Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 103 værker af Thomas Sidney Cooper i vores katalog
Kort sagt
Af alle de originale værker, som Thomas Sidney Cooper efterlod, er det mest berømte An Evening Drink (1897), som er en del af samlingen på Bolton Museum And Art Gallery i Bolton. Lige efter følger An Evening Scene (1852) og Fording a brook, suburbs of Canterbury (1834). Vores katalog indeholder 103 værker af Thomas Sidney Cooper; galleriet har bevaret de 99 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.
The quietude of the pastoral world finds a steady presence in An Evening Drink. Painted by Thomas Sidney Cooper, this work captures a fleeting moment of rest within the natural landscape. The scene unfolds with a sense of stillness, as if the day is exhaling its final warmth. It is a piece that invites a slow gaze, drawing the viewer into a tranquil setting where the rhythm of life follows…
The sun hangs low, casting a heavy, amber glow over a quiet corner of the English countryside. Beneath the twisted, skeletal limbs of a gnarled tree, three cattle rest in the tall grass. Their bodies catch the fading light, creating bright, sharp edges against the deepening shadows of the landscape. The air feels thick and warm, saturated with the colors of ochre and sepia. It is a moment of stillness,…
Fording a brook, suburbs of Canterbury is a work by Thomas Sidney Cooper, executed in 1834. This piece reflects the early period of an artist who would eventually become a celebrated figure within the Royal Academy. The painting captures a quiet moment in the landscape, rooted in the specific geography of the artist's origins.
In "The Home Farm" by Thomas Sidney Cooper, a quiet moment in the English countryside unfolds under a soft, diffused light. Created about 1844, the scene brings together a gathering of farm animals seeking shelter beneath a heavy, thatched roof. The air feels still, as if an overcast sky has paused the movement of the day. Sheep cluster in the foreground, their thick, white wool catching the gentle light, while…
In Sheep In The Isle of Skye, Thomas Sidney Cooper directs our attention toward a large group of sheep that occupies the foreground and midground. These animals rest upon a rugged, rocky outcrop, their presence grounding the composition against the wilder elements of the landscape. The perspective is a low-angle view, looking upward toward the cliffside, which emphasizes the scale of the terrain. This viewpoint creates a sense of height,…
In An Evening Repose by Thomas Sidney Cooper, a tranquil pastoral scene unfolds at the quiet hour of dusk. The air feels heavy with the stillness of the fading day as a herd of cattle and sheep graze peacefully across a wide field. These animals move through the grass with a slow, rhythmic grace, their presence grounding the landscape in a moment of profound rest. It is a quintessential depiction…
In the quietude of 1888, Thomas Sidney Cooper captures a moment of rural stillness in his work, Cattle and Sheep in a Landscape. This English landscape painter brings a sense of life to the pastoral scene, focusing his attention on the steady, rhythmic existence of livestock. The animals occupy the heart of the view, existing in a space where the air feels heavy with the scent of damp earth and…
The quietude of the English countryside finds its voice in The Lord Of The Pastures, a work by the artist Thomas Sidney Cooper. Within this scene, the pastoral life of the nineteenth century remains suspended in a moment of stillness. Thomas Sidney Cooper, who lived from 1803 to 1902, brings a specific, grounded presence to the meadow through his depiction of the animals that inhabit it.
