Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 64 værker af Willem Van Aelst i vores katalog
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I galleriets øjne er Willem Van Aelsts mest berømte maleri Vase of Flowers with Pocket Watch (1656), hvis original hænger på Staatliche Museen i Kassel. Still Life (1655) og Still-Life with Armour (1635) fuldender trioen, som ethvert øje genkender. Ud af de 64 værker af Willem Van Aelst i vores katalog præsenterer galleriet herunder de 61 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.
In this quiet composition, we find Vase of Flowers with Pocket Watch, a work by the Dutch Golden Age artist Willem Van Aelst. Created about 1656, the painting captures a moment of stillness through its arrangement of natural and man-made objects. The subject matter centers on a floral arrangement that overflows from its vessel, accompanied by a pocket watch resting upon a surface.
A dense, diagonal arrangement of luxury items and natural elements occupies the space, set against a dark, shadowy background. Lighting enters from the upper left, casting strong highlights on the glassware and the metallic surface of a sculptural goblet. The composition centers on a cluster of white grapes, a partially peeled lemon, and various vessels containing liquid. Textures are rendered with precision, from the smoothness of the glass and the…
The scene unfolds through Still-Life with Armour, a work that emerges from the quietude of the seventeenth century. Created about 1635, this composition brings together objects that speak of mortality and the weight of history. The arrangement rests before us, frozen in a moment of silent contemplation. Every item, from the hollowed skull to the cold steel of the helmet, occupies its space with a heavy, palpable presence.
To gaze upon this exquisite still life is to step directly into the opulent, richly textured world of 17th-century Dutch genre painting. Depicting a collection of game birds alongside meticulously arranged hunting implements, the scene is far more than a mere inventory of trophies; it is a carefully constructed meditation on nature's bounty, human skill, and the transient beauty of life itself. The composition, rich with detail from the scattered…
The scene unfolds within the quiet, heavy atmosphere of 1671, a moment frozen in oil on canvas. Here, Willem Van Aelst presents Still Life with Partridges, a composition that captures the stillness following a hunt. The work carries the artist's personal mark, signed and dated with the Italianized abbreviation Guill.mo, a subtle nod to his years spent in the courts of Florence. This signature rests upon the canvas as a…
A dense arrangement of sustenance occupies the center of this composition, set against a deep, dark background. A silver platter holds pieces of golden-brown bread alongside a whole fish, its scales catching the light to reveal a moist sheen. Nearby, onions with long green stalks extend toward the edge of the frame. To the left, a large, translucent roemer filled with white wine dominates the upper quadrant, its surface marked…
Flowers in a Silver Vase is a painting by Willem van Aelst, executed in 1663. This work emerged from the hand of a Dutch painter who was born in Delft, Netherlands, in 1627. During this period of the Dutch Golden Age, Van Aelst established himself as a specialist in the meticulous rendering of floral arrangements and still-life subjects.
In this oil on canvas, we encounter A Dead White Cock, a work executed by Willem Van Aelst. Created in 1662, the painting belongs to the tradition of Dutch Golden Age still life, focusing on the quiet, heavy reality of game. The subject matter is rendered with a directness that emphasizes the physical presence of the birds against a dark, atmospheric background.
