Zeitraum

Bewegung

Stimmung

Themen

Schlagworte

Tonwert

Hauptfarbe

1. The Inferno, Canto 28, lines 30,31. Now mark how I do rip me. lo! How is Mahomet mangled. — Paul Gustave Doré
2. untitled (6983) — Paul Gustave Doré
3. Jacob Keeping Laban's Flock — Paul Gustave Doré, 1866
4. Dore Gustave 45. I was like a monk listening to the confessions of a mean murderer — Paul Gustave Doré
5. Daniel Interpreting the Writing on the Wall — Paul Gustave Doré, 1866
6. Zeichnung 4 — John Singer Sargent
7. I through compassion fainting seem-d not far from death and like a corpse fell to the ground Canto — Paul Gustave Doré
8. The Seven League Boots — Paul Gustave Doré, 1868
9. Richard I the Lionheart delivering Jaffa — Paul Gustave Doré, 1877
10. untitled (3123) — Paul Gustave Doré
11. Self-Portrait with Model — Christian Schad, 1927
12. High Bridge — Frederick Childe Hassam, 1922
13. Shipbuilder’s model of the reconstruction of the carrack Santa María — Miguel Ángel López Moreno
14. Portrait of Male Model — Laurence Stephen Lowry, 1908
15. Garden Sculpture (Model for Meridian) — Barbara Hepworth
16. Life Study of a Seated Nude Male Model — William Mctaggart, 1859
17. Richard I the Lionheart massacres captives in reprisal — Paul Gustave Doré, 1877
18. The Inferno, Canto 32, lines 97-98. Then seizing on his hinder scalp, I cried. “Name thee, or not a hair shall tarry here.” — Paul Gustave Doré
19. Satan in Council — Paul Gustave Doré, 1868
20. Various Types of Torii Arch — Katsushika Hokusai
21. Modèle réduit de mortier de 10 pouces à l — jean-baptiste vaquette de gribeauval, 1775
22. Model of the National Monument for Emperor William I. — Reinhold Begas, 1897

andere

1. Votive offering model of a xabec — francisco fábregas monegal
2. Victory, First Division Memorial (Model) — Daniel Chester French