Portræt af Filippo De Pisis

Filippo De Pisis malerier: De 60 mest berømte, set gennem et galleris øjne

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 61 værker af Filippo De Pisis i vores katalog

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I galleriets øjne er Filippo De Pisiss mest berømte maleri Untitled (839). Untitled (529) og Untitled (788) fuldender trioen, som ethvert øje genkender. Ud af de 61 værker af Filippo De Pisis i vores katalog præsenterer galleriet herunder de 60 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.

1896 – 1956, Ferrara Impressionism Flest værker: Galleria d'Arte Moderna Achille Forti

Galleriets top 10 Filippo De Pisis malerier

1
Untitled (839) af Filippo De Pisis

Untitled (839)

Oil On Canvas

In this work, we find ourselves drifting through a quiet, atmospheric moment in Venice, Italy. The Basilica di Santa Maria della Salute dominates the composition, yet it does not demand attention through rigid lines or heavy outlines. Instead, the structure emerges from a haze of cool blues and purples, its domes catching a diffused light that feels as though it might shift at any second. The scene is one of…

2
Untitled (529) af Filippo De Pisis

Untitled (529)

Oil On Canvas

A man in a white shirt and trousers moves through a dream, caught in a dance pose that defies the stillness of the objects around him. He is partially obscured by a rectangular frame, a boundary that separates the viewer from this fleeting gesture. At the center, a vase overflows with flowers, their petals rendered in thick, impasto strokes that catch the light. Below this arrangement, a single red fruit…

3
Untitled (788) af Filippo De Pisis

Untitled (788)

Oil On Canvas

A small village rests under a quiet sky, anchored by the silhouette of a church in the distance. A dirt road cuts through the scene, where a woman walks with a steady, solitary pace. Around her, the world is populated by scattered figures and the slow movement of horses. One horse lingers near the center, while another drifts toward the edge of the frame. The air feels heavy with the…

4
Flowers (1931) af Filippo De Pisis

Flowers

In Flowers, Filippo De Pisis explores the quietude of the still life. Created about 1931, the work reflects the artist's preoccupation with the ephemeral nature of organic matter. De Pisis, born in Ferrara, Italy, in 1896, often turned his attention to the mundane, finding weight in the simplest arrangements. This specific piece focuses on the botanical subject, treating the flora not as a static arrangement, but as a meditation on…

7
Still life with Mushrooms (1934) af Filippo De Pisis

Still life with Mushrooms

In the quiet intimacy of Filippo de Pisis’s Still Life with Mushrooms, we are invited into a world where the mundane is elevated to the level of poetry. Created in 1934, this exquisite composition serves as a masterclass in the art of the fleeting moment. The painting captures a scattered collection of mushrooms, their organic forms resting with a delicate randomness across the canvas. Some lie solitary on the ground,…

Filippo De Pisiss malerier, rangeret fra 11 til 60

Motiverne, der fangede Filippo De Pisiss blik

De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.

De museer, der udstiller Filippo De Pisiss originalværker

De 2 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Filippo De Pisis Malerier fra denne liste
Galleria d'Arte Moderna Achille Forti, VeronaGalleria d'Arte Moderna Achille Forti Verona 2 Still life with Mushrooms, Strawberries. Still Life
Art Gallery of New South Wales, SydneyArt Gallery of New South Wales Sydney 1 Flowers

Filippo De Pisis, årets signaturmalerier

Næsten ti år, fra 1930 til 1939, var nok for Filippo De Pisis: galleriet gennemgår dem år for år, ét berømt originalværk efter det andet.

Værker per år

Vælg et årstal for at se de originale værker.

Filippo De Pisis's malerier: galleriets svar

Hvilket maleri af Filippo De Pisis er det mest berømte af alle?Vis svaret

Untitled (839). Derefter følger Untitled (529) og Untitled (788).

Hvilke er Filippo De Pisiss top 10 malerier?Vis svaret

Untitled (839), Untitled (529), Untitled (788), Flowers, Untitled (620), Untitled (313), Still life with Mushrooms, Untitled (805), Untitled (699) og Untitled (586). Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange værker skabte Filippo De Pisis?Vis svaret

Vores katalog indeholder 61 værker af Filippo De Pisis, dateret fra 1930 til 1939.

Hvor hænger Filippo De Pisiss mest berømte originaler?Vis svaret

Primært i Galleria d'Arte Moderna Achille Forti (Verona) og Art Gallery of New South Wales (Sydney). Museumslisten ovenfor viser dem alle.

