Portræt af Kunisada

De 16 mest berømte Kunisada-malerier, en galleriselektion

Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 18 værker af Kunisada i vores katalog

Kort sagt

Af alle de originale værker, som Kunisada efterlod, er det mest berømte The bell cricket (Chapter 38) (1857), som er en del af samlingen på Art Gallery of New South Wales i Sydney. Lige efter følger Tokyo Civilization Famous Places: Contests: Ginza Brick Stone (1874) og Tokyo Ginza Brick House Prosperity,Picture (1873). Vores katalog indeholder 18 værker af Kunisada; galleriet har bevaret de 16 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.

1823 – 1880, Tokyo Ukiyo-e Flest værker: Patrick and Beatrice Haggerty Museum of Art
The bell cricket (Chapter 38) (1857) af Kunisada1. The bell cricket (Chapter 38) 1857 Tokyo Civilization Famous Places: Contests: Ginza Brick Stone (1874) af Kunisada2. Tokyo Civilization Famous Places: Contests: Ginza Brick Stone 1874 Tokyo Ginza Brick House Prosperity,Picture (1873) af Kunisada3. Tokyo Ginza Brick House Prosperity,Picture 1873

Kunisadas top 10 malerier: galleriets udvalg

1
The bell cricket (Chapter 38) (1857) af Kunisada

The bell cricket (Chapter 38)

1857 · Art Gallery of New South Wales, Sydney

The Bell Cricket (Chapter 38): A Symphony of Harmony in Edo Period Printmaking Utagawa Kunisada II’s “The Bell Cricket” (Chapter 38), created in 1857, transcends mere visual representation; it embodies the spirit of its time—the waning Edo period and a fascination with literary themes. Published by Tsutaya Kichizo during this transitional era, this Oban tate-e print exemplifies Kunisada II’s masterful command of ukiyo-e technique and delves into profound psychological considerations.…

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2
Tokyo Civilization Famous Places: Contests: Ginza Brick Stone (1874) af Kunisada

Tokyo Civilization Famous Places: Contests: Ginza Brick Stone

1874 · Woodblock Print · Keio University Library, Tokyo

Step into a world where the ancient traditions of Edo meet the burgeoning energy of a modernizing Japan. Utagawa Kunisada II’s 1874 masterpiece, Tokyo Civilization Famous Places: Cont。《Ginza Brick Stone》, serves as a breathtaking time capsule, capturing the rhythmic pulse of a city in transition. This exquisite woodblock print invites the viewer to wander through a bustling urban landscape, where the architectural evolution of Ginza is laid bare. The composition…

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3
Tokyo Ginza Brick House Prosperity,Picture (1873) af Kunisada

Tokyo Ginza Brick House Prosperity,Picture

1873 · Woodblock Print · Keio University Library, Tokyo

Step into a moment frozen in time with Tokyo Ginza Brick House Prosperity, a breathtaking visual narrative captured by the master of ukiyo-e, Utagawa Kunisada II. This exquisite piece serves as more than just a painting; it is a portal to the year 1873, an era of profound transformation in Japan. The scene unfolds within a bustling town square, where the rhythmic pulse of urban life is palpable. As your…

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5
True Feelings in Akashi, Delight over a Trist (1860) af Kunisada

True Feelings in Akashi, Delight over a Trist

1860 · Woodblock Print · Patrick and Beatrice Haggerty Museum of Art, Milwaukee

In the delicate interplay of silk, shadow, and shared emotion, True Feelings in Akashi, Delight over a Trist offers a window into the refined social tapestries of mid-19th century Japan. Created around 1860 by the master utagawa kunisada ii, this exquisite work captures a quiet, domestic vignette that transcends mere portraiture to become a profound study of human connection. The scene unfolds with three women draped in the opulent textures…

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7
Actor Bando Shiuka Playing the Courtesan Yamanaya Urazato (1851) af Kunisada

Actor Bando Shiuka Playing the Courtesan Yamanaya Urazato

1851 · Woodblock Print · Patrick and Beatrice Haggerty Museum of Art, Milwaukee

In the delicate interplay of color and line that defines the ukiyo-e tradition, "Actor Bando Shiuka Playing the Courtesan Yamanaya Urazato" emerges as a profound window into the theatrical soul of Edo-period Japan. Created by the master Utagawa Kunisada II around 1851, this woodblock print captures a moment of intense dramatic tension, blurring the lines between reality and performance. The scene presents a striking visual narrative: two figures, draped in…