The painting titled Still life with weaponry, nautilus cup, trumpet and silverware is a work by the Dutch artist Willem Van Aelst. Created in 1643, the piece emerged from a period of significant artistic development in the Netherlands. The artist, born in Delft, Netherlands, in 1627, brought a specific focus to the arrangement of precious and heavy objects. This work captures a moment of stillness through the depiction of metal…
A single candle flickers in the gloom, casting a warm, golden glow across a stone ledge. The light clings to the irregular, craggy surfaces of several walnuts, some whole and others split open to reveal their intricate, brain-like interiors. Beside them, a patch of soft fur rests heavily against the cold stone, its texture appearing almost tactile in the dimness. A small mouse occupies the scene, its presence felt in…
Still-Life1645
12
Still Life with Partridge, Duck and Yellowhammer1650 · Gemäldegalerie
13
Vanitas Flower Still Life1656 · North Carolina Museum of Art
14
Still life with luxury vessels and fruits on a dark table cloth1659 · Suermondt-Ludwig-Museum
15
Fruit Still Life with a Snail1649 · Het Prinsenhof
16
Rebhühner und Jagdgerät1650 · Bavarian State Painting Collections
17
Dead Game with Trophies of the Chase1657 · Royal Collection
18
Vase of Flowers1658
19
Still Life. Breakfast Piece with a Silver Jug1657 · Statens Museum for Kunst
20
Still Life with Dead Birds and Game Bag1674 · J. Paul Getty Museum
21
Still life of roast guinea-fowl with citrus fruit in a chafing-dish1650 · Gebruder Douwes
22
Still life with snipe, goldfinch and stone fowl1653 · Gemäldegalerie
23
Hunting trophies.1650 · Muzeum Palacu Króla Jana Iii w Wilanowie
24
Still-Life with Fruit and a Crystal Vase1650 · Galleria Palatina
25
Still-Life of Fruit1660
26
Still-Life with a Basket of Fruit on a Marble Ledge1650
27
Still-Life with Fruit and Crystal Vase1652
28
Fruit (Still Life)1667 · Szépművészeti Múzeum
29
Flower Still Life1663 · Cincinnati Art Museum
30
Still Life with Fruit1670 · Royal Collection
31
Dead Birds and Hunting Gear1664 · Nationalmuseum
32
Still Life with Flowers1665 · Musée Thomas Henry
33
Still life with thistle, mouse, frog, snail and insects1671 · Staatliche Kunsthalle Karlsruhe
34
Hunting Still-Life (detail)1665
35
Still-Life with Fruit1664 · Thyssen-Bornemisza Museum
36
Hunting Still-Life1665 · Museum of Fine Arts, Houston
37
Still life with Orpheus salt cellar, fish, onions, bread, chestnuts and oysters, ca. 16801680
38
Still Life with an Orpheus Salt Cellar1678
39
Still Life of Flowers with a Butterfly1677
40
Group of flowers1675 · Fitzwilliam Museum
41
Flower still life with a watch on a partly draped marble ledge1676 · Bavarian State Painting Collections
42
Flowers in a glass vase with metal mounted foot on a marble ledge1675 · Musée de Melun
43
Still life with fish, bread, and a nautilus cup1678 · Richard Green Fine Paintings
44
Fruit Still-Life1677
45
Flower Still-Life1677
46
Still-Life of Dead Birds and Hunting Weapons1660 · Staatliche Museen zu Berlin
47
Seafood, Onion, and Glassware1679 · Staatliche Kunstsammlungen Dresden
48
Breakfast Piece1671 · Academy of Fine Arts Vienna
49
Still Life of Flowers1677 · Ashmolean Museum
50
Still Life with Fowl, Willem van Aelst, 16581658 · Rijksmuseum
51
Still-Life with Fruit1653
52
Still Life with Dead Game1661 · National Gallery of Art
53
Still Life with Peaches and GrapesNationalmuseum
54
Still life with grapes in a basket, peaches on a silver dish, medlars, two butterflies, a fly and a snail
55
Vase of flowers with watch
56
A Still Life of Grapes, a Roemer, a Silver Ewer And a Plate
57
SnackHermitage Museum
58
Flower Still Life with a Timepiece1663 · Mauritshuis
59
Fruit and Wine Glass1659 · Det Kongelige Museum for Fin Kunst Antwerpen
60
Flowers in a Vase1651 · Musée des Augustins
61
Still-Life with Fruit, Parrot, and Nautilus Pitcher1653 · Palazzo Pitti
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Willem Van Aelst | Malerier fra denne liste |
|---|---|---|---|
 Bavarian State Painting Collections |
München | 3 | Still Life, Rebhühner und Jagdgerät, Flower still life with a watch on a partly draped marble ledge |
 Staatliche Museen |
Kassel | 2 | Vase of Flowers with Pocket Watch, Still-Life with Hunting Equipment and Dead Birds |
 Mauritshuis |
Haag | 2 | Still Life with Partridges, Flower Still Life with a Timepiece |
 Statens Museum for Kunst |
København | 2 | A Dead White Cock, Still Life. Breakfast Piece with a Silver Jug |
 Gemäldegalerie |
Berlin | 2 | Still Life with Partridge, Duck and Yellowhammer, Still life with snipe, goldfinch and stone fowl |
 Royal Collection |
London | 2 | Dead Game with Trophies of the Chase, Still Life with Fruit |
 Nationalmuseum |
Stockholm | 2 | Dead Birds and Hunting Gear, Still Life with Peaches and Grapes |
 Kunstmuseum Basel |
Basel | 1 | Still life with a roemer, fish, bread, walnuts, onions and grapes on a dark cloth |
Vælg et årti for at se det originale værk, der definerer det.
