Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 141 værker af Vladimir Makovsky i vores katalog
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Af alle de originale værker, som Vladimir Makovsky efterlod, er det mest berømte I will not! (1892). Lige efter følger Verdict (1882) og Goodbye, Papa (1894). Vores katalog indeholder 141 værker af Vladimir Makovsky; galleriet har bevaret de 100 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
The scene unfolds within the oil painting titled "I will not!", a work that captures a fleeting moment of human interaction. This piece is the creation of Vladimir Makovsky, an artist who brought the realities of his era to the canvas. He lived from 1846 until 1920, leaving behind a body of work that reflects the shifting social landscapes of his time. Born in Moscow, Russia, Makovsky grew up immersed…
The oil painting depicts a group of figures gathered in a room characterized by heavy wooden furniture and architectural lines. A large, dark wooden table occupies the foreground, its surface reflecting a diffused light that illuminates the scene from an unseen source. At the center of the arrangement, a woman holds an infant. She wears garments of blue and white, which contrast against the darker, muted tones of the surrounding…
In this 1894 oil on canvas, a young woman and an older man are positioned in a close, physical connection. The woman wears a white dress and a veil that covers her head and shoulders. She holds the hand of the man, who is dressed in a dark suit. Their bodies are oriented toward one another, creating a central focus of contact amidst a quiet setting. To the left, a…
In this 1886 oil painting, two figures occupy the immediate foreground of a wide landscape. A woman and a young girl stand facing one another, positioned in a way that suggests a private conversation. The woman is dressed in a dark skirt paired with a lighter-colored blouse, while the girl wears a dress made of the same dark fabric as the woman's skirt. Their clothing is characteristic of traditional peasant…
The scene before us is titled From the rain, a work that emerges from the brush of the Russian painter Vladimir Makovsky. Created in 1887, this oil on canvas captures a specific, fleeting moment of life. The artist, born in Moscow, Russia, brings a sense of lived reality to this composition, grounding the viewer in a particular era of his homeland.
The air feels heavy with the scent of damp earth and decaying leaves. Sunlight filters through a dense canopy of intertwining branches, casting long, soft shadows across a forest floor carpeted in moss and fallen foliage. In this quiet, wooded clearing, two figures are caught in a private exchange. A man in a military uniform stands poised, his presence commanding yet still, facing a woman whose long dress flows around…
The canvas presents a study titled Study to ''January 9, 1905 on Vasilyevsky island'', a work that captures a specific, heavy moment in time. Created about 1907, the painting emerges from the hand of Vladimir Makovsky. He approaches the scene with the practiced eye of a man who understands the weight of a single, frozen instant. The brushwork holds a quiet tension, as if the air itself is waiting for…
In this oil painting from 1905-1906, a quiet domestic breakfast is suddenly fractured by an unexpected arrival. The scene unfolds around a dining table draped in a white tablecloth, set with the familiar items of a morning meal. The stillness of the room is broken by the presence of a woman who has just entered, her appearance marking her as a stranger to this well-to-do household. She wears a dark…
In this quiet genre painting, titled Grandma's Instruction, we encounter a private moment of domesticity captured by the Russian artist Vladimir Makovsky. Created in 1869, the work reflects the early period of a career that would eventually define much of the realist movement in Russia. Makovsky was a man of many roles—a painter, a teacher, and an art collector—whose life was deeply embedded in the artistic traditions of Moscow.
The artwork titled Lover of of antiquity was created by the Russian painter Vladimir Makovsky. This piece dates to about 1869, a year marking the conclusion of the artist's formal studies at the Moscow School of Painting, Sculpture, and Architecture. The work emerged during a period when Makovsky was establishing his presence within the Russian art scene, specifically through his involvement with the Association of Travelling Art Exhibitions.