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8
Congratulatory announcement at the Nakamura theatre, showing the troupe of actors seated on the stage (1870) af Kunisada

Congratulatory announcement at the Nakamura theatre, showing the troupe of actors seated on the stage

1870 · Woodblock Print · Art Gallery of New South Wales, Sydney

In the vibrant heart of late 19th-century Japan, the world of Kabuki was a whirlwind of color, drama, and communal celebration. Utagawa Kunisada II, a master of the Ukiyo-e tradition, captures this electric atmosphere in his breathtaking work, Congratulatory announcement at the Nakamura theatre, showing the troupe of actors seated on the stage. Created in 1870, this expansive composition serves as more than just a visual record; it is a…

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10
True Feelings in Akashi, Delight over a Trist (1860) af Kunisada

True Feelings in Akashi, Delight over a Trist

1860 · Woodblock Print · Patrick and Beatrice Haggerty Museum of Art, Milwaukee

In the delicate interplay of shadow and light within True Feelings in Akashi, Delight over a Trist, we are transported back to the vibrant, bustling atmosphere of mid-19th century Japan. Created around 1860 by the master Utagawa Kunisada II, this evocative work serves as a window into the private, domestic spheres of the Edo period. The scene unfolds within a room defined by a striking blue backdrop, where the quietude…

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Kunisada-udvalget fortsætter, fra 11 til 16

11Portrait of the actor Segawa Kikunojo V af KunisadaPortrait of the actor Segawa Kikunojo VMuseum of Oriental Art 12The Wintry Blast; Clear Weather After a Storm; The Actor Ichikawa Danjuro VIII as Ashikaga Mitsuuji af KunisadaThe Wintry Blast; Clear Weather After a Storm; The Actor Ichikawa Danjuro VIII as Ashikaga MitsuujiHammer Museum 13View of Matsuyama Yakyū Inari Shrine af KunisadaView of Matsuyama Yakyū Inari ShrineSaitama Prefectural Museum of History and Folklore 14The Osaka actor Kataoka Gado as An no Heibei in af KunisadaThe Osaka actor Kataoka Gado as An no Heibei inHammer Museum 15Sumo-e, Ukiyo-e prints of Sumo Wrestler af KunisadaSumo-e, Ukiyo-e prints of Sumo WrestlerSaitama Prefectural Museum of History and Folklore 16Sumo-e, Ukiyo-e prints of Sumo Wrestler, af KunisadaSumo-e, Ukiyo-e prints of Sumo Wrestler,Saitama Prefectural Museum of History and Folklore

Motiverne, der fangede Kunisadas blik

De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.

Edo period 5 værker

Tokyo Civilization Famous Places: Contests: Ginza Brick Stone (1874), Kunisada #2 Tokyo Civilization Famous Places: Contests: Ginza Brick Stone 1874 · Keio University Library The Capital (Edo) Takanawa Sengakuji Visiting the Raising of Curtain (1852), Kunisada #4 The Capital (Edo) Takanawa Sengakuji Visiting the Raising of Curtain 1852 · Keio University Library True Feelings in Akashi, Delight over a Trist (1860), Kunisada #6 True Feelings in Akashi, Delight over a Trist 1860 · Patrick and Beatrice Haggerty Museum of Art Sumo-e, Ukiyo-e prints of Sumo Wrestler, Kunisada #15 Sumo-e, Ukiyo-e prints of Sumo Wrestler Saitama Prefectural Museum of History and Folklore

Japanese print 4 værker

Sumo-e, Ukiyo-e prints of Sumo Wrestler,, Kunisada #16 Sumo-e, Ukiyo-e prints of Sumo Wrestler, Saitama Prefectural Museum of History and Folklore The Capital (Edo) Takanawa Sengakuji Visiting the Raising of Curtain (1852), Kunisada #4 The Capital (Edo) Takanawa Sengakuji Visiting the Raising of Curtain 1852 · Keio University Library True Feelings in Akashi, Delight over a Trist (1860), Kunisada #6 True Feelings in Akashi, Delight over a Trist 1860 · Patrick and Beatrice Haggerty Museum of Art Sumo-e, Ukiyo-e prints of Sumo Wrestler, Kunisada #15 Sumo-e, Ukiyo-e prints of Sumo Wrestler Saitama Prefectural Museum of History and Folklore