In the quietude of a rolling landscape, Sheep in a Pasture brings a moment of rural stillness to life. This oil painting by Thomas Sidney Cooper captures a flock of sheep resting upon a grassy hill, their forms nestled under a dramatic, cloudy sky. The scene unfolds with a sense of peace, as the animals cluster in the foreground and middle ground, leading the eye toward a distant, soft horizon.…
Cattle by a river1835 · Fitzwilliam Museum
12
The Entrance to Carisbrooke Castle1837 · Royal Collection
13
Cattle in a Stream1841 · Birmingham Museum and Art Gallery
14
Cattle reposing (1846)1846 · Fitzwilliam Museum
15
The Victoria Cow1848 · Royal Collection
16
The Halt on the Hills1847 · Sheffield City Art Galleries
17
Goats and Kids in a Shed1846 · Nottingham City Museums And Galleries
18
Mountain Sheep1845
19
Mountain Sheep (also known as Morning Mist Clearing Off)1846 · Nottingham Castle Museum And Art Gallery
20
In the Meadows of Fordwich1840
21
Cattle1850 · Reading Public Museum
22
Landscape with Cows and Sheep1850
23
The Evening Drink in the Canterbury Meadows1851 · Russell
24
In the Whitehall Meadows, Canterbury, Kent1854 · Sheffield City Art Galleries
25
Mountain Sheep1862 · Touchstones Rochdale Arts And Heritage Centre
26
In the Canterbury Meadows1863 · Wolverhampton Art Gallery
27
Heat Showers in August1857 · Manchester Art Gallery
28
Midday Repose1866 · Laing Art Gallery
29
Milking Time in the Meadows1869
30
Morning, Canterbury Meadows, Kent1869 · Sheffield City Art Galleries
31
In the Kentish Meadows1868
32
Five Cows in a Landscape1874 · Kingston Lacy
33
A Group of Cattle1877
34
Landscape with Cattle and Sheep1875 · York Art Gallery
35
Landscape with Cattle and Fowl1874 · Wolverhampton Art Gallery
36
Clearing the Wood for the Iron Way1880
37
Landscape with Cows1881
38
Landscape with cattle1890 · National Library of Wales
39
Fordwich Meadows, Canterbury, Kent1889 · Victoria Art Gallery
40
Study of a Working Horse1900 · Yale Center for British Art
41
Village Landscape (from McGuire Scrapbook)
42
Farm Landscape
43
A Cow and Two Sheep
44
The Rustic Foot Bath
45
A Shepherd With His Flock
46
Milking Time - Study of a Farm-Yard near Canterbury
47
Gathering CloudsAmgueddfa Cymru
48
The Chill of Winter
49
Cattle Resting By A Brook
50
Waiting for the Ferry
51
April Showers
52
Inquiring for the Tilbury Ferry
53
Summer Evening
54
In the Highlands
55
Four Sheep1874 · Wolverhampton Art Gallery
56
Cattle and Sheep at a Watering Place
57
Landscape and Cattle
58
The Lowland Herd
59
Sheep In An Extensive Landscape
60
Sheep In Winter
61
A Cow And Sheep On The Cliffs
62
The Church Meadows
63
Sheep At Pasture
64
Cows In A Meadow 1
65
A Cow With Sheep In A Landscape
66
Leader benjamin williams tintern abbey moonlight on the wye
67
Canterbury Meadows
68
Among the Cumberland Mountains - Mist Clearing Off
69
In The Highlands
70
Cattle resting beside a river
71
Evening In The Meadows
72
Dairy Cows Resting
73
Cattle Wattering
74
Sheep In A Winter Landscape
75
Cattle Watering
76
Rams And A Bull In A Highland Landscape
77
Cattle Sheep and Goats
78
Cattle Resting
79
Cows in a Meadow
80
In The Canterbury Meadows
81
Cattle and Sheep Resting in an Extensive Landscape
82
Landscape with Sheep
83
Highland Cattle by a StreamSunnycroft
84
Landscape with SheepAmgueddfa Cymru
85
A Wooded Ford
86
LandscapeGrundy Art Gallery
87
Cattle and Sheep in a Field
88
Near Canterbury. a Boy on a Donkey driving Cattle along a Road, the Cathedral beyond
89
Sheep in the Highlands
90
A Bull and Cow with Two Sheep and Goat
91
A Farm in Kent
92
Friesian Bull in a LandscapeOwletts
93
Cattle and Sheep Probably in Canterbury Meadows
94
CATTLE GRAZING IN CANTERBURY MEADOWS
95
Sheep In Canterbury Water Meadows
96
Peasants and Sheep
97
Meadows Near Canterbury
98
Landscape with a Flock of Sheep Resting
99
Sheep in a Moorland Landscape
De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Thomas Sidney Cooper | Malerier fra denne liste |
|---|---|---|---|
 Sheffield City Art Galleries |
Sheffield | 3 | The Halt on the Hills, In the Whitehall Meadows, Canterbury, Kent, Morning, Canterbury Meadows, Kent |
 Wolverhampton Art Gallery |
Wolverhampton | 3 | In the Canterbury Meadows, Landscape with Cattle and Fowl, Four Sheep |
 Birmingham Museum and Art Gallery |
Birmingham | 2 | Landscape With Cattle And Sheep, Cattle in a Stream |
 Fitzwilliam Museum |
2 | Cattle by a river, Cattle reposing (1846) | |
 Royal Collection |
London | 2 | The Entrance to Carisbrooke Castle, The Victoria Cow |
 Amgueddfa Cymru |
Cardiff | 2 | Gathering Clouds, Landscape with Sheep |
 Bolton Museum And Art Gallery |
Bolton | 1 | An Evening Drink |
 Wallace Collection |
London | 1 | An Evening Scene |
Vælg et årti for at se det originale værk, der definerer det.
