De 100 mest berømte Pompeo Batoni-malerier, hver og en unik

Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 164 værker af Pompeo Batoni i vores katalog

Kort sagt

Hercules at the Crossroads (detail) (1748) er det maleri af Pompeo Batoni, der vækker mest opsigt; originalen findes på Liechtenstein Museum, Wien. Derefter falder blikket på A Knight in Rome: Charles Cecil Roberts (1778) og Gaetano II Sforza Cesarini, Duke of Segni (1768). Blandt de 164 værker af Pompeo Batoni i vores katalog er disse 100 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.

1708 – 1787, Lucca Neoclassicism Flest værker: Uppark

1. Hercules at the Crossroads (detail) 1748

2. A Knight in Rome: Charles Cecil Roberts 1778

3. Gaetano II Sforza Cesarini, Duke of Segni 1768

Top 10 malerier af Pompeo Batoni, set gennem galleriets øjne

Hercules at the Crossroads (detail)

1748 · Oil On Canvas · Liechtenstein Museum, Wien

To stand before a depiction such as Pompeo Batoni’s Hercules at the Crossroads is to be invited into a profound moment of human reckoning. This painting, dating from 1748, transcends mere portraiture or mythological illustration; it captures the very essence of decision-making—that fraught, beautiful space where potential futures diverge. The central figure, Hercules, is rendered not in the throes of battle, but in deep, almost agonizing contemplation. His posture, with…

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A Knight in Rome: Charles Cecil Roberts

1778 · Oil On Canvas · Museo del Prado, Madrid

Pompeo Batoni’s “A Knight in Rome: Charles Cecil Roberts” stands as a quintessential embodiment of the Rococo artistic movement, capturing not merely a portrait but an entire atmosphere of refined grandeur and intellectual contemplation. Painted in 1778, this monumental canvas—measuring 221 x 157 cm—currently resides within the hallowed halls of the Museo del Prado in Madrid, Spain, ensuring its legacy continues to inspire awe and admiration.

Om dette originalværk

Gaetano II Sforza Cesarini, Duke of Segni

1768 · Oil On Canvas · National Gallery of Victoria, Melbourne

The gaze of Gaetano II Sforza Cesarini, Duke of Segni, meets the observer through this 1768 portrait by Pompeo Batoni. The sitter carries the weight of a significant lineage, appearing as the second son to survive to adulthood of Giuseppe Sforza. His presence in the frame reflects the prominence he held as a Papal politician throughout the 1750s and 1760s. Every detail of his bearing suggests a man deeply embedded…

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Time Unveiling Truth

1742 · Oil · Art Institute of Chicago, Chicago

A Celestial Ascent of Allegory The air feels thick with the movement of a cosmic drama, a swirling ascent where the terrestrial and the divine collide. In this 1742 oil painting, figures rise through a luminous sky, their bodies caught in a rhythmic, upward surge that defies gravity. Drapery flows in heavy, silken waves, catching a light that seems to pour from the upper left, casting soft shadows across porcelain…

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Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley

1785 · Oil On Canvas · Yale Center for British Art, New Haven

The work is titled Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley. It was executed by the artist Pompeo Batoni. The painting dates to 1785. Records indicate that the subject was evidently in Rome in 1785 at the time of the sitting.

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Alexander Gordon, 4th Duke of Gordon (1743 - 1827)

1764 · Oil On Canvas · Scottish National Gallery, Edinburgh

Alexander Gordon, 4th Duke of Gordon, is presented in a formal grand manner portrait that emphasizes his status and connection to the natural world. He is positioned centrally within a landscape, his presence anchored by a large brown horse to his left and hunting dogs at his feet. The composition is vertical, drawing the eye from the upward gesture of his arm toward the sky. A saturated red frock coat…

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John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile

1761 · Oil On Canvas · Scottish National Portrait Gallery, Edinburgh

The Duke of Roxburghe occupies the center of the frame, a figure of quiet authority amidst a setting of classical grandeur. He sits with an upright, stately posture, his presence commanding the space through a combination of velvet and light. A heavy crimson cloak, deep and saturated, drapes around him, its texture suggesting the weight of fine velvet. The ermine fur at his collar provides a sharp, creamy contrast to…