Traditional clothing 3 værker

The bell cricket (Chapter 38) (1857), Kunisada #1 The bell cricket (Chapter 38) 1857 · Art Gallery of New South Wales The Wintry Blast; Clear Weather After a Storm; The Actor Ichikawa Danjuro VIII as Ashikaga Mitsuuji, Kunisada #12 The Wintry Blast; Clear Weather After a Storm; The Actor Ichikawa Danjuro VIII as Ashikaga Mitsuuji Hammer Museum True Feelings in Akashi, Delight over a Trist (1860), Kunisada #6 True Feelings in Akashi, Delight over a Trist 1860 · Patrick and Beatrice Haggerty Museum of Art

Japanese art 2 værker

The bell cricket (Chapter 38) (1857), Kunisada #1 The bell cricket (Chapter 38) 1857 · Art Gallery of New South Wales The Wintry Blast; Clear Weather After a Storm; The Actor Ichikawa Danjuro VIII as Ashikaga Mitsuuji, Kunisada #12 The Wintry Blast; Clear Weather After a Storm; The Actor Ichikawa Danjuro VIII as Ashikaga Mitsuuji Hammer Museum

De museer, der udstiller Kunisadas originalværker

De 7 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Kunisada Malerier fra denne liste
Patrick and Beatrice Haggerty Museum of Art, MilwaukeePatrick and Beatrice Haggerty Museum of Art Milwaukee 4 True Feelings in Akashi, Delight over a Trist, True Feelings in Akashi, Delight over a Trist, Actor Bando Shiuka Playing the Courtesan Yamanaya Urazato
Keio University Library, TokyoKeio University Library Tokyo 3 Tokyo Civilization Famous Places: Contests: Ginza Brick Stone, Tokyo Ginza Brick House Prosperity,Picture, The Capital (Edo) Takanawa Sengakuji Visiting the Raising of Curtain
Saitama Prefectural Museum of History and Folklore, SaitamaSaitama Prefectural Museum of History and Folklore Saitama 3 View of Matsuyama Yakyū Inari Shrine, Sumo-e, Ukiyo-e prints of Sumo Wrestler, Sumo-e, Ukiyo-e prints of Sumo Wrestler,
Art Gallery of New South Wales, SydneyArt Gallery of New South Wales Sydney 2 The bell cricket (Chapter 38), Congratulatory announcement at the Nakamura theatre, showing the troupe of actors seated on the stage
Hammer Museum, Los AngelesHammer Museum Los Angeles 2 The Wintry Blast; Clear Weather After a Storm; The Actor Ichikawa Danjuro VIII as Ashikaga Mitsuuji, The Osaka actor Kataoka Gado as An no Heibei in
Minneapolis Institute of Art, MinneapolisMinneapolis Institute of Art Minneapolis 1 Prostitute Listening to Singing of Little Cuckoo
Museum of Oriental Art, TurinMuseum of Oriental Art Turin 1 Portrait of the actor Segawa Kikunojo V

Kunisada årti for årti: det originale værk, der definerer hvert enkelt

Værker per årti

Vælg et årti for at se det originale værk, der definerer det.

Samleres spørgsmål om Kunisadas malerier

Hvilket værk er Kunisada mest kendt for?Vis svaret

The bell cricket (Chapter 38) (1857), Art Gallery of New South Wales, Sydney. Derefter følger Tokyo Civilization Famous Places: Contests: Ginza Brick Stone (1874) og Tokyo Ginza Brick House Prosperity,Picture (1873).

Hvor gammel var Kunisada, da The bell cricket (Chapter 38) blev skabt?Vis svaret

34 år gammel: The bell cricket (Chapter 38) er fra 1857, og Kunisada blev født i 1823.

