Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 88 værker af José Clemente Orozco i vores katalog
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Father Hidalgo (1949) er det maleri af José Clemente Orozco, der fanger flest blikke. Derefter falder blikket på Catharsis (1934) og Kvinder (1935). Blandt de 88 værker af José Clemente Orozco i vores katalog er disse 86 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.
The mural titled Father Hidalgo is a significant work by the Mexican muralist José Clemente Orozco. Located within the Palacio de Gobierno de Jalisco in Guadalajara, Jalisco, Mexico, this large-scale piece was commissioned by Governor Everardo Topete. It occupies a prominent position in the building's architecture, specifically within the staircase area.
The fresco titled Catharsis was executed by the Mexican artist José Clemente Orozco. Created in 1934, the work captures a moment of profound tension. It exists as a heavy presence within the Museo del Palacio de Bellas Artes in Mexico City, Mexico. The pigment clings to the walls of this institution, marking a specific chapter of the Mexican Mural Renaissance.
José Clemente Orozco’s “Mujeres”: A Descent Into Surreal Horror José Clemente Orozco's "Mujeres" (also known as Dead Woman), created in 1935, is more than just a lithograph; it’s a visceral embodiment of the artist’s revolutionary vision and a chilling exploration of human psychology. Commissioned for the Palace of Fine Arts in Mexico City during the height of the Mexican Revolution, this artwork delves into themes of death, decay, and societal…
José Clemente Orozco's "Panel 3. Ancient Human Sacrifice – The Epic of American Civilization," a monumental fresco residing within the hallowed halls of Dartmouth College’s Baker Memorial Library, isn’t merely a depiction of ritual; it’s an immersive plunge into the primal anxieties and enduring questions that have haunted humanity since its earliest days. Painted between 1932 and 1934 during a period of intense social and political upheaval in Mexico –…
In the vast, sweeping history of Mexican Muralism, few works command the visceral attention of José Clemente Orozco’s Panel 19. Modern Migration of the Spirit - The Epic of American Civilization. Created in 1934 for Dartmouth College, this monumental fresco is far more than a mere wall painting; it is a profound psychological landscape that captures the turbulent heartbeat of an era. As one gazes upon the work, they are…
The artwork, known as The Trench or La Trinchera, was executed by the Mexican artist José Clemente Orozco in 1926. This fresco is situated within the Courtyard of the National Preparatory School in Mexico City, Mexico. It offers a somber presentation of soldiers during the Mexican Revolution, capturing a moment of profound human struggle.
In this intimate portrait study, titled Figure with Hands Clasped before Face, the Mexican muralist José Clemente Orozco turns his attention away from the vast scale of public walls toward a more private, singular moment. The work focuses on a human figure, capturing a specific state of mind through a singular, heavy gesture. There is a quiet intensity in how the subject is rendered, moving beyond mere likeness to explore…
In "Wheel" by José Clemente Orozco, a massive metal wheel dominates the frame. The object possesses a heavy, industrial presence, its large scale suggesting a weight that anchors the entire composition. Above this metallic structure, a sun sits in the background, positioned directly over the rim. This celestial placement creates a stark contrast between the cold, hard surface of the machine and the light of the sky.
The Clowns of War Arguing in Hell is a work by José Clemente Orozco. Created about 1944, the mural captures a chaotic descent. It presents Nazi clowns of war in hell, locked in a struggle over politics, philosophies, and religion. The figures exist in a state of perpetual friction.
In 1925, within the bustling atmosphere of Mexico City, Mexico, José Clemente Orozco breathes life into Omnisciencia. This work emerges as a powerful expression of the Muralism movement, a period where art seeks to speak directly to the soul of a nation. Through the ancient and demanding technique of fresco, the artist applies pigment to wet plaster, ensuring the imagery becomes a permanent part of the very walls it inhabits.
