Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 39 værker af Alberto Giacometti i vores katalog
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Femme égorgée (1940) er det maleri af Alberto Giacometti, der vækker mest opsigt; originalen findes på Monnaie de Paris, Paris. Derefter falder blikket på Disagreeable Object (1931) og Caught Hand (1932). Blandt de 39 værker af Alberto Giacometti i vores katalog er disse 38 de mest berømte, hver især et unikt originalværk præsenteret med sit årstal, sit museum og årsagen til dets tidløse betydning.
The sculpture Femme égorgée is a work by Alberto Giacometti. It emerged from the artist's creative period between 1932 and 1940. This bronze form belongs to the Surrealism movement, capturing a moment of tension between life and stillness.
To stand before Alberto Giacometti’s Disagreeable Object is not merely to observe sculpture; it is to engage in a quiet, profound dialogue with absence and presence. Created in 1931, this piece transcends the definition of mere decoration. It presents an object so stark, so deliberately ambiguous, that its power lies entirely within the space it occupies and the questions it forces us to confront. The composition itself—a smooth, elongated form…
In the quiet, evocative realm of Surrealism, few objects possess the haunting intimacy of Alberto Giacometti’s 1932 masterpiece, Caught Hand. This sculpture is far more than a mere arrangement of wood and metal; it is a profound meditation on the fragility of human existence and the relentless, unyielding march of time. At first glance, the viewer is struck by the surreal juxtaposition of organic form and mechanical precision. A hand,…
In the quiet, contemplative realm of Alberto Giacometti’s early mastery, few works capture the tension of perception as poignantly as Point to the Eye (Pointe à lʼoeil). Created in 1932, this delicate sculpture serves as a profound meditation on the very act of seeing. At first glance, the piece presents a minimalist arrangement: a slender, elongated white form punctuated by small, orb-like elements that seem to float within a carefully…
Alberto Giacometti’s “Spoon Woman,” sculpted in 1927, isn't merely a sculpture; it’s an embodiment of profound questions about the human condition. Emerging from the fertile ground of early modernism and deeply influenced by African tribal art – particularly the evocative forms of ceremonial spoons found in cultures like those of Liberia and Côte d’Ivoire – this work immediately commands attention with its arresting simplicity and unsettling tension. The piece, cast…
In the quiet, textured depths of Alberto Giacometti’s “Project for a Passageway (Maquette),” created in 1931, we encounter more than a mere sculptural model; we step into a psychological landscape where the boundaries between architecture and myth dissolve. This piece serves as a profound preliminary sketch for an ambitious architectural vision, yet its true power lies in its ability to evoke the primal spirit of Surrealism. Giacometti, a master of…
Alberto Giacometti’s “Flower in Danger”: A Silent Plea for Preservation The sculpture "Flower in Danger," created by Alberto Giacometti in 1932, stands as a poignant emblem of existentialist art and a testament to the artist's masterful manipulation of form and space. Executed in wood, plaster, wire, and string – materials chosen deliberately to convey fragility and vulnerability – it’s more than just an aesthetically pleasing object; it’s a visual meditation…
Alberto Giacometti’s “Standing Woman II,” a bronze sculpture born from the crucible of post-war Europe, isn't merely a depiction of a figure; it’s a profound meditation on isolation and the enduring human struggle for connection. Completed in 1960, this arresting work embodies the artist’s signature style – elongated forms rendered with a deliberate roughness that speaks to both vulnerability and an almost defiant resilience. The sculpture immediately draws the viewer…
Alberto Giacometti’s “Woman with Her Throat Cut,” created in 1932 and cast in bronze the following year, isn't merely a sculpture; it’s an excavation of primal anxieties, a visceral exploration of vulnerability, and a testament to the artist’s profound ability to distill complex emotions into stark, unforgettable form. It resides within the Solomon R. Guggenheim Museum, yet its power transcends the gallery walls, radiating an unsettling intensity that continues to…
