Portræt af William Sidney Mount

De 76 mest berømte William Sidney Mount-malerier, en galleriselektion

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 78 værker af William Sidney Mount i vores katalog

Kort sagt

Af alle de originale værker, som William Sidney Mount efterlod, er det mest berømte Loss and Gain (1848), som er en del af samlingen på Museums at Stony Brook i Stony Brook. Lige efter følger School Boys Quarreling (1830) og Bar-room Scene (1835). Vores katalog indeholder 78 værker af William Sidney Mount; galleriet har bevaret de 76 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.

1807 – 1868, Long Island Genre painting Flest værker: Museums at Stony Brook

William Sidney Mounts top 10 malerier: galleriets udvalg

1
Loss and Gain (1848) af William Sidney Mount

Loss and Gain

1848 · Oil On Canvas · Museums at Stony Brook, Stony Brook

To stand before William Sidney Mount's Loss and Gain is to step across the threshold of time and into a moment suspended by profound thought. This oil on canvas, dating from 1848, does more than merely depict a scene; it invites an intimate dialogue with the viewer regarding the delicate balance of human existence. The composition centers upon an elderly man seated quietly upon a log within the embrace of…

2
School Boys Quarreling (1830) af William Sidney Mount

School Boys Quarreling

1830 · Oil On Canvas · Museums at Stony Brook, Stony Brook

To stand before William Sidney Mount’s School Boys Quarreling is to be instantly transported back to the vibrant, unscripted moments of early nineteenth-century life. This oil on canvas, dating from 1830, is far more than a mere depiction of boys playing; it is a masterful study in human interaction, capturing the raw energy and complex emotional currents that define childhood itself. Mount, celebrated as a pioneer of American genre painting,…

3
Bar-room Scene (1835) af William Sidney Mount

Bar-room Scene

1835 · Oil On Canvas · Art Institute of Chicago, Chicago

Bar-room Scene is an oil on canvas work by William Sidney Mount, executed about 1835. The artist, born in 1807 in Long Island, United States, established himself as a pioneer of American genre painting. His focus remained largely on the rural landscapes and social interactions of his native region.

4
Portrait of Laertes Chapin (1833) af William Sidney Mount

Portrait of Laertes Chapin

1833 · Oil · High Museum of Art, Atlanta

In Portrait of Laertes Chapin, William Sidney Mount employs a vertical bust-length composition to establish a sense of formal dignity. The sitter is positioned slightly off-center, facing forward with a subtle three-quarter turn that provides a sculptural quality to the subject's features. This arrangement directs the viewer's attention toward the interplay of light and shadow across the face and neck.

5
Portrait of Laura Colton Chapin (1833) af William Sidney Mount

Portrait of Laura Colton Chapin

1833 · Oil · High Museum of Art, Atlanta

In the Portrait of Laura Colton Chapin by William Sidney Mount, the subject sits in a quiet three-quarter view, her gaze turned slightly toward the viewer. She is framed by hair styled into intricate, tight ringlets that trace the line of her forehead, all topped by a dark, decorative headpiece. The color palette remains dominated by deep, somber tones. Her dress appears as a heavy, smooth black, which contrasts against…

6
Self Portrait (1832) af William Sidney Mount

Self Portrait

1832 · Oil On Canvas

In this 1832 oil on canvas, the artist William Sidney Mount gazes out from the past, presenting a formal portrait of a young man. The subject looks directly at us, capturing a moment of quiet dignity. This work, titled Self Portrait, offers a rare glimpse into the early years of William Sidney Mount as he establishes his presence through the medium of paint. He presents himself with a sense of…

7
Portrait of Julia Ann Seabury (1846) af William Sidney Mount

Portrait of Julia Ann Seabury

1846 · Oil · Museum of Fine Arts, Houston, Houston

In the Portrait of Julia Ann Seabury by William Sidney Mount, the subject is presented in a bust-length composition. She is positioned slightly off-center, with her gaze directed toward the viewer's right. The color palette is dominated by warm, natural tones, including the creamy white of her chemise, the red of her shawl, and the soft pinks and ochres used for her skin and the surrounding environment. The background consists…

8
Portrait of Maria Seabury (1846) af William Sidney Mount

Portrait of Maria Seabury

1846 · Oil On Canvas · Museum of Fine Arts, Houston, Houston

In the Portrait of Maria Seabury by William Sidney Mount, a young woman is captured in a bust-length view. She sits slightly off-center, her steady gaze meeting the viewer with a quiet dignity. A bright white chemise and a red shawl provide a sharp contrast against the muted tones of the environment. These colors anchor her presence within the frame, separating her from the hazy atmosphere behind her.

