Portræt af Wilhelm Haller

De 1 mest berømte Wilhelm Haller-malerier, en galleriselektion

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 1 værker af Wilhelm Haller i vores katalog

Kort sagt

Af alle de originale værker, som Wilhelm Haller efterlod, er det mest berømte Mother with Child (1913), som er en del af samlingen på Augustiner Museum i Freiburg. Vores katalog indeholder 1 værker af Wilhelm Haller; galleriet har bevaret de 1 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.

1873 – 1950, Freiburg im Breisgau Flest værker: Augustiner Museum

Wilhelm Hallers top 10 malerier: galleriets udvalg

De museer, der udstiller Wilhelm Hallers originalværker

Det museum, der rummer flest af malerierne på denne side.

Museum By Værker af Wilhelm Haller Malerier fra denne liste
Augustiner Museum, FreiburgAugustiner Museum Freiburg 1 Mother with Child

Wilhelm Haller år for år: de originale værker, der definerer hvert år

1913 er året for hvert dateret Wilhelm Haller værk i dette udvalg: her er de, rangeret efter berømmelse.

Værker per år

Vælg et årstal for at se de originale værker.

Samleres spørgsmål om Wilhelm Hallers malerier

Hvilket værk er Wilhelm Haller mest kendt for?Vis svaret

Mother with Child (1913)

Hvor gammel var Wilhelm Haller, da Mother with Child blev skabt?Vis svaret

40 år gammel: Mother with Child er fra 1913, og Wilhelm Haller blev født i 1873.

Hvor mange malerier efterlod Wilhelm Haller?Vis svaret

Vores katalog indeholder 1 værker af Wilhelm Haller.

I hvilke museer udstilles Wilhelm Haller's mesterværker?Vis svaret

Primært i Augustiner Museum (Freiburg). Museumslisten ovenfor viser dem alle.

Wilhelm Haller: liv og værk

Early Life and Education in Freiburg

Born on May 28, 1873, in Freiburg im Breisgau, Germany, Wilhelm Haller entered a world where the brush was already a familiar presence. He was the son of Konrad Haller, a man who earned his living as a decorative painter. This early exposure to the craft meant that the language of color and form was part of the household atmosphere from his earliest years. Even as a child and throughout his youth, he found himself deeply preoccupied with the act of painting, a passion that seemed to reside within him long before he sought formal training.

His path through the educational institutions of Freiburg was steady. He attended the local Volksschule before moving on to the Berthold-Gymnasium. It was there, in 1892, that he completed his Abitur. While his academic training suggested a different trajectory, the pull of the visual arts remained a constant, quiet influence on his developing mind.

Following his graduation, Wilhelm Haller enrolled at the University of Freiburg. He initially turned his attention toward the study of political science, pursuing the complexities of statecraft and social structures. However, the academic rigor of the university could not entirely suppress his innate inclination toward art. By 1897, he made the definitive choice to abandon his studies of political science to devote himself entirely to the life of a painter.

Notable Works and Subjects

The artist’s hand often turned toward the intimate and the domestic, capturing the quiet presence of life in a way that felt deeply personal. In 1909, he painted a portrait of a small boy accompanied by a monkey, a work that shows his early engagement with character and companionship. This interest in the human form extended to more tender subjects, such as his 1919 composition titled Mother and Child. Through these studies, he explored the subtle connections between people and the animals that shared their world.

Beyond the human figure, the landscapes of his home region frequently occupied his thoughts. He sought to translate the ruggedness of the terrain onto his supports, whether using oil or tempera. In 1923, he rendered a river landscape featuring a castle perched upon limestone rocks. This fascination with the natural architecture of the land continued into his later years; by 1944, he had produced a view of the Black Forest, capturing the essence of the wooded hills that defined the landscape of his life.