Portræt af Stefan Buban

Stefan Buban malerier: De 7 mest berømte, set gennem et galleris øjne

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 10 værker af Stefan Buban i vores katalog

Kort sagt

I galleriets øjne er Stefan Bubans mest berømte maleri Near Spišská Nová Ves (1970), hvis original hænger på Tatra Gallery i Poprad. Native Zemplín (1981) og Zemplín Fields (1981) fuldender trioen, som ethvert øje genkender. Ud af de 10 værker af Stefan Buban i vores katalog præsenterer galleriet herunder de 7 mest berømte, hver som et originalværk med årstal, museum og det, der gør det unikt.

1932 – 2026, Pavlovce nad Uhom Flest værker: Vychodoslovenské Galéria

Galleriets top 10 Stefan Buban malerier

7
Near Spišská Nová Ves af Stefan Buban

Near Spišská Nová Ves

· Tatra Gallery, Poprad

In the evocative landscape of Near Spišská Nová Ves, the viewer is immediately transported to a realm where the rugged majesty of the Slovakian mountains meets a profound sense of tranquility. The painting presents a breathtaking vista of a mountainous expanse, characterized by a striking red hue that bathes the peaks in a warm, ethereal glow. This chromatic choice does more than merely depict terrain; it imbues the entire scene…

De museer, der udstiller Stefan Bubans originalværker

De 3 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Stefan Buban Malerier fra denne liste
Vychodoslovenské Galéria, KošiceVychodoslovenské Galéria Košice 4 Native Zemplín, Zemplín Fields, Peaceful Landscape
Tatra Gallery, PopradTatra Gallery Poprad 2 Near Spišská Nová Ves, Near Spišská Nová Ves
Gallery of Spis Artists, Spišská Nová VesGallery of Spis Artists Spišská Nová Ves 1 Winter in Podlince

Stefan Buban, årets signaturmalerier

18 års kunst af Stefan Buban, fra 1970 til 1987: galleriet følger dem år for år gennem de mest berømte originalværker fra hvert år.

Værker per år

Vælg et årstal for at se de originale værker.

Stefan Buban's malerier: galleriets svar

Hvilket maleri af Stefan Buban er det mest berømte af alle?Vis svaret

Near Spišská Nová Ves (1970), Tatra Gallery, Poprad. Derefter følger Native Zemplín (1981) og Zemplín Fields (1981).

Hvor gammel var Stefan Buban, da Near Spišská Nová Ves blev færdiggjort?Vis svaret

38 år gammel: Near Spišská Nová Ves er fra 1970, og Stefan Buban blev født i 1932.

Hvor mange værker skabte Stefan Buban?Vis svaret

Vores katalog indeholder 10 værker af Stefan Buban, dateret fra 1970 til 1987.

Hvor hænger Stefan Bubans mest berømte originaler?Vis svaret

Primært i Vychodoslovenské Galéria (Košice), Tatra Gallery (Poprad) og Gallery of Spis Artists (Spišská Nová Ves). Museumslisten ovenfor viser dem alle.

Hvornår skabte Stefan Buban sine mest berømte malerier?Vis svaret

I 1981: 3 af de 7 værker på denne side blev skabt dengang, herunder Native Zemplín.

Hvilke er Stefan Bubans tidligste og seneste berømte værker?Vis svaret

På denne side er det tidligste Near Spišská Nová Ves (1970) og det seneste Let Us Not Allow! (1987).

Hvilke originalværker af Stefan Buban findes i Vychodoslovenské Galéria?Vis svaret

Native Zemplín, Zemplín Fields og Peaceful Landscape: Vychodoslovenské Galéria, Košice har 4 af værkerne på denne side.

Stefan Buban: kunstneren

A Life Shaped by Color and Landscape

Born on July 29, 1932, in Pavlovce nad Uhom, Slovakia, Štefan Bubán spent his life translating the textures of his homeland onto canvas. His early years were rooted in the traditions of the region, leading him to study at the art department of the Higher Pedagogical School in Prešov, which he completed in 1955. He later continued his formal education at the Faculty of Education of Comenius University in Bratislava between 1959 and 1964. This academic foundation provided the technical skill that would support a career spanning decades of experimentation.

His professional path was closely tied to Trebišov, where he worked from 1956. The landscapes of the East Slovak Lowland became a central part of his visual language. In his early works, he focused on figurative compositions that captured the essence of this region through distinct color effects. As time passed, his focus shifted toward the natural world, moving into landscape painting that explored the light and earth of the Slovakian terrain.

Evolution of Style and Technique

The progression of Bubán’s work shows a clear movement from representational forms to more complex, abstract visions. He began with figures and landscapes but eventually embraced a modernist style characterized by geometric-abstract-informal fantasies. This transition saw him moving toward what some describe as transavantgarde, where his paintings became structured through geometric-abstract visions. His technique was not limited to the brush; he worked with oil painting, sculpture, printmaking, woodcuts, and drawings.

His approach to color was deeply personal. In works such as Near Spišská Nová Ves, he used striking red hues to bathe mountain peaks in a warm glow, creating an atmosphere of a permanent sunset. He utilized color for psychological impact rather than mere accuracy. His later compositions often relied on an instinctive creative passion, using color and imaginative arrangements to build space within his paintings.

Recognition and Global Reach

Though deeply connected to Slovakian soil, Bubán’s presence was felt far beyond its borders. He exhibited his work in numerous countries, including Germany, Italy, France, Japan, and Egypt. His art found homes in prestigious venues such as the Salon d'Automne in Paris and the Kunsthalle Bratislava. For a period between 2008 and 2016, his paintings were even displayed at the Permanent Representation of Slovakia to the European Union in Brussels.

Throughout his career, he received several notable honors that reflected his standing in the international art community:

  • The Gold Plaque at the VII International Festival of Contemporary Painting in San Remo, Italy, in 1999.
  • The European Commission's Prize for Culture at the il Nittis Biennial in Barletta, Italy, in 2003.
  • A silver medal from the Salon in Cannes in 2006.
  • The Price za celoživotné dielo at Intersalón AJV in České Budějovice in 2008.

His memberships in various societies, such as the Slovak Art Society and the Association of Visual Arts Japan, further solidified his role as a bridge between local tradition and global modernism. He left behind a significant body of work that includes seventy solo exhibitions and nearly three hundred group exhibitions, ensuring his vision of the Slovak landscape remains part of the broader history of 20th-century art.