10
The Banjo Player (1850) af William Sidney Mount

The Banjo Player

1850 · Oil On Canvas · Detroit Institute of Arts, Detroit

The Banjo Player by William Sidney Mount presents a young Black boy positioned within a dimly lit interior. The subject is dressed in a striped cap, a vest, and a tie. He is captured in a moment of quietude, his gaze directed toward the right of the frame.

William Sidney Mount-udvalget fortsætter, fra 11 til 76

11Portrait of Hannah Muncy Smith (1852) af William Sidney MountPortrait of Hannah Muncy Smith1852 · Rhode Island School of Design Museum of Art 12Julia Parish Raymond (1851) af William Sidney MountJulia Parish Raymond1851 · Museum of Fine Arts 13After Dinner (1834) af William Sidney MountAfter Dinner1834 · Yale University Art Gallery 14Martin Euclid Thompson (1830) af William Sidney MountMartin Euclid Thompson1830 · Metropolitan Museum of Art 15The Painter's Triuimph (also known as Artist Showing His Own Work) (1838) af William Sidney MountThe Painter's Triuimph (also known as Artist Showing His Own Work)1838 · Pennsylvania Academy of Fine Arts 16Dancing on the Barn Floor (1831) af William Sidney MountDancing on the Barn Floor1831 · Museums at Stony Brook 17The Long Story (also known as The Tough Story) (1837) af William Sidney MountThe Long Story (also known as The Tough Story)1837 · National Gallery of Art 18Dance of the Haymakers (1845) af William Sidney MountDance of the Haymakers1845 · Museums at Stony Brook 19The Truant Gamblers (also known as Undutiful Boys) (1835) af William Sidney MountThe Truant Gamblers (also known as Undutiful Boys)1835 · New York Historical Society 20Ringing the Pig (also known as Scene in a Long Island Farm-Yard) (1842) af William Sidney MountRinging the Pig (also known as Scene in a Long Island Farm-Yard)1842 21Saul and the Witch of Endor (1828) af William Sidney MountSaul and the Witch of Endor1828 · Smithsonian American Art Museum 22Farmer Whetting His Sythe (1848) af William Sidney MountFarmer Whetting His Sythe1848 · Museums at Stony Brook 23Catching Rabbits (1839) af William Sidney MountCatching Rabbits1839 · Museums at Stony Brook 24Caught Napping (1848) af William Sidney MountCaught Napping1848 · Brooklyn Museum 25Great-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene (1852) af William Sidney MountGreat-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene1852 · Metropolitan Museum of Art 26Crane Neck Across the Marsh (1841) af William Sidney MountCrane Neck Across the Marsh1841 · Museums at Stony Brook 27Gideon Tucker (1830) af William Sidney MountGideon Tucker1830 · Metropolitan Museum of Art 28Self Portrait With Flute (1828) af William Sidney MountSelf Portrait With Flute1828 29Farmers Nooning (1836) af William Sidney MountFarmers Nooning1836 · Museums at Stony Brook 30Portrait of Reuben Merrill (1832) af William Sidney MountPortrait of Reuben Merrill1832 31Catherine Adele Smith (1846) af William Sidney MountCatherine Adele Smith1846 32The Trap is Sprung (1844) af William Sidney MountThe Trap is Sprung1844 33The Card Players (1847) af William Sidney MountThe Card Players1847 34The Novice (1847) af William Sidney MountThe Novice1847 35Mount’s trompe l’oeil painted music stand (1855) af William Sidney MountMount’s trompe l’oeil painted music stand1855 36Cradle of Harmony Violin (1851) af William Sidney MountCradle of Harmony Violin1851 37Quarter of Twelve (1855) af William Sidney MountQuarter of Twelve1855 38Portrait of William Vickham Mills Smith (1849) af William Sidney MountPortrait of William Vickham Mills Smith1849 · Detroit Institute of Arts 39Setauket Military Band (1855) af William Sidney MountSetauket Military Band1855 40Just in Tune (1849) af William Sidney MountJust in Tune1849 · Museums at Stony Brook 41Cracking Nuts (1856) af William Sidney MountCracking Nuts1856 42Fruit Piece: Apples on Tin Cups (1863) af William Sidney