Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 39 værker af Ernest Zobole i vores katalog
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Penrhys (1951) er det maleri af Ernest Zobole, der fanger flest blikke. Derefter falder blikket på Ystrad, Rhondda (1951) og Two Men Talking in the Street, Ystrad (1950). Blandt de 39 værker af Ernest Zobole i vores katalog er disse 39 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.
Created in 1951, Penrhys by Ernest Zobole captures a quiet moment of rural existence. The scene focuses on the intersection of human activity and the natural landscape, centering on the rhythms of everyday life. Figures move through the foreground, their dark silhouettes providing a sharp contrast against the lighter, atmospheric background of the valley.
In the quiet, evocative strokes of Ernest Zobole’s 1951 masterpiece, Ystrad, Rhondda, we are transported to a moment in time where the landscape of Wales breathes with a profound, pastoral serenity. This oil on canvas is far more than a mere depiction of a valley; it is a soulful meditation on the relationship between the earth and the fleeting presence of humanity. The painting unfolds as a vibrant tapestry of…
In the quiet, evocative strokes of Ernest Zobole’s 1950 masterpiece, Two Men Talking in the Street, YSBAD, we are transported to a pivotal moment in Welsh history. This oil on canvas is far more than a mere depiction of an urban corner; it is a poignant window into the social fabric of post-war Wales. The painting captures a fleeting, intimate moment between two men engaged in deep conversation, their proximity…
In the evocative depths of Painter and Surroundings No.2, the viewer is transported into a world where the boundaries between reality and abstraction dissolve into a rhythmic dance of blue and light. Created in 1991 by the master of Welsh expressionism, Ernest Zobole, this large-scale oil on canvas serves as more than just a depiction of a cityscape; it is a profound meditation on memory, time, and the industrial spirit.…
In the evocative masterpiece House Interior and Landscape No.7, the viewer is transported into a world where the boundaries between architecture and nature dissolve into a vibrant, rhythmic dance. Created in 1990 by the late Welsh master Ernest Zobole, this work serves as a breathtaking window into an abstract expressionist dreamscape. The painting presents a cityscape that feels less like a literal depiction of urban life and more like a…
In the quiet, evocative strokes of Figures beside Railings in a Street, Ystrad, we are transported to the twilight years of the mid-twentieth century, specifically between 1948 and 1950. This masterful work by Ernest Zobole serves as more than just a depiction of a Welsh street; it is a profound temporal capsule. The scene captures the rhythmic pulse of life in Ystrad, where the mundane act of walking down a…
In the evocative realm of Ernest Zobole, the boundaries between reality and abstraction dissolve into a breathtaking dance of color and light. His 1990 masterpiece, Street, Mountain and Sea (unfinished), serves as a profound testament to the artist's ability to capture the intangible essence of movement and emotion. This work is not merely a depiction of landscape or seascape; it is an immersive experience in Abstract Expressionism. Dominated by a…
In the mesmerizing canvas of About the Inside and Landscape No.8, the viewer is transported into a vibrant, nocturnal world where the boundaries between architecture and nature dissolve into a rhythmic dance of light. Painted in 1990 by the master of Welsh atmosphere, Ernest Zobole, this work serves as a breathtaking exploration of the urban spirit. The composition centers around a majestic building crowned with a clock tower, acting as…
Self Portrait Painting in an Interior1950 · University of South Wales Art Collection Museum
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Rhondda Landscape1951 · University of South Wales Art Collection Museum
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Still Life with Coffee Pot1950 · University of South Wales Art Collection Museum
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Self Portrait Standing on a Striped Carpet1951 · University of South Wales Art Collection Museum
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Penrhys Road with Three Women, Ystrad1950 · University of South Wales Art Collection Museum
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Still Life in Green1950 · University of South Wales Art Collection Museum
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People and Crossing Rhondda Crossing1952 · University of South Wales Art Collection Museum
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Milkman with Horse and Cart1950 · University of South Wales Art Collection Museum
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Figures with a Pram in a Street, Ystrad, c.1948–19501950 · University of South Wales Art Collection Museum
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Landscape with Cars at Night1980 · University of South Wales Art Collection Museum
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Landscape with a Car at Night1980 · University of South Wales Art Collection Museum
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Sun Shining through the Hills1980 · University of South Wales Art Collection Museum
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Black, Night Landscape with Cars1980 · University of South Wales Art Collection Museum
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Night Street SceneUniversity of South Wales Art Collection Museum
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Landscape (unfinished)1990 · University of South Wales Art Collection Museum
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Artist in His House at Night1990 · University of South Wales Art Collection Museum
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Town and Car at Night (unfinished)1990 · University of South Wales Art Collection Museum
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Night Painting1990 · University of South Wales Art Collection Museum
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From Inside No.21991 · University of South Wales Art Collection Museum
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Painter and Surroundings No.11991 · University of South Wales Art Collection Museum
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A Painting about Myself in a Landscape1995 · University of South Wales Art Collection Museum
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Painter Subject Matter Jan 96 July 971997
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Houses and Hills1980 · University of South Wales Art Collection Museum
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Llwynypia1953
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Looking Out 1
36
The Valley No.5
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Red Sunset over Sea
38
Painter and Subject Matter No.7
39
Painting and Subject Matter No.5
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Ernest Zobole | Malerier fra denne liste |
|---|---|---|---|
 University of South Wales Art Collection Museum |
Pontypridd | 28 | Two Men Talking in the Street, Ystrad, Painter and Surroundings No.2, House Interior and Landscape No.7 |
Vælg et årti for at se det originale værk, der definerer det.
