Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 37 værker af Wilhelm Bendz i vores katalog
Kort sagt
I galleriets øjne er Wilhelm Bendzs mest berømte maleri The German Painter Marcus Johann Heaselich (1831), hvis original hænger på Statens Museum for Kunst i København. Countess Sophia Vilhelmine Moltke, née Levetzau (1831) og A Smoking Party (1828) fuldender trioen, som ethvert øje genkender. Ud af de 37 værker af Wilhelm Bendz i vores katalog præsenterer galleriet herunder de 37 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.
The light catches the side of a man's face, pulling him out of a deep, shadowy background. He sits in a moment of stillness, his gaze drifting toward the left of the frame as if lost in a thought that has nothing to do with the viewer. This is Marcus Johann Heaselich, captured in a way that feels less like a formal sitting and more like a sudden, fleeting glimpse…
The gaze of Countess Sophia Vilhelmine Moltke, née Levetzau, meets the viewer from within this 1831 portrait by Wilhelm Bendz. She sits with a quiet, composed dignity that speaks of her high social standing and noble lineage. Every detail of her presence suggests a moment of stillness in a life of structured elegance. The subject remains poised, her expression carrying an air of calm authority that defines her character.
by Wilhelm Bendz offers a glimpse into a private social gathering within a Copenhagen home during the Golden Age. Created about 1828, the work functions as an all-male genre grouping of tobacco addicts with a musical bent. The scene captures a moment of leisure and conversation among a circle of friends.
In "The Visit of the Beggar to the Artist" by Wilhelm Bendz, we find ourselves observing a quiet, domestic interior from the early 19th century. The composition is vertically oriented, utilizing a doorway as a framing device to create a sense of depth and a transition between different spaces. This structural choice draws the eye toward the central narrative: an elderly woman and a young child entering a room, seemingly…
In the portrait of the painter Niels Peter Holbech, Wilhelm Bendz utilizes a vertical medium shot to position the subject slightly off-center to the left. The young man, characterized by wavy brown hair, leans against a desk within the quiet confines of an artist's studio. He is dressed in a black waistcoat worn over a voluminous white shirt and a dark necktie. To the right, an anatomical sculpture provides a…
The German Painter Heinrich Marr is a portrait by the Danish artist Wilhelm Bendz. This work captures the likeness of the German painter Heinrich Marr, a man whose presence is fixed within the frame. The artist, Wilhelm Bendz, rendered this image about 1832, a period marking the final chapter of his own creative life.
The composition is vertical and dynamic, organized around a pyramidal arrangement of figures that directs the eye from the fallen soldiers in the foreground toward a central protagonist. This central figure, King Christian IV, is positioned amidst a chaotic battle scene, his stature enhanced by a low-angle perspective. The scene depicts the naval and land-based turmoil of the Battle of Koldby Heath in 1644, specifically focusing on the King's presence…
In Portræt af jomfru Nissen, Wilhelm Bendz presents a formal and dignified oil portrait of an elderly woman. The composition is a centered, bust-length study that focuses entirely on the subject's presence. She is positioned against a dark, muted background, which allows the viewer to focus on the quiet strength of her features. The color palette is dominated by deep, desaturated tones, creating a somber and classical atmosphere that feels…
The painting titled The Life Class at the Royal Academy of Fine Arts was executed by the Danish artist Wilhelm Bendz in 1826. This work is an oil on canvas that captures an observational scene of art instruction. The subject matter focuses on a life drawing class held within the interior of the Royal Academy of Fine Arts.
This oil on canvas painting, titled Young Pan in a Grotto. Model, was executed by the Danish artist Wilhelm Bendz in 1825. It represents a significant moment in the artist's early development, created during a period when he was refining his command of classical and mythological themes. The work captures a specific, quiet moment of repose, moving away from the genre scenes for which he would later become widely recognized.
