Portræt af Stanisław Żukowski

De 83 mest berømte Stanisław Żukowski-malerier, en galleriselektion

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 83 værker af Stanisław Żukowski i vores katalog

Kort sagt

Af alle de originale værker, som Stanisław Żukowski efterlod, er det mest berømte The Last Asters (1912). Lige efter følger Old Library (1916) og Before the masquerade (1923). Vores katalog indeholder 83 værker af Stanisław Żukowski; galleriet har bevaret de 83 værker, som verden beundrer mest, hver vist med sin dato, sit museum og sin historie.

1873 – 1944, Jendrychaŭcy Impressionism Flest værker: Nationalmuseet i Warszawa

Stanisław Żukowskis top 10 malerier: galleriets udvalg

1
The Last Asters (1912) af Stanisław Żukowski

The Last Asters

1912 · Oil

The air feels heavy with the scent of damp earth and the cooling breath of autumn. In this corner of a garden, the season is making its final, colorful protest. A path winds through a landscape of deepening shadows and soft light, leading the eye toward a cluster of trees that stand as silent sentinels against the changing sky. Near the center, a solitary bench sits empty, waiting for a…

2
Old Library (1916) af Stanisław Żukowski

Old Library

1916 · Oil · Nationalmuseet i Kraków, Kraków

In this 1916 oil painting, we find ourselves standing at the threshold of a private sanctuary. The scene captures a spacious, classical library where the air feels heavy with the scent of aged paper and polished wood. Sunlight streams through high windows, cutting through the stillness to cast sharp, geometric patches of brilliance across a reflective floor. This interplay of light and shadow creates a profound sense of depth, drawing…

3
Before the masquerade (1923) af Stanisław Żukowski

Before the masquerade

1923 · Oil On Canvas · Nationalmuseet i Warszawa, Warszawa

In Before the masquerade, Stanisław Żukowski presents a moment of preparation within an elegant, dimly lit interior. The composition centers on a woman in a red evening gown positioned before a tall, ornate red mirror. This arrangement directs the viewer's attention toward her reflection, creating a focal point that explores themes of vanity and anticipation. The scene is captured from a straight-on perspective, placing the observer directly within the quietude…