MountFruit Piece: Apples on Tin Cups1863 43The Residence of the Honorable William H. Ludlow (1859) af William Sidney MountThe Residence of the Honorable William H. Ludlow1859 44The Picnic (1856) af William Sidney MountThe Picnic1856 45Spring Bouquet (1857) af William Sidney MountSpring Bouquet1857 46The Banjo Player (1856) af William Sidney MountThe Banjo Player1856 47Thomas Strongs House, Setauket, Long Island (1864) af William Sidney MountThomas Strongs House, Setauket, Long Island1864 48The Bone Player (1856) af William Sidney MountThe Bone Player1856 · Museum of Fine Arts 49Right and Left (1850) af William Sidney MountRight and Left1850 · Museums at Stony Brook 50Rustic Dance After a Sleigh Ride (1830) af William Sidney MountRustic Dance After a Sleigh Ride1830 · Museum of Fine Arts 51The Stone Bridge (1843) af William Sidney MountThe Stone Bridge1843 · Thyssen-Bornemisza Museum 52Christ Raising the Daughter of Jairus (1828) af William Sidney MountChrist Raising the Daughter of Jairus1828 · Museums at Stony Brook 53Long Island Farmhouses (1862) af William Sidney MountLong Island Farmhouses1862 · Metropolitan Museum of Art 54The Painter's Triumph (1838) af William Sidney MountThe Painter's Triumph1838 55Courtship (also known as Winding Up) (1836) af William Sidney MountCourtship (also known as Winding Up)1836 · Nelson-Atkins Museum of Art 56Coming to the Point (1854) af William Sidney MountComing to the Point1854 57Coming to the Point (1854) af William Sidney MountComing to the Point1854 58Cider Making (1841) af William Sidney MountCider Making1841 · Metropolitan Museum of Art 59Dregs in the Cup (also known as Fortune Telling) (1838) af William Sidney MountDregs in the Cup (also known as Fortune Telling)1838 60Fair Exchange, No Robbery (1865) af William Sidney MountFair Exchange, No Robbery1865 · Museums at Stony Brook 61Eel Spearing at Setauket (also known as Recolections of Early Days - Fishing Along Shore'')'' (1845) af William Sidney MountEel Spearing at Setauket (also known as Recolections of Early Days - Fishing Along Shore'')''1845 62Raffling for the Goose (also known as The Raffle) (1837) af William Sidney MountRaffling for the Goose (also known as The Raffle)1837 · Metropolitan Museum of Art 63The Sportsman's Last Visit (1835) af William Sidney MountThe Sportsman's Last Visit1835 · Museums at Stony Brook 64Long Island Farmer Husking Corn (1833) af William Sidney MountLong Island Farmer Husking Corn1833 · Museums at Stony Brook 65The Fence on the Hill af William Sidney MountThe Fence on the HillMuseum of Fine Arts 66The Barn by the Pool af William Sidney MountThe Barn by the PoolMuseum of Fine Arts 67Mrs gideon tucker af William Sidney MountMrs gideon tuckerMetropolitan Museum of Art 68The raffle af William Sidney MountThe raffleMetropolitan Museum of Art 69Long island farmhouses af William Sidney MountLong island farmhouses 70Great grand fathers tale of the revolution af William Sidney MountGreat grand fathers tale of the revolution 71Catching Crabs af William Sidney MountCatching Crabs 72Self Portrait (also known as The Artist Sketching) af William Sidney MountSelf Portrait (also known as The Artist Sketching)Harvard Art Museums 73Kitchen in the Mount House, Stony Brook af William Sidney MountKitchen in the Mount House, Stony Brook 74Catching the Tune (1866) af William Sidney MountCatching the Tune1866 · Museums at Stony Brook 75Cider Making (1840) af William Sidney MountCider Making1840 · Metropolitan Museum of Art 76The Power of Music (1847) af William Sidney MountThe Power of Music1847 · Cleveland Museum of Art

William Sidney Mounts berømte malerier, periode for periode

Motiverne, der fangede William Sidney Mounts blik

De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.

De museer, der udstiller William Sidney Mounts originalværker

De 8 museer, der rummer flest af malerierne på denne side.

