Zeitraum

Bewegung

1. Frau im roten Stuhl — Pablo Picasso, 1912
2. Cassis. The view from the window. — Pjotr Konchalowski, 1913
3. Cassis. Sea. — Pjotr Konchalowski, 1913
4. Siena — Pjotr Konchalowski, 1912
5. Landscape at Ferte Soud Jouarre — Roger de La Fresnaye, 1911
6. Violin — Pablo Picasso, 1912

Stimmung

Themen

1. Mallorca, house — Leo Gestel
2. Siena — Pjotr Konchalowski, 1912
3. Siena — Pjotr Konchalowski, 1912
4. Cassis. The view from the window. — Pjotr Konchalowski, 1913
5. Siena — Pjotr Konchalowski, 1912
6. Landscape at Ferte Soud Jouarre — Roger de La Fresnaye, 1911
7. The Beautiful Village — Maurice de Vlaminck, 1911
8. L'Estaque — Georges Braque, 1906

Schlagworte

Tonwert

Hauptfarbe

1. Cassis. Sea. — Pjotr Konchalowski, 1913
2. Cassis. The view from the window. — Pjotr Konchalowski, 1913
3. Mallorca, house — Leo Gestel
4. Cagnes Sur Mer — William H. Johnson
5. Building. Secession Building in Vienna, Austria — Joseph Maria Olbrich
6. Siena — Pjotr Konchalowski, 1912
7. Violin — Pablo Picasso, 1912
8. Study of a Ruined Building — Sir Alfred James Munnings
9. Siena — Pjotr Konchalowski, 1912
10. Frau im roten Stuhl — Pablo Picasso, 1912
11. Frau mit Gitarre und Klavier — Pablo Picasso, 1911
12. Cassis - — John Duncan Fergusson
13. Siena — Pjotr Konchalowski, 1912
14. The Beautiful Village — Maurice de Vlaminck, 1911
15. L'Estaque — Georges Braque, 1906
16. East garden on the north – east side of building 4 and on the south – east side of building 3 — Michel Marot, 1972
17. Discovery and Building — carol m highsmith, 2010
18. Felder bei Bellevue — Paul Cézanne, 1895
19. Louveira Building — João Batista Vilanova Artigas
20. Landscape at Ferte Soud Jouarre — Roger de La Fresnaye, 1911
21. Das Secessionsgebäude in Wien, Österreich — Joseph Maria Olbrich
22. Exterior Old Merensky Building — Universiteit Van Pretoria Museums, 2016

andere

1. Monumental building with decorative panels, side and sketch of front of a building with towers — Antonio Sant'Elia, 1912
2. Building of the Secession, Sketch for the second draft — Joseph Maria Olbrich, 1897