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Portrait of John Woodyeare

1750 · Oil On Canvas · Minneapolis Institute of Art, Minneapolis

The young man occupies the space with a quiet, commanding poise, his body turned slightly to create a sense of movement within the stillness. He is draped in the heavy, luxurious textures of the mid-eighteenth century, where deep forest green and crimson red collide against a dark, atmospheric background. Light falls across his features with a dramatic chiaroscuro effect, catching the soft sheen of his silk attire and the delicate,…

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Peter Beckford (1740-1811), godsejer, Dorset.

1766 · Oil On Canvas · Statens Museum for Kunst, København

A full-length figure of Peter Beckford occupies the center-right of this vertical composition. He is depicted standing in a landscape, wearing a red frock coat with silver applications, paired with breeches and stockings. His pose is elegant, with one hand holding a paper and the other a walking stick. At his feet sits a small dog. To the left, a large stone pedestal provides a vertical counterweight to the subject.…

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The Rotterdam tobacco trader Pieter Caarten

1778 · Oil On Canvas · Museum Boijmans Van Beuningen, Rotterdam

Pieter Caarten, a thirty-seven-year-old tobacco merchant from Rotterdam, sits for this formal portrait in Rome in 1778. Captured in a three-quarter view, the subject gazes directly at the viewer with a reserved, serious expression. He is presented from the chest up, a composition that emphasizes his dignified posture and the material markers of his success. A powdered white wig frames a face rendered with smooth, precise transitions, while a subtle…

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Pompeo Batonis berømte malerier, nummer 11 til 100

Hercules at the Crossroads (1748) af Pompeo Batoni

Hercules at the Crossroads1748 · Liechtenstein Museum 12

Hercules at the Crossroads (1742) af Pompeo Batoni

Hercules at the Crossroads1742 · Palazzo Pitti 13

Hercules at the Crossroads (1765) af Pompeo Batoni

Hercules at the Crossroads1765 · Hermitage Museum 14

Sir Sampson Gideon and an unidentified companion (1767) af Pompeo Batoni

Sir Sampson Gideon and an unidentified companion1767 · National Gallery of Victoria 15

Peace and War1776 · Art Institute of Chicago 16

Portrait of Aleksandra née Lubomirska, Wife of Stanisław Potocki (1758–1831) (1780) af Pompeo Batoni

Portrait of Aleksandra née Lubomirska, Wife of Stanisław Potocki (1758–1831)1780 · Nationalmuseet i Kraków 17

James Caulfeild, fourth Viscount Charlemont (Later first Earl of Charlemont) (1753) af Pompeo Batoni

James Caulfeild, fourth Viscount Charlemont (Later first Earl of Charlemont)1753 · Yale Center for British Art 18

Peace and Justice (1745) af Pompeo Batoni

Peace and Justice1745 · Montreal Museum of Fine Arts 19

The infant Hercules strangling serpents in his cradle (1743) af Pompeo Batoni

The infant Hercules strangling serpents in his cradle1743 · Palazzo Pitti 20

Samson and Delilah (1766) af Pompeo Batoni

Samson and Delilah1766 · Detroit Institute of Arts 21

Atis and Galathea (1761) af Pompeo Batoni

Atis and Galathea1761 · Nationalmuseum 22

Philip Metcalfe1766 · National Portrait Gallery 23

Portrait of John Rolle Walter, MP and landowner, Exeter (1753) af Pompeo Batoni

Portrait of John Rolle Walter, MP and landowner, Exeter1753 · Statens Museum for Kunst 24

Saint Andrew1741 · Art Institute of Chicago 25

Portrait of Duchess Sforza Cesarini (d.1765) (1768) af Pompeo Batoni

Portrait of Duchess Sforza Cesarini (d.1765)1768 · Birmingham Museum and Art Gallery 26