Museum By Værker af William Sidney Mount Malerier fra denne liste
Museums at Stony Brook, Stony BrookMuseums at Stony Brook Stony Brook 15 Loss and Gain, School Boys Quarreling, Dancing on the Barn Floor
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 9 Martin Euclid Thompson, Great-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene, Gideon Tucker
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 5 Julia Parish Raymond, The Bone Player, Rustic Dance After a Sleigh Ride
High Museum of Art, AtlantaHigh Museum of Art Atlanta 2 Portrait of Laertes Chapin, Portrait of Laura Colton Chapin
Museum of Fine Arts, Houston, HoustonMuseum of Fine Arts, Houston Houston 2 Portrait of Julia Ann Seabury, Portrait of Maria Seabury
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 2 The Banjo Player, Portrait of William Vickham Mills Smith
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 Bar-room Scene
New Britain Museum of American Art, New BritainNew Britain Museum of American Art New Britain 1 At the Well

William Sidney Mount årti for årti: det originale værk, der definerer hvert enkelt

Værker per årti

Vælg et årti for at se det originale værk, der definerer det.

Samleres spørgsmål om William Sidney Mounts malerier

Hvilket værk er William Sidney Mount mest kendt for?Vis svaret

Loss and Gain (1848), Museums at Stony Brook, Stony Brook. Derefter følger School Boys Quarreling (1830) og Bar-room Scene (1835).

Hvor gammel var William Sidney Mount, da Loss and Gain blev skabt?Vis svaret

41 år gammel: Loss and Gain er fra 1848, og William Sidney Mount blev født i 1807.

Hvad er de ti mest berømte William Sidney Mount malerier?Vis svaret

Loss and Gain, School Boys Quarreling, Bar-room Scene, Portrait of Laertes Chapin, Portrait of Laura Colton Chapin, Self Portrait, Portrait of Julia Ann Seabury, Portrait of Maria Seabury, At the Well og The Banjo Player. Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange malerier efterlod William Sidney Mount?Vis svaret

Vores katalog indeholder 78 værker af William Sidney Mount, dateret fra 1828 til 1866.

I hvilke museer udstilles William Sidney Mount's mesterværker?Vis svaret

Primært i Museums at Stony Brook (Stony Brook), Metropolitan Museum of Art (New York) og Museum of Fine Arts (Boston). Museumslisten ovenfor viser dem alle.

I hvilke år malede William Sidney Mount sine mest berømte værker?Vis svaret

I 1830s: 22 af de 76 værker på denne side blev skabt dengang, herunder School Boys Quarreling.

Hvad er de første og de sidste berømte originaler af William Sidney Mount?Vis svaret

På denne side er det tidligste Saul and the Witch of Endor (1828) og det seneste Catching the Tune (1866).

Hvilke motiver valgte William Sidney Mount oftest?Vis svaret

American art (9), Rural life (9) og 19th century (6), fordelt på de 76 værker på denne side.

Hvilken teknik brugte William Sidney Mount mest?Vis svaret

Oil On Canvas, for 28 af de 76 værker på denne side.

Hvilken kunstretning tilhører William Sidney Mount?Vis svaret

Genre painting, baseret på originalerne på denne side.

Hvilke værker af William Sidney Mount udstilles på Museums at Stony Brook?Vis svaret

Loss and Gain, School Boys Quarreling og Dancing on the Barn Floor: Museums at Stony Brook, Stony Brook har 15 af værkerne på denne side.

William Sidney Mount: liv og værk

A Pioneer of American Genre Painting

William Sidney Mount, født den 26 november 1807 i den stille hamlet Setauket på Long Island, steg frem som en central figur i udviklingen af amerikansk kunst – specifikt genremaleri. Han var ikke tiltrukket af de pompøse historiske fortællinger eller formelle portrætter, som mange af sine samtidige dyrkede; snarere vendte Mount sit skarpe øje mod livet omkring ham – bønderne, musikere og almindelige mennesker, der befolkede Long Islands landskaber i det 19. århundrede. Denne dedikation til at skildre scener af dagligdagsliv gav ham etableringen af genremaleri i Amerika – en stil, der fejrede værdigheden og den iboende skønhed fundet inden for det banale. Hans kunstneriske rejse var dybt rodfæstet i hans opdragelse; hans far drev en travl gård, butik og taverna, mens hans onkel Micah Hawkins var en mand af mange talenter – komponist, dramatiker, mim og digter – hvilket skabte et miljø rigt på både kunstnerisk udtryk og observation af menneskelig karakter.