The scene unfolds through Still-Life with Armour, a work that emerges from the quietude of the seventeenth century. Created about 1635, this composition brings together objects that speak of mortality and the weight of history. The arrangement rests before us, frozen in a moment of silent contemplation. Every item, from the hollowed skull to the cold steel of the helmet, occupies its space with a heavy, palpable presence.
The painting titled Still life with weaponry, nautilus cup, trumpet and silverware is a work by the Dutch artist Willem Van Aelst. Created in 1643, the piece emerged from a period of significant artistic development in the Netherlands. The artist, born in Delft, Netherlands, in 1627, brought a specific focus to the arrangement of precious and heavy objects. This work captures a moment of stillness through the depiction of metal…
In this quiet composition, we find Vase of Flowers with Pocket Watch, a work by the Dutch Golden Age artist Willem Van Aelst. Created about 1656, the painting captures a moment of stillness through its arrangement of natural and man-made objects. The subject matter centers on a floral arrangement that overflows from its vessel, accompanied by a pocket watch resting upon a surface.
To gaze upon this exquisite still life is to step directly into the opulent, richly textured world of 17th-century Dutch genre painting. Depicting a collection of game birds alongside meticulously arranged hunting implements, the scene is far more than a mere inventory of trophies; it is a carefully constructed meditation on nature's bounty, human skill, and the transient beauty of life itself. The composition, rich with detail from the scattered…
The scene unfolds within the quiet, heavy atmosphere of 1671, a moment frozen in oil on canvas. Here, Willem Van Aelst presents Still Life with Partridges, a composition that captures the stillness following a hunt. The work carries the artist's personal mark, signed and dated with the Italianized abbreviation Guill.mo, a subtle nod to his years spent in the courts of Florence. This signature rests upon the canvas as a…
The scene unfolds in a heavy, quiet darkness, where a dense arrangement of life and luxury emerges from the gloom. A tall, ornate Orpheus salt cellar rises as a golden pillar, its sculpted figure catching a sharp, directional light that spills from the upper left. Around this metallic centerpiece, the table is crowded with the textures of a sudden feast. Silver scales of fish glisten with a wet sheen, contrasting…
Vase of Flowers with Pocket Watch (1656), Staatliche Museen, Kassel. Derefter følger Still Life (1655) og Still-Life with Armour (1635).
29 år gammel: Vase of Flowers with Pocket Watch er fra 1656, og Willem Van Aelst blev født i 1627.
Vase of Flowers with Pocket Watch, Still Life, Still-Life with Armour, Still-Life with Hunting Equipment and Dead Birds, Still Life with Partridges, Still life with a roemer, fish, bread, walnuts, onions and grapes on a dark cloth, Flowers in a Silver Vase, A Dead White Cock, Still life with weaponry, nautilus cup, trumpet and silverware og Still-Life with Mouse and Candle. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 64 værker af Willem Van Aelst, dateret fra 1635 til 1680.
Primært i Bavarian State Painting Collections (München), Staatliche Museen (Kassel) og Mauritshuis (Haag). Museumslisten ovenfor viser dem alle.
I 1650s: 20 af de 61 værker på denne side blev skabt dengang, herunder Vase of Flowers with Pocket Watch.
På denne side er det tidligste Still-Life with Armour (1635) og det seneste Still life with Orpheus salt cellar, fish, onions, bread, chestnuts and oysters, ca. 1680 (1680).
Flowers (14), Leaves (9) og Still life (9), fordelt på de 61 værker på denne side.
