Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 40 værker af Wojciech Weiss i vores katalog
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Kiss on the Grass (1900) er det maleri af Wojciech Weiss, der vækker mest opsigt; originalen findes på Muzeum Narodowe w Poznaniu, Poznań. Derefter falder blikket på The Male Nude (1896) og Consumptive (1898). Blandt de 40 værker af Wojciech Weiss i vores katalog er disse 40 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.
Two figures lie amidst the greenery, their bodies pressed together in a quiet embrace. Red fabric catches the light, a sharp contrast against the sprawling grass of the meadow. Around them, the landscape breathes with the presence of others, scattered figures that drift through the depth of the field like half-remembered thoughts. The scene captures a stillness, a pause in the movement of life where the air feels heavy with…
The Male Nude is an oil on canvas painting by Wojciech Weiss. The artist, born in Leorda, Romania, captured this single figure in a moment of physical exertion or repose. The work dates to about 1896.
In "Consumptive" by Wojciech Weiss, we are presented with an intimate, close-up portrait that focuses entirely on the head and upper torso of a single man. The subject is positioned slightly off-center, a choice that lends a sense of naturalism to the scene. He is depicted with his head resting heavily upon his hand, a posture that immediately draws the eye to the physical weight of his presence. This arrangement…
This oil portrait, executed in 1903, presents a close-up, medium shot of a man identified as Feliks Jasieński. The subject is positioned slightly off-center, shown from the head to the upper torso. He is depicted in a contemplative pose, resting his head upon his hand. His facial features include a beard, and his gaze is directed toward the viewer. The lighting originates from the upper left, casting shadows across the…
In Wojciech Weiss's Bacchanalia, a sense of rhythmic motion pulls the viewer into a dense thicket of life. The composition feels crowded and immersive, as if the viewer is standing directly within a swirling mass of nude figures caught in a state of ecstatic dance. These bodies intertwine with one another, creating a complex, layered arrangement that leaves little empty space. Amidst this human movement, lush and oversized botanical elements,…
The Nude is a vertically oriented oil painting on canvas, created in 1902. The composition features a solitary nude female figure seated in profile, positioned slightly to the right of the center. The subject is depicted in a moment of repose, evoking a sense of quiet introspection and solitude. The figure is set against a textured, atmospheric background, creating an intimate depth through an eye-level, close-up perspective.
A nude female figure sits in a contemplative, curled pose, her back and profile turned toward the viewer. The composition is vertical, emphasizing the organic curves of the subject as she rests upon a chair. Soft, diffused light washes over the pale skin of her shoulder, back, and thigh, creating a luminous contrast against the deeper shadows that define her anatomy. The palette relies on warm, earthy tones—ochre, sienna, and…
This oil on canvas, titled Portrait of Włodzimierz Perzyński, writer, was painted by Wojciech Weiss about 1901. The work presents a formal study of Włodzimierz Perzyński, a Polish writer and dramatist who was an active member of the Young Poland movement. Through this portrait, Weiss captures a specific moment in the intellectual landscape of the era.
Wojciech Weiss’s Portrait of Stanisław Florek, railway official, created about 1902, presents a medium close-up of a middle-aged man. The sitter is positioned slightly off-center, shown from the waist up against a dark, indistinct background. Abstract shapes in shades of brown and red provide a sense of depth behind the figure without distracting from the subject.
In this intimate oil on canvas, we encounter Portrait of artist’s mother, a work created by Wojciech Weiss around 1900. The painting offers a quiet, psychological study of the artist's own mother, capturing a moment of profound introspection. It is a piece that reflects the early development of Weiss's unique visual language during a period of significant stylistic transition.