Tidlig Uddannelse og Kunstnerisk Opvækst

Mounts første møde med kunstverdenen begyndte ikke i en formel akademiker, men gennem en læreplads hos sin ældre bror Henry Smith Mount, en skildefagslægger i New York City. Denne praktiske træning udviklede hans færdigheder inden for tegneteknik og maleteknik, hvilket gav ham et solidt fundament til fremtidige bestræbelser. Det var dog et besøg på American Academy of the Fine Arts udstillingen i 1825, der virkelig fik hans kunstneriske passion til at vågne – han blev opslugt af værkerne hos etablerede kunstnere og oplevede en erkendelse, hvorved han skiftede fokus fra traditionelle motiver mod at fange autentiske øjeblikke fra dagligdagen. Han grundlagde sin egen atelier i New York City i 1829 – et betydningsfuldt skridt mod selvstændighed og styrkede sit engagement i kunst som erhverv. Selvom han blev påvirket af historisk maleri – han skabte værker som *Christ Raising the Daughter of Jairus* (1828) – fandt Mount snart sin sande kald inden for at male verden, han kendte bedst: Long Islands landbrugsliv. Han blev betaget af rytmerne og interaktionerne omkring ham og erkendte en fængende fortælling inden i deres simple eksistens.

At Fange Landskabet med Realisme og Varme

Mounts kunstneriske stil er karakteriseret af en ubøjelig realismepåvirkning kombineret med en bemærkelsesværdig evne til at indførte varme og humor i sine billeder. Han idealiserede ikke landskabet; snarere præsenterede han det som det var – fuldt ud af både arbejde og fritid, vanskeligheder og glæde. Hans opmærksomhed på detaljer er minutiøs, fra teksturerne af klædning til udtrykene i ansigterne – hvilket skaber en følelse af øjeblikkelighed og autenticitet. *Dancing on Barn Floor* (1831), hans tidlige succes, illustrerer denne tilgang; det er et livligt billede af en landsbydans, fyldt med energi og fanger ånden af fælles fejring. Senere værker som *The Banjo Player* (1856) demonstrerer ikke kun hans tekniske dygtighed, men også hans dybe følsomhed over for sine emner. Dette rørende portræt af en afroamerikansk musiker er særligt bemærkelsesværdigt for sin værdige skildring og udfordrer de dominerende stereotyper på tiden. Andre betydningsfulde malerier omfatter *The Long Story* (også kendt som *The Tough Story*) og *Right and Left*, hvoraf hver giver et glimt af livet og erfaringerne hos almindelige amerikanere.

Innovation Udover Lærredet

Mounts kreativitet udvandt sig ud over maleri; han var også en dygtig musiker og opfinder. Han spillede violin med færdigheder, komponerede musik og dedikerede betydelige tid til at designe sin egen version af instrumentet – hvilket han kærligt kaldte “Cradle of Harmony.” Denne passion for musik fandt ofte vej ind i hans kunstværker, hvor mange billeder indeholder musikere eller scener af musikalske præstationer. I 1860 konstruerede Mount en mobil atelier inden for et hestevogn – dette fleksible arbejdsområde tillod ham at rejse frit rundt om Long Island og male direkte fra livet og fange spontane øjeblikke som de unfoldedes. Det var et vidnesbyrd om hans engagement i autenticitet og hans ønske om at forbinde sig til menneskerne han skildrede.

Eftermæle og Vedvarende Påvirkning

William Sidney Mount døde den 19 november 1868 i hans elskede Setauket, hvilket efterlod en rig kunstnerisk arv, der fortsat resonerer i dag. Hans banebrydende arbejde inden for genremaleri hjalp med at etablere det som en betydelig kraft inden for amerikansk kunst og banede vejen for fremtidige generationer af kunstnere, der søgte at fange essensen af amerikansk identitet og kultur. Han blev husket ikke kun for hans tekniske dygtighed og realistiske skildringer, men også for hans medfølelsesfulde præsentation af almindelige mennesker – fejrende deres liv med værdighed og respekt. Hans hjem og atelier er nu udnævnt til National Historic Landmark og bevarer hans kreative rum som et vidnesbyrd om hans vedvarende indflydelse. Mount var virkelig en kronikør af amerikansk landbrugsliv, en kunstner der forståede kraften i kunst til at forbinde os til vores fortid og hinanden.