Portræt af Richard Wilson

De 100 mest berømte Richard Wilson-malerier, en galleriselektion

Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 324 værker af Richard Wilson i vores katalog

Kort sagt

Af alle de originale værker, som Richard Wilson efterlod, er det mest berømte Prince George and Prince Edward Augustus, Sons of Frederick, Prince of Wales, with Their Tutor Dr. Francis Ayscough (1748), som er en del af samlingen på Yale Center for British Art i New Haven. Lige efter følger The Inner Temple after the Fire of 4 January (1737) og Rome from the Villa Madama (1765). Vores katalog indeholder 324 værker af Richard Wilson; galleriet har bevaret de 100 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.

1713 – 1782, Islington Romanticism Flest værker: Yale Center for British Art

Richard Wilsons top 10 malerier: galleriets udvalg

1
Prince George and Prince Edward Augustus, Sons of Frederick, Prince of Wales, with Their Tutor Dr. Francis Ayscough (1748) af Richard Wilson

Prince George and Prince Edward Augustus, Sons of Frederick, Prince of Wales, with Their Tutor Dr. Francis Ayscough

1748 · Oil On Canvas · Yale Center for British Art, New Haven

The composition is structured around a triangular arrangement of three male figures within a classical interior. On the left, a tall adult figure stands in a dark robe, providing a vertical anchor to the scene. To the right, two young boys are seated upon a red settee. The lighting originates from the left, casting a strong illumination across the faces of the subjects and highlighting the textures of the silk…

2
The Inner Temple after the Fire of 4 January (1737) af Richard Wilson

The Inner Temple after the Fire of 4 January

1737 · Oil On Canvas

We are looking at The Inner Temple after the Fire of 4 January, a significant work by the artist Richard Wilson. This oil on canvas was painted about 1737, capturing a moment of profound urban devastation. The scene focuses on the architectural ruins and the aftermath of a fire within the historic legal district.

3
Rome from the Villa Madama (1765) af Richard Wilson

Rome from the Villa Madama

1765 · Oil On Canvas · National Gallery of Canada, Ottawa

The Tiber meanders through the valley, a silver thread winding through the heart of Rome. From the elevated vantage of Monte Mario, the city unfolds in a series of soft, hazy layers. The landscape is framed by the heavy, dark presence of trees in the foreground, their bark textured and deep in shadow. These organic pillars push the viewer back, creating a sudden, expansive depth that pulls the eye toward…

4
The White Monk (1760) af Richard Wilson

The White Monk

1760 · Oil On Canvas · Museum of Fine Arts, Houston, Houston

The White Monk is an oil on canvas painting by Richard Wilson. Created about 1760, this work captures a specific moment of light and shadow within a vast landscape. The artist, who was born in Penegoes, United Kingdom, in 1713, sought to render the atmosphere of the natural world through careful brushwork and a structured composition.

5
Italian Landscape (Morning) (1760) af Richard Wilson

Italian Landscape (Morning)

1760 · Oil On Canvas · Yale Center for British Art, New Haven

In Italian Landscape (Morning), Richard Wilson organizes the scene through a traditional landscape structure that guides the eye through a carefully balanced environment. The foreground is defined by rugged, rocky terrain where several figures rest near the water. Moving into the middle ground, the composition settles upon a winding river and the weathered forms of stone ruins. These architectural remnants provide a sense of weight and history against the softer…

6
St Peters and the Vatican from the Janiculum, ... (1757) af Richard Wilson

St Peters and the Vatican from the Janiculum, ...

1757 · Oil On Canvas · Art Gallery of New South Wales, Sydney

In this 1757 oil on canvas, St Peters and the Vatican from the Janiculum, ... by Richard Wilson captures a specific, sweeping perspective of the Roman landscape. The view is taken from the elevated vantage point of the Janiculum hill, offering a wide look at the architectural and natural features of the city. On the left, the composition includes the buildings that surround the Piazza San Pietro, while the right…

8
The Vale of Narni (1760) af Richard Wilson

The Vale of Narni

1760 · Oil On Canvas

The Vale of Narni is a landscape painting by Richard Wilson, executed around 1760. The work presents a classic landscape scene, focusing on the topographical features of a valley. It reflects the artist's engagement with the Italianate traditions developed during his travels in Italy.