Oil On Canvas, for 44 af de 61 værker på denne side.
Baroque og Dutch golden age, baseret på originalerne på denne side.
Still Life, Rebhühner und Jagdgerät og Flower still life with a watch on a partly draped marble ledge: Bavarian State Painting Collections, München har 3 af værkerne på denne side.
Willem Van Aelst trådte frem fra Delfts historiske gader som en fremtrædende skikkelse i den hollandske guldalder, en periode defineret ved uovertruffen velstand og kunstnerisk forfinelse. Han blev født ind i en familie af fremtrædende byrådsmedlemmer, og hans vej mod lærredet blev banet gennem både arv og mentorskab. Hans kunstneriske rejse begyndte under det vågne øje fra hans onkel, Evert van Aelst, en respekteret stillebensmaler, der indprentede ham genrens grundlæggende teknikker. Ved 1643 var Van Aelst officielt optaget i Sankt Lukas-gildet i Delft, hvilket markerede hans overgang fra elev til mester.
Hans tidlige karriere var præget af en ekspansiv, kosmopolitisk ånd, der førte ham langt ud over Nederlandenes grænser. Mellem 1645 og 1649 boede han i Frankrig og rejste efterfølgende til Italien, hvor hans talenter høstede international anerkendelse. I Firenze tjente han som hofmaler for Ferdinando II de' Medici, storhertug af Toscana. I denne lysende periode var han kendt under det italiensk-klingende navn Guillielmo d'Olanda, og hans færdigheder var så højt værdsat, at storhertugen offentligt ærede ham med en guldkæde og en medalje. Denne eksponering for det middelhavslys og det sofistikerede smagsliv ved Medici-hoffet berigede uden tvivl hans visuelle ordforråd.
Van Aelst specialiserede sig i de udsøgte verdener inden for stillebensmaleriet, med et særligt fokus på blomsterarrangementer og vildt. Hans arbejde fejres for sin evne til at transformere det banale til det storslåede. Uanset om han skildrede et Breakfast Piece eller en samling af jagttrofæer, besad han en enestående evne til at besjæle livløse genstande med en mærkbar, åndende tilstedeværelse. Hans kompositioner benyttede ofte chiaroscuro – det dramatiske samspil mellem lys og skygge – til at skabe en dyb illusion af tekstur og rumlighed. I hans hænder blev løgets ru overflade, den delikate gennemsigtighed i en glasvase eller fuglens glitrende fjer til emner for intens psykologisk og sanselig fordybelse.
Ud over den rene tekniske virtuositet fungerede Van Aelsts malerier som komplekse vævninger af betydning. Hans værker udforskede ofte spændingen mellem skønhed og forfald, hvilket afspejlede det 17. århundredes fascination af vanitas – livets forgængelighed. I værker som hans Still-Life of Dead Birds and Hunting Weapons indfangede han en hjemsøgende skønhed, der talte til temaer om ære, død og den skrøbelige balance i naturens verden. Hans evne til at væve velstand sammen med dødelighed gjorde, at hans kunst resonerede dybt med de sociale og kulturelle værdier i den hollandske republik.
Ved sin hjemkomst til Nederlandene bosatte Van Aelst sig i Amsterdam, hvor han blev en af sin generations mest prominente stillebensmalere. Hans succes gjorde det muligt for ham at bo i det prestigefyldte Prinsengracht-distrikt, et vidnesbyrd om hans status i kunstverdenen. Hans indflydelse rakte langt ud over hans egne penselstrøg, da han blev læremester for flere bemærkelsesværdige kunstnere, der skulle føre den hollandske stillebens-tradition videre, herunder:
Willem Van Aelsts historiske betydning ligger ikke kun i hans individuelle mesterskab, men i hans rolle som en brobygger mellem de lokale traditioner i Delft og de større europæiske hoffer. Hans værker er bevaret på nogle af verdens mest ansete institutioner, herunder National Gallery of Art og Staatliche Museen zu Berlin, hvilket sikrer, at hans omhyggelige observationer af liv, lys og skygge fortsat vil fange beskuerens hjerte århundreder efter hans død.
