacefully while others rest, their presence grounding the vastness of the wild…
In Snowdonia, Sidney Richard Percy turns his gaze toward the rugged mountain range of North Wales. Created about 1853, this oil painting captures a purely naturalistic scene. The subject matter focuses on the majesty of the Welsh mountains, presenting a landscape of stone and sky. High, craggy peaks rise against a pale blue expanse, their surfaces etched by the passage of light and shadow.
A view of Llyn Dulyn is an oil on canvas painting by Sidney Richard Percy. Created in 1854, the work captures the Black Lake nestled within the rugged mountains of Caernarvonshire, Wales. The landscape focuses on the stillness of the water and the weight of the surrounding stone.
In "The Angler's Corner" by Sidney Richard Percy, the eye begins at a low vantage point near the riverbank, amidst the detailed reeds of the foreground. This perspective pulls the viewer into a tranquil river scene, where the water meets the earth in a quiet, liquid embrace. On the left bank, a lone figure sits fishing, a small presence against the vastness of the landscape. Nearby, grazing cattle are partially…
is an oil painting by Sidney Richard Percy, executed about 1851. The artist, born in London, United Kingdom, in 1821, was a central figure of the Barnes School. His career spanned the mid-to-late Victorian era until his death in 1886.
The rugged peaks of the Welsh landscape emerge from the canvas in Snowdon, a landscape oil painting by Sidney Richard Percy. Created about 1853, this work captures a moment of quietude amidst the craggy terrain. The scene unfolds with a sense of stillness, as if the mountains are holding their breath under a pale, hazy sky. One feels the weight of the stone and the coolness of the air through…
Near Bettwys-y-Coed1869
12
Llyn y Cwn Flynnon, North Wales1871
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Loch Linne1869
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Pen-y-Bont, Llanbedr, North Wales1866
15
Mawddach March1877
16
Carn Dearg and Ben Nevis from Achintee1874
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Llyn-y-Ddinas, North Wales1873
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Grizedale, Westmorland1883
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The Shepherdess' Rest
20
Cattle By A Lake
21
The Ponway, Trefew, North Wales
22
Overlooking the Bay
23
Near Trefriw, North Wales
24
The Path Down To The Lake North Wales
25
Glen Falock, Dunbartonshire
26
Harvest Time
27
The Road to Loch Turrett
28
Figures On A Path By A Rocky Stream
29
Rest on the Roadside
30
On the Llugwy North Wales
31
The Wye
32
Llyn y Ddinas North Wales
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Lyn y Ddinas, North Wales
34
By The Shore
35
Near Llyn Crafnant
36
The Path Down to the Lake, North Wales
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The Lizard
38
Streatly On Thames
39
Landscape With A Lake, And Mountains Beyond
40
Moel Siabab, North Wales
41
The road across the common
42
Easdale Tarn, Westmoreland
43
Cattle and Drovers on a Path, Styhead Pass, Cumberland
44
Langdale, Westmorland
45
Moel Siabod from Glyn Lledr, with Figures and Cattle on a Riverside Path
46
The Bonnie Moor with Bracken Clad
47
Cattle in a Highland Landscape
48
Williams cattle and sheep in a scottish highland landscape
49
River Landscape Pair Part 2Dordrechts Museum
50
River Landscape Pair Part 1
Die vier Motive, die in diesen Originalen am häufigsten vorkommen, jeweils mit ihrem herausragendsten Beispiel.
Die 2 Museen, in denen sich die meisten der auf dieser Seite aufgeführten Gemälde befinden.
| Museum | Stadt | Werke von Sidney Richard Percy | Gemälde aus dieser Liste |
|---|---|---|---|
 Royal Collection |
London | 1 | A view of Llyn Dulyn |
 Dordrechts Museum |
Dordrecht | 1 | River Landscape Pair Part 2 |
Wählen Sie ein Jahrzehnt aus, um das Original zu sehen, das es definiert.
In Snowdonia, Sidney Richard Percy turns his gaze toward the rugged mountain range of North Wales. Created about 1853, this oil painting captures a purely naturalistic scene. The subject matter focuses on the majesty of the Welsh mountains, presenting a landscape of stone and sky. High, craggy peaks rise against a pale blue expanse, their surfaces etched by the passage of light and shadow.
Pfad zur Bucht, Fairlight Cove ist ein Kunstwerk von Sidney Richard Percy. Dieses um 1860 entstandene Ölgemälde fängt einen ganz besonderen Moment küstenhafter Stille ein. Der Künstler Sidney Richard Percy wurde in London, Vereinigtes Königreich, geboren und lebte von 1821 bis 1886.