Hvilke er Filippo De Pisiss tidligste og seneste berømte værker?Vis svaret

På denne side er det tidligste Still Life with Shell (1930) og det seneste Strawberries. Still Life (1939).

Hvilke motiver vendte Filippo De Pisis oftest tilbage til?Vis svaret

Still life (6), Italian art (6) og Flowers (3), fordelt på de 60 værker på denne side.

Hvilket medie arbejdede Filippo De Pisis mest med?Vis svaret

Oil On Canvas, for 3 af de 60 værker på denne side.

Hvilken stilart er Filippo De Pisis associeret med?Vis svaret

Impressionism og Post-impressionism, baseret på originalerne på denne side.

Hvilke originalværker af Filippo De Pisis findes i Galleria d'Arte Moderna Achille Forti?Vis svaret

Still life with Mushrooms og Strawberries. Still Life: Galleria d'Arte Moderna Achille Forti, Verona har 2 af værkerne på denne side.

Filippo De Pisis: kunstneren

The Poet of the Fleeting Moment

Born Luigi Filippo Tibertelli in the historic Italian city of Ferrara, Filippo De Pisis was an artist who refused to be confined by a single medium. To understand his canvas, one must first understand his soul as a poet; he viewed the world through a lens of literary sensitivity, where every shadow and light flicker held a narrative weight. His early years in Italy were marked by a profound intellectual curiosity, studying literature and philosophy in Bologna. It was here that he encountered the haunting, dreamlike visions of Giorgio De Chirico, an encounter that would plant the seeds of Metaphysical influence within his burgeoning style. This duality—the precision of a scholar and the wandering eye of a flâneur—defined his approach to art, allowing him to capture not just the physical reality of a subject, but its emotional resonance.

His journey was one of constant movement across the great cultural capitals of Europe. Moving to Rome in 1919 and later settling in Paris in 1925, De Pisis immersed himself in the vibrant, avant-garde pulse of the interwar period. In Paris, his brushwork began to shed its more rigid, metaphysical origins, absorbing the light and movement of French Impressionism. He moved within the same circles as Georges Braque and André Derain, and his style evolved into something uniquely his own: a technique often described as pittura a zancapi mosca—a "fly-wing" style of painting characterized by rapid, fragmented, and nervous brushstrokes. This method allowed him to achieve an airy, almost mirage-like quality, where objects seemed to vibrate with life before dissolving back into the atmosphere.

A Symphony of Light and Melancholy

The heart of De Pisis’s oeuvre lies in his ability to find the eternal within the ephemeral. He possessed a singular talent for elevating the mundane—a simple arrangement of mushrooms, a bowl of strawberries, or a vase of foxgloves—into profound meditations on existence. His still lifes are never merely static arrangements; they are imbued with what he called "pathetic pleasure-pain," a bittersweet recognition of beauty's fleeting nature. Through muted pastel hues and a masterful command of Venetian light, he created compositions where the boundaries between objects and their surroundings blur, suggesting a deep, spiritual interconnectedness between all things.

His fascination with Venice provided much of his most luminous subject matter. The city’s architectural grandeur and its misty, maritime atmosphere served as the perfect stage for his expressive explorations. Whether depicting the rhythmic movement of a seascape or the quiet intimacy of a street scene, De Pisis utilized a broken brushstroke technique that captured the very essence of light hitting water or stone. This period of his work represents a pinnacle of Italian Post-Impressionism, where the artist’s technical skill met an almost obsessive devotion to capturing the "secret spirit" of the moment.

Legacy of the Cosmopolitan Visionary

Despite the disruptions of World War II and his eventual return to Italy, De Pisis never lost the cosmopolitan spirit that had defined his youth. His life was famously eccentric, marked by a dandyish lifestyle and an insatiable appetite for the beauty found in the smallest details—even claiming that a discarded feather on a street could spark a masterpiece. This radical openness to the world ensured that his work remained perpetually fresh, avoiding the stagnation that often plagues established masters.

Today, the significance of Filippo De Pisis rests in his unique position as a bridge between the structured metaphysical movements of the early 20th century and the more spontaneous, emotive expressions of later decades. His legacy is found in:

  • The fusion of poetry and painting: Proving that visual art can be as lyrical and metaphorically rich as the written word.
  • Mastery of atmosphere: Redefining how light and texture can convey complex psychological states like nostalgia and longing.
  • The elevation of the everyday: Transforming simple still lifes into profound explorations of beauty, decay, and the passage of time.

He remains a celebrated figure in the annals of Italian art, remembered not just as a painter of scenes, but as a chronicler of the ephemeral soul.