10
Tivoli and the Roman Campagna with a Man and Woman (1767) af Richard Wilson

Tivoli and the Roman Campagna with a Man and Woman

1767 · Oil On Canvas · Museum of Fine Arts, Boston

The sun hangs low over the Roman Campagna, casting a warm, honeyed glow across a vast and tranquil valley. In this quiet moment, the landscape breathes with a soft, luminous light that blurs the line between the earth and the hazy sky. To the right, a large, detailed tree reaches upward, its dark foliage acting as a sturdy anchor against the sprawling vista. On the left, steep, wooded cliffs rise…

Richard Wilson-udvalget fortsætter, fra 11 til 100

11Ceyx and Alcyone (1800) af Richard WilsonCeyx and Alcyone1800 · National Library of Wales 12Small Landscape (1748) af Richard WilsonSmall Landscape1748 · Smithsonian American Art Museum 13View of Snowdon from Llyn Nantlle (1766) af Richard WilsonView of Snowdon from Llyn Nantlle1766 · Nottingham Castle Museum And Art Gallery 14Holt Bridge on the River Dee (1759) af Richard WilsonHolt Bridge on the River Dee1759 · National Gallery 15Caernarvon Castle (1744) af Richard WilsonCaernarvon Castle1744 · Detroit Institute of Arts 16The Temple of the Sibyl, Tivoli (1752) af Richard WilsonThe Temple of the Sibyl, Tivoli1752 · National Gallery of Ireland 17The Palace of Mycenas, Tivoli, and Distant View of Rome (1752) af Richard WilsonThe Palace of Mycenas, Tivoli, and Distant View of Rome1752 · National Gallery of Ireland 18Ariccia (1754) af Richard WilsonAriccia1754 19Caernarfon Castle (1745) af Richard WilsonCaernarfon Castle1745 · Yale Center for British Art 20Rome from the Villa Madama (1753) af Richard WilsonRome from the Villa Madama1753 · Yale Center for British Art 21Dover (1746) af Richard WilsonDover1746 · Yale Center for British Art 22Solitude (1762) af Richard WilsonSolitude1762 · National Gallery of Ireland 23Landscape (1760) af Richard WilsonLandscape1760 · Buffalo AKG Art Museum 24A Summer Evening (Caernarfon Castle) (1764) af Richard WilsonA Summer Evening (Caernarfon Castle)1764 · Yale Center for British Art 25Wilton House from the Southeast (1759) af Richard WilsonWilton House from the Southeast1759 · Yale Center for British Art 26Hadrian's Villa (1760) af Richard WilsonHadrian's Villa1760 · Yale Center for British Art 27Tivoli: The Temple of the Sybil and the Campagna (1765) af Richard WilsonTivoli: The Temple of the Sybil and the Campagna1765 · Kimbell Art Museum 28Lake Albano (1762) af Richard WilsonLake Albano1762 · National Gallery of Art 29Dolbadarn Castle on a Summer Evening (1760) af Richard WilsonDolbadarn Castle on a Summer Evening1760 · Tyntesfield 30view on the river Dee with anglers (1770) af Richard Wilsonview on the river Dee with anglers1770 · National Library of Wales 31Landscape (1770) af Richard WilsonLandscape1770 · National Library of Wales 32Cader Idris, with the Mawddach River (1774) af Richard WilsonCader Idris, with the Mawddach River1774 · Cleveland Museum of Art 33Coastal landscape (1770) af Richard WilsonCoastal landscape1770 · Bavarian State Painting Collections 34Dinas Bran from Llangollen (1772) af Richard WilsonDinas Bran from Llangollen1772 · Art Gallery of South Australia 35Hadrian's Villa (1775) af Richard WilsonHadrian's Villa1775 · Auckland Art Gallery Toi o Tāmaki 36A View of the Tiber with Rome in the Distance (1775) af Richard WilsonA View of the Tiber with Rome in the Distance1775 · Yale Center for British Art 37Lago d'Agnano with Vesuvius in the distance (1770) af Richard WilsonLago d'Agnano with Vesuvius in the distance1770 · Yale Center for British Art 38Lago d'Agnano with the Grotta del Cane (1770) af Richard WilsonLago d'Agnano with the Grotta del Cane1770 · Yale Center for British Art 39Wooded hill with two gypsy women on a road. (1771) af Richard WilsonWooded hill with two gypsy women on a road.1771 40Lake Albano And Castel Gandolfo (1785) af Richard WilsonLake Albano And Castel Gandolfo1785 · Birmingham Museum and Art Gallery 41Cicero's Villa and the Gulf of Pozzuoli (1776) af Richard WilsonCicero's Villa and the Gulf of Pozzuoli1776 · Yale Center for British Art 42Apollo and the Seasons (Classical Landscape) (1779) af Richard WilsonApollo and the Seasons (Classical Landscape)1779 · Smithsonian American Art Museum 43East India Company flintlock pistol in 15 bore (0.665”) (1787) af Richard WilsonEast India Company flintlock pistol in 15 bore (0.665”)1787 · Hong Kong Maritime Museum 44Meleager and Atalanta (1770) af Richard WilsonMeleager and Atalanta1770 · Tate Britain 45Apollo and the Seasons af Richard WilsonApollo and the SeasonsFitzwilliam Museum 46Chief Justice Peter Oliver af Richard WilsonChief Justice Peter OliverMuseum of Fine Arts 47Apollo Destroying the Children of Niobe af Richard WilsonApollo Destroying the