Portrait of Prince B. Kurakin (1782) af Pompeo Batoni

Portrait of Prince B. Kurakin1782 · Hermitage Museum 27

Allegory of the Arts (1740) af Pompeo Batoni

Allegory of the Arts1740 · Städel Museum 28

Portrait of Cardinal Prospero Colonna di Sciarra (1750) af Pompeo Batoni

Portrait of Cardinal Prospero Colonna di Sciarra1750 · Walters Art Museum 29

Portrait of Cardinal Jean-François Joseph de Rochechouart (1762) af Pompeo Batoni

Portrait of Cardinal Jean-François Joseph de Rochechouart1762 · Saint Louis Art Museum 30

Portrait of Joseph Henry of Straffan (1750) af Pompeo Batoni

Portrait of Joseph Henry of Straffan1750 · Walters Art Museum 31

Venus Presenting Aeneas with Armour Forged by Vulcan (1748) af Pompeo Batoni

Venus Presenting Aeneas with Armour Forged by Vulcan1748 · Liechtenstein Museum 32

James Bruce of Kinnaird, 1730 - 1794. African explorer (1762) af Pompeo Batoni

James Bruce of Kinnaird, 1730 - 1794. African explorer1762 · Scottish National Portrait Gallery 33

George Legge, Viscount Lewisham (1778) af Pompeo Batoni

George Legge, Viscount Lewisham1778 · Museo del Prado 34

Thomas William Coke (1773) af Pompeo Batoni

Thomas William Coke1773 · Holkham Hall 35

Portrait of John Talbot, later 1st Earl Talbot (1773) af Pompeo Batoni

Portrait of John Talbot, later 1st Earl Talbot1773 · J. Paul Getty Museum 36

Christ in Glory with Saints Celsus, Julian, Marcionilla and Basilissa (1736) af Pompeo Batoni

Christ in Glory with Saints Celsus, Julian, Marcionilla and Basilissa1736 · J. Paul Getty Museum 37

Portrait of a man (1733) af Pompeo Batoni

Portrait of a man1733 38

Portrait of Joseph Leeson, later 1st Earl of Milltown (1711-1783) (1744) af Pompeo Batoni

Portrait of Joseph Leeson, later 1st Earl of Milltown (1711-1783)1744 · National Gallery of Ireland 39

Time Revealing Truth (1742) af Pompeo Batoni

Time Revealing Truth1742 · Rhode Island School of Design Museum of Art 40

Christ Appearing to St. Ampelius (1742) af Pompeo Batoni

Christ Appearing to St. Ampelius1742 · Rhode Island School of Design Museum of Art 41

Saint John the Evangelist (1741) af Pompeo Batoni

Saint John the Evangelist1741 · Basildon Park 42

Saint Paul1741 · Basildon Park 43

God the Father and the Holy Spirit (1741) af Pompeo Batoni

God the Father and the Holy Spirit1741 · Basildon Park 44

Saint James the Less (1741) af Pompeo Batoni

Saint James the Less1741 · Basildon Park 45

Saint Matthew1741 · Basildon Park 46

Saint Philip1741 · Basildon Park 47

Saint Peter1741 · Basildon Park 48

Saint Thomas1741 · Basildon Park 49

Maddalena penitente (1742) af Pompeo Batoni

Maddalena penitente1742 · Staatliche Kunstsammlungen Dresden 50

Apollo, Euterpe and Urania (1741) af Pompeo Batoni

Apollo, Euterpe and Urania1741 · Muzeum Palacu Króla Jana Iii w Wilanowie 51

The Virgin of the Annunciation (1741) af Pompeo Batoni

The Virgin of the Annunciation1741 52

Apollon, Euterpe and Urania (1741) af Pompeo Batoni

Apollon, Euterpe and Urania1741 53

The Ecstasy of St Catherine of Siena (1743) af Pompeo Batoni

The Ecstasy of St Catherine of Siena1743 · Museo Nazionale di Villa Guinigi 54

Elector Carl Theodor of the Palatinate (1747) af Pompeo Batoni

Elector Carl Theodor of the Palatinate1747 · Bavarian State Painting Collections 55