The Model (1911)1911 · Nationalmuseet i Kraków
12
Nude in a Red Shawl1910 · Nationalmuseet i Kraków
13
By Lightlamp – Portrait of Artist's Aunt1910 · Nationalmuseet i Kraków
14
Portrait of Henryka Dłuska (1850–1936)1910 · Nationalmuseet i Warszawa
15
Portait of August Iwański1910 · Nationalmuseet i Warszawa
16
Portrait of artist’s sister and her husband1908 · Nationalmuseet i Warszawa
17
Portrait of Irena, artist’s wife, in the garden1917 · Nationalmuseet i Warszawa
18
Female semi-nude – Dancer1923 · Nationalmuseet i Warszawa
19
In the Studio1895
20
Little Ridge Ko cielec1898
21
Gumno in Ukraine1901 · Nationalmuseet i Kraków
22
Flower garden1900 · Nationalmuseet i Kraków
23![Reproduction of the lost painting Szopen [Chopin] (1899) af Wojciech Weiss](/media/artworks/images-thumb/31/8b/318b2a887545fd059d6252c2b4c7e902.jpg)
Reproduction of the lost painting Szopen [Chopin]1899 · Fryderyk Chopin Institutet i Warszawa
24
Evening1900 · Nationalmuseet i Warszawa
25
Landscape in Normany1900
26
The Jewish Cemetery in Strzyzow1901
27
The Japanese Girl1900
28
Italian Girl1901
29![Sketch for the painting Szopen [Chopin] (1899) af Wojciech Weiss](/media/artworks/images-thumb/68/39/6839b86040fe8ffef1fe46c9556ec3f8.jpg)
Sketch for the painting Szopen [Chopin]1899 · Fryderyk Chopin Institutet i Warszawa
30
Landscape with Trees1910 · Nationalmuseet i Kraków
31
Autumn Landscape – Environs of Kalwaria Zebrzydowska1916 · Nationalmuseet i Kraków
32
Trees1917 · Nationalmuseet i Warszawa
33
Venus1916 · Nationalmuseet i Warszawa
34
Nude Woman1950 · Vistula River Museum
35
Garden in ItalyThe Polish Museum in Rapperswil
36
Springtime1898 · Nationalmuseet i Warszawa
37
The Demon1904 · Nationalmuseet i Kraków
38
Self-Portrait with Masks1900 · Nationalmuseet i Kraków
39
Manifesto1949 · Nationalmuseet i Warszawa
40
Melancholic1894 · Nationalmuseet i Kraków
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 6 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Wojciech Weiss | Malerier fra denne liste |
|---|---|---|---|
 Nationalmuseet i Kraków |
Kraków | 15 | The Male Nude, Portrait of Feliks Jasieński, Bacchanalia |
 Nationalmuseet i Warszawa |
Warszawa | 14 | Consumptive, Portrait of Włodzimierz Perzyński, writer, Portrait of Stanisław Florek, railway official |
 Fryderyk Chopin Institutet i Warszawa |
Warszawa | 2 | Reproduction of the lost painting Szopen [Chopin], Sketch for the painting Szopen [Chopin] |
 Muzeum Narodowe w Poznaniu |
Poznań | 1 | Kiss on the Grass |
 Vistula River Museum |
Kazimierz Dolny | 1 | Nude Woman |
 The Polish Museum in Rapperswil |
Rapperswil-sur-Rippe | 1 | Garden in Italy |
Vælg et årti for at se det originale værk, der definerer det.
The Male Nude is an oil on canvas painting by Wojciech Weiss. The artist, born in Leorda, Romania, captured this single figure in a moment of physical exertion or repose. The work dates to about 1896.
Two figures lie amidst the greenery, their bodies pressed together in a quiet embrace. Red fabric catches the light, a sharp contrast against the sprawling grass of the meadow. Around them, the landscape breathes with the presence of others, scattered figures that drift through the depth of the field like half-remembered thoughts. The scene captures a stillness, a pause in the movement of life where the air feels heavy with…
A single female figure reclines upon an ornate sofa, her body a long, horizontal line cutting through the frame. She rests in a shallow interior, her pale skin catching a soft, diffused light that separates her from the shadows. The composition pulls the eye from her feet in the lower left toward her head on the right, creating a sense of quiet repose. There is a heavy, painterly quality to…
A seated woman rests in the dimness, her form caught between the heavy folds of dark drapery and a sudden, sharp light. The light enters from the upper left, carving the contours of her torso and face with a sculptural weight. She is a dancer, yet there is no movement here, only a quiet, heavy stillness. Her gaze is cast downward, lost in a private, shadowed thought. The skin of…
Kiss on the Grass (1900), Muzeum Narodowe w Poznaniu, Poznań. Derefter følger The Male Nude (1896) og Consumptive (1898).
25 år gammel: Kiss on the Grass er fra 1900, og Wojciech Weiss blev født i 1875.
Kiss on the Grass, The Male Nude, Consumptive, Portrait of Feliks Jasieński, Bacchanalia, The Nude, The Model, Portrait of Włodzimierz Perzyński, writer, Portrait of Stanisław Florek, railway official og Portrait of artist’s mother. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 40 værker af Wojciech Weiss, dateret fra 1894 til 1950.
Primært i Nationalmuseet i Kraków (Kraków), Nationalmuseet i Warszawa (Warszawa) og Fryderyk Chopin Institutet i Warszawa (Warszawa). Museumslisten ovenfor viser dem alle.
I 1900s: 18 af de 40 værker på denne side blev skabt dengang, herunder Kiss on the Grass.
På denne side er det tidligste Melancholic (1894) og det seneste Nude Woman (1950).
Woman (11), Man (8) og Nude (5), fordelt på de 40 værker på denne side.
Oil On Canvas, for 10 af de 40 værker på denne side.