Children of NiobeMuseum of Fine Arts 48A coastal landscape with figures dancing at the mouth of a river af Richard WilsonA coastal landscape with figures dancing at the mouth of a river 49Rome from the Ponte Molle af Richard WilsonRome from the Ponte Molle 50A Rocky Bay with Figures af Richard WilsonA Rocky Bay with Figures 51The Thames near Marble Hill af Richard WilsonThe Thames near Marble Hill 52Tivoli, the Villa of Maecenas af Richard WilsonTivoli, the Villa of MaecenasBirmingham Museum and Art Gallery 53View at Tivoli af Richard WilsonView at Tivoli 54Valle crucis abbey af Richard WilsonValle crucis abbeyNational Library of Wales 55Landscape with a River af Richard WilsonLandscape with a River 56A Boy with Apples af Richard WilsonA Boy with Apples 57Pembroke Town and Castle af Richard WilsonPembroke Town and Castle 58Dolgellau bridge af Richard WilsonDolgellau bridge 59Head of a Capuchin af Richard WilsonHead of a Capuchin 60Aquae Albulae, near Tivoli af Richard WilsonAquae Albulae, near Tivoli 61View of Tivoli - The Cascatelle and the 'Villa of Maecenas' af Richard WilsonView of Tivoli - The Cascatelle and the 'Villa of Maecenas'Dulwich Picture Gallery 62Landscape with Diana and Callisto af Richard WilsonLandscape with Diana and Callisto 63Sir edward lloyd af Richard WilsonSir edward lloyd 64A View of the Thames af Richard WilsonA View of the Thames 65Hadrian's Villa, near Tivoli af Richard WilsonHadrian's Villa, near Tivoli 66A welsh landscape af Richard WilsonA welsh landscape 67Ruined Castle on a Lake af Richard WilsonRuined Castle on a Lake 68Owen of Ynymaengwyn af Richard WilsonOwen of Ynymaengwyn 69On the Tiber, Italy af Richard WilsonOn the Tiber, Italy 70Captain Walter Griffith of Bron-Gain af Richard WilsonCaptain Walter Griffith of Bron-GainNational Library of Wales 71Landscape with a River and Ruins af Richard WilsonLandscape with a River and Ruins 72The hermitage af Richard WilsonThe hermitagePetworth House 73Dolbadarn castle af Richard WilsonDolbadarn castle 74Portrait of a Man af Richard WilsonPortrait of a Man 75Gypsies at the Entrance to a Wood af Richard WilsonGypsies at the Entrance to a WoodAnglesey Abbey 76The boat man af Richard WilsonThe boat man 77Ruined Tower with Figure af Richard WilsonRuined Tower with Figure 78Francis Ayscough with the Prince of Wales, Later King George III, and Edward Augustus, Duke of York and Albany af Richard WilsonFrancis Ayscough with the Prince of Wales, Later King George III, and Edward Augustus, Duke of York and AlbanyNational Portrait Gallery 79The White Monk af Richard WilsonThe White Monk 80Portrait of Flora MacDonald (1722 1790) af Richard WilsonPortrait of Flora MacDonald (1722 1790) 81A View of Wilton House from the South East af Richard WilsonA View of Wilton House from the South East 82View of Syon House across the Thames near Kew Gardens (1760) af Richard WilsonView of Syon House across the Thames near Kew Gardens1760 · Neue Pinakothek 83View of the Wilderness in St. James's Park (1770) af Richard WilsonView of the Wilderness in St. James's Park1770 · Yale Center for British Art 84The Mawddach Valley and Cader Idris (1774) af Richard WilsonThe Mawddach Valley and Cader Idris1774 · Walker Art Gallery 85Landscape Capriccio with Tomb of the Horatii and Curiatii, and the Villa of Maecenas at Tivoli (1754) af Richard WilsonLandscape Capriccio with Tomb of the Horatii and Curiatii, and the Villa of Maecenas at Tivoli1754 · National Museum of Western Art 86The White Monk af Richard WilsonThe White Monk 87A View near Rome af Richard WilsonA View near RomeNational Gallery of Ireland 88An Extensive View of Croome Court, Worcestershire, from the South af Richard WilsonAn Extensive View of Croome Court, Worcestershire, from the South 89Bridge of Augustus at Rimini af Richard WilsonBridge of Augustus at RiminiFitzwilliam Museum 90Apollo and the Seasons af Richard WilsonApollo and the SeasonsIndianapolis Kunstmuseum 91River Landscape with a Boy Fishing (On the Arno) af Richard WilsonRiver Landscape with a Boy Fishing (On the Arno)Museum of Fine Arts 92Landscape with River Valley af Richard WilsonLandscape with River ValleyGemäldegalerie 93Landscape with Banditti af Richard WilsonLandscape with Banditti 94Landscape with Castle af Richard WilsonLandscape with Castle 95Hounslow heath af Richard WilsonHounslow heath 96View of the Arne - Boys Bathing af Richard WilsonView of the Arne - Boys Bathing 97Landscape with Old Castle af Richard WilsonLandscape with Old Castle 98Landscape with Two Figures af Richard WilsonLandscape with Two Figures 99Rome - St Peter's and the Vatican from the Janiculum af Richard WilsonRome - St Peter's and the Vatican from the Janiculum 100Okehampton castle af Richard WilsonOkehampton castleBirmingham Museum and Art Gallery