Reclining Woman Who Dreams: An Exploration of Existential Form The sculpture “Reclining Woman Who Dreams,” created by Alberto Giacometti in 1929, stands as an emblem of Surrealist artistic inquiry and a pivotal moment in Giacometti’s evolving sculptural language. More than just a depiction of the human form—though undeniably present—the piece embodies a profound meditation on solitude, longing, and the subconscious realm, reflecting the anxieties and aspirations of its time. Its…
Nose1964 · Solomon R. Guggenheim Museum
12
Diego1953
13
Carolina1965
14
Hands Holding a Void1935
15
Portrait1951
16
Diego in a Plaid Shirt1954
17
Carolina on white background1961
18
Nude with Flowers1960
19
Still Life with an Apple1937 · Metropolitan Museum of Art
20
The artist's mother
21
Head
22
Surrealist Table
23
Femme debout
24
Portrait of Peter Watson
25
Self-Portrait1921
26![Quatre femmes sur socle [Four Women on a Base] (1950) af Alberto Giacometti](/media/artworks/images-thumb/1c/72/1c722d6543f367f3d3096fdffeadda54.jpg)
Quatre femmes sur socle [Four Women on a Base]1950 · MAM Rio
27
The City Square1949
28
Isaku Yanaihara1956
29
Naked Lying Back1959
30
Diego1958
31
Portrait of woman1965
32
Cage
33
Tall Figure
34
Nose
35
Throat Cut
36
Landscape near Stampa Sun
37
Annette
38
Studio
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 6 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Alberto Giacometti | Malerier fra denne liste |
|---|---|---|---|
 Kunsthaus Zürich |
Zürich | 7 | Disagreeable Object, Caught Hand, Point to the Eye |
 Solomon R. Guggenheim Museum |
New York | 2 | Woman with Her Throat Cut, Nose |
 Monnaie de Paris |
Paris | 1 | Femme égorgée |
 Detroit Institute of Arts |
Detroit | 1 | Standing Woman II |
 Metropolitan Museum of Art |
New York | 1 | Still Life with an Apple |
 MAM Rio |
Rio de Janeiro | 1 | Quatre femmes sur socle [Four Women on a Base] |
Vælg et årti for at se det originale værk, der definerer det.
Alberto Giacometti’s “Spoon Woman,” sculpted in 1927, isn't merely a sculpture; it’s an embodiment of profound questions about the human condition. Emerging from the fertile ground of early modernism and deeply influenced by African tribal art – particularly the evocative forms of ceremonial spoons found in cultures like those of Liberia and Côte d’Ivoire – this work immediately commands attention with its arresting simplicity and unsettling tension. The piece, cast…
To stand before Alberto Giacometti’s Disagreeable Object is not merely to observe sculpture; it is to engage in a quiet, profound dialogue with absence and presence. Created in 1931, this piece transcends the definition of mere decoration. It presents an object so stark, so deliberately ambiguous, that its power lies entirely within the space it occupies and the questions it forces us to confront. The composition itself—a smooth, elongated form…
The sculpture Femme égorgée is a work by Alberto Giacometti. It emerged from the artist's creative period between 1932 and 1940. This bronze form belongs to the Surrealism movement, capturing a moment of tension between life and stillness.
is a painting by the Swiss artist Alberto Giacometti. Executed in 1953, the work focuses on the artist's brother, Diego, a fellow sculptor and designer. The two men shared a studio at 46 rue Hippolyte-Maindron in Paris, maintaining a close professional and personal relationship that often blurred the lines between their respective creative outputs.
Created about 1964, Nose by Alberto Giacometti functions as a sculptural meditation on isolation. The work presents an abstracted human head, stripped of most recognizable features. This reduction of form focuses the viewer's attention on the essential essence of the subject rather than specific likeness.
Femme égorgée (1940), Monnaie de Paris, Paris. Derefter følger Disagreeable Object (1931) og Caught Hand (1932).
39 år gammel: Femme égorgée er fra 1940, og Alberto Giacometti blev født i 1901.
Femme égorgée, Disagreeable Object, Caught Hand, Point to the Eye, Spoon Woman, Project for a Passageway (Maquette), Flower in Danger, Standing Woman II, Woman with Her Throat Cut og Reclining Woman Who Dreams. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 39 værker af Alberto Giacometti, dateret fra 1921 til 1965.
Primært i Kunsthaus Zürich (Zürich), Solomon R. Guggenheim Museum (New York) og Monnaie de Paris (Paris). Museumslisten ovenfor viser dem alle.
I 1930s: 7 af de 38 værker på denne side blev skabt dengang, herunder Disagreeable Object.
På denne side er det tidligste Self-Portrait (1921) og det seneste Carolina (1965).
Sculpture (10), Men (5) og Figure (4), fordelt på de 38 værker på denne side.
Bronze, for 4 af de 38 værker på denne side.
Surrealism, baseret på originalerne på denne side.
Disagreeable Object, Caught Hand og Point to the Eye: Kunsthaus Zürich, Zürich har 7 af værkerne på denne side.