Pope Pius VI1747 · Bavarian State Painting Collections 56

A Lady of the Leeson Family as a Shepherdess (1751) af Pompeo Batoni

A Lady of the Leeson Family as a Shepherdess1751 · National Gallery of Ireland 57

Presumed Portrait of the Marchesa Caterina Gabrielli as Diana (1751) af Pompeo Batoni

Presumed Portrait of the Marchesa Caterina Gabrielli as Diana1751 · National Gallery of Ireland 58

Joseph Leeson, later 2nd Earl of Milltown (1730-1801) (1751) af Pompeo Batoni

Joseph Leeson, later 2nd Earl of Milltown (1730-1801)1751 · National Gallery of Ireland 59

Study for "Antiochus and Stratonice" (1746) af Pompeo Batoni

Study for "Antiochus and Stratonice"1746 · Cleveland Museum of Art 60

Vulcan at his Forge (1750) af Pompeo Batoni

Vulcan at his Forge1750 · National Gallery of Canada 61

Purity of Heart1752 · Uppark 62

Meekness1752 · Uppark 63

Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear (1751) af Pompeo Batoni

Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear1751 · Uppark 64

Sir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) with Wreaths of Fruit and Corn (1751) af Pompeo Batoni

Sir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) with Wreaths of Fruit and Corn1751 · Uppark 65

Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), as Diana (1751) af Pompeo Batoni

Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), as Diana1751 · Uppark 66

Benjamin Lethieullier MP (1728/9-1797), with two Wild Boar Spears (1752) af Pompeo Batoni

Benjamin Lethieullier MP (1728/9-1797), with two Wild Boar Spears1752 · Uppark 67

Sir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) as a Hunter with a Wild Boar Spear (1751) af Pompeo Batoni

Sir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) as a Hunter with a Wild Boar Spear1751 · Uppark 68

Katherine Durnford, later Mrs Utrick Fetherstonhaugh, as Flora (1751) af Pompeo Batoni

Katherine Durnford, later Mrs Utrick Fetherstonhaugh, as Flora1751 · Uppark 69

The Reverend Utrick Fetherstonhaugh (1717/18-1788) as Apollo (1751) af Pompeo Batoni

The Reverend Utrick Fetherstonhaugh (1717/18-1788) as Apollo1751 · Uppark 70

Lascelles Raymond Iremonger (1718/19–1793) with Wreaths of Corn and Roses (1751) af Pompeo Batoni

Lascelles Raymond Iremonger (1718/19–1793) with Wreaths of Corn and Roses1751 · Uppark 71

Francis Hutchinson (d. 1807) (traditionally called John Hatch of Lissen Hall) (1747) af Pompeo Batoni

Francis Hutchinson (d. 1807) (traditionally called John Hatch of Lissen Hall)1747 · Hatchlands Park 72

Portrait of Charles Eugene, Duke of Württemberg (1728-1793) (1755) af Pompeo Batoni

Portrait of Charles Eugene, Duke of Württemberg (1728-1793)1755 · Landesmuseum Württemberg 73