Motiverne, der fangede Richard Wilsons blik

De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.

De museer, der udstiller Richard Wilsons originalværker

De 8 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Richard Wilson Malerier fra denne liste
Yale Center for British Art, New HavenYale Center for British Art New Haven 17 Prince George and Prince Edward Augustus, Sons of Frederick, Prince of Wales, with Their Tutor Dr. Francis Ayscough, Italian Landscape (Morning), Caernarfon Castle
National Library of Wales, AberystwythNational Library of Wales Aberystwyth 13 Ceyx and Alcyone, view on the river Dee with anglers, Landscape
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 4 Tivoli and the Roman Campagna with a Man and Woman, Chief Justice Peter Oliver, Apollo Destroying the Children of Niobe
National Gallery of Ireland, DublinNational Gallery of Ireland Dublin 4 The Temple of the Sibyl, Tivoli, The Palace of Mycenas, Tivoli, and Distant View of Rome, Solitude
Birmingham Museum and Art Gallery, BirminghamBirmingham Museum and Art Gallery Birmingham 3 Lake Albano And Castel Gandolfo, Tivoli, the Villa of Maecenas, Okehampton castle
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 4 Small Landscape, Apollo and the Seasons (Classical Landscape)
Fitzwilliam MuseumFitzwilliam Museum 4 Apollo and the Seasons, Bridge of Augustus at Rimini
Art Gallery of South Australia, AdelaideArt Gallery of South Australia Adelaide 2 Cicero with his friend Atticus and brother Quintus, at his villa at Arpinum, Dinas Bran from Llangollen

Richard Wilson årti for årti: det originale værk, der definerer hvert enkelt

Værker per årti

Vælg et årti for at se det originale værk, der definerer det.