Male Model1824 · Statens Museum for Kunst
12
Self-Portrait1825 · Statens Museum for Kunst
13
The Raffenberg Family1830 · Statens Museum for Kunst
14
Cathrine von Halle, née Nathanson1830 · Statens Museum for Kunst
15
Dame med strikketøj. En af kunstnerens søstre (?)1827 · Statens Museum for Kunst
16
Unknown Young Gentleman1831 · Statens Museum for Kunst
17
Marie Raffenberg, the Artist's Betrothed1831 · Statens Museum for Kunst
18
The Actor Christoffer Hvid1826 · Statens Museum for Kunst
19
The German Painter Herman Kaufmann1831 · Statens Museum for Kunst
20
A Sculptor in his Studio Working from the Life1827 · Statens Museum for Kunst
21
Interior with women and children around a table.1827
22
Outside the Odense poorhouse.1831 · Den Hirschsprungske Samling
23
Portrait of a young man with a Phrygian cap1825 · Ny Carlsberg Glyptotek
24
The painter Georg Heinrich Crola in his study.1832 · Alte Nationalgalerie
25
Artists in Finck's Coffee House1832 · Thorvaldsens Museum
26
Portrait of the German Painter Wilhelm von Kaulbach1832 · Statens Museum for Kunst
27
Portrait of a girl in a black dress sitting at table1837 · Statens Museum for Kunst
28
Portrait of a ManFitzwilliam-museet
29
A Coach House. Partenkirchen1831 · Statens Museum for Kunst
30
Parti ved Odense kanal1825 · Statens Museum for Kunst
31
Mountain landscape1831 · Den Hirschsprungske Samling
32
The Church of Ramsau1832 · The Ashmolean Museum of Art and Archaeology
33
Study of Light in a Vaulted Interior
34
Portrait of a WomanFitzwilliam-museet
35
A Young Artist (Ditlev Blunck) Examining a Sketch in a Mirror1826 · Statens Museum for Kunst
36
Familien Waagepetersen1830 · Statens Museum for Kunst
37
Interior from Amaliegade. Captain Carl Ludvig Bendz standing and Dr. Jacob Christian Bendz seated1829 · Den Hirschsprungske Samling
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Wilhelm Bendz | Malerier fra denne liste |
|---|---|---|---|
 Statens Museum for Kunst |
København | 22 | The German Painter Marcus Johann Heaselich, The German Painter Heinrich Marr, Christian IV på "Trefoldigheden" i slaget på Koldberger Heide 1644 |
 Den Hirschsprungske Samling |
København | 3 | Outside the Odense poorhouse., Mountain landscape, Interior from Amaliegade. Captain Carl Ludvig Bendz standing and Dr. Jacob Christian Bendz seated |
 Ny Carlsberg Glyptotek |
København | 2 | A Smoking Party, Portrait of a young man with a Phrygian cap |
 Fitzwilliam-museet |
Cambridge | 2 | Portrait of a Man, Portrait of a Woman |
 Nationalmuseum |
Stockholm | 1 | Countess Sophia Vilhelmine Moltke, née Levetzau |
 Fuglsang Art Museum |
Guldborgsund | 1 | portrait of the painter Niels Peter Holbech |
 Alte Nationalgalerie |
Berlin | 1 | The painter Georg Heinrich Crola in his study. |
 Thorvaldsens Museum |
København | 1 | Artists in Finck's Coffee House |
Næsten ti år, fra 1824 til 1832, var nok for Wilhelm Bendz: galleriet gennemgår dem år for år, ét berømt originalværk efter det andet.
Vælg et årstal for at se de originale værker.
In the portrait of the painter Niels Peter Holbech, Wilhelm Bendz utilizes a vertical medium shot to position the subject slightly off-center to the left. The young man, characterized by wavy brown hair, leans against a desk within the quiet confines of an artist's studio. He is dressed in a black waistcoat worn over a voluminous white shirt and a dark necktie. To the right, an anatomical sculpture provides a…
Mere fra 1824
In Portræt af jomfru Nissen, Wilhelm Bendz presents a formal and dignified oil portrait of an elderly woman. The composition is a centered, bust-length study that focuses entirely on the subject's presence. She is positioned against a dark, muted background, which allows the viewer to focus on the quiet strength of her features. The color palette is dominated by deep, desaturated tones, creating a somber and classical atmosphere that feels…
Mere fra 1825
The painting titled The Life Class at the Royal Academy of Fine Arts was executed by the Danish artist Wilhelm Bendz in 1826. This work is an oil on canvas that captures an observational scene of art instruction. The subject matter focuses on a life drawing class held within the interior of the Royal Academy of Fine Arts.