Hercules at the Crossroads (1753) af Pompeo Batoni

Hercules at the Crossroads1753 · Galleria Sabauda 74

Vulcan in his Forge (1750) af Pompeo Batoni

Vulcan in his Forge1750 75

Aeneas fleeing from Troy (1750) af Pompeo Batoni

Aeneas fleeing from Troy1750 · Galleria Sabauda 76

Truth and Mercy1745 · Montreal Museum of Fine Arts 77

Portrait of a Gentleman (1762) af Pompeo Batoni

Portrait of a Gentleman1762 · Rhode Island School of Design Museum of Art 78

Portrait of William Legge, Second Earl of Dartmouth (1756) af Pompeo Batoni

Portrait of William Legge, Second Earl of Dartmouth1756 · Hood Museum of Art 79

Sir Robert Davers, 5th Bt (1729-1763), aged 21 (1756) af Pompeo Batoni

Sir Robert Davers, 5th Bt (1729-1763), aged 211756 · Ickworth 80

George Lucy (1714 – 1786) (1758) af Pompeo Batoni

George Lucy (1714 – 1786)1758 · Charlecote Park 81

Self portrait1765 · Bavarian State Painting Collections 82

William Fermor1758 · Museum of Fine Arts, Houston 83

Edward, Duke of York (1739-67) (1764) af Pompeo Batoni

Edward, Duke of York (1739-67)1764 · Royal Collection 84

Pope Benedict XIV presenting the Encyclical 'Ex Omnibus' to the Comte de Stainville, later Duc de Choiseul (1757) af Pompeo Batoni

Pope Benedict XIV presenting the Encyclical 'Ex Omnibus' to the Comte de Stainville, later Duc de Choiseul1757 · Minneapolis Institute of Art 85

The Crucifixion1762 · Museum of Fine Arts 86

Luigi Boccherini (1764) af Pompeo Batoni

Luigi Boccherini1764 · National Gallery of Victoria 87

Portrait of Prince Abbondio Rezzonico as Senator of Rome (1765) af Pompeo Batoni

Portrait of Prince Abbondio Rezzonico as Senator of Rome1765 · Walters Art Museum 88

portrait of a cardinal (1758) af Pompeo Batoni

portrait of a cardinal1758 89

Academic Nude1765 90

Elector Karl Theodor of the Palatinate (1775) af Pompeo Batoni

Elector Karl Theodor of the Palatinate1775 · Bavarian State Painting Collections 91

Portrait of Pope Pius VI, Giovanni Angelo Braschi (1717-1799) (1775) af Pompeo Batoni

Portrait of Pope Pius VI, Giovanni Angelo Braschi (1717-1799)1775 · National Gallery of Ireland 92

Edward Howard (1744–1767) (1766) af Pompeo Batoni

Edward Howard (1744–1767)1766 · Victoria and Albert Museum 93

Bust-length portrait of Pope Clement XIII (1772) af Pompeo Batoni

Bust-length portrait of Pope Clement XIII1772 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe 94

Alexander Stewart of Ards (1746-1791) (1773) af Pompeo Batoni

Alexander Stewart of Ards (1746-1791)1773 · Mount Stewart 95

Self-portrait1770 96

Robert Throckmorton (1750-1779) (1772) af Pompeo Batoni

Robert Throckmorton (1750-1779)1772 · Coughton Court 97

The Right Hon. Sir John Parnell, 2nd Bt (1744–1801) (1769) af Pompeo Batoni

The Right Hon. Sir John Parnell, 2nd Bt (1744–1801)1769 · Castle Ward 98

Study for the Portrait of Emperor Joseph II. (1769) af Pompeo Batoni

Study for the Portrait of Emperor Joseph II.1769 · Slovak National Gallery 99

Portrait of John Corbet of Sundorne Castle, Shrewsbury (1773) af Pompeo Batoni

Portrait of John Corbet of Sundorne Castle, Shrewsbury1773 · Worcester Art Museum 100

Portrait of Thomas Fortescue1767

Pompeo Batonis berømte malerier, periode for periode

Early Period

1736 – 1745 · 4 værker på denne liste

The infant Hercules strangling serpents in his cradle (1743), Pompeo Batoni

#19 The infant Hercules strangling serpents in his cradle 1743 · Palazzo Pitti

#24 Saint Andrew 1741 · Art Institute of Chicago

Christ in Glory with Saints Celsus, Julian, Marcionilla and Basilissa (1736), Pompeo Batoni

#36 Christ in Glory with Saints Celsus, Julian, Marcionilla and Basilissa 1736 · J. Paul Getty Museum