Hvad er de ti mest berømte Kunisada malerier?Vis svaret

The bell cricket (Chapter 38), Tokyo Civilization Famous Places: Contests: Ginza Brick Stone, Tokyo Ginza Brick House Prosperity,Picture, The Capital (Edo) Takanawa Sengakuji Visiting the Raising of Curtain, True Feelings in Akashi, Delight over a Trist, True Feelings in Akashi, Delight over a Trist, Actor Bando Shiuka Playing the Courtesan Yamanaya Urazato, Congratulatory announcement at the Nakamura theatre, showing the troupe of actors seated on the stage, Prostitute Listening to Singing of Little Cuckoo og True Feelings in Akashi, Delight over a Trist. Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange malerier efterlod Kunisada?Vis svaret

Vores katalog indeholder 18 værker af Kunisada, dateret fra 1851 til 1874.

I hvilke museer udstilles Kunisada's mesterværker?Vis svaret

Primært i Patrick and Beatrice Haggerty Museum of Art (Milwaukee), Keio University Library (Tokyo) og Saitama Prefectural Museum of History and Folklore (Saitama). Museumslisten ovenfor viser dem alle.

I hvilke år malede Kunisada sine mest berømte værker?Vis svaret

I 1850s: 3 af de 16 værker på denne side blev skabt dengang, herunder The bell cricket (Chapter 38).

Hvad er de første og de sidste berømte originaler af Kunisada?Vis svaret

På denne side er det tidligste Actor Bando Shiuka Playing the Courtesan Yamanaya Urazato (1851) og det seneste Tokyo Civilization Famous Places: Contests: Ginza Brick Stone (1874).

Hvilke motiver valgte Kunisada oftest?Vis svaret

Edo period (5), Japanese print (4) og Traditional clothing (3), fordelt på de 16 værker på denne side.

Hvilken teknik brugte Kunisada mest?Vis svaret

Woodblock Print, for 12 af de 16 værker på denne side.

Hvilken kunstretning tilhører Kunisada?Vis svaret

Ukiyo-e, baseret på originalerne på denne side.

Hvilke værker af Kunisada udstilles på Patrick and Beatrice Haggerty Museum of Art?Vis svaret

True Feelings in Akashi, Delight over a Trist, True Feelings in Akashi, Delight over a Trist og Actor Bando Shiuka Playing the Courtesan Yamanaya Urazato: Patrick and Beatrice Haggerty Museum of Art, Milwaukee har 4 af værkerne på denne side.

Kan jeg bestille en reproduktion af et maleri af Kunisada?Vis svaret

Ja, som reproduktion: det originale værk bliver i sit museum, men ethvert maleri på denne side kan males i hånden til dig, bestilt efter behov og malet ét ad gangen, direkte fra maleriets egen side.

Kunisada: liv og værk

**tidligt liv og uddannelse**

utagawa kunisada ii, også kendt som toyokuni iv, var en berømt japansk ukiyo-e træsnitskunstner, født i edo, japan i 1823. Han var elev af utagawa kunisada i og underskrev mange af sine tidlige værker under navnet kunimasa iii. Omkring 1850-51 antog han navnet kunisada ii, hvilket markerede hans arv af utagawa-skolen.

**kunstnerisk stil og bemærkelsesværdige værker**

kunisada ii's tryk omfatter over 40 serier, der primært forestiller skuespillere (yakusha-e), samt portrætter af smukke kvinder, illustrationer af scener fra litteraturen, erotik og andre emner. Et af hans mest fejrede værker er fortællingen om de otte heltedyr (hakkendun inu no sōshi no uchi) fra 1852, baseret på kyokutei bakins episke roman, satomi-klanen og de otte hunde (nansō satomi hakkenden).

**eftermæle og senere liv**

kunisada ii ledede utagawa-skolen og arbejdede i sin mesters stil, men opnåede aldrig helt samme grad af succes. Hans popularitet aftog i meiji-perioden (1868–1912), og det ser ud til, at han ophørte med at skabe tryk efter 1874. Han døde den 20. juli 1880 og blev begravet ved banshōin kōunji. Hans buddhistiske posthume navn er sankōin hōkokujutei shinji.

**bemærkelsesværdige omtaler på OriginalUniqueArt.com**

**vigtige punkter i kunisada ii's liv**

**videre læsning på OriginalUniqueArt.com**

Alle 18 værker af Kunisada →