Samleres spørgsmål om Richard Wilsons malerier

Hvilket værk er Richard Wilson mest kendt for?Vis svaret

Prince George and Prince Edward Augustus, Sons of Frederick, Prince of Wales, with Their Tutor Dr. Francis Ayscough (1748), Yale Center for British Art, New Haven. Derefter følger The Inner Temple after the Fire of 4 January (1737) og Rome from the Villa Madama (1765).

Hvor gammel var Richard Wilson, da Prince George and Prince Edward Augustus, Sons of Frederick, Prince of Wales, with Their Tutor Dr. Francis Ayscough blev skabt?Vis svaret

35 år gammel: Prince George and Prince Edward Augustus, Sons of Frederick, Prince of Wales, with Their Tutor Dr. Francis Ayscough er fra 1748, og Richard Wilson blev født i 1713.

Hvad er de ti mest berømte Richard Wilson malerier?Vis svaret

Prince George and Prince Edward Augustus, Sons of Frederick, Prince of Wales, with Their Tutor Dr. Francis Ayscough, The Inner Temple after the Fire of 4 January, Rome from the Villa Madama, The White Monk, Italian Landscape (Morning), St Peters and the Vatican from the Janiculum, ..., Tivoli–Temple of the Sibyl and the Campagna, The Vale of Narni, Cicero with his friend Atticus and brother Quintus, at his villa at Arpinum og Tivoli and the Roman Campagna with a Man and Woman. Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange malerier efterlod Richard Wilson?Vis svaret

Vores katalog indeholder 324 værker af Richard Wilson, dateret fra 1737 til 1779.

I hvilke museer udstilles Richard Wilson's mesterværker?Vis svaret

Primært i Yale Center for British Art (New Haven), National Library of Wales (Aberystwyth) og Museum of Fine Arts (Boston). Museumslisten ovenfor viser dem alle.

I hvilke år malede Richard Wilson sine mest berømte værker?Vis svaret

I 1770s: 16 af de 100 værker på denne side blev skabt dengang, herunder Cicero with his friend Atticus and brother Quintus, at his villa at Arpinum.

Hvad er de første og de sidste berømte originaler af Richard Wilson?Vis svaret

På denne side er det tidligste The Inner Temple after the Fire of 4 January (1737) og det seneste Apollo and the Seasons (Classical Landscape) (1779).

Hvilke motiver valgte Richard Wilson oftest?Vis svaret

Landscape (23), Figures (15) og Mountains (14), fordelt på de 100 værker på denne side.

Hvilken teknik brugte Richard Wilson mest?Vis svaret

Oil On Canvas, for 16 af de 100 værker på denne side.

Hvilken kunstretning tilhører Richard Wilson?Vis svaret

Romanticism, baseret på originalerne på denne side.

Hvilke værker af Richard Wilson udstilles på Yale Center for British Art?Vis svaret

Prince George and Prince Edward Augustus, Sons of Frederick, Prince of Wales, with Their Tutor Dr. Francis Ayscough, Italian Landscape (Morning) og Caernarfon Castle: Yale Center for British Art, New Haven har 13 af værkerne på denne side.

