Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 23 værker af Alessandro Longhi i vores katalog
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I galleriets øjne er Alessandro Longhis mest berømte maleri Portrait of a Musician (1747), hvis original hænger på Art Institute of Chicago i Chicago. Portrait of a girl with a dog (1740) og Portrait of a Young Woman (1760) fuldender trioen, som ethvert øje genkender. Ud af de 23 værker af Alessandro Longhi i vores katalog præsenterer galleriet herunder de 22 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.
A gentleman is positioned in a three-quarter length portrait, seated slightly off-center against a background of warm, earthy browns. He wears a voluminous cloak of teal or seafoam green, which contrasts with the white of his lace cravat and cuffs. His face is framed by a powdered wig, and his expression carries a slight smirk. In the foreground, several musical objects are arranged near the subject, including a violin, a…
In a soft, luminous space, a young girl gazes directly at us, her expression serene and steady. She sits in a three-quarter view, her presence anchored by the weight of dark, velvet-like fabric that gathers in structured folds around her. A small, spaniel-type dog rests near her, its fluffy fur a tactile contrast to the smooth, pale skin of the child. The light descends from the upper left, catching the…
In Alessandro Longhi's Portrait of a Young Woman, a quiet elegance settles over the scene. This bust-length portrait captures a young woman positioned slightly off-center, her body turned toward the right while her gaze meets the viewer directly. The composition relies on a sense of poised stillness, set against a dark, indistinct, and monochromatic background that pushes her figure forward. The light enters from the upper left, washing over her…
In the quiet, shadowed corners of 18th-century Venice, where the glow of candlelight met the profound stillness of scholarly pursuit, Alessandro Longhi captured a moment of timeless devotion. His 1761 masterpiece, Painting and Merit, is far more than a mere portrait; it is an evocative window into the Venetian Rococo soul. The scene unfolds within a space defined by dramatic chiaroscuro, where deep, velvety shadows retreat to allow a brilliant,…
The work before us is titled Portrait of a Venetian lady, a piece that captures a specific moment of elegance from the mid-eighteenth century. It was painted by Alessandro Longhi, a figure deeply rooted in the artistic traditions of his home. This particular oil painting is dated 1758, a period when the Venetian Republic was navigating a significant era of social transition.
A heavy silence fills the room as the subject meets the viewer's gaze. This middle-aged man sits with a quiet, commanding presence, his body angled slightly toward the left while his eyes remain fixed forward. He is draped in the dark, substantial fabric of a judicial robe, a garment that seems to absorb the surrounding shadows. At his neck, the crisp white of clerical-style bands provides a sharp, bright contrast…
The oil on canvas titled Portrait of the Prefect of Brescia, Giovanni Grassi in a Red Robe was painted by Alessandro Longhi in 1783. The work captures the presence of Giovanni Grassi, who held the position of the Prefect of Brescia. He is presented in a formal manner, his figure anchored by the weight of his ceremonial attire.
In this three-quarter length portrait, Alessandro Longhi presents Francesco Maria Preti with a quiet, dignified presence. The subject is positioned slightly off-center, a choice that lends a sense of natural poise to the composition. He is dressed in a dark teal or navy blue coat, which anchors the figure against a background of earthy browns and ochres. This deep, muted color palette creates a somber, scholarly atmosphere, allowing the lighter…
In the quiet, contemplative depths of Alessandro Longhi’s Portrait of Carlo Lodoli, one finds much more than a mere likeness of a Franciscan friar; one encounters a profound dialogue between the fading grandeur of the Baroque and the rising intellect of the Enlightenment. Painted in 1761, this masterpiece serves as a poignant window into the soul of Venice during its Golden Age. Longhi, a master of the Venetian Rococo, captures…
To gaze upon Alessandro Longhi's Portrait of a Lady is to step directly into the luminous, sophisticated atmosphere of late eighteenth-century Venice. This painting, executed in 1770, transcends a mere likeness; it is a carefully composed study in aristocratic grace and quiet confidence. The subject, captured mid-pose, radiates an almost palpable warmth, suggested by the gentle curve of her smile. Longhi masterfully directs our attention to this central figure against…
Portrait of a Gentleman1780
12
Portrait of Jacopo Gradenigo1778 · Museo Civico
13
Portrait of a Lady Holding a FanNational Gallery of Ireland
14
Portrait of a Man in a Brown CloakMuseum of Fine Arts
15
Caterina penzaNational Gallery
16
An austrian prince
17
Portrait of Goldoni
18
Playwright carlo goldoni
19
Empress Maria Luisa (1745–1792), Grand Duchess of Tuscany and Empress of Austria
20
Herrenbild
21
Portrait of Gentleman
22
Portrait of a Woman
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 7 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Alessandro Longhi | Malerier fra denne liste |
|---|---|---|---|
 Art Institute of Chicago |
Chicago | 3 | Portrait of a Musician, Portrait of a girl with a dog, Portrait of a Young Woman |
 Gallerie dell'Accademia di Venezia |
Venedig | 2 | Painting and Merit, Portrait of Carlo Lodoli |
 Galleria degli Uffizi |
Firenze | 1 | Portrait of a Lady |
 Museo Civico |
Padova | 1 | Portrait of Jacopo Gradenigo |
 National Gallery of Ireland |
Dublin | 1 | Portrait of a Lady Holding a Fan |
 Museum of Fine Arts |
Boston | 1 | Portrait of a Man in a Brown Cloak |
 National Gallery |
London | 1 | Caterina penza |
Vælg et årti for at se det originale værk, der definerer det.