Fording a brook, suburbs of Canterbury is a work by Thomas Sidney Cooper, executed in 1834. This piece reflects the early period of an artist who would eventually become a celebrated figure within the Royal Academy. The painting captures a quiet moment in the landscape, rooted in the specific geography of the artist's origins.
In "The Home Farm" by Thomas Sidney Cooper, a quiet moment in the English countryside unfolds under a soft, diffused light. Created about 1844, the scene brings together a gathering of farm animals seeking shelter beneath a heavy, thatched roof. The air feels still, as if an overcast sky has paused the movement of the day. Sheep cluster in the foreground, their thick, white wool catching the gentle light, while…
The sun hangs low, casting a heavy, amber glow over a quiet corner of the English countryside. Beneath the twisted, skeletal limbs of a gnarled tree, three cattle rest in the tall grass. Their bodies catch the fading light, creating bright, sharp edges against the deepening shadows of the landscape. The air feels thick and warm, saturated with the colors of ochre and sepia. It is a moment of stillness,…
In Sheep In The Isle of Skye, Thomas Sidney Cooper directs our attention toward a large group of sheep that occupies the foreground and midground. These animals rest upon a rugged, rocky outcrop, their presence grounding the composition against the wilder elements of the landscape. The perspective is a low-angle view, looking upward toward the cliffside, which emphasizes the scale of the terrain. This viewpoint creates a sense of height,…
The quietude of the pastoral world finds a steady presence in An Evening Drink. Painted by Thomas Sidney Cooper, this work captures a fleeting moment of rest within the natural landscape. The scene unfolds with a sense of stillness, as if the day is exhaling its final warmth. It is a piece that invites a slow gaze, drawing the viewer into a tranquil setting where the rhythm of life follows…
An Evening Drink (1897), Bolton Museum And Art Gallery, Bolton. Derefter følger An Evening Scene (1852) og Fording a brook, suburbs of Canterbury (1834).
94 år gammel: An Evening Drink er fra 1897, og Thomas Sidney Cooper blev født i 1803.
An Evening Drink, An Evening Scene, Fording a brook, suburbs of Canterbury, The Home Farm, Sheep In The Isle of Skye, An Evening Repose, Cattle and Sheep in a Landscape, The Lord Of The Pastures, Sheep in a Pasture og Landscape With Cattle And Sheep. Ranglisten ovenfor viser det enkelte værks årstal og museum.
Vores katalog indeholder 103 værker af Thomas Sidney Cooper, dateret fra 1834 til 1900.
Primært i Sheffield City Art Galleries (Sheffield), Wolverhampton Art Gallery (Wolverhampton) og Birmingham Museum and Art Gallery (Birmingham). Museumslisten ovenfor viser dem alle.
I 1840s: 9 af de 99 værker på denne side blev skabt dengang, herunder The Home Farm.
På denne side er det tidligste Fording a brook, suburbs of Canterbury (1834) og det seneste Study of a Working Horse (1900).
Animals (22), Landscape (19) og Rural landscape (14), fordelt på de 99 værker på denne side.
Oil On Canvas, for 7 af de 99 værker på denne side.
Romanticism, baseret på originalerne på denne side.