The Rich People (detail)1924
12
Sleeping (The Family)
13
Cortés and La Malinche1926
14
The Subway1928 · MoMA - Museum of Modern Art
15
Youth1924
16
Barricade1931 · MoMA - Museum of Modern Art
17
La Conquete
18
The Dismembered Man, from the Los teules series1947 · Museo Nacional de Arte
19
The Demagogue1946 · Museo Nacional de Arte
20
Indian Women, from the Los teules series1947 · Museo Nacional de Arte
21
Head Pierced with Arrows, from the Los teules series1947 · Museo Nacional de Arte
22
Title translation: Buffoons1946 · Museum of Latin American Art
23
Ceiling of Colegio de San Ildefonso1926
24
Mexican Peasants Working
25
American Civilization-The Gods of the Modern World
26
The Rich People (detail)1924
27
The Bedroom1910 · Museo Nacional de Arte
28
Proletarians
29
Head of Quetzalcoatl
30
Dead Woman
31
The Flag
32
Mexican Landscape
33
Marching Women
34
Three Generations
35
Grief
36
Leaders
37
The Masses
38
The Franciscan and the Indian
39
Vaudeville
40
Requiem
41
Untitled
42
strippers
43
Hangman
44
Revolution
45
Mexican Woman
46
The Hanged Man
47
the Canteen
48
Tourists
49
Composition study for Gods of the Modern World
50
Wounded Soldier
51
Mexican Pulquería
52
Zapata
53
Self-Portrait
54
Mexican soldiers1928
55
The White House1925
56
Prometheanist1924
57
Soldiers1926
58
Combat1927
59
Entrance of Colegio de San Ildefonso1926
60
Reaching out1924
61
The Franciscans1926
62
Farewell1926
63
Revolutionaries on the march1924
64
Call to Revolution and Table of Universal Brotherhood (Table of Universal Brotherhood)1931
65
Mexican Landscape1930
66
Winter1932
67
Zapata, The Art Institute of Ch1930 · Art Institute of Chicago
68
Prometheus1930
69
Self-portrait1937
70
Death and Resurrection1943 · Museo Nacional de Arte
71
Dive Bomber and Tank1940
72
Ceiling mural of Hospicio Cabanas1939
73
Advance1940
74
Man of Fire1939
75
Parte central de la Capilla Mayor del Museo Cabañas1939
76
Man with Crutches (dedicated to photographer Leo Matiz)1944 · Inter-American Development Bank
77
Nude and Dressed Figure1945 · colección-blaisten
78![Mexican Landscape \n[Paisaije Mexicano] (1932) af José Clemente Orozco](/media/artworks/images-thumb/1b/4f/1b4fb08c1150706f7451e9f7b5673180.jpg)
Mexican Landscape \n[Paisaije Mexicano]1932 · Nagoya City Art Museum
79
Allegory of Mexico1948 · colección-blaisten
80
Agreed (Cowboys And Zapatistas)
81
The Maguey
82
Ruined House (Casa Arruinada)
83
Rear Guard
84
ZapatistasMoMA - Museum of Modern Art
85
Mexican Soldiers1930
86
The Poor1926
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af José Clemente Orozco | Malerier fra denne liste |
|---|---|---|---|
 Museo Nacional de Arte |
Mexico City | 6 | The Dismembered Man, from the Los teules series, The Demagogue, Indian Women, from the Los teules series |
 MoMA - Museum of Modern Art |
New York City | 3 | The Subway, Barricade, Zapatistas |
 Inter-American Development Bank |
Washington, D.C. | 2 | Kvinder, Man with Crutches (dedicated to photographer Leo Matiz) |
 Baker-Berry Library |
Hanover | 2 | Panel 3. Ancient Human Sacrifice - The Epic of American Civilization, Panel 19. Modern Migration of the Spirit - The Epic of American Civilization |
 colección-blaisten |
Mexico City | 2 | Nude and Dressed Figure, Allegory of Mexico |
 Museum of Latin American Art |
Long Beach | 1 | Title translation: Buffoons |
 Art Institute of Chicago |
Chicago | 1 | Zapata, The Art Institute of Ch |
 Nagoya City Art Museum |
Nagoya | 1 | Mexican Landscape \n[Paisaije Mexicano] |
Vælg et årti for at se det originale værk, der definerer det.
In 1925, within the bustling atmosphere of Mexico City, Mexico, José Clemente Orozco breathes life into Omnisciencia. This work emerges as a powerful expression of the Muralism movement, a period where art seeks to speak directly to the soul of a nation. Through the ancient and demanding technique of fresco, the artist applies pigment to wet plaster, ensuring the imagery becomes a permanent part of the very walls it inhabits.
The fresco titled Catharsis was executed by the Mexican artist José Clemente Orozco. Created in 1934, the work captures a moment of profound tension. It exists as a heavy presence within the Museo del Palacio de Bellas Artes in Mexico City, Mexico. The pigment clings to the walls of this institution, marking a specific chapter of the Mexican Mural Renaissance.
The mural titled Father Hidalgo is a significant work by the Mexican muralist José Clemente Orozco. Located within the Palacio de Gobierno de Jalisco in Guadalajara, Jalisco, Mexico, this large-scale piece was commissioned by Governor Everardo Topete. It occupies a prominent position in the building's architecture, specifically within the staircase area.
Father Hidalgo (1949). Derefter følger Catharsis (1934) og Kvinder (1935).
66 år gammel: Father Hidalgo er fra 1949, og José Clemente Orozco blev født i 1883.
Father Hidalgo, Catharsis, Kvinder, Panel 3. Ancient Human Sacrifice - The Epic of American Civilization, Panel 19. Modern Migration of the Spirit - The Epic of American Civilization, The trench, Figure with Hands Clasped before Face, Wheel, The Clowns of War Arguing in Hell og Omnisciencia. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 88 værker af José Clemente Orozco, dateret fra 1910 til 1949.
Primært i Museo Nacional de Arte (Mexico City), MoMA - Museum of Modern Art (New York City) og Inter-American Development Bank (Washington, D.C.). Museumslisten ovenfor viser dem alle.
I 1920s: 18 af de 86 værker på denne side blev skabt dengang, herunder Omnisciencia.
På denne side er det tidligste The Bedroom (1910) og det seneste Father Hidalgo (1949).
Symbols (11), Figures (8) og People (7), fordelt på de 86 værker på denne side.
Fresco, for 11 af de 86 værker på denne side.
Realism og Mexican muralism, baseret på originalerne på denne side.
The Dismembered Man, from the Los teules series, The Demagogue og Indian Women, from the Los teules series: Museo Nacional de Arte, Mexico City har 6 af værkerne på denne side.