A gentleman is positioned in a three-quarter length portrait, seated slightly off-center against a background of warm, earthy browns. He wears a voluminous cloak of teal or seafoam green, which contrasts with the white of his lace cravat and cuffs. His face is framed by a powdered wig, and his expression carries a slight smirk. In the foreground, several musical objects are arranged near the subject, including a violin, a…
The work before us is titled Portrait of a Venetian lady, a piece that captures a specific moment of elegance from the mid-eighteenth century. It was painted by Alessandro Longhi, a figure deeply rooted in the artistic traditions of his home. This particular oil painting is dated 1758, a period when the Venetian Republic was navigating a significant era of social transition.
In Alessandro Longhi's Portrait of a Young Woman, a quiet elegance settles over the scene. This bust-length portrait captures a young woman positioned slightly off-center, her body turned toward the right while her gaze meets the viewer directly. The composition relies on a sense of poised stillness, set against a dark, indistinct, and monochromatic background that pushes her figure forward. The light enters from the upper left, washing over her…
To gaze upon Alessandro Longhi's Portrait of a Lady is to step directly into the luminous, sophisticated atmosphere of late eighteenth-century Venice. This painting, executed in 1770, transcends a mere likeness; it is a carefully composed study in aristocratic grace and quiet confidence. The subject, captured mid-pose, radiates an almost palpable warmth, suggested by the gentle curve of her smile. Longhi masterfully directs our attention to this central figure against…
The oil on canvas titled Portrait of the Prefect of Brescia, Giovanni Grassi in a Red Robe was painted by Alessandro Longhi in 1783. The work captures the presence of Giovanni Grassi, who held the position of the Prefect of Brescia. He is presented in a formal manner, his figure anchored by the weight of his ceremonial attire.
In this three-quarter length portrait, Alessandro Longhi presents Francesco Maria Preti with a quiet, dignified presence. The subject is positioned slightly off-center, a choice that lends a sense of natural poise to the composition. He is dressed in a dark teal or navy blue coat, which anchors the figure against a background of earthy browns and ochres. This deep, muted color palette creates a somber, scholarly atmosphere, allowing the lighter…
Portrait of a Musician (1747), Art Institute of Chicago, Chicago. Derefter følger Portrait of a girl with a dog (1740) og Portrait of a Young Woman (1760).
14 år gammel: Portrait of a Musician er fra 1747, og Alessandro Longhi blev født i 1733.
Portrait of a Musician, Portrait of a girl with a dog, Portrait of a Young Woman, Painting and Merit, Portrait of a Venetian lady, portrait of a judge, Portrait of the Prefect of Brescia, Giovanni Grassi in a Red Robe, Portrait of Francesco Maria Preti, Portrait of Carlo Lodoli og Portrait of a Lady. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 23 værker af Alessandro Longhi, dateret fra 1747 til 1800.
Primært i Art Institute of Chicago (Chicago), Gallerie dell'Accademia di Venezia (Venedig) og Galleria degli Uffizi (Firenze). Museumslisten ovenfor viser dem alle.
I 1760s: 3 af de 22 værker på denne side blev skabt dengang, herunder Portrait of a Young Woman.
På denne side er det tidligste Portrait of a Musician (1747) og det seneste Portrait of Francesco Maria Preti (1800).
Man (4), Lace (4) og Portrait (4), fordelt på de 22 værker på denne side.
Oil On Canvas, for 7 af de 22 værker på denne side.
Rococo, baseret på originalerne på denne side.
Portrait of a Musician, Portrait of a girl with a dog og Portrait of a Young Woman: Art Institute of Chicago, Chicago har 3 af værkerne på denne side.
Alessandro Longhi (born Venice, Italy, 1733 – died 1813) was a prominent Venetian portrait painter and printmaker. He came from an artistic family; his father was the celebrated genre painter Pietro Longhi. Alessandro received his initial training under his father’s guidance, developing a foundation in observation and detail. He further honed his skills studying with Giuseppe Nogari (1699–1763), another respected Venetian artist.
Longhi specialized in portraiture, particularly depictions of Venetian nobles and prominent figures. He excelled in capturing the elegance and status of his sitters through meticulous detail and a refined Rococo style. Unlike some contemporaries who focused on grand historical or mythological scenes, Longhi concentrated on portraying individuals within their social context. His portraits often feature elaborate robes and emblems of office, reflecting his subjects’ positions and power – a characteristic noted in comparison to artists like Sebastiano Bombelli.
While deeply influenced by his father's realistic approach, Alessandro Longhi also demonstrated an appreciation for other masters. His etching technique, in particular, reveals a clear understanding and admiration of Rembrandt van Rijn’s work. This is evident in the “tumultuous and unusual” quality of his etchings, as described by Olimpia Theodoli, showcasing a first-hand knowledge of Rembrandt's techniques.
Alessandro Longhi’s work provides valuable insight into the social and political landscape of 18th-century Venice. His portraits serve as historical records, preserving the likenesses and status symbols of a fading aristocratic class. He captured a period of transition – the elegance and refinement of the Rococo era alongside the beginnings of decline for the Venetian Republic. While not as widely celebrated as his father, Alessandro Longhi’s contributions to Venetian portraiture are significant, offering a unique perspective on the lives and times of his subjects.