The Halt on the Hills, In the Whitehall Meadows, Canterbury, Kent og Morning, Canterbury Meadows, Kent: Sheffield City Art Galleries, Sheffield har 3 af værkerne på denne side.
I hjertet af det engelske landskab, hvor Canterburys bølgende bakker møder det bløde lys fra den kentiske himmel, lever ånden fra Thomas Sidney Cooper videre gennem hans lærreder. Kendt kærligt af sine samtidige som "cow cooper", var Cooper langt mere end blot en maler af husdyr; han var en pastoral poet, en mand med den sjældne evne til at indblæse liv i de tavse, græssende flokke af får og kvæg. Han blev født i 1803, og hans rejse begyndte ikke i Londons storslåede atelierer, men gennem en ydmyg og disciplineret observation af naturen. Allerede som tolvårig lærling hos en vognmaler søgte hans øjne konstant efter jordens subtile teksturer og dyrenes rytmiske bevægelser – en vane med at skitsere efter livet, som i sidste ende skulle definere selve essensen af hans kunstneriske identitet.
Cooper karriereforløb var præget af en dybtgående transformation fra lokal håndværker til en anerkendt skikkelse inden for Royal Academy. Hans flytning til London i de tidlige tyvere gav ham mulighed for at opsluge sig i de intellektuelle og kunstneriske strømninger omkring British Museum, hvilket gav ham den historiske dybde, der var nødvendig for at løfte hans arbejde ud over simpel realisme. Selvom han bevarede en dyb forbindelse til sine rødder i Canterbury – hvor han arbejdede som tegnelærer og fandt stabilitet i det lokale landskab – var det hans evne til at forene det rå, rustikke liv på landet med en romantiseret, atmosfærisk storhed, der sikrede ham hans plads i den victorianske kanon. Hans teknik var kendetegnet ved en bevidst og mesterlig lagdeling af penselstrøg, som skabte en følelse af dybde og fugt i luften, der fik hans landskaber til at føles som om, de trak vejret.
Et af de mest fascinerende kapitler i Coopers karriere var hans vedvarende kunstneriske partnerskab med Frederick Richard Lee. Dette samarbejde muliggjorde en unik syntese af stilarter, som blev et kendetegn for midt-victoriansk landskabsmaleri. Mens Lee fokuserede på de vidstrakte, monumentale udsigter og den dramatiske arkitektur i naturens verden, leverede Cooper kompositionens sjæl gennem sin omhyggelige gengivelse af dyr. Denne synergi kommer måske smukkest til udtryk i deres fælles mesterværk, “The Defeat of Kellermann’s Cuirassiers,” et monumentalt værk, der mindes slaget ved Waterloo. I dette stykke mødes landskabets storhed med dyrenes rørende og detaljerede nærvær, hvilket skaber en fortælling, der er både episk i skala og intim i detaljen.
Udover de store historiske bestillingsværker lå Coopers sande passion i de stille øjeblikke af det landlige liv. Hans værker, såsom “Cattle and Sheep Resting in an Extensive Landscape,” fungerer som vinduer ind til en svindende æra af engelsk pastoralisme. Gennem hans øjne ser vi:
Som den victorianske æra skred frem, stod Coopers arbejde som et vidnesbyrd om det engelske landskabs vedvarende skønhed midt i den industrielle revolutions fremmarch. Han indfangede en følelse af fred og bestandighed, som resonerede dybt i et samfund under hurtig forandring. Hans flittige produktion og konstante tilstedeværelse på Royal Academy sikrede ham kritisk anerkendelse og et varigt ry som en mester inden for animalier-genren. Selv i dag fejres hans malerier ikke blot for deres tekniske præcision, men for deres evne til at vække en dyb følelsesmæssig forbindelse til jorden.
Arven efter Thomas Sidney Cooper er præget af en dedikation til de små, ofte oversete detaljer i den naturlige verden. Han lærte os, at der findes ligeså meget majestæt i et fods stødende blik som i den mest dramatiske bjergkæde. Gennem sine "cow cooper"-afbildninger bevarede han det landlige livs værdighed og sikrede, at den fredfyldte, pastorale skønhed i 1800-tallets England ville forblive evigt levende for kommende generationer.