Stanisław Żukowski-udvalget fortsætter, fra 11 til 83

11Midday (1905) af Stanisław ŻukowskiMidday1905 12Landscape with a Hut (1904) af Stanisław ŻukowskiLandscape with a Hut1904 13Forest River (1899) af Stanisław ŻukowskiForest River1899 14Evening in March (1904) af Stanisław ŻukowskiEvening in March1904 15Moonlit Night in Winter (1901) af Stanisław ŻukowskiMoonlit Night in Winter1901 16In the Park (1904) af Stanisław ŻukowskiIn the Park1904 17Evening in Autumn (study) (1905) af Stanisław ŻukowskiEvening in Autumn (study)1905 18In May (1899) af Stanisław ŻukowskiIn May1899 19The Mansion (1900) af Stanisław ŻukowskiThe Mansion1900 20Haystacks in the Field (1900) af Stanisław ŻukowskiHaystacks in the Field1900 21Evening in Autumn (1905) af Stanisław ŻukowskiEvening in Autumn1905 22The Homestead (1899) af Stanisław ŻukowskiThe Homestead1899 23Khotkovo (study) (1903) af Stanisław ŻukowskiKhotkovo (study)1903 24Moonlit Night (1899) af Stanisław ŻukowskiMoonlit Night1899 25Winter forest (1900) af Stanisław ŻukowskiWinter forest1900 · Dagestan Museum of Fine Arts named after P. S. Gamzatova 26Easter (1911) af Stanisław ŻukowskiEaster1911 27Lake Moldino (1909) af Stanisław ŻukowskiLake Moldino1909 28Garden with House (1906) af Stanisław ŻukowskiGarden with House1906 29Manor House in Autumn (1909) af Stanisław ŻukowskiManor House in Autumn1909 30Early Spring in the Park (1910) af Stanisław ŻukowskiEarly Spring in the Park1910 31The Last Flowers (1908) af Stanisław ŻukowskiThe Last Flowers1908 32Forest Lake (1910) af Stanisław ŻukowskiForest Lake1910 33Landscape (1916) af Stanisław ŻukowskiLandscape1916 · Nationalmuseet i Warszawa 34The First Frost (1912) af Stanisław ŻukowskiThe First Frost1912 35Interior with a Piano (1917) af Stanisław ŻukowskiInterior with a Piano1917 36The First Snow (1916) af Stanisław ŻukowskiThe First Snow1916 37Mountain Landscape (1914) af Stanisław ŻukowskiMountain Landscape1914 38Easter Still Life (1915) af Stanisław ŻukowskiEaster Still Life1915 39In Front of the Terrace (1913) af Stanisław ŻukowskiIn Front of the Terrace1913 40In the Old House (1912) af Stanisław ŻukowskiIn the Old House1912 41Interior in Brasovo (1916) af Stanisław ŻukowskiInterior in Brasovo1916 42Interior of an Old House (1912) af Stanisław ŻukowskiInterior of an Old House1912 43Winter landscape. Vyatka (1921) af Stanisław ŻukowskiWinter landscape. Vyatka1921 · National Art Museum of The Republic of Belarus 44Midnight (1922) af Stanisław ŻukowskiMidnight1922 · Nationalmuseet i Warszawa 45Remote Russian north – Vyatka (1920) af Stanisław ŻukowskiRemote Russian north – Vyatka1920 · Nationalmuseet i Warszawa 46The Lake (1919) af Stanisław ŻukowskiThe Lake1919 47Mansion in Winter (1918) af Stanisław ŻukowskiMansion in Winter1918 48Lake at Night (1919) af Stanisław ŻukowskiLake at Night1919 49In the Room (1920) af Stanisław ŻukowskiIn the Room1920 50Interior (1920) af Stanisław ŻukowskiInterior1920 51Early Spring in the Forest (1925) af Stanisław ŻukowskiEarly Spring in the Forest1925 52Forest Clearing (1928) af Stanisław ŻukowskiForest Clearing1928 53Frost (1928) af Stanisław ŻukowskiFrost1928 54Landscape with Haystacks (1926) af Stanisław ŻukowskiLandscape with Haystacks1926 55Lilacs in the Park (1930) af Stanisław ŻukowskiLilacs in the Park1930 56Moonlit Night. Jasmine and Peonies (1929) af Stanisław ŻukowskiMoonlit Night. Jasmine and Peonies1929 57Garden Path (1938) af Stanisław ŻukowskiGarden Path1938 58Foxgloves in a Summer Garden (1941) af Stanisław ŻukowskiFoxgloves in a Summer Garden1941 59Interior of a Salon in Brasovo (1916) af Stanisław ŻukowskiInterior of a Salon in Brasovo1916 60Evening Interior (1909) af Stanisław ŻukowskiEvening Interior1909 61May (1912) af Stanisław ŻukowskiMay1912 62Easter Night af Stanisław ŻukowskiEaster Night 63Landscape with River af Stanisław ŻukowskiLandscape with River 64The Forest Stream af Stanisław ŻukowskiThe Forest Stream 65March af Stanisław ŻukowskiMarch 66Evening af Stanisław ŻukowskiEvening 67Grey Day af Stanisław ŻukowskiGrey Day 68Moonlit Interior af Stanisław ŻukowskiMoonlit Interior 69Forest af Stanisław ŻukowskiForest 70Landscape with a Church af Stanisław ŻukowskiLandscape with a Church 71Flooding of the Neiman River af Stanisław ŻukowskiFlooding of the Neiman River 72Interior of a Library af Stanisław ŻukowskiInterior of a Library 73Landscape af Stanisław ŻukowskiLandscapeTver Regional Picture Gallery 74Interior. Sunny Day af Stanisław ŻukowskiInterior. Sunny Day 75Ferns in the Forest (1895) af Stanisław ŻukowskiFerns in the Forest1895 76Fading Asters (1910) af Stanisław ŻukowskiFading Asters1910 77Early Spring (1902) af Stanisław ŻukowskiEarly Spring1902 78Interior with Samovar (1914) af Stanisław ŻukowskiInterior with Samovar1914 79The Fresh Snow (1912) af Stanisław ŻukowskiThe Fresh Snow1912 80Indian Summer (1899) af Stanisław ŻukowskiIndian Summer1899 81Lake Moldino af Stanisław ŻukowskiLake Moldino 82Interior of the Picture Gallery, Pavlovsk af Stanisław ŻukowskiInterior of the Picture Gallery, Pavlovsk 83Summer Meadow, Pobojka af Stanisław ŻukowskiSummer Meadow, Pobojka