Richard Wilson: liv og værk

Richard Wilson: A Pioneer of British Landscape Painting

Richard Wilson (1714–1782) stands as a monumental figure in the annals of British art history, recognized universally as one of the foremost landscape painters of his era and arguably the progenitor of a distinctly British artistic tradition. Born in Islington, London, on August 1st, 1714 – though some scholars debate this date – Wilson’s early life remains shrouded in obscurity, reflecting the limitations of archival records prevalent during his lifetime. Nevertheless, evidence suggests he received a robust classical education fostered by his clergyman father, equipping him with foundational knowledge crucial for mastering the artistic disciplines that would define his career.
  • Early Training & Apprenticeship: Wilson’s initial artistic skills were honed through self-study and observation alongside instruction from Thomas Wright, establishing him as a student of the established portraitist tradition.
  • Initial Portraits: His early output consisted primarily of portraits, demonstrating his aptitude for capturing likenesses with meticulous detail and conveying psychological nuance – an influence notably evident in his depictions of Godfrey Kneller.

The Transformation to Landscape Art

Wilson’s artistic trajectory underwent a dramatic metamorphosis during the mid-1750s, propelled by a pivotal journey to Italy. This expedition wasn't merely a vacation; it constituted an immersive encounter with the artistic fervor of the Italian Renaissance and Baroque periods, profoundly impacting his stylistic sensibilities. Exposure to the canvases of Claude Lorrain – particularly his idealized depictions of Arcadia – ignited Wilson’s imagination and instilled in him a fervent admiration for Lorrain’s masterful manipulation of light and atmosphere. This influence extended beyond mere aesthetic preference; it fundamentally reshaped Wilson's compositional approach, encouraging him to prioritize grandeur and harmony—characteristics that would become hallmarks of his subsequent landscapes.
  • Italian Influence: Claude Lorrain’s techniques – specifically the use of atmospheric perspective – became a cornerstone of Wilson’s artistic vocabulary.
  • Classical Composition: He adopted classical principles of balance and proportion, mirroring the grandeur of Roman temples and palaces in his paintings.

Mature Style & Distinctive Vision

Wilson cultivated a uniquely British aesthetic that transcended mere imitation of continental styles. While acknowledging the influence of artists like Gainsborough—whose ability to capture fleeting moments of emotion resonated deeply with Wilson—he distinguished himself through an unwavering commitment to idealized beauty and a deliberate structuring of his compositions. His landscapes weren’t simply representations of scenery; they were carefully crafted narratives designed to evoke contemplation and convey profound emotional resonance. He skillfully employed atmospheric perspective, creating convincing illusions of depth and distance – a technique perfected by artists like Turner—and bathed his canvases in warm, golden light reminiscent of the Tuscan sun, capturing the tranquility and majesty of the English countryside.
  • Atmospheric Perspective: Wilson’s masterful use of atmospheric haze and tonal gradation conveyed an unparalleled sense of depth and realism.
  • Golden Light: The luminous quality of his paintings—particularly those depicting Snowdon—became synonymous with British landscape art, embodying a spirit of serenity and sublime grandeur.

Notable Works & Legacy

Wilson’s artistic output encompassed a vast panorama of landscapes spanning Britain and Italy, cementing his reputation as one of the most prolific painters of his generation. Among his celebrated masterpieces are “Meleager and Atalanta” (c. 1743), which exemplifies his ability to distill the essence of British pastoralism into a single evocative image; “The Hengö Watch” (1756–57)—a monumental depiction of the German Baltic coast—demonstrating Wilson’s mastery of color, texture and compositional balance; and numerous other canvases portraying iconic locations such as Snowdonia National Park. His influence extended far beyond his immediate contemporaries, shaping the artistic sensibilities of subsequent generations of British painters including Constable, Turner and Crome. Wilson's unwavering devotion to capturing the sublime beauty of nature established a distinctively British tradition that continues to inspire artists today.
  • Iconic Landscapes: Snowdon from Llyn Nantlle remains one of Britain’s most recognizable landscapes, embodying Wilson’s vision of idealized rural grandeur.

Recognition & Museums Collections

Richard Wilson's enduring artistic legacy is safeguarded in prominent museums across the United Kingdom and beyond: Tate Britain in London houses a substantial collection of his paintings, Walker Art Gallery in Liverpool showcases masterpieces from his oeuvre, and National Museum Wales in Cardiff proudly displays significant works reflecting Wilson’s artistic achievements. His contribution to British art history remains undeniable—a testament to his pioneering spirit and unwavering commitment to elevating landscape painting to the highest levels of aesthetic excellence.