Literary reading1866
12
Buddies1878
13
Study of the Head of an Old Man1883 · Cleveland Museum of Art
14
Maid with children1883 · Yekaterinburg Museum of Fine Arts
15
Ukrainian girl1882
16
The Peddler1880 · Metropolitan Museum of Art
17
The secret1884
18
Two pilgrims1885
19
A letter1883
20
The Prisoner1882
21
A portrait of E. I. Makovsky1880
22
In the hall1884
23
Date1883
24
Portrait of I. E. Tsvetkov1890
25
A portrait of E. S. Sorokin1891
26
Dilettante1896 · Zimmerli Art Museum at Rutgers University
27
Painter's family1893 · National Art Museum of Azerbaijan
28
Jesus Christ1894
29
An optimist and a pessimist1893
30
Arrival of a School Mistress in the Countryside1897
31
In the birch forest.1905 · Nationalmuseet i Warszawa
32
Ukrainian peasant girl1902
33
A conversation.1910 · Nationalmuseet i Warszawa
34
Portrait of a boy1908
35
Violinist1908
36
At the sexton1915 · Yekaterinburg Museum of Fine Arts
37
At the kitchen1913
38
At the Boulevard1887
39
Guitar player1879
40
Declaration of Love1891
41
A boy selling brew1861
42
A deacon1871
43
Knuckles1870
44
A gypsy lady1875
45
Waiting1875
46
Dinner (Farmer's Market in Moscow)1875
47
A Private Conversation1878
48
Making Jam1876
49
Making Jam1876
50
Visiting a poor people1874
51
The Meal1875
52
Fans of nightingales1873
53
Congratulations1878
54
A girl with geese1875 · Nizhniy Tagil State Museum of Fine Arts
55
Brew seller1879
56
Fishing1884
57
Moscow types1879
58
Peasant boys1880
59
Reprimand1883
60
Two ukrainians1882
61
Organ grinder1879
62
Fair1882
63
At the village school1883
64
Old man with a pipe1881
65
Politicians1884
66
The Collapse of a Bank (study)1880
67
At Noon1879
68
The Condemned1879
69
The Collapse of a Bank1881
70
In Search of Medicine1884
71
In a Country School1883
72
The Village Children1880
73
Midday Sun1881
74
Sergey Korovin1892 · Nationalmuseet i Warszawa
75
Old couple1889 · Nikanor Onatsky Regional Art Museum in Sumy
76
Crimean seashore1889
77
Wandering fiddler1886
78
Over the chips1892
79
The first coat1892
80
His First Suit1892
81
Prayer service at the farm in Ukraine1886
82
Miracle at Cana1887
83
Easter Te Deum1888
84
Easter Mass1888
85
The Doss House1889
86
Hunters at Rest1887
87
Fisherwomen1886
88
Don't Go!1892
89
Morning tea1891
90
Portrait of Alexei Ivanovitch Strelkovsky1889
91
Peasant children1890
92
Grandmother and granddaughter1895
93
Summer1896
94
Summer1896
95
Summer1896
96
Summer1896
97
At Volga1897
98
Two sisters1893
99
At the porter's room1893
100
To crown (Farewell)1894
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Vladimir Makovsky | Malerier fra denne liste |
|---|---|---|---|
 Yekaterinburg Museum of Fine Arts |
Jekaterinburg | 3 | Grandma's Instruction, Maid with children, At the sexton |
 Nationalmuseet i Warszawa |
Warszawa | 3 | In the birch forest., A conversation., Sergey Korovin |
 Cleveland Museum of Art |
Cleveland | 1 | Study of the Head of an Old Man |
 Metropolitan Museum of Art |
New York | 1 | The Peddler |
 Zimmerli Art Museum at Rutgers University |
New Brunswick | 1 | Dilettante |
 National Art Museum of Azerbaijan |
Baku | 1 | Painter's family |
 Nizhniy Tagil State Museum of Fine Arts |
Nizhny Tagil | 1 | A girl with geese |
 Nikanor Onatsky Regional Art Museum in Sumy |
Sumy | 1 | Old couple |
Vælg et årti for at se det originale værk, der definerer det.
In this quiet genre painting, titled Grandma's Instruction, we encounter a private moment of domesticity captured by the Russian artist Vladimir Makovsky. Created in 1869, the work reflects the early period of a career that would eventually define much of the realist movement in Russia. Makovsky was a man of many roles—a painter, a teacher, and an art collector—whose life was deeply embedded in the artistic traditions of Moscow.
The oil painting titled Buddies by Vladimir Makovsky depicts a domestic scene within a modestly furnished room. The work, created about 1878, portrays four men gathered around a table. One man in the group plays an acoustic guitar and sings, while the others sit as his audience. In the background, a young woman stands near an open doorway, observing the interaction from the threshold. The scene captures a moment of…
The oil painting depicts a group of figures gathered in a room characterized by heavy wooden furniture and architectural lines. A large, dark wooden table occupies the foreground, its surface reflecting a diffused light that illuminates the scene from an unseen source. At the center of the arrangement, a woman holds an infant. She wears garments of blue and white, which contrast against the darker, muted tones of the surrounding…
The scene unfolds within the oil painting titled "I will not!", a work that captures a fleeting moment of human interaction. This piece is the creation of Vladimir Makovsky, an artist who brought the realities of his era to the canvas. He lived from 1846 until 1920, leaving behind a body of work that reflects the shifting social landscapes of his time. Born in Moscow, Russia, Makovsky grew up immersed…
The air feels heavy with the scent of damp earth and decaying leaves. Sunlight filters through a dense canopy of intertwining branches, casting long, soft shadows across a forest floor carpeted in moss and fallen foliage. In this quiet, wooded clearing, two figures are caught in a private exchange. A man in a military uniform stands poised, his presence commanding yet still, facing a woman whose long dress flows around…
is an oil painting by the Russian artist Vladimir Makovsky. Created about 1910, the work captures a quiet social interaction within a dimly lit interior. The composition focuses on the intimate dialogue between two seated figures positioned across a small, cloth-covered table.
I will not! (1892). Derefter følger Verdict (1882) og Goodbye, Papa (1894).
46 år gammel: I will not! er fra 1892, og Vladimir Makovsky blev født i 1846.