#76 Truth and Mercy 1745 · Montreal Museum of Fine Arts

Mature Period

1740 – 1782 · 32 værker på denne liste

Hercules at the Crossroads (detail) (1748), Pompeo Batoni

#1 Hercules at the Crossroads (detail) 1748 · Liechtenstein Museum

A Knight in Rome: Charles Cecil Roberts (1778), Pompeo Batoni

#2 A Knight in Rome: Charles Cecil Roberts 1778 · Museo del Prado

Gaetano II Sforza Cesarini, Duke of Segni (1768), Pompeo Batoni

#3 Gaetano II Sforza Cesarini, Duke of Segni 1768 · National Gallery of Victoria

Time Unveiling Truth (1742), Pompeo Batoni

#4 Time Unveiling Truth 1742 · Art Institute of Chicago

Alexander Gordon, 4th Duke of Gordon (1743 - 1827) (1764), Pompeo Batoni

#6 Alexander Gordon, 4th Duke of Gordon (1743 - 1827) 1764 · Scottish National Gallery

Motiverne, der fangede Pompeo Batonis blik

De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.

De museer, der udstiller Pompeo Batonis originalværker

De 8 museer, der rummer flest af malerierne på denne side.

Museum	By	Værker af Pompeo Batoni	Malerier fra denne liste
Uppark		11	Purity of Heart, Meekness, Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear
Basildon Park		9	Saint John the Evangelist, Saint Paul, God the Father and the Holy Spirit
National Gallery of Ireland	Dublin	5	Portrait of Joseph Leeson, later 1st Earl of Milltown (1711-1783), A Lady of the Leeson Family as a Shepherdess, Presumed Portrait of the Marchesa Caterina Gabrielli as Diana
Bavarian State Painting Collections	München	4	Elector Carl Theodor of the Palatinate, Pope Pius VI, Self portrait
Liechtenstein Museum	Wien	4	Hercules at the Crossroads (detail), Hercules at the Crossroads, Venus Presenting Aeneas with Armour Forged by Vulcan
Art Institute of Chicago	Chicago	4	Time Unveiling Truth, Peace and War, Saint Andrew
National Gallery of Victoria	Melbourne	3	Gaetano II Sforza Cesarini, Duke of Segni, Sir Sampson Gideon and an unidentified companion, Luigi Boccherini
Walters Art Museum	Baltimore	3	Portrait of Cardinal Prospero Colonna di Sciarra, Portrait of Joseph Henry of Straffan, Portrait of Prince Abbondio Rezzonico as Senator of Rome

Pompeo Batoni gennem årtierne: ét unikt originalværk til hver

Værker per årti

Vælg et årti for at se det originale værk, der definerer det.

1740s

Hercules at the Crossroads (detail)

Nr. 1 / 100 · Liechtenstein Museum, Wien

Alder 32 – 41 35 værker i dette årti

Om dette originalværk

Pompeo Batonis malerier: spørgsmål til galleriet

Hvad er det mest berømte værk af Pompeo Batoni?Vis svaret

Hercules at the Crossroads (detail) (1748), Liechtenstein Museum, Wien. Derefter følger A Knight in Rome: Charles Cecil Roberts (1778) og Gaetano II Sforza Cesarini, Duke of Segni (1768).

Hvilken alder havde Pompeo Batoni, da Hercules at the Crossroads (detail) blev skabt?Vis svaret

40 år gammel: Hercules at the Crossroads (detail) er fra 1748, og Pompeo Batoni blev født i 1708.

Hvilke ti malerier af Pompeo Batoni er de mest berømte?Vis svaret

Hercules at the Crossroads (detail), A Knight in Rome: Charles Cecil Roberts, Gaetano II Sforza Cesarini, Duke of Segni, Time Unveiling Truth, Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley, Alexander Gordon, 4th Duke of Gordon (1743 - 1827), John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile, Portrait of John Woodyeare, Peter Beckford (1740-1811), godsejer, Dorset. og The Rotterdam tobacco trader Pieter Caarten. Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange værker af Pompeo Batoni er kendt?Vis svaret

Vores katalog indeholder 164 værker af Pompeo Batoni, dateret fra 1733 til 1785.

Hvor kan de mest berømte originaler af Pompeo Batoni ses?Vis svaret

Primært i Uppark, Basildon Park og National Gallery of Ireland (Dublin). Museumslisten ovenfor viser dem alle.