Expressionism og Symbolism, baseret på originalerne på denne side.
The Male Nude, Portrait of Feliks Jasieński og Bacchanalia: Nationalmuseet i Kraków, Kraków har 15 af værkerne på denne side.
Født i Bukovina af Stanisław Weiss og Maria Kopaczyńska, måtte Wojciech Weiss' musikalske anlæg vige pladsen for en intens passion for malerkunsten efter et møde med Stanisław Przybyszewski. Han fulgte sine kunstneriske studier ved Kunstakademiet i Kraków under Leon Wyczółkowski, hvor han indledningsvis fokuserede på historiske eller mytologiske motiver, før han omfavnede ekspressionismen som en dybdegående reaktion på Przybyszewskis indflydelse. Hans tilslutning til Wiener-secessionen i 1903 markerede et vendepunkt i hans kunstneriske rejse; denne tilknytning eksponerede ham for avantgarde-ideer og drev ham mod dristigere stilistiske valg. Hans store gennembrud kom med ‘Melancholic,’ en hjemsøgende skildring af sorgfuld emotion, der cementerede hans ry som en af Polens fremmeste ekspressionistiske kunstnere.
Weiss formåede med stor dygtighed at blande symbolistisk æstetik med indflydelser fra Art Nouveau, hvilket er tydeligt i hans dekorative plakater – især dem til Krakow Teaterfestival – som vidner om et exceptionelt talent for visuel historiefortælling. Disse værker udviste en omhyggelig detaljegrad og inkorporerede evokative billeder med rødder i polsk folklore og mytologi. Selvom de kunstneriske strømninger skiftede gennem hans karriere, forblev Weiss tro mod socialistisk realisme mod slutningen af sit liv, hvor han producerede monumentale lærreder, der fejrede de sovjetiske polske præstationer. Denne stilistiske tilpasning afspejlede et ønske om at engagere sig i samtidens sociale spørgsmål, samtidig med at han ærede sine formative indflydelser. Wojciech Weiss' samlede værk omfatter over 300 malerier, tegninger og tryk – et vidnesbyrd om hans flittige kreativitet og urokkelige dedikation til kunstnerisk udforskning. Hans værker er placeret på fremtrædende museer i både Polen og internationalt, hvilket sikrer, at hans bidrag til polsk kunst fortsat inspirerer generationer af kunstnere og lærde.
Wojciech Weiss' distinkte stil er karakteriseret ved intens emotion formidlet gennem dæmpede farvepaletter og dynamiske penselstrøg – et kendetegn for ekspressionismen. Hans lærreder indfanger psykologiske tilstande med en bemærkelsesværdig følsomhed, der reflekterer de angster og usikkerheder, der prægede hans tid. Centrale værker inkluderer ‘Melancholic,’ et mesterværk af sørgmodig introspektion; ‘Selvportræt med masker,’ som dykker ned i temaer om identitet og fortielse; ‘Obsession,’ der skildrer dyb følelsesmæssig turbulens; ‘Dæmonen,’ som legemliggør mørke og fortvivlelse; og ‘Manifest,’ der fejrer hundredeåret for Polens uafhængighed med monumental storhed.
Det ikoniske maleri ‘Melancholic’ eksemplificerer Weiss' ekspressionistiske tilgang ved at bruge et dystert farveskema til at formidle dyb melankoli. Hans selvportræt med masker er bemærkelsesværdigt for sin symbolske repræsentation af skjulte følelser og angst – et tilbagevendende motiv i hans virke. Maleriet ‘Obsession’ indfanger den psykologiske kamp med en mesterlig teknik, der afspejler Weiss' optagethed af menneskelig emotion. Dæmonen inkarnerer mørke og desperation gennem dramatisk lyssætning og ekspressiv penselføring – et bevis på Weiss' kunstneriske formåen. Endelig står det monumentale lærred ‘Manifest,’ skabt i 1949-50, som et kraftfuldt visuelt statement, der reflekterer hans vedvarende engagement over for socialistisk realisme.
Wojciech Weiss' kunstneriske udvikling blev dybt præget af de intellektuelle strømninger i Young Poland – især Przybyszewskis filosofiske udforskning af eksistentialisme og spiritualitet. Han opsugede inspiration fra impressionister som Monet og Sisley og tilpassede deres teknikker til at formidle både følelse og atmosfære. Desuden indgik han i en dialog med symbolistiske kunstnere som Edvard Munch og Gustav Klimt, hvilket bragte evokative billeder og psykologisk dybde ind i hans kompositioner. Hans kunstneriske evolution spejlede de bredere transformationer, der fandt sted i europæisk kunst i det tidlige 20. århundrede – en periode præget af eksperimentering og et opgør med akademiske konventioner.