I will not!, Verdict, Goodbye, Papa, Mother and daughter, From the rain, Before explaining the (Date), Study to ''January 9, 1905 on Vasilyevsky island'', Two mothers. Native mother and stepmother., Grandma's Instruction og Lover of of antiquity. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 141 værker af Vladimir Makovsky, dateret fra 1861 til 1915.
Primært i Yekaterinburg Museum of Fine Arts (Jekaterinburg), Nationalmuseet i Warszawa (Warszawa) og Cleveland Museum of Art (Cleveland). Museumslisten ovenfor viser dem alle.
I 1880s: 40 af de 100 værker på denne side blev skabt dengang, herunder Verdict.
På denne side er det tidligste A boy selling brew (1861) og det seneste At the sexton (1915).
Man (16), Woman (13) og Children (11), fordelt på de 100 værker på denne side.
Oil On Canvas, for 29 af de 100 værker på denne side.
Realism, baseret på originalerne på denne side.
Grandma's Instruction, Maid with children og At the sexton: Yekaterinburg Museum of Fine Arts, Jekaterinburg har 3 af værkerne på denne side.
Vladimir Yegorovich Makovsky (1846-1920) står som en skelsættende skikkelse i den russiske realistiske malerkunsts historie og fungerede som en dybsindig stemme for Peredvizhniki-bevægelsen. Han blev født ind i en familie, hvor kunsten ikke blot var et erhverv, men en livsstil, og hans tidlige år i Moskva var gennemsyret af kreative traditioner. Som søn af Yegor Ivanovich Makovsky, en berømt samler og grundlæder af Moskvas kunstskole, blev Vladimir opdraget i et miljø, der prioriterede kunstnerisk ekspertise og socialt ansvar. Sammen med sine brødre, Nikolai og Konstantin, blev han en del af en formidabel kunstnerisk dynasti, der fundamentalt ville omforme det russiske billedkunstlandskab ved at bevæge sig væk fra akademisk idealisme mod en mere ærlig og usminket skildring af virkeligheden.
Hans formelle rejse begyndte ved den prestigefyldte Moskvas skole for maleri, skulptur og arkitektur, hvor hans tekniske mesterskab blev smedet. Ved sin eksamen i 1869 søgte Makovsky ikke de hule bekvemmeligheder i de kejserlige akademier; i stedet sluttede han sig til Foreningen af Vandrende Kunstudstillinger. Denne beslutning var transformativ, da den placerede ham i hjertet af en bevægelse dedikeret til at bringe kunsten ud til folket og bruge lærredet som et spejl for samfundets kampe. Hans arbejde blev kendetegnet ved en fænomenal evne til at forene rustik humor med dybe, ofte rørende, sociale observationer. Gennem hans øjne transporteres beskueren ind i det 19. århundredes intime hjørner af Rusland, hvor man vidner om både bondestandens stille værdighed og storbylivets subtile ironi.
Makovskys værk er et mesterklasse i genremaleri, hvor hvert penselstrøg tjener til at belyse den menneskelende tilstand. Han besad et unikt talent for at indfange flygtige øjeblikke—et delt blik, en kortvarig pause fra arbejdet eller den stille spænding i et socialt møde. I værker som “Sælgeren af vindruejuice” og “Konservering af frugt” benytter han en delikat balance mellem lys og tekstur til at fremkalde landlivets atmosfære, og han inficerer sine scener med en mild ironi, der forhindrer dem i blot at blive sentimentale. Hans teknik gjorde det muligt for ham at navigere mellem de brede, ekspressive strøg, der kræves til atmosfæriske landskaber, og den minutiøse detaljegrad, som er nødvendig for psykologisk portrætkunst.
Udover charmen i hans mere letsindige scener var Makovsky en modig kronikør af social ulighed. Han brugte sin kunst som et kraftfuldt medie for samfundskritik og konfronterede beskueren med sin tids ubehagelige realiteter. Hans malerier udforskede ofte temaer som:
Den historiske vægt af Vladimir Makovskys bidrag kan ikke overvurderes. Som et ledende medlem af Vandrerne hjalp han med at nedbryde de akademiske kunsters monopol og banede vejen for en mere demokratisk og socialt engageret udtryksform. Hans evne til at væve det hverdagsagtige sammen med det monumentale gjorde det muligt for ham at skabe et visuelt sprog, der resonerede hos både intelligentsiaen og jævne folk. Selv i hans mest personlige værker, såsom hans selvportræt, mærker man en følelse af, hvordan den større verden presser sig mod individet—en refleksion af de turbulente historiske skift, der fandt sted i Rusland i hans levetid.
I dag lever Makovskys arv videre gennem hans billedspreds vedvarende kraft. Han forbliver en mester af det "sandfærdige" blik, som minder os om, at kunsten er mest potent, når den nægter at se væk fra livets kompleksiteter. Hans værker fortsætter med at blive studeret og beundret, ikke blot for deres tekniske brillans, men for deres dybe empati og deres evne til at indfange selve sjælen i en svunden æra.