Das Gemälde präsentiert eine majestätische Szenerie mit einem See im Vordergrund, der von hoch aufragenden Bergen umgeben ist. Eine Herde von Kühen steht am Ufer des Wassers und verleiht der Landschaft ein Gefühl von Ruhe und Leben. Die Tiere sind über die gesamte Szene verteilt, wodurch ein Eindruck von Tiefe und Dreidimensionalität entsteht.
Loch Coruisk, Isle of Skye (1874). Als Nächstes folgen Eine Rast am Wegrand und Pfad zur Bucht, Fairlight Cove (1860).
53 Jahre alt: Loch Coruisk, Isle of Skye stammt aus dem Jahr 1874, und Sidney Richard Percy wurde in 1821 geboren.
Loch Coruisk, Isle of Skye, Eine Rast am Wegrand, Pfad zur Bucht, Fairlight Cove, Kilchum Castle Loch Awe, Lock Coruisk, In Snowdonia, A view of Llyn Dulyn, The Angler's Corner, Homeward Bound und Snowdon. Die obige Rangliste gibt das jeweilige Jahr und das Museum an.
Unser Katalog umfasst 50 Werke von Sidney Richard Percy, datiert von 1851 bis 1883.
Meistens in Royal Collection (London) und Dordrechts Museum (Dordrecht). Die obige Museumstabelle listet alle auf.
In 1850s: 5 der 50 Werke auf dieser Seite wurden damals geschaffen, darunter In Snowdonia.
Auf dieser Seite ist das früheste Werk aus The Angler's Corner (1851) und das neueste aus Grizedale, Westmorland (1883).
Sky (6), Mountains (5) und Clouds (5), verteilt auf die 50 Werke auf dieser Seite.
Oil On Canvas, für 7 von insgesamt 50 Werken auf dieser Seite.
Romanticism, wenn man die Originale auf dieser Seite beurteilt.
His early life was marked by familial influence; Edward Williams instilled in him a passion for painting from a young age, recognizing the importance of formal instruction alongside practical experience. The siblings—Henry John Boddington, Arthur Gilbert, Edward Charles and William—all pursued careers as artists, establishing a remarkable familial tradition that would define their collective output.
Percy’s artistic development was largely self-directed. He apprenticed under Thomas Hilliard, a respected gilder and engraver based in Carnaby Street, gaining invaluable insight into the craft of painting and honing his technical skills. This formative experience profoundly influenced his approach to composition and execution.
Percy’s relocation to Barnes—a tranquil village bordering the Thames River—marked a pivotal moment in his artistic life. Situated amidst marshes, farms, and rolling hills, Barnes provided an unparalleled source of inspiration for Percy's paintings. He embraced the Romantic tradition championed by artists like James Ward and George Morland, prioritizing atmospheric perspective and capturing the sublime beauty of the British countryside.
He meticulously studied the effects of light and shadow on the landscape, striving to convey not merely what he saw but also how it felt—the stillness of dawn, the grandeur of distant mountains, the misty charm of twilight. Percy’s canvases are populated by figures—often shepherds or children—who serve as focal points against which the immensity of nature is emphasized.
Percy’s artistic style is characterized by a remarkable attention to detail—particularly in rendering rocks and stones—demonstrating a dedication to scientific accuracy alongside aesthetic sensibility. His canvases depict idyllic scenes of grazing cattle against backgrounds of distant mountains and cloudy skies, bathed in soft pastel hues.
Works such as “A Rest on the Roadside” exemplify his masterful technique and unwavering commitment to portraying the grandeur of nature. He achieved considerable acclaim during his lifetime, securing commissions from prominent patrons and exhibiting extensively at prestigious venues like the Royal Academy and the British Institution. His paintings continue to resonate with audiences today, embodying the spirit of Victorian landscape art and cementing his place as one of the most influential figures within the Barnes School.
Museums across Britain—including London’s Tate Gallery and Cardiff’s National Museum of Wales—house significant collections of Percy's works, ensuring that his artistic vision endures for generations to come. His enduring influence stems from his ability to translate scientific observation into emotive visual expression – a hallmark of the Barnes School’s ethos.
Percy’s legacy resides not merely in his paintings themselves but also in their contribution to shaping perceptions of British landscape and fostering an appreciation for the sublime beauty of the natural world. He remains a testament to the power of artistic dedication and the transformative potential of immersing oneself in the wonders of the outdoors.
