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De 2 mest berømte Viive Kuks-malerier, en galleriselektion
Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 2 værker af Viive Kuks i vores katalog
Kort sagt
Af alle de originale værker, som Viive Kuks efterlod, er det mest berømte Self portrait (1981), som er en del af samlingen på Tartu Art Museum. Vores katalog indeholder 2 værker af Viive Kuks; galleriet har bevaret de 2 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
født 1951, Tallinn
Flest værker: Tartu Art Museum
Viive Kukss top 10 malerier: galleriets udvalg
De museer, der udstiller Viive Kukss originalværker
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Viive Kuks | Malerier fra denne liste |
|---|---|---|---|
 Tartu Art Museum |
2 | Self portrait, Late Autumn |
Viive Kuks år for år: de originale værker, der definerer hvert år
Viive Kuks's daterede værker i dette udvalg dækker kun 5 år, fra 1977 til 1981: en kort karriere, vist her år for år.
Værker per år
Vælg et årstal for at se de originale værker.
Samleres spørgsmål om Viive Kukss malerier
Hvilket værk er Viive Kuks mest kendt for?Vis svaret
Self portrait (1981)
Hvor gammel var Viive Kuks, da Self portrait blev skabt?Vis svaret
30 år gammel: Self portrait er fra 1981, og Viive Kuks blev født i 1951.
Hvor mange malerier efterlod Viive Kuks?Vis svaret
Vores katalog indeholder 2 værker af Viive Kuks, dateret fra 1977 til 1981.
I hvilke museer udstilles Viive Kuks's mesterværker?Vis svaret
Primært i Tartu Art Museum. Museumslisten ovenfor viser dem alle.
Hvad er de første og de sidste berømte originaler af Viive Kuks?Vis svaret
På denne side er det tidligste Late Autumn (1977) og det seneste Self portrait (1981).
Hvilke værker af Viive Kuks udstilles på Tartu Art Museum?Vis svaret
Self portrait og Late Autumn: Tartu Art Museum har 2 af værkerne på denne side.
Viive Kuks: liv og værk
The Quiet Precision of Line and Landscape
Viive Kuks began her formal training in 1966 at the Tallinn School of Light Industry, focusing on the art of textile design. By 1970, she had moved into the specialized study of graphics at the Tallinn Art School. It was here that she studied under Evald Okas, a period that shaped her technical foundation. After receiving her diploma in free graphics in 1976, she chose to settle in Võru. Since that time, she has worked as a freelance artist, finding a rhythm in the landscape and the human form.
Her work often settles on the details of the natural world. She has a way of looking at a scene and finding the structure within it, whether through the sharp bite of a drypoint needle or the soft spread of watercolor. Her landscapes are not mere views; they are detailed, realistic observations of the earth. She moves between different mediums to capture these textures:
A Life in Print and Observation
The years following her move to Võru in 1976 saw her establishing herself within the Estonian art community. She became a member of the Artists' Union in 1984, and her exhibitions have been a steady presence since 1977. Her subjects are often rooted in the specificities of the Estonian terrain, capturing the weight of a tree or the stillness of a riverbank. There is a focus on the relationship between the human presence and the environment, often expressed through portraits or expansive, detailed views of the land.
Her technical range allows her to approach a subject from many angles. A print might capture the starkness of a specific tree, such as the Lauri oak in Urvaste, while a painting might explore the light reflecting off the Emajõgi river in Tartu. This commitment to the physical reality of her surroundings defines her practice. She works with a steady hand, focusing on the precision required by her preferred graphic techniques.