Motiverne, der fangede Stanisław Żukowskis blik

De fire motiver, der optræder hyppigst i disse originaler, hver med sit fineste eksempel.

De museer, der udstiller Stanisław Żukowskis originalværker

De 5 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Stanisław Żukowski Malerier fra denne liste
Nationalmuseet i Warszawa, WarszawaNationalmuseet i Warszawa Warszawa 5 Before the masquerade, Landscape, Landscape
Nationalmuseet i Kraków, KrakówNationalmuseet i Kraków Kraków 1 Old Library
Dagestan Museum of Fine Arts named after P. S. Gamzatova, MakhachkalaDagestan Museum of Fine Arts named after P. S. Gamzatova Makhachkala 1 Winter forest
National Art Museum of The Republic of Belarus, MinskNational Art Museum of The Republic of Belarus Minsk 1 Winter landscape. Vyatka
Tver Regional Picture Gallery, TverTver Regional Picture Gallery Tver 1 Landscape

Stanisław Żukowski årti for årti: det originale værk, der definerer hvert enkelt

Værker per årti

Vælg et årti for at se det originale værk, der definerer det.

Samleres spørgsmål om Stanisław Żukowskis malerier

Hvilket værk er Stanisław Żukowski mest kendt for?Vis svaret

The Last Asters (1912). Derefter følger Old Library (1916) og Before the masquerade (1923).

Hvor gammel var Stanisław Żukowski, da The Last Asters blev skabt?Vis svaret

39 år gammel: The Last Asters er fra 1912, og Stanisław Żukowski blev født i 1873.

Hvad er de ti mest berømte Stanisław Żukowski malerier?Vis svaret

The Last Asters, Old Library, Before the masquerade, Landscape, Landscape with a Road, Haystacks (study), The Monastery Wall, Melting Snow on the Slopes, Lilac Bushes og The Moonrise. Ranglisten ovenfor viser det enkelte værks årstal og museum.

Hvor mange malerier efterlod Stanisław Żukowski?Vis svaret

Vores katalog indeholder 83 værker af Stanisław Żukowski, dateret fra 1895 til 1941.

I hvilke museer udstilles Stanisław Żukowski's mesterværker?Vis svaret

Primært i Nationalmuseet i Warszawa (Warszawa), Nationalmuseet i Kraków (Kraków) og Dagestan Museum of Fine Arts named after P. S. Gamzatova (Makhachkala). Museumslisten ovenfor viser dem alle.

I hvilke år malede Stanisław Żukowski sine mest berømte værker?Vis svaret

I 1910s: 23 af de 83 værker på denne side blev skabt dengang, herunder The Last Asters.

Hvad er de første og de sidste berømte originaler af Stanisław Żukowski?Vis svaret

På denne side er det tidligste Landscape (1895) og det seneste Foxgloves in a Summer Garden (1941).

Hvilke motiver valgte Stanisław Żukowski oftest?Vis svaret

Russian art (8), Rural landscape (5) og Flowers (4), fordelt på de 83 værker på denne side.

Hvilken teknik brugte Stanisław Żukowski mest?Vis svaret

Oil, for 2 af de 83 værker på denne side.