Mere fra 1826
A soft light spills from the upper left, catching the delicate curve of a young woman's profile as she sits in a moment of profound stillness. She is lost in the rhythmic, silent labor of her needles, her hands cradling a piece of white cloth that glows against the deep, light-absorbing velvet of her dress. There is a heavy, comforting weight to the fabric of her gown, a darkness that…
Mere fra 1827
by Wilhelm Bendz offers a glimpse into a private social gathering within a Copenhagen home during the Golden Age. Created about 1828, the work functions as an all-male genre grouping of tobacco addicts with a musical bent. The scene captures a moment of leisure and conversation among a circle of friends.
Mere fra 1828
In "The Visit of the Beggar to the Artist" by Wilhelm Bendz, we find ourselves observing a quiet, domestic interior from the early 19th century. The composition is vertically oriented, utilizing a doorway as a framing device to create a sense of depth and a transition between different spaces. This structural choice draws the eye toward the central narrative: an elderly woman and a young child entering a room, seemingly…
Mere fra 1829
In this 1830 portrait, we find ourselves invited into a private, tranquil interior where the Raffenberg family is gathered. The composition is structured with a gentle, triangular stability, placing a standing woman at the center of the group, her presence anchoring the seated figures below. There is a profound sense of stillness here, the kind found in a room where the air is heavy with the scent of old wood…
Mere fra 1830
The light catches the side of a man's face, pulling him out of a deep, shadowy background. He sits in a moment of stillness, his gaze drifting toward the left of the frame as if lost in a thought that has nothing to do with the viewer. This is Marcus Johann Heaselich, captured in a way that feels less like a formal sitting and more like a sudden, fleeting glimpse…
Mere fra 1831
The German Painter Heinrich Marr is a portrait by the Danish artist Wilhelm Bendz. This work captures the likeness of the German painter Heinrich Marr, a man whose presence is fixed within the frame. The artist, Wilhelm Bendz, rendered this image about 1832, a period marking the final chapter of his own creative life.
Mere fra 1832
The German Painter Marcus Johann Heaselich (1831), Statens Museum for Kunst, København. Derefter følger Countess Sophia Vilhelmine Moltke, née Levetzau (1831) og A Smoking Party (1828).
27 år gammel: The German Painter Marcus Johann Heaselich er fra 1831, og Wilhelm Bendz blev født i 1804.
The German Painter Marcus Johann Heaselich, Countess Sophia Vilhelmine Moltke, née Levetzau, A Smoking Party, The Visit of the Beggar to the Artist, portrait of the painter Niels Peter Holbech, The German Painter Heinrich Marr, Christian IV på "Trefoldigheden" i slaget på Koldberger Heide 1644, Portræt af jomfru Nissen, The Life Class at the Royal Academy of Fine Arts og Young Pan in a Grotto. Model. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 37 værker af Wilhelm Bendz, dateret fra 1824 til 1832.
Primært i Statens Museum for Kunst (København), Den Hirschsprungske Samling (København) og Ny Carlsberg Glyptotek (København). Museumslisten ovenfor viser dem alle.
I 1831: 8 af de 37 værker på denne side blev skabt dengang, herunder The German Painter Marcus Johann Heaselich.
På denne side er det tidligste portrait of the painter Niels Peter Holbech (1824) og det seneste The German Painter Heinrich Marr (1832).
Man (14), Woman (12) og Portrait (10), fordelt på de 37 værker på denne side.
Oil On Canvas, for 17 af de 37 værker på denne side.
Danish golden age, baseret på originalerne på denne side.
The German Painter Marcus Johann Heaselich, The German Painter Heinrich Marr og Christian IV på "Trefoldigheden" i slaget på Koldberger Heide 1644: Statens Museum for Kunst, København har 22 af værkerne på denne side.