I hvilken periode skabte Pompeo Batoni sine mest kendte malerier?Vis svaret

I 1740s: 30 af de 100 værker på denne side blev skabt dengang, herunder Hercules at the Crossroads (detail).

Hvilket berømt maleri af Pompeo Batoni er det tidligste, og hvilket er det seneste?Vis svaret

På denne side er det tidligste Portrait of a man (1733) og det seneste Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley (1785).

Hvilke motiver foretrak Pompeo Batoni?Vis svaret

Man (27), Woman (13) og Landscape (7), fordelt på de 100 værker på denne side.

Hvilke materialer brugte Pompeo Batoni mest til sine malerier?Vis svaret

Oil On Canvas, for 34 af de 100 værker på denne side.

Hvilken stilart tilhører værkerne fra Pompeo Batoni?Vis svaret

Neoclassicism, baseret på originalerne på denne side.

Hvilke originalværker af Pompeo Batoni kan jeg se på Uppark?Vis svaret

Purity of Heart, Meekness og Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear: Uppark har 10 af værkerne på denne side.

Pompeo Batoni: et portræt af kunstneren

Tidligt liv og uddannelse

Født: Lucca, Italien (1708)
Død: 1787
Pompeo Batoni flyttede til Rom i 1727.
Han var i lære hos Agostino Masucci, Sebastiano Conca og/eller Francesco Imperiali.
Hans første selvstændige bestilling kom som følge af de regnskyl, der ramte Rom i april 1732.
Maleriets "Sankt Catharina af Siens ekstase" illustrerer hans akademiske forfinelse af den senbarokke stil.

Kunstnerisk stil og indflydelser

Batonis stil trak inspiration fra klassisk antikvitet, fransk rokoko, bolognesisk klassicisme og kunstnere som Nicolas Poussin, Claude Lorrain og især Raphael.
Han betragtes som en forløber for nyklassicismen.
Hans værker kan findes på forskellige museer, herunder Pinacoteca di Brera i Milano, Italien.

Bemærkelsesværdige værker og bestillinger

Jomfru og barn med helgener

En ridder i Rom: Charles Cecil Roberts – Et berømt portræt af en britisk rejsende, sat mod baggrund af romerske ruiner.
Venedigs triumf
Adskillige altertavler til kirker i Italien, såsom Museum Duomo i Siena.
Han var i høj kurs til portrætter, især blandt britiske rejsende på "The Grand Tour", som bestilte stående portrætter i antikke omgivelser.

Udvikling og historisk betydning

Han knyttede venskab med Winckelmann og tilstræbte at dæmpe klassicismen i sit maleri.
Hans portrætter indfangede ånden fra Grand Tour-æraen og afspejlede den europæiske elites fascination af den klassiske antikvitet.
Batonis evne til at forene barokke teknikker med fremspirende nyklassicistiske idealer placerede ham som en overgangsfigur i den italienske kunsthistorie.

Eftermæle

Han efterlod sig en arv som en af sin tids mest berømte italienske malere.
Hans arbejde fortsætter med at blive beundret for sin tekniske dygtighed, elegante kompositioner og indsigtsfulde skildringer af individer i deres historiske kontekst.

Alle 164 værker af Pompeo Batoni →

Top 10 malerier af Pompeo Batoni, set gennem galleriets øjne

Pompeo Batonis berømte malerier, nummer 11 til 100

Pompeo Batonis berømte malerier, periode for periode

Early Period

Mature Period

Motiverne, der fangede Pompeo Batonis blik

Man 27 værker

Woman 13 værker

Landscape 7 værker

Sky 5 værker

De museer, der udstiller Pompeo Batonis originalværker

Pompeo Batoni gennem årtierne: ét unikt originalværk til hver

Værker per årti

Pompeo Batonis malerier: spørgsmål til galleriet

Pompeo Batoni: et portræt af kunstneren

Tidligt liv og uddannelse

Kunstnerisk stil og indflydelser

Bemærkelsesværdige værker og bestillinger

Udvikling og historisk betydning

Eftermæle