Hvilken kunstretning tilhører Stanisław Żukowski?Vis svaret

Impressionism, baseret på originalerne på denne side.

Hvilke værker af Stanisław Żukowski udstilles på Nationalmuseet i Warszawa?Vis svaret

Before the masquerade, Landscape og Landscape: Nationalmuseet i Warszawa, Warszawa har 5 af værkerne på denne side.

Stanisław Żukowski: liv og værk

Stanislav Zhukovsky: Pioneer of Russian Abstract Expressionism

Stanislav Yulianovich Zhukovsky (1873–1944) stands as a singular figure in the annals of Russian art, recognized primarily for his contribution to Suprematism and Cubism – movements that fundamentally reshaped the visual landscape of the early 20th century. Born in Saint Petersburg, Zhukovsky’s artistic journey began amidst the intellectual ferment of the era, absorbing influences from Impressionism and Symbolism before decisively embracing radical abstraction. His work transcends mere representation; it delves into a realm of pure geometric forms and tonal harmonies, reflecting a profound engagement with philosophical concepts rooted in Russian Orthodox spirituality and Nietzschean thought.
  • Early Influences: Zhukovsky’s formative years coincided with the blossoming Impressionist movement in France, exposing him to artists like Monet and Sisley who championed capturing fleeting moments of light and color. Simultaneously, Symbolism captivated him with its exploration of inner psychological states and mythological narratives – a fascination evident in his initial canvases.
  • The Embrace of Cubism: Around 1910 Zhukovsky transitioned to Cubism, aligning himself with the avant-garde fervor sweeping across Europe. He adopted Picasso’s analytical approach, dissecting objects into fragmented planes and presenting multiple perspectives simultaneously. This stylistic shift signaled a rejection of traditional illusionistic techniques in favor of intellectual rigor and conceptual innovation.
  • Suprematism: Zhukovsky's most enduring legacy resides in his pioneering role as one of the founders of Suprematism, alongside Kazimir Malevich. Rejecting any reference to external reality, Suprematists sought to express pure spiritual concepts through geometric shapes – primarily squares and circles – arranged on a white background. Zhukovsky’s Suprematist compositions embody an uncompromising commitment to reducing art to its elemental essence.

Notable Works & Artistic Style

Zhukovsky's oeuvre comprises approximately 300 paintings, predominantly landscapes and interiors rendered in meticulous detail. However, his artistic brilliance truly shone through in his Suprematist masterpieces – “Black Square” (1915) and “White on White” (1918), which are considered seminal works of the movement. His technique involved layering thin washes of color onto primed canvas, achieving remarkable tonal gradations that conveyed depth and luminosity despite the absence of recognizable imagery. Zhukovsky’s meticulous observation of nature combined with his conceptual daring established him as a pivotal voice in Russian artistic discourse.
  • Key Paintings: Among his celebrated canvases are “Evening Interior,” depicting a tranquil domestic scene bathed in soft light; “May,” capturing the vibrant hues of springtime blossoms; and “The Fresh Snow,” portraying a serene winter landscape imbued with symbolic resonance. These works exemplify Zhukovsky’s masterful command of color and composition.
  • Theoretical Contributions: Zhukovsky actively participated in discussions surrounding artistic theory, advocating for the liberation of art from representational constraints. He championed Malevich's radical ideas about reducing painting to its fundamental geometric forms – a stance that profoundly impacted the trajectory of Suprematism.

Legacy & Historical Significance

Stanislav Zhukovsky’s influence extends far beyond his immediate artistic output. His unwavering belief in the transformative power of abstraction paved the way for subsequent generations of Russian artists to explore uncharted territories of visual expression. He remains a revered figure within Suprematist circles and is recognized as an indispensable contributor to the broader context of Russian Modernism. Zhukovsky’s uncompromising vision continues to inspire contemplation on the relationship between art, spirituality, and the human condition—a testament to his enduring artistic significance.