Created in 1951, Penrhys by Ernest Zobole captures a quiet moment of rural existence. The scene focuses on the intersection of human activity and the natural landscape, centering on the rhythms of everyday life. Figures move through the foreground, their dark silhouettes providing a sharp contrast against the lighter, atmospheric background of the valley.
In the evocative depths of Painter and Surroundings No.2, the viewer is transported into a world where the boundaries between reality and abstraction dissolve into a rhythmic dance of blue and light. Created in 1991 by the master of Welsh expressionism, Ernest Zobole, this large-scale oil on canvas serves as more than just a depiction of a cityscape; it is a profound meditation on memory, time, and the industrial spirit.…
Penrhys (1951). Derefter følger Ystrad, Rhondda (1951) og Two Men Talking in the Street, Ystrad (1950).
24 år gammel: Penrhys er fra 1951, og Ernest Zobole blev født i 1927.
Penrhys, Ystrad, Rhondda, Two Men Talking in the Street, Ystrad, Painter and Surroundings No.2, House Interior and Landscape No.7, Landscape Painting, In the House, Figures beside Railings in a Street, Ystrad, c.1948–1950, Street, Mountain and Sea (unfinished) og About the Inside and Landscape No.8. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 39 værker af Ernest Zobole, dateret fra 1950 til 1997.
Primært i University of South Wales Art Collection Museum (Pontypridd). Museumslisten ovenfor viser dem alle.
I 1950s: 14 af de 39 værker på denne side blev skabt dengang, herunder Penrhys.
På denne side er det tidligste Two Men Talking in the Street, Ystrad (1950) og det seneste Painter Subject Matter Jan 96 July 97 (1997).
People (5), Street scene (3) og Cityscape (3), fordelt på de 39 værker på denne side.
Oil On Canvas, for 6 af de 39 værker på denne side.
Contemporary realism og Post-impressionism, baseret på originalerne på denne side.
Two Men Talking in the Street, Ystrad, Painter and Surroundings No.2 og House Interior and Landscape No.7: University of South Wales Art Collection Museum, Pontypridd har 28 af værkerne på denne side.
Ernest Zobole (1927-1999) står tilbage som en enestående stemme i walisisk kunsthistorie, en kunstner hvis lærreder åndede med den råstyrke og skønhed, der prægede Rhondda Valleys under det industrielle Britiens skumringstimer. Selvom han i vid udstrækning forblev ukendt uden for Wales, er hans bidrag til dokumentationen af denne skelsættende periode betydeligt; han tilbyder beskueren glimt af en forsvunden verden, set gennem en linse gennemsyret af dyb emotion.
Zobole blev født i Tylorstown, Rhondda Cynon Taf, og hans formative år var dybt præget af atmosfæren i kulminefællesskaberne. Hans far var selv minearbejder, og Zobole opsugede på egen hånd arbejderklassens rytmer – det tætte kammeratskab, de hårde kår og, vigtigst af alt, den dybe forbindelse til jorden.
Hans tidlige kunstneriske tendenser kom til udtryk under hans studier ved Cardiff School of Art (senere Glyndŵr University), hvor han forfinede sine færdigheder inden for akvarel og oliemaling. Dog kom Zoboles sande gennembrud med hans engagement i Rhondda Group – et kollektiv af kunstnere dedikeret til at skildre det industrielle Wales' realiteter.
Rhondda Group, der bestod af kunstnere som Gwyneth Roberts og David Davies, stræbte efter at bevæge sig ud over den rene topografiske gengivelse. De søgte noget dybere: et udtryk for følelser, der ikke blot indfangede det, man så, men hvordan det føltes. Zoboles malerier er det perfekte eksempel på denne filosofi. Hans landskaber er ikke blot afbildninger af kulminer og slagbunker; de er gennemsyret af en mærkbar følelse af melankoli, modstandskraft og det udholdende sind hos Rhondda-folket.
Zoboles karakteristiske stil – kendetegnet ved dristige penselstrøg, levende farvepaletter og en næsten hallucinatorisk kvalitet – trak kraftigt på ekspressionistiske indflydelser. Kunstnere som Edvard Munch og Franz Marc tjente som forbilleder for hans tilgang til at formidle følelser gennem visuel symbolik. Han undgik de minutiøse detaljer til fordel for at indfange scenens essens, hvor atmosfære og emotionel gennemslagskraft altid kom i første række.
Hans mest fejrede værker inkluderer en serie malerier, der skildrer det industrielle landskab i Rhondda Valley – især Ystrad-området – som samlet er kendt som ”The Ystrad Paintings”. Disse lærreder indfanger den dystre skønhed i de kulstøvsdækkede bjergsider, de tårnhøje skorstene, der spyr røg mod himlen, og minearbejdernes ansigter, præget af årtiers slid. Det er ikke festlige skildringer; snarere formidler de en hjerteskærende bevidsthed om forfald og tab.
På trods af sine kunstneriske bedrifter forblev Zobole i vid udstrækning selvlært og undgik formelle udstillinger. Hans arbejde opnåede anerkendelse primært gennem private bestillinger og mund-til-mund-metoden inden for Rhondda-samfundet. Ikke desto mindre fortsætter hans malerier med at vække genklang hos både samlere og forskere, der værdsætter hans kompromisløse vision og hans evne til at transformere ordinære landskaber til kraftfulde fortællinger om den menneskelige erfaring.
Ernest Zoboles eftermæle ligger ikke blot i hans kunstneriske produktion, men også i hans urokkelige engagement i at dokumentere en livsform, der er ved at forsvinde. Han sikrede, at Rhonddas ånd – dets lidelser, dets triumfer og dets evige forbindelse til naturen – ville bestå langt ud over hans egen levetid.
